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Imperium #4 [Review]

imperium004Writer: Joshua Dysart
Artist: Doug Braithwaite
Colorist: Brian Reber with Ulises Arreola
Letterer: Dave Sharpe
Cover: Rafael Albuquerque, Kano, Rafa Sandoval, Cary Nord, Doug Braithwaite
Editor: Alejandro Arbona
Editor in Chief: Warren Simons
Published by: Valiant Comics
Cover Date: May 2015
Cover Price: $3.99

This series is an interesting exercise for me so far. It feels like a definite “evolution” of sorts–having begun with Harbinger as an ongoing, bridged with Harbinger: Omegas and then functionally replacing Harbinger entirely. Its story began with what was laid out by the Harbinger run, but as those characters were scattered and moved about we still have Harada actively doing his thing…which presently is more important to the Valiant Universe than the Renegades’ story.

We find some of Harada’s people visiting another dimension, where one of them–Angela–is possessed by something. On their return, they find her eyes and entire visual system no longer exists and there is a self-aware intelligence inhabiting her body, but is not her. She offers knowledge in exchange for continued freedom/access to do her thing (the intelligence claims to be a scientist itself). She builds a machine, shows off her detachment, and by the end of the issue Harada declares a new war has begun.

If that seems a bit disjointed, it’s what I felt, reading this. I enjoyed the reading overall as a “latest segment of story,” but very much feel like it’s “just” part of a bigger story and not so much a cohesive whole by itself.

The art is definitely pretty to look at overall, if a bit disturbing at points…but that does mean it’s doing its job. For the stuff going on in the “other dimension” I didn’t find myself entirely following along, which I definitely do NOT care for…but if it was supposed to be surreal, I managed to pick up on that much.

We “feel” Harada in this issue more than we actually see him, which I definitely do not mind…the series is Imperium, not Harada. I do like the cover–or at least, the one I got–the “main” “A” cover. It’s got the stylized look of the series so far, and thus fits in visually as well as in simply BEING the newest issue. However, this seems to be the arbitrary conclusion to a short 4-issue arc (presumably for a $9.99 vol. 1 paperback) but does not really feel to me like it resolves anything…it simply continues stuff and kicks the door open on a new matter (presumably to be the focus of the next “arc”).

If you’re already following the title, this is worth getting for the continuation of the story. In and of itself as a single issue it’s nothing to jump over or seek out, though if you like Dysart and/or Braithwaite, and can find the first three issues it’d be worth getting those and this for a larger/longer reading experience (or just wait for the paperback). I do look forward to the next issue…not as some second arc, but just as the next chapter of an ongoing series.

Thoughts on This Week’s Secret Wars #2, Mythic #1 and X-O Manowar #36

Doing something they haven’t done in AGES, Marvel had a book out this week I was eagerly looking forward to, that drove my going to the comic shop on my lunch break despite construction and traffic and extending the break to read the entirety of the issue before getting back to work.

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SECRET WARS #2

Given the ending of Secret Wars #1 last week I was eager to see what this new “Battleworld” would be and how the sections would actually be depicted, so of course I had to get #2 as soon as I could, and read the thing as soon as possible after that.

It proved to be a bit of a letdown in that regard and truly felt like a new #1, an introductory issue to some world, with a fair bit “teased” but not much actually shown. I know it’s still only the first chunk of story and all, and “only” the “core” where there are oodles of tie-in issues and tie-in mini-series and all that still coming in the next few weeks and MONTHS, but I was still hoping for something more.

On the other side of things…despite the aforementioned hope, there was also the expectation of something a lot worse. I WANT to dislike this specifically because I’m consciously aware of it being a Hickman book. Unfortunately, I can’t find the same fault and feel in it that I would EXPECT of a Hickman book, and instead read the thing, turning page after page just wondering where stuff was going and if anything would be some overly blatant lead-out to other stuff. But it didn’t feel that way.

I enjoyed the issue on the whole, and am actually more disappointed to consciously realize the thing is not a weekly, and my brain is too caught up in DC’s thing being “only” 2 months…while I fear this Secret Wars thing is gonna be drawn out for half a year or so now.

