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Adventure Comics #0 [Review]

Quick Rating: Decent
Story Title: The Legion of Super-Heroes / Origins & Omens

Superboy meets super-powered teens from the future, and a new Luthor/Brainiac team is introduced.

Writer: (AC247) Otto Binder, (O&O) Geoff Johns
Artist: (AC247) Al Plastino, (O&O) Francis Manapul
Colorist: Brian Buccellato
Letterer: Swands
Associate Editor: Sean Ryan
Editor: Elisabeth V. Gehrlein
Cover: Aaron Lopresti
Publisher: DC Comics

This issue is primarily reprint material, reprinting the story from Adventure Comics #247…a silver-age comic. This was the story that introduced Superboy to a super-hero club–the Legion of Super-Heroes. Encountering several individuals who know that he is Superboy AND Clark Kent, Superboy agrees to go 1,000 years into the future with these super-powered teens, who invite him to join their club as an honorary member if he can pass their initiation.

At the end of the issue is a 6-page sequence–the Origins & Omens story (one of which will be found in each of a number of other DC titles this month). This one continues a thread from the recently-concluded New Krypton story and sets the stage for the earliest issues of this series.

The story and art on the reprint are instantly recognizeable as silver age fare. While I appreciate concepts of the silver-age and greatly enjoyed time spent reading through my grandfather’s collection of comics half a lifetime ago, these days I find such stories in a bit of opposition with my interest. However, this story was decent, and it IS interesting to see the early/original version of the characters that would go on to have so much more depth in the years since this introduction.

The Origins & Omens bit seemed extremely short, but it has me interested in what’s to come. And I couldn’t help but recall Whatever Happened to the Man of Tomorrow? as I read this latest version of a Luthor/Brainiac interaction. The writing’s familiar–it’s Johns, after all–and the art is solid.

However, I’m doubtful that the Origins & Omens sequence is itself enough to justify the cover price. If you want the reprint and/or especially enjoy the Lopresti cover, this issue is well worth the $1. And if you’ve never read this story, there are few better ways to get a piece of history added to your “read” pile.

Ratings:

Story: 3/5
Art:
3/5
Overall:
3/5

Wolverine and Jubilee #1 [Review]


Full review posted to cxPulp.com
.

 

Story: 2/5
Art: 3/5
Overall: 2.5/5

Highlander #0 [Review]

Quick Rating: Average
Story Title: Untitled

Russell Nash–AKA Connor MacLeod–gets called into events springing from the death of the Kurgan, tying his story in to the Chernobyl disaster.

highlander000 Writers: Brandon Jerwa, Michael Avon Oeming
Artist: Lee Moder
Colors: Brian Buccellato
Letters: Simon Bowland
Cover Art: Gabriele Dell’Otto
Special Thanks to: David Abramowitz, Peter Davis, Sharon Jenings
Publisher: Dynamite Entertainment

For as much as I consider myself a Highlander fan, my first reaction to this is not quite knowing what’s going on. I’m sure there are nuances I’m not picking up on, or missing, for not having recently watched the original film, nor knowing exactly what sort of continuity this is, given the confusing "continuity versions" throughout the Highlander universe: Movie, TV Series, Cartoon, Endgame

This zero-issue takes place shortly after the events of the original Highlander film, and sets us up to see that there may have been more to the struggle between Connor and the Kurgan than was let on. I’m not familiar with the other characters offhand, and the flashbacks–assuming that’s what they were–left me confused, not entirely certain if they’re flashbacks or what.

However, I think this might need to be approached both from the angle of one approaching a new tv series–things and characters may be shown that don’t make much sense yet, but will later on, and a later re-reading will let the earliest chapters make far more sense in context of what’s discovered as the arc progresses. This should probably also be approached with the realization that it’s based out of a story two decades old, a core that has seen multiple different continuities sprung from it.

I’m most familiar with Duncan MacLeod–the starring character of the live-action Highlander: The Series. However, through watching the original Highlander film several times the last few years and seeing/reading things discussing how great that film was, I’ve been swayed a bit to have a further interest in Connor.

