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Superior Spider-Man #10 [Review]

superiorspiderman010Writer: Dan Slott
Penciler: Ryan Stegman
Inks: Stegman & Cam Smith
Color Art: Edgar Delgado
Letterer: Chris Eliopoulos
Cover Art: Marcos Martin
Assistant Editor: Ellie Pyle
Editor: Stephen Wacker
Published by: Marvel Comics
Cover Price: $3.99

Ten issues in, and now we’re suddenly, supposedly…um, back where we started, I guess. The new, the superior, Doc Ock is Spider-Man, in Peter Parker’s body…and there is no Peter. Wasn’t that what the original premise seemed to be? But then we had Force-Ghost Peter, revealed that last page of #1, and I was excited for this series, beyond the tentative trying-it-out.

So, here we are, tenth issue…11 if you count the Age of Ultron issue I skipped/ignored. And while Ock continues to smooth out his process of being proactively superior as Spider-Man to Parker’s ways, we see a recurring tattoo, obviously a reference to the Green Goblin. And Ock continues improving things in the personal life of Parker, reveling in his solidified superiority. And that cliffhanger…

Well, ok, I admit some sarcasm’s leaking through in this post. Even though I’m being the usual, purposeful vague in summarizing things–I prefer not to spoil an issue, and heck, too much detail in the summary sorta defeats the purpose of you reading the issue yourself. But having read this issue…I’m just feeling rather sarcastic toward the issue, and the series.

The art’s pretty much consistent with the run so far, so nothing really to complain about, there. It fits the title, and the story, as it’s been what we’ve had. I have no real issue with it overall, though it’s a bit stylistic and such…not what I’d necessarily choose or want specifically for Spider-Man, but after taking a half-decade sojourn from the Spidey-verse and coming back in for the Ock-and-Parker-Swapped bit…it’s worked.

Story wise…I’m just disengaging. Disinterested. I hesitate to use the word “bored,” but I’m just losing interest so fast in this title, and even the status quo.

I remember reading Amazing Spider-Man #700 at the turn of the year, backtracking almost immediately to #698 and #699, and having to wait til mid/late January for the premiere of Superior Spider-Man #1. but here we are, not even June yet, and we’ve got 10 issues. That’s basically 2 issues per month for January through May…at $3.99 apiece.

That’s 3 1/3 issues’ difference in pricing at this point…or another way of looking at it, for only $1 less per issue, I might go another 5-10 issues before burning out on sheer price point alone.

But I’m no longer impressed. My patience has worn out. And this issue, toted as a jumping on point from what I saw in stuff “about” the issue this week…well, I should’ve left this on the shelf. And while I’d be tempted to at least give it til issue #12… Well, where’s the “wholeness” in 12 anymore, what USED TO be a single, full year of a title…when at this pace that’s a mere 6 months?

Superior Spider-Man #1 [Review]


Full review posted to cxPulp.com
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Story: 3/5
Art: 4/5
Overall: 4/5

Avengers vs. X-Men #12 [Review]


Full review posted to cxPulp.com
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Story: 3/5
Art: 4/5
Overall: 3.5/5

Avengers vs. X-Men #11 [Review]


Full review posted to cxPulp.com
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Story: 2.5/5
Art: 4/5
Overall: 3/5

Fatal Attractions Revisited: Uncanny X-Men #304

…For What I Have Done

Writer: Scott Lobdell
Pencilers: John Romita Jr., Jae Lee, Chris Sprouse, Brandon Peterson, Paul Smith
Inkers: Dan Green, Dan Panosian, Terry Austin, Tom Palmer, Keith Williams
Colorist: Mike Thomas
Letterer: Chris Eliopoulos
Cover: John Romita Jr., Dan Panosian
Assistant Editor: Lisa Patrick
Editor: Bob Harras
Published by: Marvel Comics
Cover Dated: September, 1993

After a couple of the X-Books that were not the actual X-Men themselves, this issue finally pulls the X-Men I was familiar with into this story. Granted, I wasn’t extremely familiar with them–but I knew who most of them were thanks to the cartoon series. Wolverine, Bishop, Cyclops, Storm, Jean Grey, Beast, Professor Xavier, even Colossus…and of course, Magneto.

