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Some Negativity in the Form of Questions

I don’t like being negative, nor causing random (negative) ripples or fights on the internet; I don’t like flame wars, I don’t like raining on others’ parade, etc. (That’s part of why I have this blog–I can simply put MY thoughts “out there,” but I’m not inserting them into discussion forums or other places in some consciously disruptive fashion). But for now I want to vent a bit, with several questions that have arisen and that I’ve wound up with photos to illustrate said questions (in the course of prepping photos for other blog posts).

Who in their right mind is going to buy multiple copies of a reference book like The Overstreet Comic Book Price Guide?!?

overstreet_dual_covers

I mean, I am long used to their having multiple covers, but those usually seem (to me, in my memory) to be singular covers, just different artists and even focus on different publishers in subject-matter of the cover. Pick your favorite, so you’re not locked into a cover you despise, for a book you may be utilizing frequently for a year or more. That I can be ok with.

What I’m not ok with is something like this, where on a freaking REFERENCE BOOK they’re taking a singular image and splitting it in half. Not even doing a wrap-around cover type thing, or some insert, or whatever. If you want the WHOLE of the SINGLE IMAGE, you have to have TWO COPIES of the exact-same, not-supposed-to-be-“collectible”-itself book.

And of course, I’m pretty sure they already do multiple editions, with the volume available in hardback and paperback. I myself several years ago bought a year-or-two-old edition to have for reference of a bunch of ’90s stuff–not for the so-called “prices” or “values” listed, but as a resource to determine relatively authoritatively exactly how long various series lasted. (How many issues were there of X-O Manowar vol. 1? Instead of trying to corroborate stuff online and do a lot of Googling, just flip to the listing in Overstreet and see what the final issue listed is.)

Needless to say, I won’t even be tempted to pick up this year’s edition as a replacement or “update,” and I’d be truly curious at the effect of this “diptych” cover stunt on sales (probably not much, since I’m just one person, and grumpy at that, and it seems very few people feel so strongly on stuff as I do).

Why must there be umpteen to half a hundred variant covers rather than some sort of “art-gallery” special issue to “celebrate” a series/issue/milestone?

Valiant is just digging its hole even deeper…this totally, completely turns me OFF to even the contemplation of randomly buying X-O Manowar #50 as a new issue!

xo50_has_50_covers

Are there REALLY so many Valiant collectors that will truly be interested in and hunt down FIFTY COPIES of the same exact issue JUST for some covers? IF you want to celebrate the character, let other artists “weigh in on” the character, you want “bonus sales” without commissioning/contracting a whole extra story to publish…

What ever happened to the “art gallery” issues? Publish some 50-page “issue” that’s nothing but cover images (with or without cover text/logos) as something like X-O Manowar: A Celebration of 50 Issues or such. Sell it as a poster book. something.

How many people are totally turned off anymore to the constant glut of VARIANT covers? I would honestly be willing to argue that the last several years and present are far worse in terms of “variant covers” than the “Collector’s Age” of the 1990s ever was with variant/”enhanced edition” comics, with the “newsstand” and “direct market” covers.

Yet another thing that will leave me willing to not even buy new issues, but go and be fairly content to drop twice the cost of a “new” issue on a random late-Bronze-Age comic from a back-issue bin.

Why do book designs have to be ruined by “branding” on something that has had dozens to hundreds of books published in its course of existence?

While I might otherwise have some interest in purchasing new Dragonlance or Forgotten Realms books; Elminster specific volumes or something with Drizzt…I flat out refuse to buy any such mass-market paperback with that ugly D&D “swish” on the spine.

d&d_swoosh_on_books

Frankly, I don’t “get” it–does anyone specifically read Dragonlance or  Forgotten Realms books because they’re a sub-brand of D&D/Dungeons & Dragons? Speaking for myself–I sure do not. I’m interested in either property for the property itself, and I truly feel like these are marred by that “swish” on the spine.

I can appreciate the “branding,” of wanting to promote D&D over an individual setting, but I absolutely do not have to like it. Nor, in that regard, do I have to buy any of the newer editions thus marred by the branding.

What, exactly, is the POINT of the extra half-inch or whatever to have “oversized” mass-market paperbacks???

