• March 2026
    S M T W T F S
    1234567
    891011121314
    15161718192021
    22232425262728
    293031  
  • On Facebook

  • Archives

  • Categories

  • Comic Blog Elite

    Comic Blogs - BlogCatalog Blog Directory

TMNT Revisited: The Ads of TMNT Adventures 1-4

ads_of_tmnt_link

Full Post at TMNT Revisited

The Ads of TMNT Adventures #s 1-4

Age of Apocalypse Revisited: X-Men Alpha #1

aoa_revisited_logo

xmenalpha001Beginings…

Story: Scott Lobdell
Dialogue: Mark Waid
Pencils: Roger Cruz w/Steve Epting
Inks: Tim Townsend w/Dan Panosian
Letters: Starkings w/Comicraft
Colors: Steve Buccellato w/Electric Crayon
Editor: Bob Harras
Cover: Joe Madureira, Tim Townsend
Published by: Marvel Comics
Cover Date: February 1995
Cover Price: $3.95

The cover proclaims A NEW World! A NEW Beginning! This issue sports a fancy "chromium" cover, and is itself a rather iconic image–to me, at least–of the "new" X-Men, as brought together by Magneto. We see Weapon X (Wolverine) front ‘n center on the front panel of this wraparound cover. Blink, Sunfire, Bishop, Rogue, Magneto, Jean Grey, Quicksilver, Nightcrawler, and Gambit round out the bunch here. Open the issue up to see the back cover as well and we see Apocalypse in the background, with Sabretooth and Wild Child in the foreground, Jubilee and Colossus behind, and some flying stormtroopers (Infinites, I believe) filling out the sky-space of the image.

There are no ads in this issue. 48 pages of story, plus the cover–that’s it. For "only" $3.95. Sorta pricey "back in the day," but quite a bargain by today’s standards. I wouldn’t be surprised to see something like this priced around $9.99 by Marvel nowadays–and shocked to see it under $7.99.

Though this issue kicks off the Age of Apocalypse epic, it does not itself carry an Age of Apocalypse badge–this is a "bookend" issue that serves as a prologue to the entirety of the event encompassing ten or so titles across the four months.

We open on a wasteland, where we meet Bishop–whose mind was damaged by the energies that ripped Legion and the other X-Men away in X-Men #41. We find that he’s wandered for the 20 years since. Here, he’s become the focus of an attack from Unus and his troopers who were chasing a young human who found momentary hope in Bishop. The X-Men arrive–Magneto’s X-Men–and the battle is joined. Emerging victorious, the X-Men are then confronted by Bishop, who recognizes Magneto and levels some major accusations at him. Magneto sedates him and they take Bishop for questioning.

Meanwhile, we meet Beast–Henry McCoy–a mad scientist figure experimenting on mutants. Havok touches base, and the mutant (Blob) being experimented on attacks, and the pair are "rescued" by Cyclops–with long hair and only one eye, and see that he and Havok have a horrible relationship. The two are part of Apocalypse’s group, by way of Sinister–who arrives and chastises the two for fighting, and then speaks cryptically and leaves. The scene shifts to a bar maintained by Angel–Heaven–where he’s confronted by Gambit, who is looking for Magneto. We shift to the X-Men, questioning Bishop, then to Apocalypse and his upper ranks as he reveals plans to destroy the last of humanity.

The story shifts to Weapon X and Jean meeting up with the Human High Council, and then back to Magneto’s group. "Feedback" from Rogue touching him leads to Magneto seeing fragments of a universe that might have been, leaving the older mutant troubled. He immediately sends Nightcrawler to seek Destiny in order to get confirmation of his vision. Meanwhile, Sinister’s gone missing, and Apocalypse nudges things into motion. The X-Men know "something" is up, but not specifics. While off in space, a certain crystallization wave heads toward Earth.

I don’t usually like summarizing an issue so thoroughly–but there is a LOT going on here. And it all works, for me. There’s a lot of vagueness and toss-off references scattered throughout that don’t necessarily make a lot of sense now, in context of just this one issue–but having read this before and knowing the characters, I follow them quite well. This sets up the various books that make up the Age of Apocalypse saga, introducing us to core elements–the characters and places that will have significant roles in the story to come.