MYTHIC #1

While it wasn’t pulled for me–its “promo pricing” being $1.99 instead of the usual $1-or-under threshold–seems I was the first one to actually buy a copy of the thing anyway, despite the shop having been open for at least a couple hours before I got there. And it is definitely the pricing that caught my attention for the book along with being a #1.

But reading the thing, it just doesn’t grab me. I got to the end of the issue, and actually went back and counted the story pages, sure that this had to have cut off around 16-18 pages, but no…22 story pages. Which is NOT bad for the $1.99 cover price…but getting to the end of the issue and simply wondering what the heck I’ve just read (not in a good way) does not bode well for me.

The issue’s not horrible or anything, by a long shot…but it just doesn’t grab me. It’s “another” reality-vs-fantasy thing showing that what “should” be fantasy is “true” while all the fiction and “magic” is real, and just feels cliche to me. None of the characters truly grabbed me, nothing to the visuals stood out, and even the cover seems…tired? Overly basic and generic?

Seems that EVERY SINGLE WEEK there’s a new #1 from Image out there, with one “high concept” or another, and though lately I’ve been more willing to try some of ’em instead of ONLY waiting for a paperback, they have incredibly high standards to live up to–even if I can’t exactly articulate some checklist of what those standards are.

X-O MANOWAR #36

Dead Hand part three. Aric failed to save Loam, but vows that Earth will not be destroyed the same way. He puts out a call to other armors around the universe, summoning them to his side to take the fight to Dead Hand even as Earth begins to realize the threat it now faces so soon after the Armor Hunters.

As usual, the art for the issue is good, and the story doesn’t suck. Unfortunately, I have a growing trepidation toward Valiant in general lately over stuff due for this summer–particularly the “Incentive Series” Legends of the Geomancer that has been advertised as part of the Book of Death stuff and yet simultaneously explained as not being needed to “get” and enjoy Book of Death.

Reading this issue I found myself contemplating whether or not the next issue would be my last, ast least in this format or for awhile. Instead of simply enjoying the story, the experience was tainted despite wanting to read this in and of itself.

Ultimately, a couple of good splash pages left me ready for the conclusion, and thinking about how we had an 18-part giant Armor Hunters event last summer…and in this third chapter of four we have stuff going on that seems like it’s supposed to all be so much bigger than the Armor Hunters but the story is given a fraction of the scope.

Despite negatives, though…this marks 37 monthly issues of X-O Manowar that I’ve kept up with…something I don’t think I’ve done with any title from any publisher to this extent in most of a decade.

Defiant Card Albums – #0 Issues

I’ve known about the (Warriors of) Plasm card set that–completed and in 9-pocket card pages–makes up a #0 issue since it came out back in the day (1993 or so). But I don’t think I knew about the Dark Dominion one until this year.

defiant_zeroissue_card_albums

I happened across a regular sized standard-ish comic edition of Plasm #0 in a quarter bin that I decided to get for the novelty of it. The issue seemed like it had been an insert in something, without proper binding of its own.

The store owner noticed it and asked if I was interested in these, and while I declined at the time, they stuck in my head, and a week after, I decided if he still had them, I’d ask about the price he’d quoted…since that stood, I bought ’em.

Getting these for roughly the price of a contemporary comic…reminds me once again how much my comic shop puts CONVENTION dealer rooms to shame…the every-day stuff I can get, the organization and cleanliness and extremely reasonable pricing–I often find myself quite DISAPPOINTED at cons.

Now, of course, I try to remember if I’d passed on a run of both of these series and think it’d be interesting to track them down and compare the "zero issue" to the main series for myself.

Adding to the Thanos Collection

infinity_gauntlet_number1

I’ve been on quite the Thanos (and Warlock) kick lately, finally "pulling the trigger" on gathering up a number of the collected volumes associated with the characters, with my favorite stories involving them…or at least ones that I’ve known of but not yet read, and want to (and anticipate their becoming favorites).