I absolutely loathe the things and refuse to buy them…and they can even put me “off” from a whole series of books if I’m not “chomping at the bit” TO read them.

mmpb_wih_oversized_mmpb

I’m trying to track down the hardcover edition of The President’s Shadow, having only just recently finally finished The Fifth Assassin. I’ve been getting Meltzer‘s books in hardcover since/including The Zero Game back in 2004 or so, so I don’t have much interest in the MMPB (I’ll get the e-book first, honestly). But even if I was interested in the MMPB, seeing it on the shelf like this, next two a couple of the earlier books simply reminds me that even if I switched to paperback, it’s impossible for me to have a complete set of his books that actually go together on the shelf, without at least a couple of the more recent/”middle” ones sticking out like glowingly-red sore thumbs, having been released in the “oversized” format.

And despite that, now they’re back to the “regular” paperback size…so there doesn’t even seem to be any commitment to one or the other, thus there isn’t even consistency to the books, whatever format, regardless of my liking them or not.

In a time when buying a movie shortly after initial release costs a premium and it seems fairly routine for prices to drop within a few months until it’s on the bargain racks within a year…does Disney truly sell more keeping the higher price, or would people who’d buy it at a lower price continue–like me–to pass on stuff?

Loosely, conceptually, I’m very interested in this Descendants property. I love “legacy” characters, seeing a universe expanded on, digging deeper into stuff I’ve already enjoyed…and thus, I was originally looking forward to the home-media release of Descendants last year or whenever it was.

how_long_until_discount_descendants

But the thing was not “on sale” for the “week of release” if I noticed it then, and I have been unwilling to pay the whopping $18 for a 90-minute “tv movie” that I know darned well is gonna be cheesey and hokey and more of a “guilty pleasure” than much else.

And month after month after month, I have never seen the thing on sale such that I’d be willing to purchase it. I think it might have once been “on sale” for $16.99, but $17 vs $18 is negligible for me compared to $15 or $13 or even $10. $15 would be seriously pushing its luck, $13 a bit more reasonable, and at this point, $10 ($9.99) would be ideal.

And this is at Target and Walmart, to say nothing of other retailers and such.

To me, the $17.99 is an odd price–more expensive than the $10-15 many movies cost, but not quite the “premium” $19.99+ units. Yet, this definitely is not something I would ever pay $20 for…and negligible as it may be if one’s got the money available to spend on something like this, I’m not paying the extra $3 just on principle, beyond the $15 or $14.99 I’d otherwise have been willing to pay.

And with this stuff outta the way, back to the usual content, most likely.

I continue to “find my comic book joy” in 1990s 25-cent issues, and increasingly in the notion of actually hunting down late Bronze Age comics. Contemporary comics–at $3.99 and increasingly $4.99; characters and properties being driven into holes into which I’m uninterested or unwilling to follow; variant covers in general…as publishers strive for some mythical “new readers” audience and increased month-over-month year-over-year and other buzzwords sales in a modern market…they just keep putting me off entirely to their product(s).

On Learning of X-O Manowar Ending at 50

xomanowar0001I’m still sorely burned by Valiant over last year’s Legends of the Geomancer crap–burned, and still have not forgiven or forgotten. But I’m rather saddened to learn that apparently the current volume of X-O Manowar by Venditti is going to end at #50. With several specials/one-shots and an annual, about 56 total issues of X-O Manowar.

I’d rather see a creator choose to leave, or at least get to choose to end a story, and I cannot begin to even pretend to have any sort of behind the scenes or insider knowledge or such, but I’m just assuming he’s choosing to end his current run, rather than it being cancelled out from under him. And while this isn’t going to be the first "long time" series to end from the current Valiant, I believe it WILL BE the longEST running series they’ve ended. Of course, they’ve kept characters going and done new/related iterations of books (see Bloodshot into Bloodshot and Hard Corps into Bloodshot Reborn, as well as Harbinger into the followup mini and Imperium and such).)

xomanowar0035But that leads into the bigger problem for me: it solidifies that there is no point whatsoever for me to buy Valiant single issues! If it’s WORTHWHILE, it will be put into a "graphic novel" or collected volume and I can get an entire story in one go for a similar price, but without the wait, the variant covers, and all the crap involved in that whole side of things.

If numbers don’t matter or it’s "just a number" that’s replaceable and nothing is truly intended to be any sort of longer ongoing series with any real individual HISTORY…then there is no INCENTIVE for me to buy the single issues…especially not for $3.99 an issue, with the flimsy paper and often slightly "off" cuts and such (stuff I overlooked while they were on my good side, but just one more negative point once they burned me).