All that said, this series seems geared to the Connor MacLeod fans, who want more of the character than just the trilogy of films, a guest-star role in a tv-series and a debatable role in a fourth film.
The art seems to work well for the issue, though it doesn’t feel overly detailed–which is NOT a bad thing. Everything’s clear and visually not hard to see what’s going on–confusion there comes simply from not knowing certain characters and such terribly well. Visually, we get a Russell Nash/Connor Macleod that is recognizeably based on Christopher Lambert, but given his own "feel."

Having been excited about this series since it was first announced (last year?), I may be judging this a little too harshly for "just a zero issue." After all, this is just a 12-page introduction, for a single shiny quarter (U.S.), and doesn’t begin to have room to flesh much of anything out or get into any meat of a story. It’s a definite teaser, showing us a couple characters that presumably will be focii in the series itself, and teases the motivation for what the story itself presumably entails.

Perhaps just from looking at it in solicitation/advertising materials so much, the Dell’Otto cover is an awesome Highlander image–if there’s not a poster, there should be one with this image. We get a nice, iconic image of Connor and the Kurgan; the two ready to enter combat, all divided by Connor and The Quickening.
This probably has the most appeal for Highlander fans who’ve been into things for awhile, but certainly doesn’t rule out new readers. There’s a lot that’s steeped in Highlander continuity, but at the same time, one has to start somewhere, and should quickly be able to pick up on things. Again, 12 pages is hardly enough to truly judge any story–or creative team–on.

If you’re a fan of Jerwa (former writer on G.I. Joe) and/or Oeming (Thor: Disassembled/Ragnarok, Stormbreaker: Saga of Beta Ray Bill) or just Highlander in general, for a mere quarter this is NOT one issue to miss (plus, there’s a 5-page Lone Ranger preview and ads for other Dynamite books).

We’ll see how things go once the series proper begins–I anticipate enjoying that more than this preview issue.

Ratings:

Story: 2.5/5
Art: 3/5
Overall: 3/5

Green Lantern #10 [Review]

Quick Rating: Good
Title: Revenge of the Green Lanterns, part one

It’s One Year Later, and Green Lantern is definitely back…but with quite a shadow hanging over him; meanwhile, Hal Jordan prepares to be honored for a past deed…

greenlantern010 Writer: Geoff Johns
Pencils: Ivan Reis
Inks: Marc Campos
Colors: Moose Baumann
Letters: Rob Leigh
Assoc. Editor: Michael Siglain
Editor: Peter Tomasi
Cover Art: Simone Bianchi
Publisher: DC Comics

So…awhile back, Hall Jordan lost his city when it was blown up by an alien bent on having revenge on Superman for failing to save his family and driving him away from Earth. Hal couldn’t handle the strain, went nuts, killed a bunch of other GLs in his bid for control of the central power battery on Oa, became Parallax, tried to wipe out time to set things right, died to re-ignite Earth’s sun when it was put out, stepped forward as a volunteer-host for the Spectre during a spiritual crisis, and ultimately split from the Spectre as the real Parallax stood revealed…huh?

You don’t really need to know all that–though it adds a bit of context to the character. What you need to know for this issue is that Hal Jordan–Green Lantern–has apparently had his past exposed to the world, and/or done something that has led to most people of Earth not trusting him–regarding him as little more than some criminal acting without regard for Earthly laws and regulations.

Of course, this issue takes place a year after the events of the currently-unfolding Infinite Crisis so there’s a lot that’s happened that we–as readers–are not yet aware of. Though Green Lantern has been cast in a negative light (and this seems to extend to Jon Stewart as well, though we don’t actually see him in this issue), Hal Jordan is regarded as a hero for things he’s taken part in during the past year.

On the one hand–at the surface–this story seemed rather boring to me. Looking deeper, though, it’s actually a lot better than I wanted to give it credit for. The one-year jump allows for stories to be beyond the whole "hey…you’re back?!?" sort of situations. Hal’s gotten himself very much involved in life again and rebuilt as well as simply built new relationships. He’s fairly established again within the DC Universe.

