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Ultraverse Revisited: Sludge #1

ultraverse_revisited

sludge_0001You Can Take the Cop Out of the Sewer…

Writer: Steve Gerber
Penciller: Aaron Lopresti
Inker: Gary Martin
Letterer: Patrick Owsley
Color Design: Paul Mounts
Interior Colorists: Violent Hues
Editor: Chris Ulm
Published by: Malibu Comics
Cover Date: October 1993
Cover Price: $2.50

I’ve been looking forward to the Rune Month stuff for awhile. I have some clear memories of getting issues from that month, concertedly tracking down all 11 coupons to get the Rune #0 issue (which also fed into getting the main Rune title, and Rune being one of my three "core titles" I stuck with…even leading to the only fanfic stuff I’ve ever written over half a lifetime ago.)

The extreme close-up of Sludge’s face as the cover has long been an "iconic" sort of image for me, and yet another singular issue (albeit another #1, too!) with a single, memorable cover that is instantly recognizable and stands out.

As the issue opens, we see things from the creature’s point of view–It’s in the sewer, watching a group of homeless, listening to a radio. On the radio, the host talks about a missing cop and the suspicious circumstances behind his disappearance. As the broadcast continues, our point of view shifts a couple times, to include the gang members that had something to do with the cop…as they head out and shoot more people. The creature hears the gunfire and gets involved. Despite their surprise at the creature, they seem to overcome it, preparing to leave it for dead before realizing it’s not so easily killed! We get internal dialogue from the creature–who struggles to recall the proper words, and its frustration grows the more this happens…and the frustration’s taken out on the gang members. The creature also seems to have the ability to melt/mold flesh–grabbing one kid’s face, and "melting" it to a blob of skin, with no way to inhale or exhale…a gruesome way to die, but perhaps deservedly for the innocents killed shortly before. We move into a flashback and see that this creature IS the missing cop, who wasn’t exactly squeaky-clean…but drew a line at killing people. For this, he himself is shot up–certain overkill–and the still-living body dumped in a sewer, where it contacts some sort of chemical, and mutates the body into a walking pile of–you guessed it–SLUDGE. Back in the present, police find the gang members’ bodies and speculate what could have killed them–while back in the sewer, the creature finds and crushes the radio, stating that he can’t stand the host. As he leaves, a couple of the homeless comment on the creature being a walking sludge heap–or "Santy Claus."

This issue’s story is pretty familiar to me, compared to some of the other Ultraverse books. I definitely remember getting AND reading this when it came out. I don’t remember any further issues, but I clearly recall the creature’s stumbling over words and his frustration at that. The story is rather formulaic, and the creature reminds me very much of the very-little I know about Marvel‘s Man-Thing (itself with a significant run by Gerber!), and by comparison there to DC‘s Swamp Thing. In some ways, this seems like it could be a darker take on a Ninja Turtles character–someone injured, dumped into a sewer, where they contact a strange chemical and mutate into some creature and then take on a new mission to fight crime/do good/whatever. I think that familiarity of elements kept the character from seeming as gruesome to me as a kid, and I don’t remember being bothered by him killing people…I probably just didn’t think much on that at the time.

The art’s pretty good, and I like it. The creature looks like a "creature" made of sludge, and the people look like people. The story is easy to follow visually, and the visuals do a good job conveying everything as expected. The page layouts vary quite a bit, and work well conveying mood and tone. While a couple pages are primarily a single image/panel, others have a lot crammed into them, making for a good mix that does NOT feel like there’s any "cheating" going on. One panel/page showing the creature smashing a car while yelling "Pull over!" stands out to me in particular–and I hear the "Get over here!" voice from the Scorpion character in the original Mortal Kombat video game.

