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Musing on Marvel Monthly Mailing: Subscriptions in Today’s World

A friend was talking to me about ordering a Marvel subscription for a niece, which has prompted some other thinking for me on the subject OF Marvel and actual subscriptions (like, you pay in one chunk, and then on a regular basis across the next X number of months receive so many issues by mail without ever having to seek out or visit a comic shop).

So I did a bit of poking around–and I do have some questions (but not such that I want to contact them via Live Chat Support or such, as I feel it’s stuff that SHOULD be OBVIOUS withOUT someone having to go through extra steps to know/have answers!)

marvel_subs_01

Firstly…It’s been years since I truly considered the notion of the "classic" mail-order subscription to a comic title. For nearly a quarter-century I’ve had the near-weekly routine of visiting a comics specialty shop (aka "comic shop" aka "Local Comic Shop" aka "LCS") and browsing the current week’s new selections, if not having stuff pre-ordered on a "pull list" or "subscription" in that sense.

In short…it’s something I for one totally take for granted.

Seeing this page hit me, though: save 40% off $3.99/issue?!? That’s $2.40/issue…a hekuva lot better than the $3.99-$4.99-$5.99 price points Marvel has on everything.

BUT…you’re paying lump-sum up front, so while $20 might get you 4-5 single issues this week at the LCS to "try," if you want to "try" 4-5 series you’re over $100, sight unseen, via subscriptions…and on the hook for an entire run.

marvel_subs_02

But look! New(-ish) titles! Some have already started, at least one hasn’t (that I’m personally aware of), others…I haven’t the foggiest, thanks to all the renumbering shenanigans lately.

On the static subscription page at Marvel‘s website, though…there’s nothing obvious at this point as to where in a series you’ll be started/starting, nor which ‘version’ of a series. Captain Marvel? What is Marvel up to now–5th series? 6th? In hardly a decade? So yeah, you’d have a subscription to something called Captain Marvel but might you be getting, say, #17, a couple more, then #1-8 or 9? Would the subscriptions department even properly carry your subscription over to the "proper" title, or would they take your Captain Marvel subscription and simply funnel you over to Ms. Marvel or such? (Not saying one title is bad, but if I order/paid for one title, getting a completely different title would be disappointing at the least).

marvel_subs_03

And I’m honestly shocked at the presence of Spider-Man: The Clone Conspiracy appearing here–if one is diligent enough to follow stuff enough to know about the event and that they’d "need" it along with any other subscriptions, I’d surmise that they can find a comic shop and/or would be inclined to go through something like Discount Comic Book Service or such.

To say nothing of the fact that it is a mini-series consisting of 6 issues.

Yes, the copy specifies that it is a 6 issue subscription… but once the first issue has shipped, shouldn’t this have expired an no longer been part of the subscriptions page/site?

After all, it says right there that the last issue processed was #3–meaning that at best your subscription would start with #4! So if you pay $19.46 for a 6-issue subscription right now, you’d begin with #4, receiving 3 issues. Then what? Would you just receive 3 issues of some arbitrary mini-series or followup/event? Would they send you several issues of The Amazing Spider-Man? Issue a refund?

marvel_subs_04

Then there’s the matter of Marvel‘s constant renumbering for their "seasonal model" they’ve adopted.

When it often seems like a stretch for something to "make it" even 12 issues, and even if it is a success, getting renumbered after (often seemingly) little more than 12 issues, that would seem (to me) to play havoc with the notion OF the 12-issue subscription model.

I’ve personally lost track of how many Deadpool and All-New or Estraordinary or Uncanny or Whatever X-Men titles there are, have been, and are coming up and which iteration they are.

(At least in the 1990s, even with ~9 titles in the X-"family," there was Uncanny and "Adjectiveless" X-Men, then stuff clearly indicating other teams/characters (Wolverine, or Cable, or X-Factor or such)

With three out of eight titles including All-New, Extraordinary, and Uncanny X-Men along with ’92, I would guess that might be a little off-putting to someone who is not steeped in the week to week  of comics in general nor "continuity."

marvel_subs_05

When a series has been cancelled–the solicitation provided weeks/months in advance–shouldn’t its entry be removed or at least "frozen" on the page?