On Free Comic Book Day 2015, while out with friends, I spotted a simple but extremely effective display in which a copy of the Infinity Gauntlet paperback was propped up next to a giant coin bank of Thanos’ infamous gauntlet sporting some pretty, shiny Infinity Gems (aka "shiny plastic," in this case). I’d seen this before and I’d passed on it…but Free Comic Book Day tends to be an "extra" thing where I’m more likely to try new stuff than usual, or to buy stuff I don’t normally buy in the course of visiting comic shops. Unfortunately, someone a dozen-or-more people ahead of me in line picked it up and claimed it, so I wasn’t able to buy it there and then.

thanos_bank

At another shop I did spot a Thanos bust bank, and while it wasn’t what I’d decided I wanted, I decided to make do with what I could get and bought it. Still Thanos, and he IS sporting the gauntlet…but it’s hardly a "life-size" piece.

After parting ways with my friends, I went to visit my parents and help out with some stuff…and fortuitously put me in range of two other comic shops. The first one did not have the Gauntlet bank…but the second one did.

infinity_gauntlet_bank

And of course, since it had become my most-coveted item for the day and was the entire reason I went to the fourth shop, I bought it.

I don’t specifically collect banks or busts…but they ARE functionally plastic statues, and since I’m not going to pay hundreds of dollars for a single item, I’m quite content with the plastic variety.

thanos_and_infinity_gauntlet_banks

Sadly, I only later realized that whoever OKed the Gauntlet screwed up–THE Infinity Gauntlet was on Thanos’ LEFT hand…while this bank is clearly a right-handed piece. The Thanos bust has it correct.

I actually looked online for some images to see if I was just misremembering or such, and found more recent pieces that DO show Thanos with a right-handed gauntlet…so I’m just gonna go with it on the notion that it’s Starlin‘s Thanos, and that depiction of the character that wields the left-handed one…and a more generic Thanos that uses the right.

As such, the bank isn’t entirely inaccurate, but it does bother me a bit, in that I-didn’t-think-this-sort-of-continuity-detail-WOULD kind of way. But that sort of continuity thing is a discussion for some other post, some other time.

Suffice it to say these are a couple of cool items for my collection, and their coolness to me IS entirely based on Thanos appearing in the Marvel Studios films…and nostalgia for the ’90s Thanos stuff. (Other than the FCBD Infinity issue a couple years ago, I have yet to actually read Infinity and don’t presently have any great intent to seek it out).

Art, Pagecount, and Price in Comics

I’d picked up the first several issues of the new Marvel Star Wars and Darth Vader comics, and while I enjoyed them “well enough,” the “new & shiny” has worn off and I’m back to the fact the things are $3.99 and not feeling as “worth it” to me. (the rapid expansion of the “line” is a contributing factor as well).

darth_vader_03a

I recently caught up on some of my reading and quickly realized how FAST I was blowing through the issues. I flipped back through and realized how there was a definite LACK OF words on many pages.

darth_vader_03b  darth_vader_03e

I love the art, and the fact it has a nicely “cinematic” look is certainly appealing–VISUALLY–but AS it does a great job, I can see it, appreciate it, but I blow right through, taking stuff in like quick single frames of a movie.

darth_vader_03c

I don’t even notice much in the way of “visual sound effects” (possibly the tradeoff for not “covering up” the art) so there’s even less to slow the eye from passing quickly over stuff, taking it in and continuing on; seeing and ‘hearing’ stuff in the back of the mind.

darth_vader_03d

Granted, for the purposes of this post I’m only providing photos of some of the pages-other pages do have a lot more in the way of dialogue/word balloons–but the fact that so many of the pages go so quick is highly problematic for me as we ONLY get 20 pages of story for the $3.99 cover price.

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[Above pages all from Darth Vader #3; below are from #4]

While I certainly like and enjoy good art in comics–for me, bad art can taint a story, but good art merely adds to a story. I buy comics for the story…without a story that interests me, I don’t care how beautiful the art “in general” is.

darth_vader_04a

Particularly when I re-read comics from the ’90s and earlier I notice just how “wordy” they seem compared to a lot of modern comics. Caption boxes, plenty of dialogue, even some labels and occasional editorial notes.