Sludge is the actual series and main content of this issue; but it has a "flipbook" segment where you literally "flip" the book over to see a different cover and read some content from that direction–it appears upside down and out of order if you continue linearly from the front/main Sludge cover.

rune_0aRune [A]: The Prophecy

Plotted by: Barry Windsor-Smith & Chris Ulm
Drawn & Colored by: Barry Windsor-Smith
Scripted by: Chris Ulm
Inked by: John Floyd
Computer Color by: Albert Calleros
Lettered by: Patrick Owsley
Text Pages Designed by: Jim Chadwick
Edited by: Steve Gerber

The flip-cover to Sludge #1 features a closeup of an open vampire-mouth, with a translucent Rune logo, the letter "A" indicating this as the first chapter, and the text "The Stones are cast…"

We get a title page with the Rune logo, and the story title, creator credits, and an outline of the Rune creature, as well as an explanation that each of the 11 October titles contain a chapter of Rune, and that 9 of the 11 flip covers combine to form one large poster image–and we get a white background/black silhouette showing that. The next page tells us a bit about Rune, with a Barry Windsor-Smith image of the creature.

As the story itself begins, we see bloody hands with long nails casting multi-colored gems toward a floor. Moving to the second and third pages, we see the creature contemplating the gems–with markings (runes) on them, and determines that there is a power that will restore him…Rune shall live!

It’s hard to really talk much about only 3 pages, especially just the first three pages of a story. We have text telling us about the creature, and now we see the creature…but there’s just not much STORY to the pages. It reads much better as part of a larger whole…but on its own, this seems rather negligible. Visually, this is distinctively BWS art…perhaps distinctive because I recall this story, but also the similarity in visual style to the likes of Marvel‘s Weapon X and classic ’90s Valiant/X-O Manowar stuff I’m familiar with. It’s definitely unique enough to set this off as its own thing, and make Rune visually distinctive. This is clearly the character previously advertised.

This feels more like an "ad" than much else–and given the Night Man "preview" has a full text page AND 3 story pages out of context, it sorta negates the specialness to this premiere of Rune.


Especially as I’m reading this issue in 2018, the $2.50 cover price doesn’t phase me when virtually every comic out there is now $3.99, with only a few minor exceptions at $2.99. The issue itself–Sludge–has 25 numbered story pages. The cover claims this is a 40-page special…so we fall some 15 pages short of that! But add in 3 story-pages of Rune, and the two pages introducing those story pages and we’re up to 30. Further factor the Night Man preview (if that’s content) and we’re up to 34; a Mighty Magnor 1-page piece takes us to 35; the Rune #0 coupon stuff nudges us to 39 pages…so it’s iffy. But in 2018 and this being essentially a definite 25-cent book, max of $1ish…it’s more than worth that sort of price, whether 20 pages or the stated 40. And the 40 probably counts the main ads and such, so…it’s accurate. It doesn’t say 40 story pages, after all.

The Rune portion feels like little more than an ad–as said above, there’s a Night Man preview that has just as many "story pages" with about as much (if not MORE) context…so this could just as easily been a Night Man flip book with a several-page Rune "preview" and been functionally the same content between the covers.

Still, this having been designated "Rune Month" (I believe that was the thing back in the day, as it’s stuck with me all these years somehow) it at least makes for a "theme" that is carried across all the books, unifying them. And rather than just the same 3 pages over and over again in all 11 books, each has 3 unique pages that combined make up a prologue issue ahead of an ongoing series in a way that I doubt we’d see in 2018 from any major publisher.

As with other Ultraverse #1 issues, this is certainly worthwhile in itself as a single issue to check things out. I’ve seen this and many of these other early Ultra-titles in 25-cent and 50-cent bins, so I wouldn’t suggest paying more than $1 or so if you can help it. If you like Steve Gerber’s work, you’ll probably like this; if you like Lopresti‘s art, same deal. And though there are the comparisons to make to other publishers’ characters, this is a unique character so far for the Ultraverse itself, and worth checking out just because. This stands alone pretty well–and remains (thus far) the only issue of the series I know I’ve actually read, so there’s that as well.