Additionally, shouldn’t something be posted about what to do if you ordered a 12-month/12-issue subscription and received less than 12, as to what series you’ll be receiving as a "replacement" or what steps to take for a refund?

It also seems highly insular…someone just wants to get their kid or a family member "a subscription" to a comic series, as a Christmas gift or birthday gift or such, and (Marvel particularly as I’m going off stuff from their site) has so many titles that one somewhat would have to GUESS at what they’re ordering.

Combined with some advisement from someone like me–I know that Marvel does all this renumbering crap, so I can’t even think of what TO suggest be ordered, outside of perhaps one of the titles based on whatever iteration of whichever animated series…though that would almost seem "token" if not "insulting" to kids nowadays (and by "kids" I realize I’m now old enough to consider college students "kids").


While not exactly a same-fruit to same-fruit comparison…I also just considered this: why not offer "pre-orders" directly on collected volumes/graphic novels? If people are going to "wait for the trade" anyway, and it’s so darned important to pre-order, then take ’em directly and make sure they stack up to whatever finances are required to pay the creative team and still profit acceptably and such. If you can refund subscription remainders on perhaps 6+ issues, why not just take pre-orders on twice or thrice yearly collections OF six or so issues, and be able to offer refunds if there aren’t high enough sales to justify getting to the fullness of the "next" book?

Unplanned Books-A-Million Clearance Purchases 11/3

Thursday evening, I found myself at a Books-A-Million for the first time in quite awhile. Where I’d figured maybe I would find a cheap book or a comic frame…I didn’t expect to find a giant stack of books that had my interest for the price.

I eventually pared a stack of about a dozen books down to three:

weeklyhaul_11022016_b_1103bam

I got all three books for the price of 5 standard Marvel issues and a True Believers issue.

I was disappointed that Captain America and the Falcon by Priest that I found in the clearance section was not actually on (discounted) sale. And while they had a bunch of the Secret Wars (2015) skinny volumes for $4.97 apiece, they weren’t the greatest condition nor interest to me. I absolutely would have gotten the Age of Apocalypse one if that’d been there for that price, though!

The Wolverine volume is Wolverine; and collects a few issues from the latter part of The Essential Wolverine vol. 5 and the earlier issues from The Essential Wolverine vol. 6…but in full color. I quite like the Essentials line, but for this period of the title, the black and white/graytone effect gets very muddy and doesn’t work nearly as well, so getting this run in this format is very cool. All the moreso for the price!

The Avengers: Scarlet Witch fits thematically with my Avengers: Quicksilver volume. And I’ve been interested in reading Powers: Who Killed Retro Girl for awhile, especially since getting/watching the first season of the tv show last year (though I’ve yet to be able to see the second/final season).

It’s amazing, though, to consider just how highly-priced most Marvel volumes are, such that I virtually never buy any at "full price," because that price is just not worth it to me; while DC has had a number of volumes that I’m willing to pay full price for (even though I’d prefer cheaper means!)

The ’90s Revisited: Uncanny X-Men #308

uncanny_xmen_0308Mixed Blessings

Writer: Scott Lobdell
Penciler: John Romita Jr.
Inkers: Dan Green, Al Vey
Letterer: Chris Eliopoulos
Colorist: Steve Buccellato
Editor: Bob Harras
Published by: Marvel Comics
Cover Date: January 1994
Cover Price: $1.25

This issue brought back a number of fond memories, as well as a new feeling as I “noticed” the art rather consciously this time. Having this issue relatively on-hand for this reading is something I must credit to fellow blogger Chris Sheehan, whose comments/discussion of the issue prompted the purchase and encouraged making the time for the re-read. It was his post that prompted me to re-purchase the issue (for the convenience of immediate availability in print without digging through umpteen unorganized longboxes to locate my original copy).

