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Thor #1 [Review]

Quick Rating: Average, but there’s still potential.
Story Title: Untitled

Thor returns.

thor001Writer: J. Michael Straczynski
Pencils: Olivier Coipel
Inks: Mark Morales
Colors: Laura Martin
Letters: Chris Eliopoulos
Asst. Editor: Alejandro Arbona
Editor: Warren Simons
Editor-In-Chief: Joe Quesada
Cover Art: Olivier Coipel, variants by others.
Publisher: Marvel Comics

This issue–and by extension, the series–holds a lot of potential, and seems to have some good ideas to give us, as readers. The execution seems a bit off, though, and despite some good conceptual ideas, just doesn’t seem to make a lot of sense.

I’ll be one of the first to stand up and complain about “decompression” and generally dragging stories out unnecessarily across multiple issues…but this issue felt like it actually should be at least 2, if not 3 or 4 issues in length.

The issue’s story–boiled down–is fairly simple: we as readers are introduced to Thor, his alter ego, shown how he returns, and follow his alter ego into a “new neighborhood,” so to speak.

The way the title character is first encountered seems to go against his last appearance, from what I recall (given 2 1/2 years’ separation from my last reading of that story). The way he returns has the potential of some epic, legendary thing that could bring a lot to the character…but is over so quickly that one may wonder why it’s taken so long (both in real time and comic-time) for this to happen. There’s some good setup that leads me to assume we’re meeting some new supporting cast, and we’re introduced to what solicitations lead me to believe will be the new regular locale for the book, which will nicely separate it (I hope) from being “just” another super-powered entity operating in New York City.

The art is good…I have no real complaints with it. I like the look of the characters, and can follow what’s going on visually. I also really, really like Thor’s new get-up. It has a much more realistic look, more practical for a “warrior” and somehow evokes more of a feel that Thor has Norse ties (if only through popular cultural depictions of Norse stuff). To me, it also makes the “classic” costume look fairly hokey.

This issue moves quickly along, going from lack of a title character to his return to setup of a new status quo, all in one issue–something that almost seems a feat in itself, in an age when title characters sometimes don’t show up until the final page (if even at all) of their own debut issues.

This is far from a perfect issue…and taken alone, I’m not entirely enamored with it. However, there’s still a lot of potential that I can see…and so I’ll give a couple more issues for Straczynski to kick his magic into gear and really hook me before I bail on this title.

Ratings:

Story: 2/5
Art: 4/5
Overall: 3/5

Value of a comic

In this day and age of rebooting, relaunching, renumbering, and $3.99 comics…I find more and more incentive to quit the new stuff and go back-issue/bargain-bins only. Especially with Marvel comics.

After all, these days $3.99 will get me this:

uncannyxforce014

Or ~$3.99ish will get me these:

lessthan399

Uncanny X-Force #14 [Review]


Full review posted to cxPulp.com
.

Story: 3/5
Art: 3.5/5
Overall: 3/5

X-Men #16 [Review]

Full review posted to cxPulp.com.

Rating: 3.5/5

Captain America #1 [Review]


Full review posted to cxPulp.com
.

Story: 2.5/5
Art: 4/5
Overall: 3/5

Fear Itself: Uncanny X-Force #1 [Review]


Full review posted to cxPulp.com
.

Story: 3/5
Art: 2.5/5
Overall: 3/5

Ultimate Spider-Man #160 [Review]

Death of Spider-Man: Part 5 of 5

Writer: Brian Michael Bendis
Penciler: Mark Bagley
Inker: Andy Lanning with Andrew Hennessy
Colorist: Justin Ponsor
Letterer: VC’s Cory Petit
Cover Art: Bagley & Ponsor
Assistant Editor: Sana Amant
Senior Editor: Mark Paniccia
Published by: Marvel Comics

So, this issue is mostly one big fight scene. Seems the Green Goblin’s been busy, and it’s all come back down to Norman Osborn vs. Peter Parker. But unlike that first time the Goblin came back–when it was Mary Jane who was thrown off a bridge, playing on readers’ knowledge of what happened to Gwen in the regular Marvel Universe–this time, it just feels like little more than a ripoff of a two-decades-old Superman story. Yet, it works.

The villain apparently rose…many have fallen, and it’s down to the titular hero to save those around him from said villain.

Face it…the title of the story, the branding of the last few issues of this title and the Ultimate Avengers thing–it gives it all away. Much like knowing weeks before the story even began that Doomsday! was a tale that would end with the death of Superman. It was the journey to get there, watching the hero gradually take more and more of a beating, attempting to dish it back, and ultimately making a final sacrifice to save those he loves from a monster’s rampage.

The story itself–pretty simplistic. I haven’t read the first four chapters of it in this title, and bought (but wound up only skimming) the issue where Peter takes the bullet for Cap….yet, the recap page at the beginning of this issue sum things up pretty succinctly–I don’t need those chapters to “get” this.