sludge_0001_blogtrailer

The Fall and Rise of Captain Atom #1 [Review]

fall_and_rise_of_captain_atom_0001Blowback

Writer: Cary Bates
Co-Plotter: Greg Weisman
Artist: Will Conrad
Colorist: Ivan Nunes
Letterer: Saida Temofonte
Cover: Jason Badower
Editor: Kristy Quinn
Group Editor: Jim Chadwick
Published by: DC Comics
Cover Date: March 2017
Cover Price: $2.99

Several months ago, I read a random Captain Atom Annual from the late 1980s. It was the first Captain Atom comic I remembered reading in years (though I believe I forgot entirely about the character’s appearances midway into the New 52, as well as the character even having a series in the early New 52 days!) It was shortly after reviewing that Annual that I learned there would be a new mini-series by the writers of that time–Bates and Weisman. Of course, I assumed it would be yet another $3.99-an-issue mini, given a number of DC‘s other recent ones.

Color me surprised when I realized firstly the issue was coming out already (somehow I’d thought it was to come in February), realized I forgot to include it for DCBS as it’s not part of the bundles I’ve been getting, and all the more that it’s ONLY $2.99 an issue! This does NOT carry the Rebirth branding…but I take it from its content–and particularly its PRICE–that it is indeed squarely within current Rebirth stuff.

This issue is relatively simple: we start out with the good Captain in a containment facility, in a chair much like the one I recall him being in back in the 1980s’ #1 issue I read whenever it was that I read that (perhaps as far back as 2002 or 2003!), talking with his handlers about stuff that’d recently happened…which left me a bit lost for a moment. Did something happen with the character in a major way that I didn’t know about in the New 52 stuff? Did I miss something recently amidst all the stuff I’m behind on actually reading?

But then the story flashes back to some hours earlier, placing this into that old clichéd format…though ultimately I appreciate what it was going for, while I disliked it as I was reading.

Captain Atom’s sick, and it’s causing issues with his very energy matrix, expelling energy randomly–"venting"–and endangering those around him…perhaps the entire planet, just by his existing in this condition. While making his way back to base, he happens across a cruise ship in trouble, and refuses to turn his back on it…but the energy-expenditure of helping leaves him in far worse condition. His energy output brings members of the Justice League to investigate, though ultimately they’re not quite able to do as hoped, and there’s much destruction that they have to play damage-control with, while Captain Atom blames himself for what happened. Ultimately, we see that the issue’s perhaps the start of a new status quo, and I’m put a bit in mind of Savage Dragon, and quite curious where things go from here.

I don’t care much for the clichéd story format of starting on the climax, then flashing back X amount of time and "building" back to and then surpassing the climax. But I cannot deny its effectiveness–it elicited reaction from me as I read, and as I’ve thought about it since, I realize that it accentuates the fact that this is a SINGLE ISSUE. It made this single issue function as one, as an opening episode, rather than our perhaps getting this ENTIRE ISSUE as the height of the story, to pick up in #s 2-4 as flashback, #5 to get back to this, and then a final issue denouement.

Though this is a mini-series, this issue behaves as if it is an ongoing series, and behaves very well as a single issue and not JUST some first chapter of a single whole that must be read in one go to fully "get."

Even having forgotten recent years’ stuff with the character, I followed this issue just fine. My familiarity (such as it is) with the character allowed me to appreciate names mentioned as well as the visuals (such as the cover being fairly reminiscent of 1987’s first issue!) This character has about 30 years of history in the "modern" DC universe, and however many years prior to Crisis on Infinite Earths…but I think someone not all that familiar could certainly enjoy this in and of itself. Much as with a new movie, the lack of intricate continuity knowledge might even be better for enjoying this simply as a story in itself, without piecing it within long-form continuity.

I love the fact that Bates and Weisman are back on this; having them steering this story, re-establishing the character presumably for going forward after they set the standard with the character in the late 1980s seems quite fitting, to me. As such, I definitely look forward to reading this as single issues…getting the story AS it unfolds.

