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Age of Apocalypse Revisited: Astonishing X-Men #1

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astonishingxmen001Once More With Feeling

Writer: Scott Lobdell
Penciler: Joe Madureira
Inkers: Dan Green, Tim Townsend
Letters: chris Eliopoulos
Colors: Steve Buccellato
Separations: Digital Chameleon
Cover: Joe Madureira, Tim Townsend
Editing: Bob Harras
Published by: Marvel Comics
Cover Date: March 1995
Cover Price: $1.95

This is another “iconic cover” to me, with Magneto front ‘n center and the rest of his group of X-Men there as well–Blink, Sabretooth with Wildchild, Morph, Sunfire, Rogue, Banshee, Iceman, and Storm. The AoA Magneto is probably my all-time favorite version of the character, and I quite like Rogue with the cape. This is also my favorite Sabretooth design.

While Magneto ponders how to proceed in light of what he’s learned from Bishop (see X-Men: Alpha), Blink and Sunfire return via one of her portals, barely escaping one of Apocalypse’s minions. The X-Men are “victorious,” and Sunfire reveals that Apocalypse not only lied but has sent his son Holocaust to personally carry out a new round of cullings. Meanwhile, Apocalypse is briefed, that it’s only a matter of time until the X-Men are located. Gambit gets a few moments with Rogue to catch up before he takes off with his X-Ternals. Nightcrawler converses with Magneto about the implications of Bishop’s presence. Morph adds a bright spot to things as Rogue readies her team to leave, and Bishop has a moment with Quicksilver over what he’s set in motion.

While this is a first issue, it’s clearly part of something larger. For one thing, it draws heavily from the introductory stuff in X-Men: Alpha–from Bishop and his presence, to Magneto having set other stuff in motion. However, I’m a bit surprised at Nightcrawler’s presence here, having thought he actually took off immediately on Magneto’s order to go find Destiny. Even having so recently re-read Alpha, I can’t recall for sure what Blink was up to, so the fact she and Sunfire were off and about is a slight surprise to me, at least in their discovering the resumation of the cullings being either off-panel or in another issue I’ve not gotten back to yet.

Somehow through the years, I’ve gotten it into my head that I was not particularly a fan of Madureira‘s work…but by and large I really enjoyed his work in this issue. As mentioned regarding the cover, I particularly enjoyed the character designs on Magneto, Rogue, and Sabretooth here. Blink also looks quite distinct, familiar, and “normal” to me. The visuals brought back a definite sense of nostalgia here–as I expect most (if not all) of these Age of Apocalypse issues are going to do.

I don’t recall much in the way of thoughts I had back in the day beyond the cover still standing out to me. I noticed on this read-through that Rogue has a collar much like Magneto’s holding her cape in place, and it’s interesting re-adjusting to the notion of a romance between the two. She’s certainly a rather young mother figure to Magneto’s relative age…and yet, that works quite well for me here. Events in my personal life as I’ve aged myself make Gambit’s situation a lot more understandable and identifiable for me…where the character wasn’t nearly so sympathetic 20 years ago.

Though this has the aforementioned feeling of being something larger, it also feels like a solid first issue, introducing the reader to the basic situation at hand and identifying the main characters. References are made to the larger story, accompanied by the Lost Art Of The Footnote directing readers to consider Amazing X-Men, X-Calibre, and Generation Next in an offhanded way that doesn’t require it but shamelessly “plugs” those series. This issue is clearly moving pieces around the board a bit and starting to situated stuff, while bridging the events of X-Men: Alpha and the series that make up the Age of Apocalypse saga itself.

Valiant Variant Annoyance

When spread across multiple CHAPTERS of a story (whether restricted to the same title or multiple titles in a crossover) I often rather enjoy piecing together a larger image from several comics.

xomanowar031_ab

When it’s done like this–2 to 3 "panels" of a single image split  on the SAME ISSUE, it just totally ticks me off and frustrates me to no end.

I do not understand the practice, and I REFUSE to buy multiple copies of the same issue when the SOLE DIFFERENCE is which PART of the cover image is ON the cover.