There’s a definite sense of "history" here, and it feels like this could easily BE just a random issue I picked up, amidst an ongoing continuity and not the first actual glimpse at the entirety of said continuity. This is–to the reader–a new world, a beginning of an "Event," but for the characters involved this is simply the present, 20 years after a key incident in Israel.

I remember being quite eager to get into the Age of Apocalypse as a whole and being fascinated by this new version of all the characters. Despite the dark setting of the story, I thoroughly enjoyed reading this, with a familiarity and warm sense of nostagia as I did so.

The art is slightly stylistic at points, and I’m not particularly familiar with Roger Cruz‘s name…but this issue being what it is, none of the art bothered me…I was simply a kid again, enjoying seeing all these characters and where they were, and trying to glean where the story was going from this single issue.

It’s refreshing to read this issue again, and getting a sense of pureness or "authenticity" from what I so enjoyed about this event…before everything that’s come in the past ten years or so as things were changed, pulled from, and generally mucked about with in attempt to get as much out of this story as possible beyond its relatively self-contained nature in 1995.

In short, this issue holds up extremely well to my memory, is still very enjoyable, and leaves me eager to get into the heart of the story.

The ‘90s Revisited: December ’94 X-Books

As the events of Legion Quest were reshaping the ENTIRE line of X-books for the start of 1995, even the titles not directly involved in Legion Quest itself reflected the fact that story was going on, with each title ending with the reality-ending crystallization wave washing over things, most of the books being left on a cliffhanger. While I wasn’t originally going to cover these other titles due to not being direct tie-ins/chapters of Legion Quest, I figured I’d touch briefly on them after all. Here are the resultant five “mini-reviews” of the rest of the December 1994-shipping X-Books.

WOLVERINE #90

wolverine090The Dying Game

Script: Larry Hama
Pencils: Adam Kubert
Inks: Mark Farmer & Dan Green
Lettering: Pat Brosseau
Coloring: Marie Javins
Cover: Adam Kubert, Greg Hildebrandt, Tim Hildebrandt
Editor: Bob Harras

This is one of the more "iconic" issues of this series for me–and certainly harnesses the "feel" of this "era" of the comic for me. The cover is the first thing that stands out, with a hybrid Kubert/Hildebrandt Bros. image–the distinctive Hildebrandts image that would be great on its own, with Kubert‘s art overlaid to the side, and the series logo is almost an afterthought or a formality.

The issue’s story is fairly simplistic, with Wolverine returning to the X-Mansion to keep an eye on the imprisoned Sabretooth while everyone else is away. Wolverine starts out refusing to fight, but pieces things together about the time Sabretooth pulls an escape, and the two brawl. Ultimately they wind up with Wolverine on top, having popped two claws, one to either side of Sabretooth’s head. The villain taunts Wolverine, threatening everyone he loves and cares about, and right as Wolverine pops the third claw–into Sabretooth’s brain–the crystallization wave hits and this never happened, as this universe ends.

While not on the same level as X-Men #s 25 or 41 or Wolverine #75, this is an issue that’s long stood out to me. The ending plays very well with the pre-Age of Apocalypse cliffhanger thing, leaving us hanging a bit on the supposed fate of Sabretooth, what it means for Wolverine to have at long last apparently killed his old foe, etc. (However, the popularity of the characters renders this cliffhanger moot, where some of the "lesser" characters/titles have faded over the years and hold far less memory).

X-FACTOR #111

xfactor111Explosive Performance

Plot: John Francis Moore
Script: Todd Dezago
Pencils: Jan Duursema
Inks: Al Milgrom
Colors: Glynis Oliver
Letters: Starkings/Comicraft
Cover: Tom Grummett, Al Milgrom
Editor: Kelly Corvese
Group Editor: Bob Harras

This issue is one of the more memorable cliffhanger-issues for the month’s X-books, with Guido (Strong Guy) falling to a heart attack, and Reality ends before we learn if he’s actually dead or not.