However…unless DC pulls something rather shocking–say, of extending this to an "ongoing" status–it is a 6-issue mini-series and I’d be even more surprised if it does NOT get a collected edition (or "graphic novel") that could be read all at once as a single, complete(-ish, as comics go) story.

If you’re a fan of the character from years back, and not a fan of the character, say, from Countdown on through to the present, this would be the point to jump back in, and ignore the last decade or so of Captain Atom stuff. And if you’re new to the character, this is a solid starting point, or re-directing (a la all of the Rebirth one-shots) the character from whatever’s been known of him during the New 52.

I enjoyed this issue personally, but see that it should be a solid singular story that as a full story I’ll very likely strongly recommend…but despite my praise, it’s not something so singularly fantastic in this single issue as to compel any/all potential readers to rush for this single issue.

I look forward to #2!

Injustice: Gods Among Us Annual #1 [Review]

injusticegodsamongusannual001The Hunt for Harley

Writer: Tom Taylor
Artists: Xermanico, Jonas Trindade, Mike S. Miller, Bruno Redondo
Colorist: Alejandro Sanchez Rodriguez
Letterer: Wes Abbott
Cover: Juan Jose
Assistant Editor: Aniz Ansari
Senior Editor: Jim Chadwick
Published by: DC Comics
Cover Price: $4.99

Normally I’m not a huge fan of Lobo, though the character occasionally gets my interest. I had enough curiosity in September that I wound up snagging the Lobo Villains Month issue, and since I’m already following Injustice, there was no reason for me to avoid this issue arbitrarily.

The main thrust of this issue is that Lobo shows up to see if it’s worth trying to collect a bounty on Superman. When pointed out that Superman could just throw him into the sun, and there wouldn’t BE even a single drop of blood for Lobo to regenerate from, the big bad biker from space decides that nope, the bounty is not worth it. However, Superman makes his travel worth his time, and sics the bounty hunter on a thorn in his own side: Harley Quinn. So Lobo goes after her, to darkly comedic results, with a hint of Green Arrow and Black Canary thrown in.

This is by no means a written masterpiece…but I have to say that I enjoyed this issue and its story more than I have most comics lately! The story itself fits quite well within the established setting of the Injustice series and its parameters. I liked the longer singular story, compared to feeling more like I’m getting a couple of shorter stories and a random backup in some of the non-Annual issues.

I also enjoyed the visuals of the issue. Nothing glared out at me as weird or “off,” nothing took me out of the story as I turned the pages despite multiple artists; and I really like this version of Lobo.

While there’s a fair bit of context to be had, having read the series so far that makes this issue work, if you’re loosely familiar with Lobo and Harley (say, from the game itself or other media) and you know the premise of the game (superman’s taken over, the heroes are split and alliances are not what they used to be), you can probably enjoy this as a rather expensive (but at least thicker than a standard issue) once-shot story with nice art.

The overall saga of Injustice is not exactly advanced–this is a fairly “timeless” story within the setting and nothing stands out as “key,” though there are references grounding this in the continuity.

But this is still a good issue that I ultimately didn’t mind paying the $4.99 cover price quite as much as I would many others. If you come across this for a decent price (whatever you deem “decent”) it’s definitely worthwhile.

Injustice: Gods Among Us #10 [Review]

injusticegodsamongus010Betrayals

Writer: Tom Taylor
Artists: Tom Derenick, Mike S. Miller, Bruno Redondo
Colorists: David Lopez, Santi Casas of Ikari Studio
Letterer: Wes Abbott
Cover: Mico Suayan
Cover Colors: David Lopez, Santi Casas
Assistant Editor: Aniz Ansari
Senior Editor: Jim Chadwick
Published by: DC Comics
Cover Price: $3.99

Given the way I was drawn into this series, I almost hate to admit that it seems that even as things with the characters heat up, the series itself is cooling down for me. I have yet to get to play the game this is based on, so only have the story as this comic series to go on, and the premise is wearing a bit thin.