For a single issue, there’s a lot packed into so few pages. Essentially, though, we have Scott and Jean–Cyclops and Phoenix–walking the grounds outside the X-mansion. For once, there’s no overt threat, no villain interrupting, the world-at-large doesn’t need immediate saving, etc. Just a young man and woman spending time together, enjoying cool fall weather (well, Thanksgiving Day) and doing so amidst a larger group also living on the premises. So we get a bunch of “moments” between characters…and while the couple reminisces, they also come to a decision about their future.

This issue is one of a handful of X-Men comics I recall from the early/mid 1990s where we basically just have the characters hanging out at the mansion, interacting with each other in down-time withOUT having to deal with some villain or crossover or whatever. And reading this in 2016 where every story is written for the trade, and every trade is part of some big event and every event leads into the next with no time between…this issue is highly refresshing. There just aren’t issues like this anymore (at least not from Marvel/DC!).

The story itself is very much what I prefer in comics, giving us the characters, “quiet” “moments” and generally giving us a glimpse of what these characters do, how they might interact when not in the midst of fighting for their survival. We get to see them presented as actual people…which makes them that much more truly relatable (at least, to me!).

I remember thoroughly enjoying this issue over 20 years ago…and I enjoyed the story now. Unfortunately, while I don’t recall noticing the art–back then, if I did it didn’t throw me–but this read-through I REALLY consciously noted the art…and between this and bailing on a Superman story some time back for so disliking the art, I must conclude that as a general thing I dislike Romita Jr.’s visual style. There’s something to the style–sometimes a sense of sketchiness, other times something to faces and lips particularly that just doesn’t work for me and proved flat-out distracting to me, taking me out of the story itself. Which, while a complaint that I have, myself, is not to suggest the art is bad…it’s just definitely not to my taste, and it now being a conscious thing, it’s something I can watch out for.

And then, regardless of the linework and such itself, I had consciously forgotten (but hey, deja vu or such!) how much I dislike the flipping and flopping one must do to read certain ’90s comics, when the artists played fast ‘n loose with the “traditional” comic page and layouts. Some pages read fine, but rather than just varying panels across one or two pages, where one can just page through the issue with a single physical orientation and be fine…here, we’re given some instances with a double-page piece where you have to turn the comic sideways for a top-to-bottom experience with the issue physically turned sideways; others where the issue must be turned on its side for a then-typical left-to-right experience, and so on. Rather than being able to just lay the issue flat and page through, reading, while say, eating a bowl of cereal as breakfast it requires an active, physical experience of manipulating the book, which gets distracting and kicks one out of the story.

All in all, though…this is an excellent X-Men comic that I paid less than $4 for, and got so much more from it than any $3.99 new comic I can think of. If you know your X-Men and enjoy such stories, or have never read this, I’d urge you to give it a shot, if you can get the issue for (or less) that $4. If you find it in a 25-cent or 50-cent bin, all the better!

My Four X-Men 100s

Sometimes, it actually doesn’t seem like it’s been all that long that I’ve been into comics. It can seem so recent, my reading certain stories for the first time, discovering characters the first time, wondering at the mysterious backgrounds and motivations and all that for them.

Characters that were around for a couple years already seemed old and completely established.

Yet other times, reality sets in and I realize that some of those characters had hardly even been introduced, and I’ve basically been around for their whole existence, within a reasonable +/- tolerance.

Rarely is it driven home more for me than with key "anniversary" issues.

Such as looking at these, the even #100s issues I’ve been around for with Uncanny X-Men…that regardless of having been following much at the time or not, I’ve bought "off the shelf" as new issues.

uncanny_xmen_300_400_500_600

Four of the six "round number" 100 issues for the title. #300 in 1993, through #600 this past week. I’ve been buying the title off and on for half of its entire existence.

Which is a mighty scary thought, considering I came to the party 300 issues into the run.