The "numbers problem" applies across the board, though–who would have EVER thought that SPAWN would be THE highest-numbered uninterrupted/non-rebooted American comic book being published in its time? (Though Action Comics and Detective Comics are "returning to classic numbering" this summer, their numbers are no longer pure because DC is counting 52 issues of the New 52 series as if they’d been sequentially-numbered issues of the continuing series for both).

Though I bailed on Valiant entirely last summer, and even got to where I was disgusted looking at my "new-Valiant" hardcovers in light of stuff…there was a part of me that still hoped to see something like X-O Manowar actually make it to some number above 50; maybe make it to 100.

Perhaps it’s the "changing world" of comics, and the "seasonal model" that Marvel especially seems to have adopted. Maybe it’s what I was already feeling was Valiant‘s own "spin" on stuff–that they weren’t "canceling" titles so much as cycling the properties, rotating stuff to keep things fresh. Whatever.

On the whole, there’s a continually-decreasing incentive to buy monthly comics…between price point, enjoyability, and the constant renumbering by publishers seeking the "in-the-moment" bump of sales that #1s seem to get. And whatever my positive feelings are for Robert Venditti (to whom I wish a long, continued successful career in comics), as far as Valiant itself goes, for me, this is another push away from their product, at least in monthly form (which is not good, if the monthly books are truly the absolute, core "lifeblood" folks claim they are in terms of anyone opting to "wait for the trade" or such).

If the X-O Manowar Deluxe Hardcover volumes are collecting about 14 issues apiece, that’d work out to 56 issues across 4 volumes…I can’t even recall if I got as far as getting the second volume last year, but while I might be inclined to eventually pick them up as a finite series, that does nothing for their monthly books.

I’m glad I’m not trying to be or be in charge of a publisher and having to make whatever decisions. But simply as a fan and NOT considering whatever focus groups or statistics or whatever… I’m annoyed and put-off by the constant variants, constant renumbering, constant spin; in this publisher’s case particularly I’ve also been burned by their 1:25 "incentive content" stunt last year…so, I bid farewell–again, and from afar–sorry to see the title go.

And sorry that it’s more reason for me to continue to stay away from the publisher’s product, as I still haven’t seen anything since walking away to truly be incentive to return.

valiant_still_done

Mid-February Stream-of-Consciousness

[Pardon the lack of usual nice formatting and such…I’ll never get this posted if I try to go through and do my usual formatting. Plus, this isn’t a fancy post…I just started typing, and this is the result. For now.]

It’s been awhile since I’ve posted. I’ve found myself a BIT more active posting stuff over on the Facebook Page, though.

I feel like a lot of the “fun” in comics has disappeared for me. I’m less and less inclined to go to the comic shop…and I’ve actually skipped weeks here and there lately…as there’s nothing (even on my pull list) out in a given week that I’m planning to buy…or I’m behind on reading so not gonna read the issue immediately even if I buy it…so no particular rush to get to the shop.

I’m less and less interested in NEW comics…and increasingly frustrated with the likes of Marvel and DC both for their single issues, be it pricing, numbering, or whatever.

Marvel keeps renumbering every couple years such that numbers don’t mean squat anymore–they might as well just add a “subtitle” of the year to their books, and start fresh at #1 in January for any quasi-ongoing/recurring titles. Say, Deadpool 2016 1-12 for this year. Deadpool: Merc With a Mouth 2016 1-4 if they do a mini-series. Amazing X-Men 2016 1-12. All-New X-Men 2016 1-12. Etc. Then they can do Amazing X-Men 2017 #1 next January. New year, new “season.” If they squeeze out 18 issues in a year, just add to the count. If they run over the calendar year, keep the year of #1 on the book, so at least when one looks at back-issues, they can know which iteration of the title (with the same Marvel logo, same title logo, same creative team, and umpteen variant covers) any given issue belongs to.

DC hasn’t seemed to know what to do with Superman…and the only thing right now that REALLY interests me at all is Superman: Lois and Clark…but heaven knows if that’s even going to continue past “Rebirth” this summer. Though its concept is good, I’m not even entirely sure how much I’m enjoying it…versus clinging to it as the sole chip of bone thrown to me as far as continuing stories of a Superman resembling the one I grew up on.

Variant covers, “chase” covers, “chase” CONTENT, renumbering, high prices, lack of continuity (or sense of continuity)…it all just discourages me at this point and leaves me grumpy.

It’s hardly a wonder to me that the vast majority of my graphic novel purchases for ages are all volumes collecting older “classic” stuff…largely 1990s material, with some stuff back to the 1980s, and some into the early 2000s.