Apparent flashbacks give some hint as to a fairly major event in Hal’s past (the missing year) that seems rich in character potential. I also like the fact that a story from the Green Lantern Secret Files & Origins 2005 comes into play here–we saw in that story last year that Hal leaves his ring behind when he flies. It added an extra touch of humanity (and/or recklessness) to the character, and provides context for stuff shown in this issue). That’s not to say that you need to have read that to "get" this issue.

The art gives me little to talk about–it worked for me. Things were clear panel-to-panel as to what was going on, all the more in context of the text. The imagery in general is pretty bright–we’re not mired in shadows here. Characters are recognizable and while they may not be clones of versions from other artists, they don’t at all come across as a reinterpretation, which means we have good art, good story, and a good issue.

There are some definite questions that arise from this issue: exactly what does the world know about Hal Jordan? What do they actually know about Green Lantern that has made GL unwelcome outside the US? (As readers, we have plenty of "dirt" that could place him in that position if the info were common knowledge to the residents of the DCU) And so on.

Having seen (and had it as my computer’s desktop for the last few weeks) the cover to a later issue of this title, I’ve a pretty good idea who the villain of this arc is, which takes away from the "shock" that’s apparent at the end of the issue. But then, anything lost there is replaced by an eager "Why?" to the whole thing.
In the end, this is definitely a good issue, and well worth checking out if you haven’t already. It’s also a good jumping-on point, as it’s the first "One Year Later" issue for this title, and in many ways functions as a new # 1–old and new readers alike are at the same point regarding Hal’s past year or so and his new life.

Ratings:

Story: 3.5/5
Art: 4/5
Overall: 4/5

Bargain-bin goodies

silversurferbargainbin20110119 Though I don’t get to go to many conventions, my local comic shop treats me remarkably well…and I’m quite spoiled, I think, when it comes to regular access to great stuff in a bargain bin.

Take this, for example.

This week, for less than the price of any one of many of Marvel’s current books…I scored Silver Surfer #s 1-12, 15, and Annual #1.

Not bad at all, I must say.

Booking Through Thursday: Periodically

bookingthroughthursdaybuttonEven I read things other than books from time to time … like, Magazines! What magazines/journals do you read??

These days, I really don’t read anything other than books or comics/graphic novels/TPBs/whatever you want to call ‘em. I suppose comics COULD be considered magazines—or periodicals. But for ME, that’s such a given, and for as much as I read traditional-format comics…the better question in that case would be what books do I read, as they’re something I read other than comics.

I’m known to dip into Reader’s Digest when I have one handy and don’t have other stuff onhand to read. I keep an issue at my desk at work in case I ever find myself without a book, so I have SOMEthing to read.

Though there are some “high end” magazine-like publications for comics, I don’t follow those, not really. I used to—years ago—read Wizard magazine…but that publication has (at least to me) fallen to such depths that I can’t even bring myself to bother reading cover blurbs if I even see the thing at all.

lifewitharchie001 Perhaps the best answer to this would be Life With Archie: The Married Life. It’s a magazine-sized publication, produced monthly. It has a few fluff features to round things out, but the heart of the publication is the presentation of two full-length comic-sized stories. One follows a future in which Archie married Betty; the other follows a future in which Archie married Veronica.

It’s a fantastic product at only $3.99…the price of a single Marvel comic, but oversized and containing two Archie comics.

And these stories—of an adult, post-college Archie—are far more relatable and relevant to me as an adult than the usual Archie fare (nothing wrong with the usual…but I’m getting to where high school was almost half a lifetime ago).

Fallen Son: The Death of Captain America #4 [Review]

Quick Rating: Good
Story Title: Chapter 4: Depression

Spider-Man mourns the loss of Cap, but still has to deal with stuff that life throws at him…

fallensonthedeathofcaptainamerica004 Writer: Jeph Loeb
Pencils: David Finch
Inks: Danny Miki
Colors: Frank D’Armata
Letters: Richard Starkings & Comicraft
From an Idea by: J. Michael Straczynski
Assistant Editor: Alejandro Arbona
Editor: Bill Rosemann
Cover Art: David Finch | Variant by: Michael Turner
Publisher: Marvel Comics

This story has certainly lost much of its impact–on me–by being stretched out so much. That’s not to say it’s entirely devoid of impact…but going through these "stages of grief" or "loss" or whatever the official phrasing is would work much better had this series been more immediate and timely. After all, I have had what? A quarter year (or more) now to get used to the idea of Captain America being "dead," and to partake in the online culture of communication that has really lessened the character’s death–as I have come to really agree that within a couple years or so, we’ll have Steve Rogers alive and well, having "got better" after this ordeal…or worse, turn out that THIS Steve Rogers was a certain alien poser.