I remember THAT I’d read a handful of issues of the title from #92-onward thanks to my introduction via the Fatal Attractions crossover the year before. However, other than apparently having read the END, I don’t recall THIS issue’s story prior to reading it this time around.

On the whole, this was a solid enough jumping-in issue…helped perhaps by having read #109 (the Legion Quest Prelude). As I read this issue, I kept mixing up Lila Cheney with Dazzler…two characters I’m familiar enough with name-wise but not so much story-wise. And though I didn’t totally follow–there’s a definite sense I missed plenty with skipping #110–I didn’t feel "lost" or have any particular problem with reading this issue.

That’s probably primarily helped by the fact I read this solely for its "tie-in" to Legion Quest and specifically TO get to the cliffhanger, to have the sense of where the title left off immediately preceding the shift into the Age of Apocalypse itself.

GENERATION X #4

generationx004Between the Cracks

Story: Scott Lobdell and Chris Bachalo
Inks: Mark Buckingham
Colors by: Steve Buccellato
Lettering: Richard Starkings/Comicraft
Cover: Chris Bachalo
Editing: Tom DeFalco, Bob Harras

I’ve yet to *really* ever read any issues of this title–I couldn’t say for sure if I’ve ever actually read an issue, including this one. I remember getting this when it came out, though, so I probably did read it…just without knowing much about the characters. I’d only partially followed the Phalanx Covenant stuff that led to Generation X, and didn’t yet know (m)any of the new characters. This issue’s very stylistic, which I’m not all that enamored with. The story itself isn’t bad, though I don’t much care for the page borders or the little character wandering said borders and holding up page-number signs. It’s an interesting thing to do, and I can appreciate it setting this title apart, as well as the "meta" nature of it. Perhaps it was even "fun" at the time. It just doesn’t do much for me.

Reading this issue for its "lead-in" to Age of Apocalypse was quite disappointing, as it also "bucked the trend" of the other X-books in doing its own thing and then a tacked-on bit to account for the ending of the universe. Not bad in and of itself–a good way to get around being totally formulaic, but my appreciation does not equal enjoyment–and this was the least-enjoyable of the non-Legion Quest X-issues heading into the big event.

X-FORCE #43

xforce043Teapot in a Tempest

Writer: Fabian Nicieza
Penciler: Tony Daniel
Inker: Kevin Conrad
Coloring: Mike Thomas
Cover: Tony Daniel, Kevin Conrad
Editor: Bob Harras

I definitely don’t remember this issue’s story as something I’d read before. I’m familiar with a number of the characters–perhaps from stuff I’ve read in the last 20 years, where I can’t say for sure I’d’ve been familiar with them at the time. I liked the art for this issue, and it’s interesting to see that it’s Tony Daniel, whose work I enjoyed on Batman a few years back. In addition to appreciating the art, I enjoyed this snippet of story–it was cool seeing a number of different characters/situations without them all having to be together in one space; with these multiple ongoing subplots weaving about. The Reignfire reveal seems like it was rather huge at the time, though not recalling anything of the character tells me that’s not something that’s particularly carried to this day.

That the issue involved communication with Cable and was affected by his absence due to things going on in Legion Quest was a definite treat, showing how the various characters tie together and that this issue is not something "on the fringe" of the X-universe of the time but was still closely affected.

EXCALIBUR #86

excalibur086Back to Life

Writer: Warren Ellis
Pencil Artist: Ken Lashley
Ink Artist: Tom Wegrzyn
Letterer: J. Babcock
Colorist: J. Rosas
Cover: Ken Lashley, Tom Wegrzyn
Editor: Suzanne Gaffney
Group Editor: Bob Harras

While I certainly did not pick up on the significance of things at the time, rereading this issue brought back snippets of memory–particularly Kitty’s threat to put Wisdom’s cigarette out, and the issue’s end with the jet crashing.

I do not recall consciously noting before now that this was a Warren Ellis-written issue, though somewhere along the way I became aware of his having been the writer in this general time, and being the one behind the Pete Wisdom character. That this seems to be Wisdom’s first appearance is rather cool.