Why this could not have been the cover images to #s 30 & 31, or 31 & 32 is beyond me.

Age of Apocalypse Revisited: X-Man #1

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xman001_thumb[5]Breaking Away

Writer: Jeph Loeb
Pencils: Steve Skroce
Inks: Sellers, Smith, Larosa, Conrad
Lettering: Starkings/Comicraft
Colors: Mike Thomas
Editor: Lisa Patrick
Cover: Steve Skroce, Cam Smith
Published by: Marvel Comics
Cover Date: March 1995
Cover Price: $1.95

Well. That was a surprisingly fun re-read. X-Man #1…an issue I knew was–for purposes of this Age of Apocalypse Revisited project–at the head of the list, something I’d have to read pretty much first thing…but was thankful Astonishing X-Men was in that first bit as well. Though the cover is distinctive, I had it in my head to somewhat dread reading this issue.

The cover is rather simple yet quite iconic. I like the bold red (plain as it is) of the background, with a powered-out Nate Grey (the X-Man) standing there over what is either simply rubble or rubble and an Infinite that he’s taken down. It’s bright, it grabs the attention, and is (based on the editions I have) the only one of these first issues to not carry the "badge" of ENTER NOW: THE AGE OF APOCALYPSE. This issue’s cover simply proclaims THE AGE OF APOCALYPSE BEGINS NOW! And as such, with no other fancy logo-ing, the typical (for the time) X-Men corner-box and such, this appears simply to be a premiere issue for something new and long-lasting…little did I know at the time I first read it 20 years ago.

The issue’s story picks up with what appears to be a flashback (turns out to be a memory) as we get a glimpse of Nate’s escape, as well as his "discovery" of the Xavier mansion as Magneto’s mission-setting wraps up. His walk on the astral plane or psychic projection or such is cut short by Forge, as we see Nate has unleashed an incredible amount of energy, causing plenty of destruction and possibly jeopardizing his friends. With apologies he resumes his usual role, and the group makes their way to another town for the night’s performance–they’re rather effectively masquerading as a simple traveling theater company. Of course, this being a first issue of the last days of the AoA, things are bound to "happen" and the group is attacked and Nate leaps into action to defend those he can…and as he does, a young mutant discovers she IS a mutant as she leaps to warn him of an attack from behind.

I really dug the art on this issue. Skroce‘s work really stood out to me. I particularly liked the look of Cyclops and Magneto…and all the other characters are quite well-done as well. There’s a look both familiar yet distinctive about them, and I consider myself quite impressed–to my surprise–at the visual feel of the issue.

As indicated above–this was quite a surprise to me as a whole, that I really enjoyed this issue. While I know what comes down the road, in and of itself this issue hooked me. As a start to the Age of Apocalypse proper–the "extended universe" of sorts, beyond Magneto’s group, I think this did a great job.

TMNT Revisited: The Ads of TMNT Adventures 1-4

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Full Post at TMNT Revisited

The Ads of TMNT Adventures #s 1-4

X-O Manowar #31 [Review]

xomanowar031aSmall Packages

Writer: Robert Venditti
Penciler: Diego Bernard
Inker: Alisson Rodrigues
Colorist: Wil Quintana
Letterer: Dave Sharpe
Cover Artists: Raul Allen, Emanuela Lupacchino
Assistant Editor: Josh Johns
Associate Editor: Tom Brennan
Editor: Warren Simons
Published by: Valiant
Cover Price: $3.99

Hard to believe this title is already on #31. Particularly in an "age" where it seems hardly anything makes it much past #12 or even 25. All the more significant because with the #0 issue, this marks 32 for the title, and having been following it since #1, that’s 32 issues I’ve been following X-O Manowar month-to-month in the single issues…in this "age" of the collected volume, graphic novel, or bookshelf-format books.