Continue reading

MMPR and Why I’m Done With Boom! Studios’ Single Issues

I was excited last week for the debut of the new Mighty Morphin’ Power Rangers series from Boom! Studios. I was annoyed at the SEVEN different covers for the #0 issue…but they’re all such great-looking pieces, and the property has just the right bit of nostalgia, that I was actually looking at bucking my usual hatred of variants.

I enjoyed the story of the issue, in part along with the notion of acquiring not one, but SIX to SEVEN copies of the issue, to frame and display the covers in my “comic cave.”

Unfortunately, I was only able to acquire one single cover (Black Ranger), and when I took to online retailers, no one had any of the issues in stock…and then I was BLOWN AWAY when I tried eBay…and learned that TWO of the covers were RATIOED VARIANTS.

1_50_green_ranger

The Green Ranger cover was 1:50, and the White Ranger was a whopping 1:100.

That is…for every FIFTY COPIES of the regular covers a retailer orders, they can order ONE single, solitary copy of the Green Ranger cover. A retailer would have to order ONE HUNDRED COPIES of the regular covers to be able to order ONE single, solitary copy of the White Ranger cover.

That is complete and utter BS, and I call shenanigans!

1_100_white_ranger

This is a “team book,” that is–the book stars the TEAM, a cast of more than one primary character–in this case, a team of SIX characters. ONE of those characters spent time with the powers of two different Rangers–Green and White. So while all SEVEN covers would be a great set, since the story FOCUSES on the early part of the Green Ranger even being part of the group, the White Ranger cover COULD be seen as a “bonus” cover, separate from the “set.” Bad enough each character has to have their own individual cover (rather than any sort of team cover)…but then Boom! goes and pulls this, taking arguably the most popular (Green and White) and making them not 1:7 (equal ratio), not 1:10 but 1:50 and 1:100 respectively.

Even if a retailer gets the issues at $1 each, that makes the Green cover a $50 book, and the White a $100 book. Move that price upward the more the retailer has to pay.

What would have otherwise been a fun little “exception” to my no-variants personal policy has turned into downright frustration, and frankly, at this point, I’m done with Boom!

I was “all-in” for three years with Valiant, and dropped the publisher as a whole last summer over their crap with the Legends of the Geomancer. It’s been awhile since Boom! has really had anything of any interest to me–Mighty Morphin’ Power Rangers was gonna be my gateway back into their product, to having something of theirs on my pull list (and through whatever house ads/etc, I’d see as a result) probably get some of their other series back in my attention.

Instead, on principle, I’ll be voting with my wallet. Instead of my buying 6-7 copies of THE SAME ISSUE now, and continuing to purchase the ongoing monthly series’ issues each month, AND whatever else would grab my attention from there…I’ll likely part ways with the copy of the issue I did buy. And going forward, I will not only not be buying the series at all, I’ll not only passively not currently be buying anything from the publisher…I’ll be actively AVOIDING the publisher’s entire output…at least as single issues. Perhaps later in the year I’ll make an exception for a collected edition (provided the collected edition itself does not have variants), but as single issues go, as “supporting the series” goes…nope.

Thanks, Boom! for operating on the short-sightedness and money grab. You’ve earned ill-will on my end.

How to Lose Buyers and Alienate Readers

valiant_im_done

I bought X-O Manowar #1 the day it came out back in May 2012. I’ve bought at least one copy of every single (story) issue that Valiant has published for nearly 40 months. I’ve paid their $3.99/issue. I’ve had expensive overall comic weeks because Valiant insists on “clustering” issues, often leaving me with weeks with NO Valiant, while those others might have 3 books apiece.

I’ve bought issues for friends, to just GIVE them. “Here, try this, it’s good, I promise!”

I’ve talked Valiant up. Friends, coworkers. Made sure to reference them whenever there was opportunity. Pointing out how UNLIKE Marvel or DC, I could follow an ENTIRE COMICS UNIVERSE, and had been, since its inception. How unlike Image, the disparate books still functioned together as a universe, though they fit different genres.

I even pointedly bought the various vol. 1 editions to “support” those.

Aside from special oversized issues, in all this time, the cover price has been a standard $3.99. Since I don’t collect variants, since I have pointedly stuck to the advertised/standard/”A” cover, I’ve never had to “chase” an issue. Maybe I don’t have the “talking Aric” QR-code variant of X-O Manowar #1. Maybe I don’t have some “gold edition” Whatever #1. Maybe I don’t have the Whoever variant of Bloodshot #6, or Harbinger #7. But darnit, for that $3.99 per basic unit/issue, for however many issues in a given month (7-9ish), I was happy. I was entertained. I was satisfied.