This issue gives us the next three chapters that were originally presented digitally…two dealing with the “main” story and one that’s really just a “side” story for “perspective.” In the main stuff, Superman’s group has learned that the Hawkgirl they were working with was actually the Martian Manhunter in disguise, while Batman’s group had taken out the original. In retaliation, Superman reveals Batman’s identity to the world. This doesn’t go over well with anyone–least of all Bruce–and prompts additional harsh action. Martian Manhunter confronts Superman and Wonder Woman, and uses his shape-shifting ability to threaten Wonder Woman’s life, prompting quick/deadly action from Superman. In the third part, we get a story of a kinder, gentler Superman of the past and how he went to extraordinary lengths to help a kid who fell off a bike.

Art-wise, no particular complaints. The art fits the stories the issue gives, and I never found myself trying to figure out what was going on due to confusing visuals. The “classic” Superman seemed slightly off, but I’m a lot more “forgiving” of that given this series is entirely its own thing…and I’ve gotten used to seeing a lot of visual interpretations of the character that don’t quite fit “my” preferences.

Though the series is cooling off for me, the story isn’t bad. It’s a bit jarring to see these characters–especially Superman–take things as far as they do; and to see where there can be more drastic, shocking consequences since this isn’t the “main” continuity (characters can be killed, maimed, etc.). I’m finding Flash to be a bit more of a “voice of reason” and the most true-to-form of the various characters; certainly “vocally.”

By and large, this far in, the story is steeped in its own continuity so there’s not much of a jumping-on point, and it seems rather unlikely that anyone would be randomly jumping in at a 10th issue without context of the earlier issues; there’s no real recap–externally or within the story itself–which works for me, having read all the earlier issues…but it wouldn’t seem likely to truly “clue in” a new reader looking for context.

Superman allowing–even instigating–the revelation of Bruce’s identity, particularly as retaliation seems uncharacteristic of Superman, given likely ramifications. I’ll buy it for the sake of the story, but with a healthy dose of skepticism. My favorite part of the issue was the flashback which is a rather strong Superman story, period–Injustice and otherwise.

All in all, not a bad issue…certainly nothing to disgust me into dropping the book, but nothing that particularly drives me to recommend someone jump in on this issue, or even the series, without already being interested in the concept to begin with.

As the issue re-presents 3 chapters that were originally 99-cents each, I’m paying a $1 “premium” to get/read this in print. Yet given the page count, it’s in line with (or has more than) other $3.99 books, so no huge issue there.

Injustice: Gods Among Us #8 [Review]

injusticegodsamongus008Public Relations

Writer: Tom Taylor
Artists: Mike S. Miller, Tom Derenick
Colorist: Alejandro Sanchez
Letterer: Wes Abbott
Cover: Mico Suayan with Santi Casas & David Lopez of Ikari Studio
Senior Editor: Jim Chadwick
Published by: DC Comics
Cover Price: $3.99

While to my knowledge I’ve read the entire series so far, I feel like I’m missing a piece somewhere, like I lost a couple pages or something…or just outright forgot something where a history/”previously…” blurb would have been quite helpful.

Lex Luthor joins in on the debate between Hawkgirl, Superman, and the others, pointing out that they have to change the “image” the world now has of them…to get out in front and explain to the world what they’re doing, their intent–rather than the world being left to merely observe and draw wild conclusions. Meanwhile, word gets out even beyond Earth to Kalibak (Darkseid’s son) on Apokalips, who takes Superman’s intention of peace to mean soft weakness. With Darkseid’s permission he leads a worldwide invasion against Earth, which leaves the heroes to test recent changes in “strategy.”

Other than somehow not remembering Luthor entering things–perhaps a total brainfart, perhaps just not catching it last month–I’m quite enjoying this series, this story. It certainly helps that so far this series is entirely self-contained…it’s epic, “event”-level stuff, yet it’s just…”itself.” No legions of tie-ins and extra minis and specials to buy. Not even any double-shipping to make the $3.99 cover price an even harder “sell.” Just one issue per month on a regular basis…which leaves me actually looking forward to the upcoming Annual (and wondering if that will be simply some extra chapters to keep the digital chapters from being TOO far ahead of the print edition, or something else).