This is the second part of this Enter Armorines arc…though in a lot of ways this feels like a first. The arc continues the trend of new takes on "old concepts" for Valiant; and we get a fuller introduction to the Armorines in this issue. Aric is pulled into things in the wake of the Armor Hunters incident to meet the Armorines–soldiers outfitted as a defense against a repeat of that incident. Unlike Aric’s armor that has all sorts of abilities, the Armorines’ armors each have a specialty. Their creator points out that rather than having an "all in one" unit he can make more money keeping things divided, as well as even being able to make money when the only difference is a paintjob (a commentary I liken to the notion of variant covers with comics). Of course, the Armorines aren’t quite the allies that Aric expects, paving the way for the conflict of the next couple issues.

Story-wise, this isn’t a bad issue, though I didn’t pick up on a subtlety at the beginning until I went back and looked at it again after reading the issue in full. I definitely appreciate that Armor Hunters has not been swept under the rug for the next shiny thing–we’re getting actual fallout and development based on the events of Armor Hunters, and there’s some time for this to breathe before we get into another event later in 2015.

I’m not terribly particular on the art–the visuals are not bad, nor do they blow me away. The issue’s opening works visually, especially once I know the context, and the rest of the issue simply "is" for me.

However, I am not AT ALL happy about the cover image being only one panel of a multi-panel image FOR THE SAME ISSUE. As much as variant covers are probably my biggest pet peeve in comics…multi-part connected images ON THE SAME ISSUE are my biggest pet peeve WITHIN the notion of variants. If I were to base picking this issue up on the cover, I’d be more than done with this book on that principle. Since I follow the book for the story and don’t tend to pay MUCH attention to the covers long-term…I’m annoyed on principle right now, but hopefully the story will crowd that out for my long-term memory. (The splitting of the image across versions of the same issue is in stark contrast to the wraparound cover on #26!)

All in all, this is a fairly standard-ish issue…nothing overly stand-out (despite the "introduction" of the Armorines) but nothing bad. I do look forward to the next issue and seeing Aric get some payback for what’s done to him in this issue. It’s also interesting to consider that these Armorines–while antagonists in this issue–have the "potential" to be protagonists in their own story.

If you’re following the series, this is a good "next issue" of the ongoing. Being mid-arc, if you’re not already following, you’ll probably be better served tracking down the previous issue or two or waiting for a collected edition. Or if you love variants and whatnot, you could pick up a couple copies of this issue for a larger image (that ought to have been a wraparound cover).

The Weekly Haul – Week of December 31st, 2014

Final comic shops visit for 2014…

weeklyhaulweekofdecember312014a

Despite being a really "small" week for DC…since I’ve been getting the weeklies, I didn’t notice a "break" in things at all. Image had a $1 issue, and Valiant actually had one issue out.

I also took advantage of an after-Christmas 20% off sale for a couple more Walking Dead volumes, working on getting caught up there.

weeklyhaulweekofdecember312014b

It’s been a number of years since I’d gotten a new Walking Dead "standard" TPB. (I started with this format, and am too far in/committed to switch to any of the other formats). My last was vol. 13, and 22 is the newest. I’d "gone back to" the single issues for a couple years or so; dabbled in digital for a couple years, and outright passed on the series entirely since All Out War ended (thanks to my continued personal boycott of comixology since they did away with in-app purchasing for iOS).

But it’s been bothering me, to look at my bookshelves and see that gap, to be missing nearly HALF of the series, so I’ve been working on "catching up" on the 9 or so volumes I’d not yet picked up. I snagged 3 volumes from Half-Price Books; I’d picked up vol. 22 as an all-new read at the start of Comic Heaven‘s 20% off sale; and then vols. 20-21 this week. I intend to finish up with 14-15 and 17 via eBay or otherwise online to get ’em for around half-ish off.

Superman Unchained

superman_unchained_02In early 2013 or so, I recall a bit of personal excitement that had me ready to jump back into the Superman books…the prospect of a quasi “return” to there being several familiar titles each month. Superman and Action Comics were (and are, and remain) two “staples” of the New 52, and aren’t likely to disappear regardless of creative team turnover. There was the digital-first Adventures of Superman, and the pending Scott Snyder-takes-on-Superman fourth title, rumored at the time to be “Man of Steel” or such with the new movie on the immediate horizon.

