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Marvel Universe Series IV Revisited, Part 11

This is another kinda weird image to me…though the top six cards work quite well together, with the characters all charging forth. Can’t quite place Bloodaxe, Red Skull, and Proctor so calmly facing forward while the heroes charge ’em from behind, though!

I’m sorta familiar with all these characters except Proctor…though somehow I feel like even he is one I’ve encountered beyond just these cards. Hercules looks significantly different than I’m used to seeing…but hey, this WAS the early-90s!

Other than knowing Black Knight spent some time in the Ultraverse after Black September (1995-1996ish) , haven’t seen much with him, Crystal, or Sersi. I know Bloodaxe goes on to be a major character in Thunderstrike’s life/series prior to what befell at the end of the run.

Continue reading

New Comics Outnumbered by Bargains This Week

Having decided not too long ago to let FF and X-Men: Legacy go when they were the ONLY new comics due out that week that I would buy, and neither was officially on my pull list. I found myself in a similar position this week, but this time, didn’t want to pass up the new TMNT issue, and the Hardbacks sale was incrementing to 80% off this week.

I totally forgot that I was going to stick with digital for Batman, Inc. (d’oh!), but still found several new hardcovers…and a vintage box of TMNT trading cards still in their original packaging.

20130424newcomics

All told, this week’s haul cost me less than the cover price of the Ultimate Comics Doomsday volume.

The local comic shop–Kenmore Komics–started off with these various hardbacks at 50% off cover, and the discount’s been increasing 10% each week. Next week–assuming anything other than Ultimate Human is left–I may snag a few other volumes.

But for now, I think this sudden huge influx of new hardcovers is about done, though I’ve got a short list of books I’m after that I’m probably going to have to pay a lot more for individually.

Captain America #1 Again and Again and Again…

How many #1s does one series need? Without even counting spin-offs and mini-series and such…we’re now up to 6 Captain America #1s that I have been alive for…and only 2 that I was not.

Let’s go back through time…

Last week’s 2012 #1:

captainamerica2012

Last year’s 2011 #1:

captainamerica2011

Jump back six years to 2005’s #1:

captainamerica2005

Three years before that, 2002’s #1:

captainamerica2002

Four years before that, 1997’s #1:

captainamerica1998

A year before that, 1996’s #1:

captainamerica1996

29 years before that, 1968’s #100 serving as a #1:

captainamerica1968

And 27 years before that, 1941’s #1:

captainamerica1941

A+X #1 [Review]


Full review posted to cxPulp.com
.

Story: 3/5
Art: 4/5
Overall: 4.5/5

Avengers: X-Sanction [Review]

Writer: Jeph Loeb
Penciler: Ed McGuinness
Inker: Dexter Vines
Colorist: Morry Hollowell
Lettering: Comicraft’s Albert Deschesne
Cover Art: Ed McGuiness, Dexter Vines & Morry Hollowell
Published by: Marvel Comics
Cover Price: $24.99

I found this volume at a Half-Price Books last weekend, and wound up buying it. Not the best deal I’ve ever found–especially for something as skinny as this volume–but not the worst.

As single issues, this story came out I believe December 2011 to March 2012, essentially leading into AvX.

Last year, I was both put off yet intrigued at a new story focusing on Cable. Though the character had supposedly died at the end of 2010’s Second Coming, here he was, back after less than 2 years; barely a year and a half (in other measure: less than 3 6-issue arcs’ time). From what I recall, despite some mild interest in Cable’s return and dealing with the Avengers…it was this being a mini-series priced at $3.99 that really put me off. And then learning it wasn’t even to be a self-contained story, but lead into a major 2012 event. So I passed on it as singles.

Though this only contains 4 issues, it’s priced at $24.99–essentially $6.25 per issue of content (makes $3.99 per issue seem like a steal). Granted, this is an oversized hardcover, and a 4-issue premiere hardcover might be $19.99 (basically $5 per issue of content), so the oversized format could “justify” a higher price. But this sort of pricing is absolutely NOT worthwhile for only four issues, and this story in particular.

I’m actually somewhat regretting paying half of that $24.99 for this as-is.

The Ed McGuiness art is not bad–I liked his work on some of the Superman and then Superman/Batman stuff, and while I wouldn’t consider it exactly “ideal” for this story, it works.