I recall reading the death of Illyana–Colossus’ sister–in the previous issue (sucked in by the image of Jean Grey and Jubilee with the blurb “If you read only ONE X-title this month–this issue MUST be it!”). This issue has the funeral as we see the various characters reacting to the death of the young girl. We also get some backstory on Magneto and the losses he’s suffered, which have been driving factors in his methods of trying to “save” the “mutant race.” There are some quieter moments between various characters; I especially like the Kitty Pryde/Storm and Banshee/Bishop scenes. I’m still amazed in retrospect at how very new some of these characters were in the summer of 1993 (particularly Bishop), and how much more all the characters have grown, changed, or otherwise [been] developed in the decades since this story.

As Illyana’s funeral draws to a close, Magneto crashes the party, which is almost immediately further crashed by Exodus and the rest of the Acolytes, who have come to grips with the revelation of Cortez’ part in Magneto’s near-death. The X-Men and Magneto and his Acolytes clash, as the ship Avalon is brought into Earth’s atmosphere above them, causing world-wide issues and fear. The battle quickly becomes one with catastrophic consequences should the X-Men fail, but ultimately it falls to Xavier to pull a new trick out of his figurative hat to save the day, using his power in a way I don’t recall seeing him do prior to this (though it wouldn’t seem all that out of place nowadays).

This issue felt a bit more like being dropped into the middle of a story, the way it opened–the Acolytes already trying to tear Cortez apart for his deception. I honestly don’t recall if this continues directly from Uncanny X-Men #303 or from some other issue of the X-books. While I vaguely remembered that it was shortly after Illyana’s funeral that Colossus left the X-Men, I’d forgotten that the funeral itself was in this issue, and the way Magneto and Co. crashed the funeral. I’d also completely forgotten the way Xavier ended this particular battle, which seemed both absurd and epic at the same time, to me.

The issue’s art is a bit fractured–there are five pencilers on the issue, and I noticed it while reading–particularly with Magneto’s flashback. Fortunately, other than Jae Lee‘s art, the rest fits relatively well together and isn’t glaring. Of course, that’s something I notice now but if I noticed back in ’93, I don’t recall it being a conscious thing of recognizing different artists’ work, or knowing about “fill in artists” or any such stuff. All that said…this is another issue that I don’t mind the art on the whole, and which seems to fit the story.

Including a few ads, this issue has 62 pages for only a $3.95 cover price. I like the cover–most of the characters shown on the front are the ones I would have been most familiar with, though in this sense are rather generic. But once opened up, we see that there are a lot more characters involved in the image, all angrily looking toward a huge foreground closeup of Magneto. And yet again, I like the hologram on this cover. While the hologram itself is pretty cool, its image strikes me as rather iconic for the time–I’m sure I’ve seen that several image of Magneto with the swirl of debris outside the context of this story. I wouldn’t be surprised if I’ve snagged a copy of this from a bargain bin since buying my original copy at full cover price in 1993, but the copy I have onhand right now for this rereading and such was part of a 3/$10 deal, which while not as satisfying on principle as getting the issue for under or around $1, is still quite worthwhile for being less than cover price.

This issue seems to set the stage for the next couple chapters, which to me are the heart of this story, and what I MOST think of with the title Fatal Attractions.

Fatal Attractions Revisited: X-Force #25

Back to Front

Writer: Fabian Nicieza
Art: Greg Capullo
Inkers: Wiacek, Green, Ryan, Palmiotti, Hanna, Conrad, Milgrom
Letterer: Chris Eliopoulos
Colorist: George Roussos
Editors: Bob Harras, Tom DeFalco
Published by: Marvel Comics
Cover Dated: August, 1993

Twenty-five issues…big number, huh? Well…maybe not. I’ve seen this title repurposed for awhile, then renamed X-Statix and that ran for a couple years. Then post-Messiah-CompleX another X-Force ran for a couple years, and the current Uncanny X-Force has run about 30 issues. But y’know, back in the day, this was a common anniversary–a whopping 25 issues.

As with X-Factor #92, I re-read this and much of it was like I was reading it for the first time…certainly the first time with much comprehension of who these characters were. This was even before Cable first got his own series, which ran for over 100 issues (followed by Cable & Deadpool that ran about 50 and the more recent Cable series with Hope than ran about 25).

This issue seems to be the introduction of Exodus. A sticker on the bag this copy of the issue was in when I bought it stated “Exodus 1st App.” Back in the day, I didn’t pick up on that, and just thought he was another one of these “Acolytes” and didn’t dig or think any deeper. It’s also the “return” of Cable, apparently the first he’d shown up since the X-Cutioner’s Song crossover few months earlier.