I was following the ENTIRE STORY, the WHOLE of the comics UNIVERSE being laid out by a gradually-growing, major-to-me publisher.

So color me surprised and dismayed when–in some apparent bid to get their books in front of MORE PEOPLE, Valiant now PUNISHES buyers (fans, readers, collectors) like me, interested in the whole STORY, but making an ENTIRE SERIES ratioed-incentive-ONLY.

For every TWENTY-FIVE COPIES of Book of Death #1, a retailer could order ONE COPY of Legends of the Geomancer #1. Not 25 of BoD and then however many LotG. Granted, there’s some sort of discount in place, and returnability…and maybe on some technical, considering-ONLY-Valiant level it would “make more sense TO order 25 copies than less.”

My comic shop’s been burned in the past on the various Valiant events and stunt covers and such. Very few people with any interest at all (and I’ve seen recent issue tossed in the 25-cent bins, usually non-“A” cover variants, as apparently there’s really no back-issue interest/market for the things around here, either). Suffice it to say, not one copy of Book of Death on the shelves. I had a copy because of my “Every single-issue edition Valiant publishes” pull list.

But no Legends of the Geomancer #1. Don’t EVEN try to tell me to blame my comic shop. Don’t try to insinuate that it’s on the owner to cater entirely to ME. Don’t try to say I should have talked the thing up, clarified and explained stuff to the owner, DONE VALIANT‘S JOB of “selling” the owner on stocking the book in huge, unsalable quantities, just because I wanted–for myself, for my collection, because I have one copy of every OTHER story-issue the company has published–a copy of a single issue.

As said, I’ve bought at least one copy of every single issue they’ve put out for nearly 40 months. A complete run, a complete collection, a complete universe, something that meant something to me, that mattered in context, that I was satisfied with, that I enjoyed, that I was content to spend $3.99 per issue on despite loathing the price point. But…that streak is broken.

I will not pay more than $10 for a single standard-sized comic (outside of perhaps a TMNT comic, the TMNT stuff long being a very special exception). Certainly not for something with a $3.99 cover price.

And on top of the (artificial/intentional) SCARCITY of the issue…Valiant‘s had the gall over the past few weeks of putting out previews for the issue, listing it amidst its other issues, as if Legends of the Geomancer were something just ANYONE could simply, reasonably, get.

Look–when I’m consistently told by my local retailer that I AM his #1 Valiant customer, such that he’s handed me promo books rather than sell or put them on eBay, held copies of classic issues so I get first shot at them, extends a sale price to encourage me to clean out some of his classic Valiant titles–and I can’t even get a copy of the issue? There’s a problem.

For months now, since this was announced, I’ve had my feelings for Valiant shaken. There’ve been cracks in what was otherwise a great deal of good will and positivity toward the publisher. Whatever issues I had with them clustering titles, making use of variant covers to the point I had to SPECIFY that I only wanted “A” covers for my pull list, something being slightly “off” to their physical products compared to DC and Marvel and Image…I still had plenty of good to say about ’em.

I took to online resources–other shops, even eBay–to see what my chances were of getting a copy of the thing in the $10 range, and even half-flirted with the notion of going about $20 including shipping (in the heat of the ‘moment’). But I was met with asking prices of $30, $40, $50, even $80+.

Far beyond my budget and ability, let alone common sense willingness to pay. So, I don’t get the issue. I’m not able to get the issue in any reasonable fashion.

It’s not to be published digitally (through legal sources), nor is it to be reprinted in the inevitable Book of Death paperback collection.

I don’t have the issue.

I don’t have that story.

My collection as I see it, my having a copy of the entire STORY of the Valiant Universe…is incomplete.

Fine–the run is broken. So, no point in trying to keep up with everything, right? I don’t HAVE TO have every single Valiant issue ever published by this iteration of the company…I know that. I get that. I see that. I realize that.

But by being forced to face that, accept it in this manner, I just feel like I’m not the target audience for this publisher. As just some guy faithfully buying a copy of every single issue, pre-ordered sight unseen such that my local comic shop is at least ORDERING SOMETHING from Valiant off of everything they’re putting out as a single issue…

Why do I need ANY Valiant comics?

I’m being pushed away anyway, why not take a good, hard, long look…and hey! I don’t need to be buying Valiant.

I’m frustrated, angry, discouraged, upset….all these negatives…over A COMIC BOOK.