The story itself seems overly simple and “decompressed” to a large degree and really comes out of nowhere. Cable draws Falcon off from a fight and incapacitates him, knowing Captain America would follow. The two fight, and Cap is incapacitated. Next, Iron Man shows up and he, too, is incapacitated. Then Red Hulk shows up, followed by Cyclops, Wolverine, and Hope herself. We learn amidst all this that Cable apparently did not actually die, but reunited with Blaquesmith, and learns that the destroyed world they’re in could be prevented if Hope had lived–having apparently died due to the Avengers. So with just hours to live until the techno-organic ravaging his body kills him, Cable travels to the past to take out the Avengers so that Hope can live and save the world.

While it’s long since become a moot point…I continue to find myself curious about Cable’s techno-organic virus; recalling that in #100 of his series back in the early 2000s, the character made a concerted effort and managed to excise the virus, removing it as a factor in his life. Seeing it back here and playing such a pivotal role seems rather contradictory.

I’m also not convinced that this needed to be its own separate series…if it was really so important, it might have been worth an issue or two of an Avengers title or even one of the X-books. At the least, it could probably have been “compressed” to fit a double-sized one-shot rather than be stretched into 4 issues.

Ultimately, this is a fairly mediocre series/story/volume, and way too quick a read for $25. If you can find it for half (preferably more)-off, the art at least is worth looking at, and while I don’t recall what material is contained in the It’s Coming tpb preceding AvX, this seems like it would have been much better served being billed as a specific prequel to AvXrather than some stand-alone thing.

Avengers: Season One [Review]

Writer: Peter David
Artists: Andrea DiVito, Jon Buran, Nigel Raynor, Mike Bowden, Walden Wong
Color Artist: Wil Quintana
Letterer: VC’s Clayton Cowles
Cover Art: Adi Granov
Assistant Editor: Jake Thomas
Associate Editor: Lauren Sankovitch
Editor: Tom Brevoort
Published by: Marvel Comics

When I heard that Avengers Season One was going to be included with the Walmart edition of the DVD/Bluray, I was pretty much “sold” on the spot. By the time this came out, though, I’d resigned myself to some sort of DVD-case-digest-size book, probably on crummy paperstock and not at all reasonably worth the added cost (though if it was one of these sets priced the same as the non-set package, it’d totally be worth it!)

The package felt suitably heavy, though, when I finally bought it the morning the thing was available. When I opened the package, seeing the pages-out, I was ready to be incensed at the actual packaging…until I slid out a full-size TPB volume that would easily command a $14.99+ cover price if it were being sold by itself. Even at some “bargain” $9.99 price, in and of itself the book makes the added cost worthwhile if you’re interested in the book itself.

The physical package is your average Marvel paperback. The cover stock and pages, and dimensions are as any other Marvel volume that this would be indistinguishable as an ‘exclusive’ if it wasn’t for the notice on the cover where the pricing would be “Custom Edition Not For Resale.” (That, and that this is a paperback where I believe thus far the other Season One books have been only in hardback).

The writing is solid–and I’d expect no less of David‘s work. He knows these characters and it shows–though in a way it reminds me that I myself do not know these characters particularly well in their pre-1990s iterations. While the writing is solid–it manages to capture these characters in a suitably generic sort of way–they’re recognizable without being placed entirely in the silver age nor the modern age. The relationships seem familiar to what I know of them in the comics, while bordering on adapting the movie versions.

Visually, much of the book is the same way. There are multiple artists (depicting different scenes/settings) which works fairly well as it differentiates what each character is seeing/doing through the story. Though it works, I got a distinct sense that I’m supposed to associate these comics with the characters from the movies, that this story is supposed to fit either the comics or the movie universe according to primary experience.

Sure, that works well enough–it is a tie-in product, after all. But the fact it evoked the movie characters as much as it did took me out of the story and left me unsure where the story’s supposed to be set, and I probably didn’t enjoy it as much as I would have if it felt like it was more based in the traditional comics story. I suspect I was also soured a bit by a one-shot I read earlier this year that was set in the movie universe that itself felt like a waste of time.

If this was a $15 paperback or $20+ hardcover being sold by itself, I’d be pretty disappointed despite the creative talent involved and wondering if there’d be some way to get a refund. Standing solely on its own this–to me–is not something worth seeking out specifically.