This issue was a welcome glimpse back to the then-status-quo, and a reminder that Kitty and Nightcrawler had a period of time where they were NOT part of the X-Men themselves. I’d also forgotten about other characters, as well as how much I "miss" Moira’s presence in the X-books. Of course, given contemporary things, that’s practically a generational factor.

The cliffhanger of the characters facing a crash-landing that they weren’t certain of surviving was compelling even back in the day, and has me curious about how the point was resolved when everything returned after the Age of Apocalypse…I’m partially torn on digging that issue out to find out versus allowing myself the wondering until after covering the event itself.

The ’90s Revisited: X-Men #41

90srevisited

xmen041Dreams Die!

Writer: Fabian Nicieza
Art: Ron Garney, Andy Kubert, Matt Ryan
Color: Kevin Somers/Digital Chameleon
Letterers: Oakley / NJQ
Editor: Bob Harras
Published by: Marvel Comics
Cover Date: February 1995
Cover Price: $1.95

This issue is one of THE iconic issues of my youth. I’ve read and reread the issue countless times. It sticks in my head, and is one of the key issues I think of when considering X-Men stories. The cover image is iconic, as is the silver-ink coloring on the cover (shockingly enough in a way, there’s no foil to the cover.) I have a number of copies of this issue in my collection, as I often buy it from quarter bins for the nostalgic factor. And if only "mentally," the cover combined with my recollection of the issue really lends a bit of finality to the thing, like this really could be a "final issue." (Perhaps that’s also helped by the fact that Marvel doesn’t seem to like any of their titles getting much past 30 these days).

We open this issue with the four time-lost X-Men staring in disbelief at the scene that surrounds them–of Legion and Magneto trading blows in the skies over Haifa, their memories having finally returned (for all the good it does them). They seek out young Xavier, and take turns taking on Legion themselves, before Iceman finally manages to freeze him solid. Meanwhile, in the present, everyone comes to accept that despite their best efforts–of the several X-Men "tagging along" to the past as well as the attempt with Cable to contact them–they’ve failed and the finality of their universe rapidly approaches.

In the past, things come to a head as Legion pounces on Magneto, planning to kill him with a psionic blade…but young Xavier throws himself at them, and is the one killed. But with a dead Xavier, there never would be a David Haller. No David Haller means no X-Men-in-the-past. For that matter, no X-Men. No X-Men, no world where the X-Men have been around to save it umpteen times. Etc. Reality ends. With only moments to react, everyone faces the crystallization wave, taking their final moments in their own ways.

The world ends with neither bang nor whimper…but in an eerie, silent, shimmering shroud of glass. A world, which like one man’s dreams–proved to be such a delicate thing. And when not handled with enough care…is so easily…shattered…

I’d forgotten or not really noticed before how much the art of this issue was broken up. I REMEMBER it as a cohesive whole…and this time through, even, just reading through, I didn’t consciously note any particular "breaks" in one penciler over the other. I just kept right on going, and would actually have to go back through very specifically to pick out which pages were by which team. Which is the way it SHOULD be, for this sort of thing. Garney and Kubert certainly complement each other with a similar enough style–whether one veered toward the other or not, I don’t know.

That goes into the story side as well…namely, that this was such a monumental thing for me back in the day, that even reading it now, it simply IS. I flew through the reading, remembering all these little parts as I went along, as I came to them. Yet the art never jumped out at me or turned me off for anything…it was just there, consistent enough that it definitely worked for me.

Huge as this issue is for what happens, it’s a quick read, and reeks of a foregone conclusion. The cover itself proclaims To All Things–An ENDING!" and we see a beaten Magneto holding the body of Xavier (not entirely accurate as Erik wasn’t yet Magneto and all that, but the cover gets plenty across symbolically with the costume’s presence).

The issue’s narration is particularly poignant to me even if it is a bit heavy on the "telling instead of showing" thing. By the final couple pages we see bits showing how fully in-continuity this is for the X-Books (though it didn’t affect the non-X books of the time).

It strikes me that for a contemporary comic of this magnitude, this would have been a foil-enhanced cover for sure, probably $4.99 to $5.99 and a Very Big Deal despite "only" ending the "prologue" to the main event it’s setting up: the massive Age of Apocalypse, with the entirety of the X-books going on hiatus for a third of the year, replaced by four-issue mini-series on a one-for-one basis.