It’s not fun anymore.

And to me, continuing to support the publisher in the single issues format is to passively endorse their stunt. To say nothing of those negative feelings building up. Look at a Valiant issue, see anything about ’em and all the talk of that darned book that I couldn’t get?

No. No, thank you.

It’s a principle thing.

After stewing on it all afternoon and into the evening, I decided to hold to the principle.

I contacted my comic shop and asked to remove Valiant from my pull list.

I no longer want to have Valiant stuff waiting for me every week there’s something new from Valiant out. I’m no longer interested in paying $3.99 an issue for several issues at a time to keep up with ONLY “most of” a universe of story.

Does Valiant OWE me anything? No, they do not. NOR do I owe THEM anything. We had a good thing going, but they made their decision–whatever the motivations and expectations and intents…and I’ve made mine.

Am I SPITING myself? No–I can always track stuff down later in bargain bins or eBay lots, or some digital means (after all, by not KEEPING UP with everything, stuff’s gonna slip through the cracks, so no great “need” to get stuff in print). And I have loads of other stuff to read in the meantime. Shelves and shelves of collected volumes that have been neglected or languished lower in the queue. Stories I’ve “meant” to re-read for years. Marvel Digital Comics Unlimited. Actual prose novels. Life to live.

Sure, I’m angry right now. And that’s prompted this disjointed, lengthy post. It’s prompted a decision that will leave me with 3-4 TMNT books being pulled for me each month, and pretty much anything else will be in-the-moment off-the-rack purchasing, if it’s actually stocked.

Despite this…I have little doubt that I’ll continue to seek the oversized hardcover “deluxe” editions. And who knows? MAYBE Legends of the Geomancer will be reprinted in the Book of Death deluxe edition someday–getting around the “not digital, not in PAPERback” phrasing. I don’t know, and I suppose I have a few months to a year to wait to find that one out. Kinda moot for now.

Marvel and DC have long alienated me, and Valiant was a sort of refuge. Now they, too, have alienated me, and lost me as a buyer of single issues.

But I’m pretty sure that all things considered? Life most certainly goes on!

The Right and Wrong Way To Do Interlocking Covers

I’ve made it more than clear (and will continue to do so) that I hate variant covers as a general thing and on principle.

The worst "type" of variant cover to me is the "interlocking" variant. This forces one to–IF they actually want the "whole" image–to purchase MULTIPLE copies of the same exact issue.

The first one that ever really caught my attention, and totally ticked me off and turned me off to the series as a result, was Justice League of America with #1:

interlocking_jla1

Then there was Geoff Johns wrapping up his run with JSA/Justice Society of America. To "celebrate" his time and commemorate the "end of an era" a large group shot of the many characters that had been a part of and defined during his run was used…split across three covers for the issue:

interlocking_jsa26

This also turned me off to buying Boom! Studios/Boom! KidsThe Incredibles. This team of four, a family, as a GROUP starring in the title–was split across two covers for #0…

interlocking_incredibles000

…and for #1. If they wanted to be cute or "fun" or such, these could’ve been the first four covers, or done as a wrap-around cover. I refused to support this and so never ended up buying any of the single issues.

interlocking_incredibles001

Of course, this wasn’t an entirely new concept. It was done for 1991’s X-Men #1…with FOUR different covers. (Icing on the cake? A "deluxe" edition was also available that was a double-gatefold-wraparound combining all four into a single piece on a single copy of the issue).

interlocking_xmen1991

More recently, IDW did this with Teenage Mutant Ninja Turtles #1…four covers and a "deluxe" version combining the four…or so I hear (I haven’t seen a physical copy myself as yet).

interlocking_tmnt001

Bringing all this back to my attention MOST recently was that Valiant pulled this stunt with X-O Manowar #31…

xomanowar031_ab

…AND with #32! And these aren’t even anything special (not to me, anyway!).

xomanowar032_ab

Both could easily have been gatefold covers, which would have been nifty and amusing enough for a change of pace. Or they could have simply been covers for separate issues of the story arc.

Aside from the principle of the thing is that there are some GREAT examples of the interlocking images being used very well! Instead of having to buy multiple copies of the SAME ISSUE, they can reward one buying an entire story, or at least getting the first couple issues of a series.