But as a bonus included with a blu-ray I was already planning to buy, this gets points as a decent read, with art that never felt bad or out of place. And though it’s the size of 4-5ish single issues, I don’t think I paid more for this package than the cost of two standard Marvel comics in addition to the actual blu-ray pack.

All that said–you get a complete story in this volume. There’s no cliffhanger directing you into some other volume or series of volumes; this is not a prologue to a crossover/event nor some epilogue/continuation of a crossover/event. You have the characters, you see their adventure, the threat(s) they face, and you have resolution.

If you’ve seen the movie, the characters don’t particularly contradict the film. Or if you read this and then watch the film, stuff works overall.

And really, on the whole, I’m glad I went with the Walmart purchase for this book. If you can still find the blu-ray/DVD package with this graphic novel at your local Walmart, and want the Avengers film anyway, this is definitely a worthwhile purchase.

Avengers vs. X-Men #3 [Review]


Full review posted to cxPulp.com
.

Story: 3.5/5
Art: 3.5/5
Overall: 3.5/5

Possible Packaging for The Avengers?

packagingthumbThe other day, my roommate and I got to talking about the Avengers movie coming out in a couple days, and then of how we oughtta watch the “solo” films this week in the lead-up to it.

We then got to talking about DVD packaging (I have the original Iron Man in a case shaped like his helmet mask, and I have The Dark Knight in a case shaped like Batman’s cowl; he has one of the Transformers films in a transforming Bumblebee figure. And the gem of the special cases–his model of the 2009 Enterprise, with the film encased in the saucer section of the ship. (Something we’d joked about the time the film first hit theaters: how cool would it be for them to do a case that was the Enterprise, but the saucer held the DVDs? And then sure enough–the idea proved fruitful from elsewhere.)

So our conversation turned toward the packaging of Avengers and/or the solo films. Captain America’s shield–that’s round. WHY Target (they did those other ‘special cases’) didn’t have an “exclusive” packaging shaped like the shield is beyond us.

But then we got to thinking about how there’s bound to be special collector sets when Avengers comes out on home release, with it boxed with the other solo films.

Why not a box/case with Avengers, Incredible Hulk, Iron Man, Iron Man 2, Captain America, and Thor attached to a handle–the disc case part being the head of Thor’s hammer?

Or returning to the idea of Cap’s shield…and this is the idea I think we liked best…have the films packaged in a much larger replica of the shield.

They could put the films around the outer rim, with Avengers locked in the center. Have the main front of Cap’s shield as the lid (screw-on, snap-on, hinged…whatever works).

How cool would that be?

capblurayshield
Above: Mock-up of 6-film Avengers package idea

Avengers vs. X-Men #2 [Review]

Round 2

Story: Jason Aaron, Brian Michael Bendis, Ed Brubaker, Jonathan Hickman, Matt Fraction
Pencils: John Romita Jr.
Inks: Scott Hanna
Colors: Laura Martin
Letters: Chris Eliopoulos
Cover Art: Jim Cheung and Laura Martin
Assistant Editor: John Denning
Associate Editor: Lauren Sankovitch
Consulting Editor: Nick Lowe
Editor: Tom Brevoort
Published by: Marvel Comics

The battle breaks out here, as the Avengers attempt to take the beach while the X-Men seek to shove ’em back out to sea. The issue is primarily a big brawl, a long fight-scene, with snippets of stuff sure to be expanded on in the Vs. mini-series and/or tie-in issues. While the two groups duke it out, Cyclops is focused on seeing Hope to safety, while she wants to be in the thick of things, fighting rather than being fought over. By issue’s end, we see the toll the fighting’s already extracted from everyone–and possibly what’s to come as it’s pushed Hope to new levels, and Cap’s “away team” in space finds shock and awe in the approaching Phoenix force.

Story-wise…I’m not too impressed here. There’s more fighting than anything else (at least when taken for face value–there’s more depth than there looks, despite my summary above). It’s definitely interesting seeing some of the match-ups…and the Captain America/Cyclops slugfest made me think perhaps the cover of Avengers #25 is the REAL tie-in of that issue, as I’d swear that cover was yanked right out of this issue. Definitely liked the Iron Man/Magneto match-up…the narrative boxes surrounding that initial fight worked extremely well for me in summing up both characters’ strengths and natural bents.