The Snyder book wound up being Superman Unchained, and quickly soured me. I remember a fair bit of hubbub over the price point on the title–the first issue was $4.99, apparently super-priced due to the inclusion of a pull-out “poster” that would actually tie to the story. I got the issue, and was VERY disappointed with the so-called poster, as it was just some stupid, giant-sized “panel” of Superman crashing through a satellite. Nothing that couldn’t have simply been done as a “regular” double-page spread or such. It by no means needed a poster or pull-out or whatever, and was nothing “worth” putting on a wall or framing for the wall.

That the title was a $3.99 book–to my knowledge–combined with the frustration over the vastly over-hyped pull-out soured me. Add to it the slew of expensive variant covers and I didn’t even bother to pick up #2, accepting my loss on the first issue and moving on.

Flash ahead to present, and this “new series” had turned into a “limited series,” ran late, lost steam, etc. and generally fell off my radar.

But there’s a collected volume, a deluxe oversized hardcover…collecting the ENTIRE SERIES, the entire story into a single, nice-looking volume.

superman_unchained_01And while this would EASILY be a $50-$60 book (if not $75 just for the sheer heckuvit) from Marvel…from DC, Superman Unchained is a WHOPPING $29.99 cover price as an oversized hardcover. 9 issues, content from a Director’s Cut of #1, PLUS a cover gallery of all those too-many-to-count variants of the first six or so issues (presumably before the title ran late and lost steam and all that). 9 issues at $3.99 apiece would be $36ish. $37 for that first issue being an extra $1. Add another $4 for the Director’s Cut (I think it was actually $4.99 if not MORE, though) and we certainly hit the $40 mark. Heck, even at a mere $2.99/issue…9 issues and the director’s cut puts us squarely at $30 MINIMUM.

This book–oversized, hardcover, no ads, no wait between issues, no screwy over-hyped poster gimmick, everything in one volume–is $30.

I have yet to read the story itself…but it’s Snyder. It’s SUPERMAN. It’s A STORY, it’s significantly longer than the Earth One OGNs that I’m willing to buy despite the $20+ cover price. So it’s safe to say that yes…I’m happy with my purchase. The volume is seems a good value. I can’t imagine I’ll dislike the story enough to “ruin” having bought the book. Having followed Doomed earlier this year, I didn’t notice anything in that that was truly impacted by this story; nor have I seen anything else I’m consciously aware of that ties back to this.

So I get an epic-length self-contained Superman story and even if it sucks, it’s done in one at this point and I’m not going to be led into buying other titles or having to track anything down. Money well spent, and an impressive volume for the shelf. 

That I enjoyed paging through the cover gallery as much as I did almost warrants the purchase by itself.

This is truly an example of why I–by FAR–prefer the collected edition format to the single issues.

I don’t have to track down all the variants to get to ENJOY them, their very existence, seeing them with the logo/trade dress. Below, see (on the right-hand side) the “Superman Reborn” series of variants, reuniting classic ’90s Superman creators with the post-Death of Superman-era characters.

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Above: Covers from Superman Unchained #1…

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Above: Covers from Superman Unchained #2…

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Above: Covers from Superman Unchained #3…

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Above: Covers from Superman Unchained #4…

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Above: Covers from Superman Unchained #5…

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Above: Covers from Superman Unchained #6.

Age of Apocalypse Revisited: X-Men Alpha #1

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xmenalpha001Beginings…

Story: Scott Lobdell
Dialogue: Mark Waid
Pencils: Roger Cruz w/Steve Epting
Inks: Tim Townsend w/Dan Panosian
Letters: Starkings w/Comicraft
Colors: Steve Buccellato w/Electric Crayon
Editor: Bob Harras
Cover: Joe Madureira, Tim Townsend
Published by: Marvel Comics
Cover Date: February 1995
Cover Price: $3.95

The cover proclaims A NEW World! A NEW Beginning! This issue sports a fancy "chromium" cover, and is itself a rather iconic image–to me, at least–of the "new" X-Men, as brought together by Magneto. We see Weapon X (Wolverine) front ‘n center on the front panel of this wraparound cover. Blink, Sunfire, Bishop, Rogue, Magneto, Jean Grey, Quicksilver, Nightcrawler, and Gambit round out the bunch here. Open the issue up to see the back cover as well and we see Apocalypse in the background, with Sabretooth and Wild Child in the foreground, Jubilee and Colossus behind, and some flying stormtroopers (Infinites, I believe) filling out the sky-space of the image.