The new mutants–the X-Force–return home from a mission. However, someone else is there–and the battle is quickly joined…though it turns out their mentor–Cable–has returned. Some are glad to see the man, others not so happy–but all listen as Cable explains a bit of where he’s been and what he’s learned since the events that seperated him from his pupils. Exodus arrives, inviting Cannonball and Sunspot to Heaven, but pre-emptively attacks the group for thinking of attacking him. Cannonball eventually agrees, but the team follows, and all find themselves aboard what apparently used to be Cable’s base, known as Graymalkin, with a sentient computer program called “The Professor.” After more fighting, Cable gets his young charges off the ship, and seeks to “rescue” the computer program that’s apparently been a father figure to him–and finds himself confronting an enemy all thought dead. This fight is much shorter, all but disassembling Cable before he escapes (nearly as a corpse) to rejoin X-Force.

As said above, I didn’t really “get” this issue when I first read it, when it came out. I recall (with a bit of deja vu) the ending with Cable, but not much else. I certainly lacked the context of Cannonball and Sunspot being part of the New Mutants prior to Cable’s 1st appearance and that title ending to be replaced with this one. I had not yet read X-Cutioner’s Song–or at least, not more than maybe a couple chapters (it was only about 6 or 7 years ago that I finally tracked the story down and read it all the way through) so I didn’t even have that context of what had happened to Cable, though from what trading card or another or Marvel Handbook/profile special (Stryfe’s Strike Files?) or Wizard or some such, I knew of Stryfe as being Cable’s clone from the future.

I hadn’t realized either, at the time, that Magneto had “died,” though from in-story context I picked up on the characters having thought him dead…but his death/etc was more of a “meta” thing than I was aware of as a 12-year old at the time.

This issue’s story is another that stands alone well enough, though it continues to build foundation for what I consider the “heart” of Fatal Attractions in X-Men #25 and Wolverine #75. The art is good, and somehow extremely familiar to me. This visual rendition of X-Force just is what it is, and I like it.

I’m a bit less impressed with the overall cover of this issue than I was with the X-Factor issue; but in a way the fairly close-up image of Cable with one of those HUUUUGE guns he carried is rather iconic, which makes this a more full cover from the front for me than the X-Factor issue. Of course, this cover (and the hologram) also totally gives away from the get-go that Cable is back, but especially near 20 years later, I’m not bothered by that at all.

I’ve snagged this issue from bargain bins–turns out I actually wound up with 2 copies of this issue for roughly $.75 total in the past month. Well worth getting, if only for the hologram, particularly if you can snag it from a bargain bin. Cover price was $3.50, which again is 50 cents cheaper than cover price of a standard Marvel comic nowadays, and this has a cardstock cover, hologram, and 48-ish pages (some of them ads).

Secret Avengers #27 [Review]


Full review posted to cxPulp.com
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Story: 4/5
Art: 3/5
Overall: 4/5

Avengers vs. X-Men #3 [Review]


Full review posted to cxPulp.com
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Story: 3.5/5
Art: 3.5/5
Overall: 3.5/5

Avengers vs. X-Men #2 [Review]

Round 2

Story: Jason Aaron, Brian Michael Bendis, Ed Brubaker, Jonathan Hickman, Matt Fraction
Pencils: John Romita Jr.
Inks: Scott Hanna
Colors: Laura Martin
Letters: Chris Eliopoulos
Cover Art: Jim Cheung and Laura Martin
Assistant Editor: John Denning
Associate Editor: Lauren Sankovitch
Consulting Editor: Nick Lowe
Editor: Tom Brevoort
Published by: Marvel Comics

The battle breaks out here, as the Avengers attempt to take the beach while the X-Men seek to shove ’em back out to sea. The issue is primarily a big brawl, a long fight-scene, with snippets of stuff sure to be expanded on in the Vs. mini-series and/or tie-in issues. While the two groups duke it out, Cyclops is focused on seeing Hope to safety, while she wants to be in the thick of things, fighting rather than being fought over. By issue’s end, we see the toll the fighting’s already extracted from everyone–and possibly what’s to come as it’s pushed Hope to new levels, and Cap’s “away team” in space finds shock and awe in the approaching Phoenix force.