Moreso with pre-’90s comics I notice the more consistent “standard” panel layouts where panels seemed primarily contained to boxes…sure, the layouts might not be as dynamic as present-day, but having more distinct panels (in my mind and memory as I type this post) seems to mean “more” panels on a page.

darth_vader_04c

Particularly when there’s a lot of quick action in-story, just like I’m not going to hit pause or switch to some half-speed mode watching tv or a movie I don’t feel any need or desire to pause in moving through an issue to look closely at every little detail that might be present or marvel at the sheer quality of the detail, etc.

darth_vader_04b  darth_vader_04d

If you’ve read my blog at any length you certainly know that I have a problem with $3.99 as a price point for comics (especially for Marvel and DC, while I’m more lenient on other publishers). Only 20 pages for my $3.99 gets quite annoying; and $3.99 when I can breeze right through an issue in 5-6 minutes would mean I’m paying the equivalent of $40/hr for entertainment. That’d be like spending $60-$80 to watch a movie!

I can buy a prose novel–a STORY–for $8 and carry the thing around reading for those 5-10 minutes at a time here and there for WEEKS before finishing it.

Not all comics are quite so quick a read (and they are certainly of varying quality)…and as said earlier, I really like the art on these issues; it’s just that I don’t find the art alone to be enough to justify the cost in and of itself.

I was already figuring I’d cut my losses and drop the Star Wars books/avoid newer ones–I can pick single issues up later from bargain bins or I can buy the collected volumes or I’ll outright forget ’em and life will simply go on.

The page count and lack of story PER ISSUE just doesn’t work for me.

The ’90s Revisited: X-Men Prime

90s_revisited

xmenprime001Racing the Night

Writers: Scott Lobdell & Fabian Nicieza
Pencilers: Bryan Hitch, Jeff Matsuda, Gary Frank, Mike McKone, Terry Dodson, Ben Herrerr, Paul Pelletier
Inkers: Al Milgrom, P. Craig Russell, Cam Smith, Mark Farmer, Mark McKenna, Tom Palmer, Tim Townsend, Hector Collazo
Letttering: Richard Starkings and Comicraft
Coloring: Steve Buccellato and Electric Crayon
Cover: Bryan Hitch
Editor: Bob Harras
Published by: Marvel Comics
Cover Date: July 1995
Cover Price: $4.95

With this issue, we’re back to the “real” reality/universe/timeline/whatever. The 616 Marvel Universe. Bishop and his mission was a success, and by stopping Legion from killing Xavier…the Age of Apocalypse never happened, things have been set right. Or have they?

We have a bunch of plot points sharing this issue…while the various Age of Apocalypse mini-series led into X-Men: Omega, this issue now serves as the focal point for the return of the “regular” X-Men titles…as a “regular universe” Alpha issue to introduce readers to the current status quo of the characters and teams that make up the X-side of the Marvel Universe and send the readers into the mix of titles having had this bit of setup for where things are moving forward.

I do think that if Free Comic Book Day had been around in 1995, this would certainly have been a Marvel offering…an in-continuity quasi-anthology to get readers to jump aboard the entire line of X-comics.

I can’t say I’m honestly all that thrilled with this issue on this re-read. I certainly appreciate that there are “only” two writers credited, offering a bit of consistency to the story side of things. The issue is quite a mix visually due to the numerous pencilers and inkers getting their chance to work on pages presumably germane to the individual titles. Reading through this time, I noticed a bit of wonky art at points, but somehow was not particularly jarred by the shifts…perhaps for familiarity with the Age of Apocalypse stuff as a whole.

After the shiny “chromium” covers for X-Men: Alpha and X-Men: Omega, seems Marvel felt the need to give this a special cover as well–a clear plastic-ish thing with an inner orangey background. We also get the “alternate” X-Men logo, with the Prime part next to it…and the whole thing is a wrap-around (which I very much appreciate 20 years later in an age of VARIANT “interlocking” covers).