There are no ads in this issue. 48 pages of story, plus the cover–that’s it. For "only" $3.95. Sorta pricey "back in the day," but quite a bargain by today’s standards. I wouldn’t be surprised to see something like this priced around $9.99 by Marvel nowadays–and shocked to see it under $7.99.

Though this issue kicks off the Age of Apocalypse epic, it does not itself carry an Age of Apocalypse badge–this is a "bookend" issue that serves as a prologue to the entirety of the event encompassing ten or so titles across the four months.

We open on a wasteland, where we meet Bishop–whose mind was damaged by the energies that ripped Legion and the other X-Men away in X-Men #41. We find that he’s wandered for the 20 years since. Here, he’s become the focus of an attack from Unus and his troopers who were chasing a young human who found momentary hope in Bishop. The X-Men arrive–Magneto’s X-Men–and the battle is joined. Emerging victorious, the X-Men are then confronted by Bishop, who recognizes Magneto and levels some major accusations at him. Magneto sedates him and they take Bishop for questioning.

Meanwhile, we meet Beast–Henry McCoy–a mad scientist figure experimenting on mutants. Havok touches base, and the mutant (Blob) being experimented on attacks, and the pair are "rescued" by Cyclops–with long hair and only one eye, and see that he and Havok have a horrible relationship. The two are part of Apocalypse’s group, by way of Sinister–who arrives and chastises the two for fighting, and then speaks cryptically and leaves. The scene shifts to a bar maintained by Angel–Heaven–where he’s confronted by Gambit, who is looking for Magneto. We shift to the X-Men, questioning Bishop, then to Apocalypse and his upper ranks as he reveals plans to destroy the last of humanity.

The story shifts to Weapon X and Jean meeting up with the Human High Council, and then back to Magneto’s group. "Feedback" from Rogue touching him leads to Magneto seeing fragments of a universe that might have been, leaving the older mutant troubled. He immediately sends Nightcrawler to seek Destiny in order to get confirmation of his vision. Meanwhile, Sinister’s gone missing, and Apocalypse nudges things into motion. The X-Men know "something" is up, but not specifics. While off in space, a certain crystallization wave heads toward Earth.

I don’t usually like summarizing an issue so thoroughly–but there is a LOT going on here. And it all works, for me. There’s a lot of vagueness and toss-off references scattered throughout that don’t necessarily make a lot of sense now, in context of just this one issue–but having read this before and knowing the characters, I follow them quite well. This sets up the various books that make up the Age of Apocalypse saga, introducing us to core elements–the characters and places that will have significant roles in the story to come.

There’s a definite sense of "history" here, and it feels like this could easily BE just a random issue I picked up, amidst an ongoing continuity and not the first actual glimpse at the entirety of said continuity. This is–to the reader–a new world, a beginning of an "Event," but for the characters involved this is simply the present, 20 years after a key incident in Israel.

I remember being quite eager to get into the Age of Apocalypse as a whole and being fascinated by this new version of all the characters. Despite the dark setting of the story, I thoroughly enjoyed reading this, with a familiarity and warm sense of nostagia as I did so.

The art is slightly stylistic at points, and I’m not particularly familiar with Roger Cruz‘s name…but this issue being what it is, none of the art bothered me…I was simply a kid again, enjoying seeing all these characters and where they were, and trying to glean where the story was going from this single issue.

It’s refreshing to read this issue again, and getting a sense of pureness or "authenticity" from what I so enjoyed about this event…before everything that’s come in the past ten years or so as things were changed, pulled from, and generally mucked about with in attempt to get as much out of this story as possible beyond its relatively self-contained nature in 1995.

In short, this issue holds up extremely well to my memory, is still very enjoyable, and leaves me eager to get into the heart of the story.