This issue ends Legion Quest, and as an ending to that story, and as an issue taken by itself, it works well for me. With modern comics it seems like story endings are merely backdoor prologues for the Next Big Event. While, yes, this "leads into" Age of Apocalypse in general, the issue itself ends, with finality. Legion Quest is the story of Legion going back in time to kill Magneto, with several X-Men hitching a ride back to stop him, while the rest gather and try to "help" as they can from present-day…but as a whole, the entire thing fails–including Legion himself…which ends their reality.

So far as we see and "know" within the story, everything ends. No broken timestream–just an ending. No revelation of some alternate timeline, no popping-in of some hero from another timeline to save things at the last second, no deux ex machina resolving things in the final panel, no crap ending to an otherwise decent story…this could very well have simply been THE end.

And for the kid I was, this was exciting stuff, and took me "all in" for Age of Apocalypse, and combined with Superman and Batman stuff in the couple years prior made for a massive touchstone in my experiences as a comics reader that holds over into the present.

As my rambling on this issue shows…I’m hardly unbiased, and have loads of thoughts and memories associated with this. But having now covered this issue…next week, I look at X-Men: Alpha and then on into the Age of Apocalypse itself!

TMNT Revisited: TMNT Adventures Reprints, part 1

tmntadventures_thereprints_02

Full Post at TMNT Revisited

TMNT Adventures: The Reprints, part 2

The ’90s Revisited: All New Exiles vs. X-Men #0

90srevisited

allnewexilesvsxmen000X-Over

Writer: Terry Kavanagh
Penciller: Ken Lashley
Inker: Tom Wegrzyn
Letterer: Patrick Owsley
Color Design: Shannon Blanchard
Interior Color: Malibu
Cover: Dan Panosian
Editors: Chris Ulm, Jerald Devictoria, Bob Harras, Ben Raab
Published by: Malibut Comics
Cover Date: October 1995
Cover Price: n/a (promo/mail-away issue)

I’ve long sought this issue…based on the cover date, it’s safe to say I’ve had at least SOME level of interest in this for 19 years. From what I recall, this was a send-away promo issue. Mail in some bound-in coupon from an ad along with $10 or so, and receive the issue in the mail once it shipped. Simple…but very, very EXPENSIVE…especially for a then-14-year-old. As such, the offer passed me by and my life moved on none the worse for it.

This copy, that I’m covering this in mid-December 2014, came from finding the issue loose in a 25-cent bin this week, and in remarkably good condition for its age and rarity. Of course, I say rarity as I cannot recall ever before coming across this issue in any sort of bargain bin. While it’s not a particularly expensive issue, it’s been expensive enough–more than “just” a couple dollars–that I hadn’t acquired it before now.

Unfortunately, this issue’s had nearly two full decades to build my anticipation of the reading experience…which made this the obvious let-down that one really ought to EXPECT from the situation. This is a one-shot, in-continuity for the Exiles characters but not so much the X-Men side. It was published as a promo outside the regular numbering of the post-Black September All New Exiles series. And it’s no “key issue” of any sort that I can tell…a fact that adds to the sense of disappointment. So let’s leave all that aside.

The cover feels a bit odd to me with the two teams’ logos seeming strangely small on the cover. Granted, each logo individually would usually fill the top space of a cover and it’s not likely anyone wanted to crowd out the image with logos. But these logos being so small and the image being what it is, the logos kind of get lost in the viewing. The image itself, though–of X-Men Storm, Beast, Iceman, Rogue, and Gambit standing in front of some sort of poster of the Exiles–works quite well for me despite the visual style seeming vaguely manga-esque and cartooney to me (particularly compared against some of my favorite Age of Apocalypse-era X-books from early 1995).