The story introduces or re-introduces some characters–and I even see hints of Onslaught in this reading. We find out that several characters–Nate Grey, Dark Beast, Sugarman, and Holocaust–escaped the Age of Apocalypse and wound up in the real timeline. Nate first appears in the “present,” while Magneto’s Acolytes only now in the present discover what will be revealed to be Holocaust…but Beast and Sugarman arrived 20 years ago, and were responsible for the Morlocks and Genosha’s Mutates, respectively. Marrow is reintroduced, aged twenty years from a prior appearance…Rogue and Iceman are on a roadtrip, the former haunted by whatever she saw in Gambit’s memories (Gambit’s in a coma). Trish Tilby reveals the Legacy Virus to the public along with the knowledge that it’s affecting humans as well as Mutants. X-Factor chases Mystique and Havok’s powers act up on him; X-Force’s base is destroyed. Wolverine is living in the woods outside Xavier’s mansion (refusing to reside under the same roof as Sabretooth) and Bishop is having unconscious outbursts as a result of the visions he’s having as a result of his temporal status in relation to the Age of Apocalypse. Amidst all this a mutant seeks the X-Men but winds up victim of humans lashing out against something they fear and do not understand.

This certainly sets up the various X-titles moving forward, so for that alone is pretty much an “essential read.” Yet, unless one intends to pursue those issues from mid-1995 that this is immediately germane to, there’s not much to really dig into singularly with this issue. Outside of characters involved and how they now will interact in the 616 universe, there’s no actual story-content directly tied to the story of the Age of Apocalypse timeline.

Given that, my covering of this issue is much like why I covered the non-Legion Quest X-books that preceded Age of Apocalypse: this is stuff coming out on the “other end”, the border, “bleed,” or whatever butting up against the Age of Apocalypse without actually BEING an issue of that..

While rarer than the Alpha or Omega issues in bargain bins, I certainly would not pay much more than cover price for this (and that would be a grudgingly-paid price). I’d seek this out to use as a starting point diving into any or all of the X-books of the time but certainly not if you’re only interested in the Age of Apocalypse.

Unlike contemporary Marvel, this does not kick off “the next” EVENT but rather gives the individual titles time to flex and explore their own things for awhile before everything heats up again with the following year’s Onslaught stuff.

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Secret Wars (2015) #1 [Review]

secretwars(2015)001The End Times

Writer & Designer: Jonathan Hickman
Artist: Esad Ribic
Color Artist: Ive Svorcina
Letterer: Chris Eliopoulos
Production: Idette Winecoor
Cover by: Alex Ross
Assistant Editors:Jon Moisan & Alanna Smith
Editors: Tom Brevoort with Wil Moss
Published by: Marvel Comics
Cover Date: July 2015
Cover Price: $4.99

Despite a certain grumpiness toward Marvel stuff lately, and being almost entirely out of the loop having consciously AVOIDED most of their contemporary stuff…I couldn’t simply pass this up. I gave DC‘s Convergence a chance, for two $5 issues and a $4…so having been turned off to that, I decided I can at least give Marvel‘s Event a chance for a $5 issue or two.

It’s been a long time since I’ve bought an Alex Ross covered issue of anything, and seeing his work on a Marvel anything again is quite cool. The interior of the issue is about 33 pages of actual story, and additional pages serving as title, credits, character, divider, and memorial pages…with the final pages of story going to black with a few words of text. While that seems at first to be quite a waste of space and pages, I find myself allowing it some leeway as I enjoyed the fade to white effect in DC‘s Zero Hour, and hold to that twenty-some years later.

Story-wise, things are a bit choppy to me, jumping between the 616 Marvel Universe and the Ultimate Universe. I’m not at all caught up on current going-ons in the Marvel Universe, but for the most part was able to follow along and get the “core” stuff out of the issue. Much like recognizing a bunch of characters while yet lacking their recent backstory for stuff like Zero Hour back in the ’90s, or any other event, this is what it is for me–a throwing-together of a universe of characters and I didn’t expect to experience this the way I would something I had more familiarity and interest in.

I’ve rarely enjoyed Hickman‘s work, and consciously recognizing his name on this project left me a bit dismayed the other day. I could compare elements of his work to Priest–the non-sequential storytelling, the caption/header dividing of scenes, the overall sense of the story not just being some straight-forward thing–but where I enjoy it in Priest‘s work (particularly his classic Black Panther and Quantum and Woody runs) I don’t care for it with Hickman‘s…but that truly gets into a whole different thing than this issue. As such, I expected to have a real problem with the issue’s story. Fortunately, I believe my negative expectation ran deep enough that this failed to be that extreme and so I actually enjoyed the issue as much as I have much of anything from Marvel of late.