Uncanny X-Men #600 [Review]

uncannyxmen600Writer: Brian Michael Bendis
Art: Sara Pichelli, Mahmud Asrar, Stuart Immonen, Kris Anka, Chris Bachalo, David Marquez, Frazer Irving
Inks: Wade Von Grawbadger, Tim Townsend, Mark Irwin
Colors: Marte Gracia, Jason Keith, Chris Bachalo, Frazer Irving
Cover: Chris Bachalo
Lettering & Production: VC’s Joe Caramagna
Assistant Editors: Christina Harrington, Xander Jarowey
Editors: Mike Marts and Mark Paniccia
Published by: Marvel
Cover Date: January 2016
Cover Price: $5.99

Winter Carnival

Writer: Mary Jo Duffy
Penciler: George Perez
Inker: Alfredo Alcala
Letterer: Janice Chiang
Cover Art: Paul Gulacy
Associate Editor: Ralph Macchio
Editor: Dennis O’Neil

The first X-Men comic I clearly, consciously remember getting is Uncanny X-Men #300. The costumes, the characters, the cover–it fit the then-current animated series on tv that I was getting familiar with, and had a nice shiny cover to draw extra attention (to say nothing of being a thicker cover physically, making for a durable, high-quality issue to hold).

Several years later I picked up #400, and then years after that 500–though I hadn’t kept up with every issue of the title.

So again now, I bought #600 despite not being entirely current on the title (and overlooking the multiple reboots between the last legitimately-numbered issue and this) because of having bought the last several 100-issue round-number issues when they came up. Some 22 years after getting #300, here I am with #600.

My understanding is that this is Bendis‘ final X-Men issue, as far as being the driving force behind the main X-books. Despite catching up a fair bit on Uncanny X-Men and All-New X-Men recently via Marvel‘s Digital Unlimited, I’m still a bit out of the loop on whatever’s transpired between where I left off there and stuff immediately prior to Secret Wars and the Last Days stuff. But I do know the characters and the bulk of recent stuff in the most general of terms.

This issue finds Beast (Hank McCoy) experiencing an “intervention” by his teammates, forcing him to confront what he’s done of late–with emphasis on having time-traveled to bring the original X-Men into the present where they’re now stuck. Amidst the intervention/confrontation, we get some flashes to a number of smaller interactions–“original” Jean wants to leave the group for awhile; “original” Bobby confronts current Bobby on repressed feelings; Kitty, Colossus, and Illyana catch up with each other, and so on. Meanwhile, we also see Scott Summers’ recent dream to fruition…and it proves to be just a bit different than we’ve been led to believe.

We also get a lengthy “backup story” by Perez, a solo Iceman thing, that while it looks good does not feel particularly relevant nor current. It seems set in the early 1970s, though it feels like a more recent piece. The art is very good–I usually do enjoy Perez‘ art–though I don’t entirely appreciate the black-and-white instead of color. Perhaps it was intended this way, maybe it was a stylistic choice, but that contributes to it not feeling like it belongs in this issue.

The main feature’s story is solid enough, and though it doesn’t feel like an ongoing issue but more like a one-shot, it works decently enough as itself, as what it is. At the same time, I’m not thrilled at what appears to be Bendis trying to cement several key points just before taking off, like he has to solidify or shoehorn in some stuff to force subsequent writers to address things or leave Bendis‘ work to be an absolute character element. I do definitely approve of the supposed conclusion of the Cyclops arc, and hope to see stuff picked up on, that it’d “redeem” the villanous element applied to the character over the last several years.

Visually…while I appreciate the CONCEPT of letting a bunch of artists work on the issue as “the” big anniversary issue…I can really do without it. The shifting visual styles is distracting and draws attention to stuff in a way that takes away from the otherwise-natural shifting nature of the story, giving us some smaller character moments while addressing the larger overall confrontation with Beast.

I definitely enjoyed Perez‘ work on the Iceman story…but it’s such an unrelated thing that I’m honestly resentful at its inclusion, at this issue being over-priced at $6 over the “standard” $4 just for the story’s inclusion. Better a $3.99 issue without it than $5.99 WITH. That said, the story would work as some bonus/extra cheap attraction, as it really has nothing to do with current continuity, and has no likely/obvious ongoing elements to contribute to stuff, other than being a ’70s-looking/’70s-sounding story.

The main story’s art was distracting…and I was reminded how recognizable and unwelcome (to me) Bachalo‘s art is amidst it all…especially for the cover. It’s also very disappointing that the cover looks like it’s half of or one of several “panels” of a larger image, without even a wraparound…only a bunch of variants.