Story-wise…I’m not too impressed here. There’s more fighting than anything else (at least when taken for face value–there’s more depth than there looks, despite my summary above). It’s definitely interesting seeing some of the match-ups…and the Captain America/Cyclops slugfest made me think perhaps the cover of Avengers #25 is the REAL tie-in of that issue, as I’d swear that cover was yanked right out of this issue. Definitely liked the Iron Man/Magneto match-up…the narrative boxes surrounding that initial fight worked extremely well for me in summing up both characters’ strengths and natural bents.

Visually, little to complain about. The issue was action-packed enough that I honestly did not notice any of the AR logos except on the cover, so I’m even LESS impressed here than I was with ’em on the first issue. Romita‘s art isn’t my favorite, but a darned sight better in my eyes than a number of other artists, and I liked the work in this issue in general.

On the whole, this is another solid issue that moves things in the overall story forward–the battle is joined (not teased and put off til mid-arc), we see further development of things with Hope and the role she seems to be destined to play, and there’s enough to the individual fights that while they can clearly be expanded, it’s not just a panel here, panel there, go read another issue for the actual battle.

And as with the first issue, this issue does leave me looking forward to the next issue. Though I may not feel this way in the end or if I think too hard about the price tag…on the whole I kinda like that this is biweekly. 12 is a large number of “core event title” issues, but biweekly this should be over by early Fall…quite a bit crammed into half a year.

Recommended.

Story: 7.5/10
Art: 8.5/10
Whole: 8/10

Wolverine and the X-Men #9 [Review]

Day of the Phoenix, Dark Night of the Soul

Writer: Jason Aaron
Penciler/Colorist: Chris Bachalo
Inkers: Tim Townsend, Jaime Mendoza, Al Vey
Letterer: Chris Eliopoulos
Assistant Editor: Jordan D. White
Associate Editor: Daniel Ketchum
Editor: Nick Lowe
Published by: Marvel Comics

This is another issue I bought solely for the AvX banner at the top, jumping in to wallow in the latest big Event in the hopes of just simply having fun with it instead of being so cranky as I’ve been the last few years toward these things. Just saying, up-front.

Wolverine and Beast are hanging out, recovering from recent injuries (presumably sustained in an earlier issue, but frankly, I don’t need to know the details…the situation just IS. Like a sitcom episode or such. It’s enough to gather what happened…I know these characters, so it is what it is.) An alarm goes off and Beast realizes the Phoenix is heading towards Earth. When Captain America shows up, he and Wolverine know exactly why the Avenger is there, and they greet him. Beast joins one of Cap’s initiatives for fighting the Phoenix, and Wolverine signs on for another, advising Cap that things will not be simple in taking action that Cyclops will certainly oppose. Meanwhile, a couple of the mutants with mind powers are overwhelmed at the approaching Phoenix force, while out in space there are aliens gambling on what world the Phoenix will destroy next, and the Shi’Ar emperor (is that Gladiator?!?) prepares to head to Earth to rescue his son.

Story-wise…there’s a LOT going on here, simplistic as the overall issue is (Cap wants to make sure he can count on Wolverine in the event of large-scale conflict with the X-Men). I definitely enjoy seeing the characters interact–especially the friendship that’s apparent between Wolverine and Beast. Since this title is supposedly based around the school Wolverine founded, it’s good to see some students, too, and how they all interact (and Toad as the groundskeeper/janitor, but not entirely overlooked by those around him is a nice touch).

Visually….this is an ugly issue, to me. I can appreciate Bachalo‘s art, but that seems to be hit or miss for me–sometimes I like it, but this is another time where I do not. It better than I could draw myself, yeah…but it just doesn’t work for me here. It seems at once surreal, strongly stylized, impressionistic, and sketchy. Granted, characters are distinct and recognizable, but I’d almost have preferred prose here.

Overall…this is definitely a good issue. There seems to be plenty for the ongoing readers…but as my first issue in nearly a year (I read #1 but no further) I don’t feel lost or left out, really…and the goings-on of the issue itself relate directly to AvX (unlike this week’s Avengers #25) which makes this a good tie-in for those looking for more beyond the “core” AvX series without dropping that reader in the deep end with no floatie. At the same time, it does not seem to contain anything crucial to the core series, so there’s nothing forcing an AvX reader to pick this up. Swap in a preferable artist whose visuals fit my tastes better and this’d be a great issue.

Story: 8/10
Art: 5/10
Whole: 7.5/10