The art was solid, and while it does not have the “classic” look my mind wanted, it’s mostly clear and certainly modern and on the whole, works for this take on the various characters. There were a few panels where I honestly went cross-eyed trying to visually parse out what was actually going on (especially one with Rocket Raccoon) but the bulk of the thing was good.

This is definitely being billed as the END of the Marvel Universe AND the Ultimate Universe, with a page at the end citing their “lives.” In that regard, this really should have been a 0 issue or something else, as whatever the Secret Wars part is, that begins NEXT issue with a mashup of the various worlds/timelines/whatever. Still…you could do worse. I mostly enjoyed the reading experience, and realizing the next issue is already due out next week, I’m very much looking forward to it. I’m also looking forward to several of the tie-in minis.

As starts go, I think I like this better than any other recent Marvel event I can think of…and if only for the immediate present, it’s certainly got the weight behind it for once as something that does and will matter.

I find myself a bit surprised to say so, but…recommended!

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Convergence: Booster Gold #1 [Review]

convergence_boostergold001Ride the Wave

Writer: Dan Jurgens
Penciller: Alvaro Martinez
Inker: Raul Fernandez
Letterer: Corey Breen
Colorist: Chris Sotomaor
Cover: Dan Jurgens, Danny Miki, Hi-Fi
Assistant Editor: Brittany Holzherr
Editor: Marie Javins
Published by: DC Comics
Cover Date: June 2015
Cover Price: $3.99

I was all set to just pass entirely on Convergence this past week. But after how thrilled I was to get my Blue Beetle Showcase volume recently, and seeing the familiar "classic" Booster Gold AND Blue Beetle logos on issues this week…I wound up buying ’em. And I was especially sold on this issue seeing Jurgens‘ name there.

Though set amidst Convergence itself, this issue basically sees the pre-Flashpoint Booster and co. meet up with the New 52 Booster as they try to piece together what’s going on. We learn a few things about the timeline (such as the fact that Booster is Rip’s father in one timeline does not guarantee it’d be so in another) as well as that while pre-Flashpoint Booster has thought he was bouncing through time, he was actually being bounced through the various domed cities. Though the group manages to get to the surface they find themselves caught up fighting Superboy and the Legion of Super-Heroes before the older Booster is pulled away, to be greeted by a familiar city…and ally.

Despite the fight with the Legion keeping this "grounded" in the realm of "just another Convergence tie-in," overall this issue felt a lot more like its own independent thing. Still very much a part of Convergence, but with the time-travel stuff and the recent (post-52 Weekly Series) status quo for Booster this stands apart. The Futures End month Booster Gold issue last year also stood alone a bit and seemed to indicate there was something more going on with multiple timelines’ Boosters…and this picks up where that left off, thematically.

It’s a bit of a tease, and likely not in a good way, being able to follow "my" Booster Gold this way. But it definitely gives the appearance of a long game and Big Stuff to throw Booster into the mix with his own issues like these despite having no solo ongoing book since Flashpoint.

The story’s good, and plays quite well with established continuities–at least for me–and far more than any of the other Convergence issues or tie-ins, I actually"feel" like I’m getting a momentary continuation or revisitation with "my" Booster rather than a glimpse of characters purported to be the ones I knew that somehow seem more like they’re "based on" than actually being those characters.

I’m not overly familiar with the art team, but the art on this issue is quite solid and looks really good overall. Some of the colors seem a bit dark and heavy, but overall this looks like what my memory says could be an issue of the last Booster Gold ongoing, and with Jurgens continuing to write the character…it feels a lot more "true" to me.

Whatever Convergence as a whole holds, I would be quite comfortable with considering the New 52 Futures End: Booster Gold issue and this mini to be a direct continuation of the 2007 Booster Gold series…and that alone makes this well worthwhile.

If you want something that isn’t just another fight book or loosely based on characters from a scant handful of previous continuities, this is one issue that seems like it’ll actually "matter." Even if I pick up no further Convergence tie-ins, I’ll definitely be back for the next issue of this.

Free Comic Book Day 2015 – A Few Issues’ Thoughts

Free Comic Book Day was this past Saturday, and I picked up a number of issues. Rather than attempt to write up single posts for each FCBD issue, here are some of the ones I’ve had a chance to read so far and my thoughts on them.