The interior art is not bad, and carries a definite ’90s “feel” to me. I recognize Lashley‘s name from Excalibur (and the title’s Age of Apocalypse iteration X-Calibre), so there’s that air of “authenticity” on the X-Men angle for me, even if Excalibur was never a “core” X-book to me growing up. Characters look pretty good throughout this issue with only moments of difference to me where something doesn’t look quite “right.” I do attribute this to the art not being Kubert, Lee, or someone I’m more consciously (and nostalgically) familiar with far more than I do any particular artistic fault. I’m not unimpressed, and other than the conscious analyzing for this review, the art remained relatively unnoticed and simply “there” as I read the issue.

The story isn’t anything fancy…it has a lot of potential but seems rather rushed. Of course, that particular fault I’d attribute to contemporary comics and the drawn-out 4-6 issue story arcs and lack of done-in-one single issues…especially something with only 22 pages, that isns’t even an over-sized/extra-length issue.

We open on Charles Xavier–founder of the X-Men–frustrated at his inability to locate the Juggernaut (Cain Marko, his step-brother) anywhere on Earth. Having picked up on their mentor’s frustration, the X-Men join a physical search, enlisting the aid of Gateway to check other dimensions. Once in another dimension, they find themselves face to face with the Juggernaut and others, where a fight breaks out. The two groups are then distracted when a creature attempts to come through the portal Gateway had opened, and they’re forced to work together to stop it. Ultimately, the status quo is restored with the X-Men returning to their dimension and the Exiles left on theirs with no way to follow the X-Men without re-energizing the creature they’d just stopped.

There’s not a lot of room for any characters to have actual characterization given how many are here and how few pages, along with the story being set up and moved along. Again based on contemporary standards, something like this seems like it would be best served existing as a 3-4+ issue mini-series. Crammed into one issue, we pretty much need to be familiar with the characters to get anything out of this. Familiar or not, everyone’s pretty much to be taken at face-value, with limited dialogue to contextualize things.

I would expect more of this issue–as a singular, special thing. Given its length and publication, this feels more like I picked up a random issue of All New Exiles that happens to guest-star the X-Men…something rather akin to what I picture of random crossovers in “indy” comics…that is, one side or the other takes more out of the story and the other property seems to have no reference to it other than the character(s’)’s existed in the given issue.

Despite my expectations and relative disappointment…for the 25 cents I paid, this was a very good issue and well worth my having bought and taken the time to read. It does also lift my interest in delving into the All New Exiles…though that particular reading project is quite a ways off yet as I seek to complete my Ultraverse collection.

allnewexilesvsxmen0

The ’90s Revisited: Cable #20

90srevisited

cable020An Hour of Last Things

Writer: Jeph Loeb
Guest Artist: Ian Churchill
Guest Inkers: Bud Larosa w/Barta & Carani
Lettering: Richard Starkings/Comicraft
Colorist: Mike Thomas
Editor: Lisa Patrick
Group Editor: Bob Harras
Published by: Marvel Comics
Cover Price: $1.95
Cover Date: February 1995

This issue takes place during and after Uncanny X-Men 321. That issue had noted this as a must-read; this returns the favor. This issue definitely requires the context of the Legion Quest story so far, but those issues don’t require this.

We get a bit of exposition while seeing the present-day group facing the apparent dangers Cable, Xavier, and Jean face with their psionic time-communication thing. We then pick up with Cable’s "return" to the present, and realizing that despite his having made contact, it apparently didn’t do any good–nothing in the present has changed, and the universe is still coming to an end…which forces everyone to face the fact that this IS their final hour. Much of the issue is the reactions the characters have, who they turn to and how, in this "hour of last things."

Despite some panels where the art seems a bit minimalistic or at least not as detailed in linework as I’m used to and would expect…I really enjoy the visuals in this issue. As with all the previous chapters of Legion Quest, this is extremely "familiar" to me, bringing back memories…something that surely colors my views on the art–where I might complain a bit with a contemporary issue, this one sits perfectly fine with me, being simply another part of a whole, a piece of a larger positive memory, and the general good feelings I have revisiting a favorite, favored period in comics.
I did notice, however, that Archangel’s costume seems to have a lot of red to it here, where I’d noticed blue previously. I’m not sure if there was something I’ve forgotten in-story for the varied colors, but it was a bit of distraction. I like the LOOK overall, just not sure why the red instead of blue.