I bought this issue personally for being the anniversary issue, being the actual high-number or “legacy-numbered” issue. That’s for the personal element of having got #300 off the shelf, and each subsequent 100-numbered issue. In and of itself, if you have followed Bendis‘ X-work, you’ll want to pick this up. Otherwise, this is quite skippable for whatever will be ‘current” moving forward. Outside of whatever closure you’d get having followed this series, and/or All-New X-Men, I’d suggest skipping this and waiting for whatever nearest #1 most directly follows and grabs your attention.

Marvel December Launches [Checklist]

December 2015

A-Force #1
All-New Inhumans #1
All-New X-Men #1
Daredevil #1
Guardians of Infinity #1
Patsy Walker, A.K.A. Hellcat! #1
Red Wolf #1
Scarlet Witch #1
Spidey #1
Squadron Supreme #1
Starbrand & Nightmask #1
The Totally Awesome Hulk #1
Weirdworld #1

marvel_december_launches_checklist

[Source: Promotional postcard, pictured above]

Vader Down [Checklist]

Star Wars: Vader Down event Checklist

  • Star Wars: Vader Down #1 – Part 1
  • Darth Vader #13 – Part 2
  • Star Wars #13 – Part 3
  • Darth Vader #14 – Part 4
  • Star Wars #14 – Part 5
  • Darth Vader #15 – Part 6

vader_down_checklist_2

vader_down_checklist_1

[source: promotional postcard, pictured above]

Thoughts On This Week’s Secret Wars #6

secretwars(2015)006I think this is my final issue. This cover–probably for having been printed in advance–still shows “of 8” whereas the series has been expanded to 9 issues at least. And displaying the tardiness of this book, the first POST-Secret Wars books hit this week already…meaning that only 2/3 into this event series, we’ve already got the post-series status quo showing up.

Back in 2005/2006, DC did their One Year Later jump, intentionally midway through Infinite Crisis…but that was promoted that way. That something would happen in Infinite Crisis and all of DC‘s titles would jump ahead a year, though Infinite Crisis itself would still have a couple issues remaining to play out.

It was PLANNED that way.

And frankly, despite the early “fun” to Secret Wars stuff and the nostalgia factor…I find myself back to the general negative feelings on their stuff that I’ve often wound up with.

They hype this big, huge event far beyond anything that could truly, possibly be delivered. And then while the story has barely started, is less than halfway through…they’re already hyping the NEXT thing. The NEXT status quo, the NEXT event, the NEXT whatever.

There’s no room for things to just settle, to let something play out, to give books several months to “cool off,” to explore ramifications and “aftermath” of stuff from one big event before jumping into the next.

Solicitation cycles and all that, I’m sure. To say nothing of the 6-issue periodical volumes.

I’d truly had high hopes that we’d see a fresh, all-new Marvel Universe that I could start with, Day One, and “meet” characters anew. We’d still have had everything to that point, but now have a new universe for EVERYONE to start with…even if it also involved a mashup of “the 616” and the Ultimate lines.

But other than several characters “crossing over” or “carrying over” or whatever (hardly much different than say, Sugarman, Dark Beast, Holocaust, and Nate Grey–X-Man–carrying over to the “main” X-Men line after the original Age of Apocalypse), it’s the same Marvel Universe that we started with. 

“My” Wolverine is still dead, with X-23 and a crossed-over Old Man Logan as a replacement/excuse to keep original-Wolverine dead while still HAVING Wolverines.

Then there’s opening the issue onto a white page with gray lettering stating “Three Weeks Later.” Given the sporadic release of the title and my having trailed off on tie-ins and such, I found it a bit jarring and less than appealing. “Three weeks after WHAT?!?” I asked myself. “I don’t even remember how the previous issue ended!” Sure, a few pages in, I came to a recap, but that doesn’t change my initial, involuntary reaction to the issue.

And while I didn’t “notice” it as much earlier on, or could overlook it, or whatever…I can’t help but feel a sense of pretentiousness to the book…that sense now of it trying to be some High Story, on some higher, multiple-levels more than “just” some straight-up super-hero thing with a huge quantity of characters all interacting that leads to a new Marvel Universe from the parts.