Visually, little to complain about. The issue was action-packed enough that I honestly did not notice any of the AR logos except on the cover, so I’m even LESS impressed here than I was with ’em on the first issue. Romita‘s art isn’t my favorite, but a darned sight better in my eyes than a number of other artists, and I liked the work in this issue in general.

On the whole, this is another solid issue that moves things in the overall story forward–the battle is joined (not teased and put off til mid-arc), we see further development of things with Hope and the role she seems to be destined to play, and there’s enough to the individual fights that while they can clearly be expanded, it’s not just a panel here, panel there, go read another issue for the actual battle.

And as with the first issue, this issue does leave me looking forward to the next issue. Though I may not feel this way in the end or if I think too hard about the price tag…on the whole I kinda like that this is biweekly. 12 is a large number of “core event title” issues, but biweekly this should be over by early Fall…quite a bit crammed into half a year.

Recommended.

Story: 7.5/10
Art: 8.5/10
Whole: 8/10

Avengers #25 [Review]

Writer: Brian Michael Bendis
Pencils: Walter Simonson
Inks: Scott Hanna
Colors: Jason Keith
Letters: VC’s Cory Petit
Cover: Daniel Acuna
Assistant Editor: John Denning
Associate Editor: Lauren Sankovitch
Editor: Tom Brevoort
Published by: Marvel Comics

Well, this one really didn’t contribute anything of much worth toward the crossover! We see Cap shouldering the heavy burden of being a world leader, taking the blame for all the crap that’s going on and gone on–from the Secret Invasion to Fear Itself to stuff between. In the midst of Cap’s brooding, Thor shows up and tries to cheer him, followed shortly by Noh-Varr with a lead on an AIM hideout. Springing into action, several of the Avengers bust up the AIM hideout, adding a “win” to Cap’s ego, while Noh-Varr gains a new directive to his mission on Earth.

The story itself’s not bad, though honestly–it’s not one I really care about. I know there’s all this continuity from the past decade playing about, and I love that it’s there, at least in a subtle way for longer-time readers. But I bought this issue for being part of AvX, and feel REALLY cheated. There’s a two-page silent spread of the Avengers and X-Men mixing it up, and then the rest of the issue is basically a “flashback” to “Then” (shortly before AvX kicked into gear). But honestly…this issue has no other direct tie to the crossover, the vast majority of it takes place before the crossover, so it’s like they sacrificed a couple pages so they could say “but it contains part of the battle, of COURSE it’s an official tie-in!”

So if you’re a long-time reader, or already reading Avengers….I’m sure this issue continues ongoing plotpoints and otherwise has stuff that you’ll appreciate.

Visually, no huge complaint….I’m even shocked that one page DARES to have a whopping NINE panels. Nine, and there’s dialogue in six of them…MULTIPLE dialogue boxes in each of those! As opposed to, y’know…silent double-page spreads and full splash-pages that seem more filler than anything else. I skipped the credits on initial read-through, and though I have no complaint with the art, it doesn’t exactly blow me away (except again, that this isn’t half a dozen splash pages and a couple double-page spreads). I really liked when Thor showed up…the character looks good, and seemed to have a genuine joy about him, flying in to catch up with his old friend. Count me surprised to learn the art of the issue is by Walter Simonson–a name I’m more familiar with as a name than with his actual art.

In general, this is a solid issue of Avengers (to a guy who hasn’t touched the Avengers books since the #1s due to the $3.99 price tags). It’s got Cap, Iron Man, and Thor (and others), they’re facing classic-ish villains (well, as much as a bunch of science-worshipping terrorists are ‘villains’), and Simonson art, to boot (a ‘classic’ artist I associate with Thor).

But if you’re looking for AvX stuff? Nuh-uh…you’ll want to pass on this issue. Nothing here for that except the seemingly slapped-in spread of a scene we’ve already seen at least twice (in AvX #1 and last week’s New Avengers #24).

All in all, solid, but I’m dinging the story and the issue as a whole for wasting my time and money for a “red skies” tie-in to something I was–before this–having a bit of fun with jumping in whole-hog (and now am suddenly a LOT more concerned about the wisdom of doing so, “fun” or not).

Story: 7/10
Art: 7/10
Whole: 6/10