The art–maybe not fantastic, but after recently reading the first tpb of the post-Ultimatum Ultimate Comics Spider-ManBagley‘s art–which I’ve always enjoyed and associated with Ultimate Spider-Man–is SUCH a thing of beauty. The characters actually look like I’d expect, as I got used to. The way they looked over the course of all those practically biweekly issues in college and all those TPBs after that when I went back to the series last year and caught up on over 60 issues of story.

As a whole…not truly worth the $3.99 cover price. Not even with that black plastic bag with the hero’s logo in red on it. But y’know? I missed out on Ultimate Spider-Man #1; I wasn’t able to acquire any issues til #4 or so, and was only able to get back to #3. But by and large (I got the first hardcover with those first 13 fantastic issues) I got in at the beginning. So I couldn’t bring myself to entirely “pass” on this ending.

If you’re already buying this title, sticking with the singles after the Ultimatum stuff and the renumbering and the re-renumbering, the changes in art and all that…if you read the earlier chapters of this story…again, face it: you were already going to or have bought this issue already. If you’ve sat things out, wondering at simply waiting for the collected volume: keep to that route. You’ll get a full story. If you’ve avoided this story on principle…hold to it.

This isn’t going to be for everyone. In many ways, I should be appalled at this. To see the character I so enjoyed reading about–and the supporting cast–put in this (albeit fictitious) situation, to see things come to this…it’s horrible. Heart-wrenching. But when you come down to it…this issue makes this version of Peter Parker, Spider-Man, much more real, at least in the moment. We saw his origin. His beginnings. His career. And now, his end.

If you can find this issue, without being taken for a marked-up price…I recommend it. If you’re a lapsed fan of the series, it might be worth getting to be there for the end. If nothing else–consider the collected volume.

Story: 4/10
Art: 9/10
Overall: 7/10

X-Men: Legacy #250 [Review]


Full review posted to cxPulp.com
.

Story: 3.5/5
Art: 4/5
Overall: 3.5/5

X-Men: Schism [Checklist]

The line has been drawn in the sands of Utopia. Prepare for a conflict between former teammates, brothers-in-arms, and friends as Cyclops & Wolverine go to war with one another! From superstar writer Jason Aaron and a ground-shaking ensemble of the industry’s best artists coms X-Men: Schism, the series that will split the X-Men down the middle! United No More!

JULY

  • X-Men: Schism #1 (Art by Carlos Pacheco)
  • X-Men: Schism #2 (Art by Frank Cho)

AUGUST

  • X-Men: Schism #3 (Art by Daniel Acuna)
  • Generation Hope #10

SEPTEMBER

  • X-Men: Schism #4 (Art by Alan Davis)
  • Generation Hope #11

OCTOBER

  • X-Men: Schism #5 (Art by Adam Kubert)

Criminal: The Last of the Innocent #1 [Review]

The Last of the Innocent part 1

By: Ed Brubaker and Sean Phillips
With: Val Staples
Published by: Icon/Marvel

I’d pretty much forgotten the existence of this title. It seems to be a series of mini-series, each serving as a particular character or story arc. I’ve never disliked an issue I’ve read, but one of the best things about Criminal is the same thing that’s kept me from getting invested: the stories are full. Read just one issue, and there’s a full enough story there that it’s almost hard to believe the thing continues.

This issue follows Riley as he journeys back to his hometown to see his father before a risky surgery, and reconnecting with old friends and old memories. Of course, the trip nicely coincides with an itch to get away from debt he owes to some legbreakers and provides a chance to grab some quick cash to pay them off.

The story itself is very down to earth and realistic. No superpowers, no superheroics, no supervillains, no world-conquering invading armies, no wars or proclaimed crises of any kind. The characters are all believable if not stereotypical, and there’s some great allusion that serves to add even more depth to these characters and at one point left me actually laughing at picturing the alluded-to character acting in this way.

The art is simple yet detailed. It doesn’t try to be photorealistic, and simply depicts the characters. And the flashbacks being done in an even simpler style of old comic strips (in the vein of Archie, most recognizably to me) adds to the sense of layering and allusion.

The end of the issue is both ending–stopped here, it leaves plenty to the imagination. But it also–since it DOES promise more–piques the curiosity and leaves me wondering what comes next, especially for a book called Criminal, from Brubaker.

There may be some stuff here that I’m simply not getting, references or characters from some previous story. But if there is, I don’t see it, and I’d say it’s non-essential. I picked this up cold, and enjoyed it for itself. This is a brand new story, a brand new #1, and a great jumping-on point. All you need to know, I’d say, is that this is a creator-owned property from Brubaker and artist Sean Phillips, about very realistic people in a realistic world, if a bit noir-ish, and that the title Criminal fits the content.

Highly recommended.

Story: 8/10
Art: 8/10
Whole: 8/10