Teenage Mutant Ninja Turtles FCBD 2015

fcbd2015_tmntI think this is the one I was looking forward to MOST of all the FCBD issues this year. And truthfully, I was not particularly disappointed. We get an all-new story–an in-continuity continuation of things that seems to fit within the present–it does not spoil the Mutanimals stuff, and takes place after TMNT #45, which works well with me getting it 3 days after #45. The art fits right in with the main series itself, so doesn’t even stick out. This isn’t some integral issue to stuff–I’m pretty sure one will be able to read the ongoing without ever knowing they missed this, but reading this will give newer readers some context of recent events and even core tidbits going back to the start of the IDW continuity. A lot of the issue is contextual exposition that I’m not used to seeing in the series…but given the nature of this it works very well for me, and I think would give the newer readers enough to contextualize the current story while teasing the detailed nuances of the actual stories that came before so one might seek those out.

The Tick FCBD 2015

fcbd2015_tickI remember watching and enjoying the animated Tick series Saturday mornings back in the day…scary to think it’s been 20-some years! Sadly I can’t really clearly remember the characters’ "conversational" voices in my head. This was still a quick, fun issue for the most part–the first story with Tick and Arthur dealing with a giant creature eating the city, and the third story with them being distracted by one threat or adventure after another, keeping them from holding a spot in line for the art museum. The middle story wasn’t really to my taste, explaining some of Tick’s time blacked out, apparently from an old #1 issue. Probably a lot more fun for long-time fans of the COMICS, but it means nothing to me not having read those. The art’s good, and the stories fun, and the price was certainly right. As "just" a fun FCBD issue, this is definitely worth reading, and I enjoyed reading it.

Secret Wars #0

fcbd2015_marvelsecretwarsMarvel’s hype-machine has certainly done its job…at least in getting me to where I’d actually be interested in getting a copy of this free issue (at a $4 discount from USUAL Marvel pricing!) The cover particularly stands out to me. However, I am not at all impressed by the interior…and was honestly rather disappointed to see Hickman’s credit on the cover and be consciously reminded that this IS actually his story. This issue didn’t really give me context for stuff, and I had no idea if it’s a "catch readers up to prepare them for the rest of the series" #0 or a "This is where the story truly begins" #0. The story seemed to actually try to be both, but felt choppy and lacked any kind of "editor’s notes" to refer me to any specific stories or to even place this against whatever issues are already out for various titles. Given I’ve hardly touched Marvel in a couple years, I’m lost. So while my frustration with DC and Convergence might give way to trying Secret Wars #1, I’m more curious about several of the tie-in minis and may well skip the core Secret Wars book…especially for the price point and knowledge that there’s virtually no way this does NOT get a collected volume whether I "support the single issues" or not.

Valiant 25th Anniversary Special

fcbd2015_valiantI already bought and read Bloodshot Reborn #1 weeks ago, so while I could buy into a story set some time after the last I’d seen the character within The Valiant, now suddenly finding this "untold" story segment kinda bugs me. This could’ve been included somehow in Bloodshot Reborn #1 or done as some other sort of giveaway or such. Or perhaps hold off a few weeks and kick off May with Bloodshot Reborn #1 next week, so this would have fallen where it should have. The lists of first appearances, greatest team-ups, greatest battles, etc. included both classic and contemporary Valiant so didn’t really interest me as presented. There are a couple teaser images for Eternal Warrior and Archer & Armstrong that are interesting enough. I honestly did NOT appreciate the inclusion of a chunk of Ninjak #1, given that came out awhile ago and #2 just came out last week…again, better to have held the release of #1 til after this, or "preview" something else. Give us a nice image for each title and a page apiece listing all the contemporary Valiant’s titles with their collected volumes available, perhaps. Give us some sort of timeline of where the various volumes fall in relation to each other. SOMEthing. Aside from the opening page TELLING me it’s been 25 years of Valiant, this did not feel at ALL like anything "special" for it…for that, give us the new stories from the hardbacks that kicked off the new Valiant close to a decade ago. Give us some new art from classic AND contemporary creators. I don’t know. This just felt like a big preview book and ad…but hey, it’s "free," it’s "just" a Free Comic Book Day issue to try to "sell" people on the stuff, so not like i"m even the target audience. C’est la vie.