Yet More December Acquisitions: The Complete Onslaught Epic

Thanks to a Black Friday sale (online), I was able to get vols. 0, 1, 2, and 3 of The Complete Onslaught Epic for well under the price of two volumes. I paid full price for vol. 4 at a local shop, as it was not available, and seemed (based on searches online) to be out of print and people asking WAYYYY above cover price.

xmencompleteonslaughtepic0to4

This set adds to my Complete Age of Apocalypse Epic as well as the Heroes Reborn and Heroes Return sets. I suppose next up–if I can find ’em cheap (say, $20 or less per volume) and be able to get the entire set in one go–is Spider-Man: The Complete Clone Saga.

Of course, I have a bunch of other volumes also on my “wish list” and I might actually use that as a topic of a later post before the year is out.

The ‘90s Revisited: December ’94 X-Books

As the events of Legion Quest were reshaping the ENTIRE line of X-books for the start of 1995, even the titles not directly involved in Legion Quest itself reflected the fact that story was going on, with each title ending with the reality-ending crystallization wave washing over things, most of the books being left on a cliffhanger. While I wasn’t originally going to cover these other titles due to not being direct tie-ins/chapters of Legion Quest, I figured I’d touch briefly on them after all. Here are the resultant five “mini-reviews” of the rest of the December 1994-shipping X-Books.

WOLVERINE #90

wolverine090The Dying Game

Script: Larry Hama
Pencils: Adam Kubert
Inks: Mark Farmer & Dan Green
Lettering: Pat Brosseau
Coloring: Marie Javins
Cover: Adam Kubert, Greg Hildebrandt, Tim Hildebrandt
Editor: Bob Harras

This is one of the more "iconic" issues of this series for me–and certainly harnesses the "feel" of this "era" of the comic for me. The cover is the first thing that stands out, with a hybrid Kubert/Hildebrandt Bros. image–the distinctive Hildebrandts image that would be great on its own, with Kubert‘s art overlaid to the side, and the series logo is almost an afterthought or a formality.

The issue’s story is fairly simplistic, with Wolverine returning to the X-Mansion to keep an eye on the imprisoned Sabretooth while everyone else is away. Wolverine starts out refusing to fight, but pieces things together about the time Sabretooth pulls an escape, and the two brawl. Ultimately they wind up with Wolverine on top, having popped two claws, one to either side of Sabretooth’s head. The villain taunts Wolverine, threatening everyone he loves and cares about, and right as Wolverine pops the third claw–into Sabretooth’s brain–the crystallization wave hits and this never happened, as this universe ends.

While not on the same level as X-Men #s 25 or 41 or Wolverine #75, this is an issue that’s long stood out to me. The ending plays very well with the pre-Age of Apocalypse cliffhanger thing, leaving us hanging a bit on the supposed fate of Sabretooth, what it means for Wolverine to have at long last apparently killed his old foe, etc. (However, the popularity of the characters renders this cliffhanger moot, where some of the "lesser" characters/titles have faded over the years and hold far less memory).

X-FACTOR #111

xfactor111Explosive Performance

Plot: John Francis Moore
Script: Todd Dezago
Pencils: Jan Duursema
Inks: Al Milgrom
Colors: Glynis Oliver
Letters: Starkings/Comicraft
Cover: Tom Grummett, Al Milgrom
Editor: Kelly Corvese
Group Editor: Bob Harras

This issue is one of the more memorable cliffhanger-issues for the month’s X-books, with Guido (Strong Guy) falling to a heart attack, and Reality ends before we learn if he’s actually dead or not.

I remember THAT I’d read a handful of issues of the title from #92-onward thanks to my introduction via the Fatal Attractions crossover the year before. However, other than apparently having read the END, I don’t recall THIS issue’s story prior to reading it this time around.

On the whole, this was a solid enough jumping-in issue…helped perhaps by having read #109 (the Legion Quest Prelude). As I read this issue, I kept mixing up Lila Cheney with Dazzler…two characters I’m familiar enough with name-wise but not so much story-wise. And though I didn’t totally follow–there’s a definite sense I missed plenty with skipping #110–I didn’t feel "lost" or have any particular problem with reading this issue.