My first experience with this was the United We Stand crossover story in the early 1990s between the Teenage Mutant Ninja Turtles Adventures and Mighty Mutanimals books from Archie:

interlocking_tmnt_mutanimals.jpg

Next to that, probably my next favorite was the start of the New Krypton arc awhile back in the Superman books:

interlocking_new_krypton

We also had that with the first two issues of All-New X-Men (I cannot figure out where the third panel was used–these were part of a single image on a promotional postcard at the time).

interlocking_allnewxmen

Last summer I found a bunch of Kid Eternity issues and when I’d laid the issues out to photograph for this blog, I was surprised to REALIZE the mini-series provided a single image across the three issues.

interlocking_kid_eternity_mini

I’m sure there are many other examples of both types of interlocking covers; and this does not even get into other problems I have with variants, nor the notion of the pin-ups (vs. variant covers) , wraparound covers, and other gimmicks.

Ultimately, to me there should never be interlocking VARIANTS. Interlocking COVERS are ok but lose all sense of "cuteness" or "funness" when done as variants.

An Extremely Rare Exception to my No-Variants Rule

I hate variant covers, and have really strongly disliked the way some publishers seem to have variants for EVERY SINGLE ISSUE of pretty much EVERY SINGLE SERIES they publish, while other publishers (particularly Marvel and DC) seem to do "theme month" variants.

DC‘s March 2015 "theme" was "movie posters," with variants for various titles spoofing famous movie posters. While it was probably the most appealing theme to me–I’d probably be interested in buying an issue of such images, or a posterbook or such–I’d still had no intention of buying any of these.

But then, the week of March 11th saw the release of Bill & Ted’s Most Triumphant Return #1, and being in a nostalgic mood over BIll & Ted as a property, seeing the Action Comics #40 cover totally grabbed me.

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Yet, with the way I rail on about variants, and see them as quite ridiculous to just be thrown in a box or lost in a pile somewhere, and I REALLY dug this cover…since I’ve been framing posters lately, I justified this very specific, limited exception to my usual by immediately buying a small "document frame" in order to frame and hang the cover as a small print.

Now I have a fun image hanging in my apartment that on the whole wasn’t terribly expensive.

MORE Valiant Variant Annoyance!

I complained several weeks ago about discovering that my copy of X-O Manowar #31 was only one-HALF of an image…no wrap-around cover, no gatefold. I’d have to buy TWO COPIES of the SAME ISSUE if I wanted to actually have the entire cover image.

Now I find out the same thing’s happening with #32 as well!

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And I don’t even like the image all that much from this perspective.

Aric’s butt, or what looks like it could be Giant-Man’s foot from The Ultimates coming down on an armored figure.

If you have a four-issue arc…put the halves on subsequent issues. If you have a 3-issue arc, do a wrap-around cover or a gatefold, or AT LEAST provide some sort of pull-out poster or something.

if it’s just a cover, why do it?

And for those who would say to me that it’s no big deal, if I don’t like it I don’t have to buy the variants/multiple-copies-of-the-same-issue, I say: if it’s no big deal, then the publishers should QUIT DOING IT!

I’ve already "accepted" variants as a "Thing" but darn it…I’m sick and tired of even "just" sticking to my "standard, most basic" or "A" cover or such winding up with only half an image.

Seems there was a 5-part interlocking series of variants for X-O Manowar #0…FIVE. BUT I can overlook that as those were a variant image entirely, and didn’t impact me with my standing order of "A-cover or most basic non-variant" for my pull list. I bought one single copy of that issue, got the image that had been used in advertising/previews for the issue, the standard image I’d come to associate the issue prior to its release.

With these 2-part interlocking covers where they ARE the standard covers…I don’t have that choice. OR I have to seek out a rarer variant just to have a single image for the cover…and the image may or may not be all that relevant to the issue in question.

Much as I’ve stayed "loyal" to Valiant, maintained a blanket "everything single-issue Valiant puts out" for my pull list…this is frustrating and annoying enough to have me asking myself what it would look like if I dropped Valiant entirely.

Or shifted to collected volumes only. After all, those (TYPICALLY!) have only one cover, and there’s the chance the variants might be included as bonus pages/backmatter there, and let me avoid the "issue" of variants with the singles.

Valiant Variant Annoyance

When spread across multiple CHAPTERS of a story (whether restricted to the same title or multiple titles in a crossover) I often rather enjoy piecing together a larger image from several comics.

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When it’s done like this–2 to 3 "panels" of a single image split  on the SAME ISSUE, it just totally ticks me off and frustrates me to no end.

I do not understand the practice, and I REFUSE to buy multiple copies of the same issue when the SOLE DIFFERENCE is which PART of the cover image is ON the cover.