Divergence #1

fcbd2015_dcdivergenceI don’t actually know what I expected of this issue, but whatever it was, this wasn’t it. I suppose I’m glad this is "original" material…I’m certainly quite tired of "just" reprint or "preview" material trying to sell me on stuff. Given the text intro addressing what this issue IS, I gather I’m not alone in that regard. We get the identity of who it is in the Batsuit taking focus in Batman come June, as well as a new status quo for SUperman (did Lois do her thing in a recent issue, or is this the first we’ve gotten of it?). And I had a hard time with the Justice League short, even though Johns wrote it. I found myself skimming it and I’m honestly just not any more interested in Darkseid now than I was nearly four years ago nor any previous time: I just don’t care about the character at any real length, especially as portrayed in the last 15-20 years. I also get tired of the constant messing about with characters for the sake of trying to appear new and hip and cool and relevant. Just goes to show how much I am NOT the target audience and have no particular problem continuing to primarily ignore DC stuff. Plus I have half a year’s worth of Batman Eternal to "catch up" on and I am burned out on weekly stuff.

All-New, All-Different Avengers

fcbd2015_allnewalldifferentavengersSomething to the cover of this issue just looks like some sort of "all-ages" comic rather than an actual in-continuity Marvel main universe continuity comic. And it certainly highlights just how out of touch I am with contemporary Marvel…I see the female Thor, a new Vision, the Nova I don’t care for, the Spidey I’m not interested in, some weird anatomy for the kid Marvel I know nothing about, Captain Falconamerica, and "Iron Man" (Stark, Pepper, who-knows-who). I have no real context for their story on the interior except it’s "the future," which could mean simply we’re getting an advance look at status quo, or this is a story set a few years down the road…I don’t really, honestly care enough to think too much. We also get a short story with a couple people turned into Inhumans and meeting a core group of experienced Inhuman characters…and maybe it’s just me, but it comes off very much of the Inhumans somewhat replacing mutants, which just does not sit well with me. This isn’t a horrible issue if you’re into the current Marvel stuff, but it does nothing positive toward "selling" ME on the Marvel Universe moving forward, and is truly something that I would not BUY and only have/read because it was free.

 

Doctor Who

fcbd2015_doctorwhoI actually couldn’t even "get into" this. I muddled through the chapter with the Twelfth Doctor, but only slightly skimmed the Eleventh and Tenth. For having so thoroughly enjoyed the tv series I just don’t seem to be able to get into the comics. Perhaps because the tv show is tight enough and thorough enough that I find it hard to "get into" adventures set within existing continuity "between episodes" or such. I picked up several copies specifically to share…but I’m half wondering as of this typing if I want to do that to anyone. At least they might enjoy the single issue as a random piece or for the photoshopped cover, even if it does nothing toward getting anyone interested in the comics. There’s also the issue of pricing and format…namely having four ongoing Doctor titles plus a rotating series of mini-series for the other Doctors, and hardbacks instead of paperbacks. At least when IDW had the license there were larger collected volumes than what Titan has done thus far (granted, they’ve only been publishing Doctor Who for about 10-11 months now).

Giving In: I Bought the Thanos Pop Vinyl

I don’t think I even knew about the Thanos Pop vinyl previously; I happened across it in mid-March in a Hot Topic when I was walking at a local mall.

pop_thanos_vinyl

I was unwilling to pay the $18.99 or $19.99 or whatever the price was. In December 2014 I’d found one of these "oversized" Pop figures of Nicol Bolas (Magic: The Gathering) for about $16, which didn’t seem too bad for what it was. But I was not willing to pay a full $19/$20 for one of these.

Finding this one for about the price of Nicol Bolas and not finding other stuff I was interested in while visiting a comic shop, I decided to just get this before it became a way-expensive hunt later or I paid more including shipping buying online than just buying it and having it in-hand for the instant gratification.

This joins my 1990s Silver Surfer animated series Thanos, my Marvel 3.75" Thanos, and my Marvel Select Thanos…leaving me offhand still seeking the blind box "mystery mini" Thanos and the Mighty Muggs Thanos that was out some years back.