The characters aren’t exactly all that ‘deep’ or anything, but there’s not room for much depth given how many are involved. Still, the overall “feel” to the story, to the issue works for me, as I just kept on turning pages…I was so engrossed in the story that I failed to even consciously note that the art changed in the middle of the issue. I can see it, consciously looking for it, of course. But it’s extremely rare for me to keep breezing through an issue without being at least slightly thrown off by such a shift.

The art’s good, obviously. There’s that consistency throughout, and the fact that nothing was so jarring as to pull me out of “the story” the entire art team gets loads of credit from me. I like the costume designs here…they’re classic overall, with some modifications that seem partially New-52 influenced, partially just modifications likely from the designers of the game this is based on to have the characters look cooler on-screen.

I typically don’t care much for comics based on video games, but if I was “just” reading this and had no context that it’s based on a game, I’d simply take it as an Elseworlds type thing; an alternate universe.

I imagine one would enjoy this particularly if familiar with the game…yet, in my own experience it’s enjoyable simply for being an alternate take on the characters, centered around a crucial event in Superman’s life.

If you’re not reading Injustice yet, you can get it as single chapters through the Comixology app on app-supportive devices; single issues (about 3 chapters each) in print, or wait til November or so for the first hardcover collected volume (first 6 issues/about 18 chapters).

Batman ’66 #2 [Review]

batman66002Emperior Penguin & Chandell’s Chanteuse

Written by: Jeff Parker
Art by: Ty Templeton & Jonathan Case
Colored by: Wes Hartman
Lettered by: Wes Abbott
Cover art by: Michael and Laura Allred
Edited by: Jim Chadwick
Published by: DC Comics
Cover Price: $3.99

When I first heard of this digital-first series, I wasn’t that impressed. New comic stories based on the campy 45-year-old tv series? Where’s the fun in that? Yet, due to the price point–only 99 cents for the first digital chapter–I gave it a try anyway, and something about it pulled me in. I went ahead and bought the second chapter, but then discovered that unlike others, the print edition and third digital chapter would hit the same week–so I decided I’d “go print” on this.

The same issues I had with the first–particularly the art–are present here. I can “appreciate” the visual style for trying to evoke the ’60s and such, but it’s not that appealing to me personally. Yet, it certainly fits the story, so in and of itself I don’t really have much complaint. The character designs certainly bring back memories of the characters as played by the real-life actors, which I would say means goal achieved, placing these stories as fitting the classic series.

Story-wise, the plot definitely fits. A giant iceberg floats into Gotham harbor, blocking shipping traffic. Turns out the block of ice is ruled by The Penguin–now recognized as Emperor Penguin–as the iceberg’s been declared its own country (legally binding and all that!). Batman and Robin get involved where the police can’t, and the duo quickly discovers the Penguin’s ally–Mr. Freeze! Of course, things go cold before warming up, and the dizzying duo of detectives declares fowl (er…foul) and things come to a head.

In the back part of the issue, Bruce flies solo on a date with Kathy Kane, and winds up facing someone called the Siren as Batman, who eventually winds up benefiting from Kane’s assistance. I have no idea if this character ever appeared in the classic series or not, but I have no interest in the Siren, and this sort of story especially comes as a turnoff for me–in this comic as well as the way it always did in the tv series.

All in all, not a bad issue on the whole, though at only 2 issues, some of the novelty is already wearing off. If this were a mini-series there might be more appeal for me, but I have to wonder how long this will hold my attention as an ongoing. Despite that…if only for wanting to support what I see as one of the few things DC‘s doing “right” lately, I added this to my pull list, and hope to give it at least a few more issues before I’m “driven” to dropping it.

Young Justice #1 [Review]


Full review posted to cxPulp.com

Story: 3.5/5
Art: 4/5
Overall: 4/5