Why this could not have been the cover images to #s 30 & 31, or 31 & 32 is beyond me.

Doomed: Price/Variants/Scheduling

While I am certainly guilty of “enabling” or such in this case by buying along, the current crossover/”mini-event” Superman: Doomed makes for a bit of “case study” for why I will probably avoid the Futures End stuff and other future “mini events” or such from DC (to say nothing of Marvel‘s pricing, variants, and events).

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Price

I initially allowed myself to be sucked into Doomed because firstly, it’s Superman; secondly, Doomsday (even though I really do NOT like the revised visual of the character); thirdly, an ad/checklist indicated 4 chapters, so I figured why not? Only 4 issues…sure.

What I had not realized was that this was a 4-month, several-title saga or I would have simply awaited the collected volume…get the whole story in one book, all at once, in one place, no variants, cheaper than the singles, etc.

As far into things as I’ve gotten, I intend to finish this one out, and then I will be far more hesitant with any future such stories.

So far this has been a mix of pricing. As of this typing, we have 12 chapters. 1 was $2.99, 8 were $3.99, and 3 were $4.99…round the penny up on the cover prices and we’re at $42 so far. An ad in the latest issue gives an August checklist showing there are 3 more chapters, and unless I’m completely “off,” that’s 1 each at $2.99, $3.99, and $4.99. Meaning the $17ish story I thought I was getting into has become a $54 investment for 15 issues. (I paid about $55 for my Death and Return of Superman Omnibus that has about 40 issues’ content). And if I were to hazard a guess, I would guess that the hardback will be $29.99 to $34.99 cover price.

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Scheduling

I no longer pay the attention to “late books” that I used to…probably because I’ve been primarily sticking to Valiant and TMNT comics, and those have been coming out in the months they’re supposed to. I’ve not particularly paid attention to which week of the month, so if there’s been a bit of slidage I’m not particularly conscious of it.

julydoomedchecklist01That said, it’s long been frustrating–if only passively so–the way books seem to “cluster,” rather than be more spread out. Valiant would seem to skip a week or two and then have multiple books out the same week…and I think the last couple months, both the main TMNT book and the Animated Adventures have been out in the same week rather than spaced out. Maybe they have different audiences, but there are some people (like me) who buy both, so instead of spreading the cost through the month, when they both show up the same week, I’m out $8 instead of only $4 that week.

I noted my issue with this when Doomed STARTED, and the issue came up again a couple weeks ago with a $14 3-issue cluster that EASILY could have been spread out–and should have, as both of the $5 annuals were on a July checklist, not August. (In fact, 3 out of the 5 Wednesdays in July had NO new chapter! Superman/Wonder Woman #10 hit July 9th, and there was nothing July 16th, 23rd, or 30th).

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Variants

That $54 mentioned above actually translates to $62ish for me, as I wound up re-purchasing two issues. I didn’t even KNOW there were variants, and thus WOUND UP WITH variants for Superman #31 and Action Comics #32. Since this story has a trade dress and numbering, I sorta want all my single issues to look like they belong together, PARTICULARLY with the added expense and hassle OF buying this as single issues.

superman31variantsThe other week, I actually had to go to TWO shops just to get the NON-variant edition of Action Comics #34, as there were several variants left but the ‘regular’ trade-dress cover was sold out (and I got to the first shop maybe 2 hours after they opened?).

It’s one thing to have a variant as an actual SPECIAL thing…and on “key” issues (like a #1 or anniversary or such), and on very FEW titles. But when they’re so frequent and common and such that it’s the VARIANT that’s left and the REGULAR issue that sells out, it’s just a little ridiculous. (and it’s not like I’m grousing that a 1st print sold out before a 2nd print or any such).action33variants

I’m not going to blame the shop on the earlier issues: there was only the one cover there, the covers were not MARKED as variant (by the publisher), so I had no reason to suspect they were (perhaps I SHOULD have suspected due to how MANY variants are constantly being pumped out…but that’s another topic for another post). Of course, I wised up thanks to those, hence leaving my usual shop with one less otherwise-in-the-bag sale and went to another shop in seeking the regular edition.

*     *     *     *     *

So, a few more issues to complete this story that I’ve gotten this far into…and I’m done. Again. There are plenty of “classic” stories I’ve yet to read, many I’ll enjoy re-reading, and given my enjoyment of bargain bin hauls…I don’t need the hassle of things like I’ve experienced with Doomed.

And I’m not even getting into any of the issues I have with Marvel events this time around…