The cover is one of those distinctive "iconic" ones for me. And yet, somehow looking at it for this review now MIGHT be the first time I consciously realized it’s showing the crystallization wave taking the characters, and not just a generic shot of them facing something else.

The story itself is by Jeph Loeb–who at the time I didn’t know from any other writer–but whose name I know quite well at present and have not been overly thrilled with despite quite enjoying Superman: For All Seasons and such in particular. While this IS part of a larger story, I love the "moments" between the various characters, as well as the overall feeling OF this being a final issue, an actual final chapter.

I’m pretty sure I knew better at the time, back in 1994 than to think these titles were going away PERMANENTLY, and was certainly geared up for the Age of Apocalypse as a large but temporary story. The "official" revelation in-story of Scott and Jean’s part in Cable’s life was particularly key, as is Cable’s "moment" with Domino. Despite this issue covering some of the same ground as Uncanny X-Men 321 and X-Men #41, it leaves certain particularly beats and "moments" to those issues…but what we see here builds on the overall feeling of continuity, that this is truly taking place in the same world and time as other issues rather than just being "related" to each other.
Perhaps it’s the issue’s ending, or the interaction of Cable, Cyclops, and Jean, but this is easily one of my favorite issues of the entire Cable series…and reminds me why the Cable of this period is my favorite take on the character (especially in the face of the last few years of the character).

Only one issue directly involved with Legion Quest remains, as the X-Universe comes to an end…if only for a time.

The ’90s Revisited: Uncanny X-Men #321

90srevisited

uncannyxmen321Auld Lang Syne

Plot: Scott Lobdell
Dialogue: Mark Waid
Penciler: Ron Garney
Inkers: Townsend, Green & Ruinstien
Colors: Steve Buccellato
Letters: Chris Eliopoulos
Editor: Bob Harras
Published by: Marvel Comics
Cover Date: February 1995
Cover Price: $1.95

Though–like other issues of this story–this issue’s cover doesn’t stand out too much to me, it’s definitely familiar seeing it…and the orange background also reminds me of a couple of key Superman comics of the ’90s as well. Before I even started actually reading the issue, the first page had the credits, and while looking to those, I spotted a small notice: "X-Fans! With This issue You MUST Read Cable #20!"

Given my current reading project–the entirety of Legion Quest–as well as already owning the issues involved and their being quarter-bin fodder and all that, I’m not even phased at a notice inside an issue being my first "official" notification of something being a "key" tie-in (as opposed to the cover blurb listing Legion Quest Part X of 4). Spring something like that on me in a contemporary $4 Marvel comic and I’d be quite put-off. Here, however, I love it! Not yet having moved on to Cable #20, I believe this was where we saw stuff–in this issue–from the time-lost X-Men point of view, while in Cable we get much more detail of his involvement and see things from HIS point of view.

This issue gives what feels to me like a much larger chunk of time spent with Xavier and Erik (Magneto) in the past, when their friendship was fresh and good, before anything had gone sour on them.

The two hang out in a bar, and wind up in a fight with some sailors when Xavier refuses to allow someone to get away with mocking a crippled beggar. He and Erik wind up fighting back to back, emerging quite victorious. In the present, the X-Men (and Cable) wait for the Shi’ar to finish cobbling together a device that will allow Jean, Cable, and Xavier to collectively reach back in time to the X-Men there and set them on their mission. Meanwhile, in the past the X-Men have taken on jobs while seeking to piece together their memories and purpose for being where they are. At the same time, the mysterious young man in the hospital–Legion–awakens and finds his mother. Cable’s psychic projection of sorts makes it to the past and encounters Bishop, while Legion’s woken and stirs trouble.

It seems there’s not an entirely stable creative team on this book at this time, as Garney is the third artist in as many issues. Yet, the visuals largely hold to a "house style" such that I honestly don’t believe I’d’ve really noticed withOUT paying attention to the credits. This is a good thing, as the characters all retain their familiar looks and nothing really seems out of place. I firmly enjoyed reading, and nothing about the art took me out of the story or distracted me–this being a definite success in terms of what I look for in art in any given comic.