That meta-textual stuff aside…this was a good issue. This issue’s focus is on a "depressed" Spider-Man as he deals with the loss of a man he’d looked up to as a hero–not just a "fellow" super-hero or colleague, but as an actual hero far above his own "level," by whom it was an honor to even be so much as acknowledged. And while spending time in a cemetary, Spidey/Peter realizes that he’s got an audience…and when his spider-sense goes off, he leaps into action, lashing out at the clear and present threat. The issue winds down with Spidey and Wolverine (which helps hold this series together, not merely "jumping" from one character to another, but maintaining some continuity as the characters interact).

There’s a lot that could be said and analyzed and "read into" the text, based on knowledge that’s been made public about events the writer has faced, and I’d like to acknowledge that fact without getting into it beyond this statement.

The story seems to fit Spidey…I haven’t followed the character all that much for a number of years, so I might be getting something that’s not there, depending on the nuances one pulls out. For me, though, this seemed to be a solid reflection of Spidey acting in context of having just lost a mentor/father-figure/inspiration…and that he’s in the black suit lends yet further loss based on what he’s apparently been dealing with in his own book(s). The threat faced in the cemetery elicits the expected reaction from the character, while simultaneously providing a nice twist, breaking just a bit from a clichéd sort of formula.

I liked the art here. Finch isn’t an artist I’m terribly familiar with of late, only dipping into Marvel here and there the last several years…but the art is definitely recognizable, and carries a certain realism to it that (while allowing one to still subconsciously recognize it as "just" 2-d comic book art) adds a lot to the visual enjoyment of the story. And I think that is the best-looking version of the "villain" I can ever remember seeing.

As a whole, this issue (to me) is an example of how enjoyable story arcs can be as a series of stories that CAN be taken alone, but are also part of a larger arc, rather than a series of chapters that FEEL like they are 1/6th segments of a single story…and that makes it certainly worth its cover price.

If you’re following the series already, this isn’t an issue to skip on; and if you’re just interested in Spidey…you’ve got a good dose of him dealing with another loss in his life, mixed with some action here, and I think it’s fair to say you probably don’t NEED to have read the earlier issues to get/follow/enjoy this issue. I do think these may read better in a collected volume in one sitting, though. Of course, you can do much worse by way of single issues.

Ratings:

Story: 3.5/5
Art: 4/5
Overall: 4/5

Young Justice #0 [Review]


Full review posted to cxPulp.com
.

 

Story: 3.5/5
Art: 4/5
Overall: 4/5

Invincible Iron Man #500 [Review]


Full review posted to cxPulp.com
.

Story: 2/5
Art: 2/5
Overall: 2.5/5

Death of Spider-Man [Checklist]

February 2011
Ultimate Avengers vs. New Ultimates #1
Ultimate Spider-Man #153 (prelude)
Ultimate Spider-Man #154 (prelude)

March 2011
Ultimate Avengers vs. New Ultimates #2
Ultimate Spider-Man #155 (prelude)
Ultimate Spider-Man #156

April 2011
Ultimate Avengers vs. New Ultimates #3
Ultimate Spider-Man #157

May 2011
Ultimate Avengers vs. New Ultimates #4
Ultimate Spider-Man #158

June 2011
Ultimate Avengers vs. New Ultimates #5
Ultimate Spider-Man #159
Ultimate Spider-Man #160

July 2011
Ultimate Avengers vs. New Ultimates #6
Ultimate Spider-Man #161
Ultimate Spider-Man #162

August 2011
?

deathofspidermanchecklist