That’s probably primarily helped by the fact I read this solely for its "tie-in" to Legion Quest and specifically TO get to the cliffhanger, to have the sense of where the title left off immediately preceding the shift into the Age of Apocalypse itself.

GENERATION X #4

generationx004Between the Cracks

Story: Scott Lobdell and Chris Bachalo
Inks: Mark Buckingham
Colors by: Steve Buccellato
Lettering: Richard Starkings/Comicraft
Cover: Chris Bachalo
Editing: Tom DeFalco, Bob Harras

I’ve yet to *really* ever read any issues of this title–I couldn’t say for sure if I’ve ever actually read an issue, including this one. I remember getting this when it came out, though, so I probably did read it…just without knowing much about the characters. I’d only partially followed the Phalanx Covenant stuff that led to Generation X, and didn’t yet know (m)any of the new characters. This issue’s very stylistic, which I’m not all that enamored with. The story itself isn’t bad, though I don’t much care for the page borders or the little character wandering said borders and holding up page-number signs. It’s an interesting thing to do, and I can appreciate it setting this title apart, as well as the "meta" nature of it. Perhaps it was even "fun" at the time. It just doesn’t do much for me.

Reading this issue for its "lead-in" to Age of Apocalypse was quite disappointing, as it also "bucked the trend" of the other X-books in doing its own thing and then a tacked-on bit to account for the ending of the universe. Not bad in and of itself–a good way to get around being totally formulaic, but my appreciation does not equal enjoyment–and this was the least-enjoyable of the non-Legion Quest X-issues heading into the big event.

X-FORCE #43

xforce043Teapot in a Tempest

Writer: Fabian Nicieza
Penciler: Tony Daniel
Inker: Kevin Conrad
Coloring: Mike Thomas
Cover: Tony Daniel, Kevin Conrad
Editor: Bob Harras

I definitely don’t remember this issue’s story as something I’d read before. I’m familiar with a number of the characters–perhaps from stuff I’ve read in the last 20 years, where I can’t say for sure I’d’ve been familiar with them at the time. I liked the art for this issue, and it’s interesting to see that it’s Tony Daniel, whose work I enjoyed on Batman a few years back. In addition to appreciating the art, I enjoyed this snippet of story–it was cool seeing a number of different characters/situations without them all having to be together in one space; with these multiple ongoing subplots weaving about. The Reignfire reveal seems like it was rather huge at the time, though not recalling anything of the character tells me that’s not something that’s particularly carried to this day.

That the issue involved communication with Cable and was affected by his absence due to things going on in Legion Quest was a definite treat, showing how the various characters tie together and that this issue is not something "on the fringe" of the X-universe of the time but was still closely affected.

EXCALIBUR #86

excalibur086Back to Life

Writer: Warren Ellis
Pencil Artist: Ken Lashley
Ink Artist: Tom Wegrzyn
Letterer: J. Babcock
Colorist: J. Rosas
Cover: Ken Lashley, Tom Wegrzyn
Editor: Suzanne Gaffney
Group Editor: Bob Harras

While I certainly did not pick up on the significance of things at the time, rereading this issue brought back snippets of memory–particularly Kitty’s threat to put Wisdom’s cigarette out, and the issue’s end with the jet crashing.

I do not recall consciously noting before now that this was a Warren Ellis-written issue, though somewhere along the way I became aware of his having been the writer in this general time, and being the one behind the Pete Wisdom character. That this seems to be Wisdom’s first appearance is rather cool.

This issue was a welcome glimpse back to the then-status-quo, and a reminder that Kitty and Nightcrawler had a period of time where they were NOT part of the X-Men themselves. I’d also forgotten about other characters, as well as how much I "miss" Moira’s presence in the X-books. Of course, given contemporary things, that’s practically a generational factor.

The cliffhanger of the characters facing a crash-landing that they weren’t certain of surviving was compelling even back in the day, and has me curious about how the point was resolved when everything returned after the Age of Apocalypse…I’m partially torn on digging that issue out to find out versus allowing myself the wondering until after covering the event itself.