The story itself is good, and I REALLY enjoyed the interaction with Xavier and Magneto. I can’t imagine these issues were not integral to why I so enjoy the notion of their friendship and the depth of characterization it provides. There’s one scene that I’m not 100% sure how to interpret—apparently Xavier and Gabby—that works in one way, but is EXTREMELY disturbing taken another. I’d like to think I’m just overthinking on that.

I’d been reading Uncanny X-Men regularly for over a year and X-Men sporadically in that time, as well as watching the Fox Kids animated series–all of which I believe converged in terms of showing the two men as old friends gone different directions, and greatly informed my views on–and interpretation of–the characters.

I feel like I could enjoy a bunch of issues just of Xavier and Eric interacting; slice-of-life sort of stuff. I’ve read plenty of stories of the two as foes, and of the X-Men, etc. so I know where they wind up; seeing more of their meeting and early interactions would flesh that out more.

As I reflect on this, it also puts me in mind of the recent 2011 and 2014 X-Men films involving the younger versions of Xavier and Magneto, and I have to wonder how much these issues may have influenced those; generic as the concept can be.

This is the penultimate chapter of Legion Quest proper…but there are still two more issues to go, with Cable #20 being an important tie-in, and then the final chapter in X-Men #41.

TMNT Revisited: TMNT Adventures #4

tmntadventures004

Full Post at TMNT Revisited

Teenage Mutant Ninja Turtles Adventures #4

The ’90s Revisited: X-Men #40

90srevisited_thumb[2]_thumb

xmen040Legion Quest part 2: The Killing Time

Writer: Fabian Nicieza
Penciler: Andy Kubert
Inker: Matt Ryan
Letterer: Bill Oakley
Colorist: Kevin Somers
Editor: Bob Harras
Published by: Marvel Comics
Cover Date: January 1995
Cover Price: $1.95

Having responded to Jean’s distress, the other X-Men squad scours the desert for their missing teammates. On locating Jean but not the rest of the group, they rush her back to the temporary HQ, where she awakes and tells them about Legion. Meanwhile, in the past, the time-lost X-folks have no memory of who they are or what they’re doing in the past. Several weeks have passed for them, and they’re beginning to regain some memories, just not the key ones. Also in the past, Xavier and Magneto continue to interact as we see the growing friendship, as well as Xavier’s romance with Gabrielle Haller. Erik deals with an anonymous patient who unlocks painful memories. In the present, Cable and Domino arrive, and while they’re assessing things, a cosmic projection from Lilandra of the Shi’ar brings tidings of doom to the heroes of Earth…information authenticated by presence of numerous Watchers.

Going through this issue, I’ve realized that Andy Kubert is–alongside if not moreso than Jim Lee–probably my favorite X-Men artist. I love the looks of the characters in this issue, the layouts, etc. I normally don’t notice the art like this, but it hit me here, and actually added to my enjoyment of the issue.

The story’s not bad. While I’m reading these for the first time in years and without the context I’d had when I originally read them, I’m also noticing a similarity in the books that is quite pleasant–where I probably honestly would not be able to tell you for sure who did what issue’s story(ies) between this and Uncanny X-Men withOUT the credit boxes.

There’s a two-page “interlude” in this issue that addresses Wolverine’s absence (he left the X-Men after Fatal Attractions and from what I recall is just now returning to the mansion and the group)…and sets up his “final issue” for the next month. Almost a pointless bit, but well worthwhile all the same and fitting in the time of touching on numerous plots and not keeping a tight internal story “just” for the eventual collected volume.

I’d remembered the core of Legion Quest being four parts but couldn’t remember how it was broken down…with this issue, a lot of it came back…though I won’t elaborate here, as there are still several issues to cover.

While truthfully I’d forgotten all about this issue’s cover image, having it brought back to mind it is rather iconic–showing Legion with the flames all around. It stood out quite a bit to me back in the day, but being a middle chapter of this story and such it just didn’t stick with me the way the final chapter did. The issue doesn’t begin or end the story, just moves things along…but it was still very much a treat to re-read, and continues drawing me back in time myself, 20 years, to when I was a kid reading these for the first time…when the story was current and unfolding and not essentially a footnote in the history of the X-Men.