As is often the case, though…it will likely read a LOT better in a collected edition, when the ENTIRE story can be binge-read. At this typing, I figure I’ll finish out the Age of Apocalypse series, probably watch for some other stuff in dollar bins that I started with…but by and large, I think I’m done with this until I suck it up and buy a collected edition. 3 issues left, one probably a $4.99 to $5.99 as an extra-sized finale…that’s $13-$14 toward a collected volume!

All-New All-Different Marvel November Checklist

November 2015

All-New Hawkeye #1
All-New Wolverine #1
All-New X-Men #1
All-New , All-Different Avengers #1
Black Knight #1
Carnage #1
Deadpool #1
Drax #1
Hercules #1
Howard the Duck #1
Illuminati #1
Mighty Thor #1
Moon Girl and Devil Dinosaur #1
Ms. Marvel #1
Nova #1
Silk #1
Spider-Woman #1
Star-Lord #1
Ultimates #1
Venom: Space Knight #1
Vision #1
Web Warriors #1

marvel_november2015_launches_checklist

[source: promotional postcard (pictured above)]

My Marvel Digital Journey, Month #2

uncannyxforce026When I first decided to try the Marvel Digital app, I justified it to myself on cost of print counterparts. Read a couple stories and that’d pay for itself, compared to buying the collected volumes.

For that first month, I ultimately read about 50 issues, working out to everything being like having read a bunch of 25-cent bin books. For “only” $10 spent, I was quite pleased with myself.

But getting into Month #2, I found myself devouring issues, and REALLY found myself taking advantage of the content-to-price ratio.

First, I decided to read/finish the final part of the run of Uncanny X-Force I’d dropped after frustration with the shipping frequency and art changes and general bad attitude toward Marvel and $3.99 books.

uncannyavengers001Finishing that, I followed a story thread into Uncanny Avengers; then followed stuff from that into the “core” event mini for Axis. Then I backtracked on Magneto’s story…and then decided to backtrack further to get the context for him going off on his own. But knowing the books had run side-by-side, I decided to pair Uncanny X-Men with All-New X-Men.

And in the reading I tried to include Annuals, which led me to the Arms of the Octopus “Special” issues; I also read all the tie-ins of the Battle of the Atom crossover.

Amidst all that, I also took about a week and a half “off” from the comics to read two full-length books: A Street Cat Named Bob, and The World According to Bob.

avengersxmenaxis001All in all, for what amounted to just under 3 weeks of reading, I breezed through nearly 120 issues, all from within the last several years; well over $400 had I bought the issues in-print as they were coming out, and still significantly cheaper than even a 25-cent bin.

All that X-reading has me looking at my third month definitely including the entirety of the first Wolverine & the X-Men, probably the middle Uncanny X-Men run, and the female X-Men title. I might throw in the core AvX series as a re-read. I also find myself interested in reading stuff because I “can,” that I would not otherwise have any real interest in…though some of it I’m content to save for another month or two, when the app catches up to immediately pre-Secret Wars continuity.

Skeptical as I was to start…the way it’s played out–having a tablet I like and plentiful wi-fi (at home and at work)–this has been amazing for my getting back a “joy” in (Marvel) comics.

My list of comics read:

  • xmen_battleoftheatom001Uncanny X-Force #25-35
  • Uncanny Avengers vol. 1 #1-25
  • Uncanny Avengers vol. 1 #8AU
  • Uncanny Avengers vol. 1 Annual #1
  • Avengers & X-Men: Axis #1-9
  • Magneto (2014) #1-14
  • All-New X-Men (2012) #1-26
  • Uncanny X-Men (2013) #1-22
  • X-Men: Battle of the Atom #1-2
  • X-Men (vol4) #5-6
  • Wolverine and the X-Men vol. 1 #36-37
  • All-New X-Men (2012) Special #1 (Arms of the Octopus 1 of 3)
  • Indestructible Hulk Special #1 (Arms of the Octopus 2 of 3)
  • Superior Foes of Spider-Man Special #1 (Arms of the Octopus 3 of 3)