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The ’90s Revisited: Superman the Man of Steel #44

superman_the_man_of_steel_0044To Know… Know… Know Him!

Story: Louise Simonson
Layout Art: Jon Bogdanove
Ink Art: Dennis Janke
Letterer: Ken Lopez
Colorist: Glenn Whitmore
Asst. Editor: Chris Duffy
Editor: Mike Carlin
Cover: Jon Bogdanove, Dennis Janke
Published by: DC Comics
Cover Date: May 1995
Cover Price: $1.50

This is one of the more "iconic" Superman covers for me from the ’90s: it was the issue immediately preceding the 100th issue of Superman and the start of the whole Death of Clark Kent storyline. I distinctly remember this cover from first getting it–we were visiting my grandparents, and my aunt took me to a comic shop in the area, where I got this. It also helps the cover to be memorable given that it’s essentially (but not quite! It’s still its own thing!) a reproduction of a panel within the issue.

Clark’s on the phone with his book editor when he hears a ticking in the background from the other end; so he rushes in as Superman, managing to save the man from being blown to bits. Meanwhile, Keith (a young boy being adopted by Perry White and his wife) is hanging out with some older kids after school. When the store manager accuses them of shoplifting, the other boys race off, leaving Keith to take the fall. After being extricated from the situation by Perry (who assures Keith that he and his wife are still adopting him), Clark once again learns of a bomb by hearing it over a phone, and saves Perry and Keith (and everyone on the bridge they’re stuck on) but Perry’s car is destroyed. Later, Keith takes courage from the incident and stands up to his so-called friends, and winds up making some new ones…while Jimmy decides to stick with Clark like glue until they figure out who’s been threatening him and trying to bomb his editors. Clark distracts him briefly as they get off an elevator, only to find a Superman dummy pinned to his apartment door by a giant knife…and he realizes then who’s behind stuff.

This is an issue from back in the heart of the "Triangle Numbering" era of the Superman titles…though each creative team had their own through-threads they focused on, their own stories to tell, ultimately the titles were one ongoing weekly series, with each week’s issue moving the overall Superman story forward. As such, with weekly doses of THE Superman story, there was plenty of room for the cultivation and development of a large supporting cast and plenty of "subplots" to be dug into and unfold over the course of things, such that a single issue could often seem all over the place, when taken out of context. This one manages to avoid the worst of that, though a single paragraph summary doesn’t do the thing justice. There’s the overall story, but the details of the various characters’ interactions makes it more complex…much like an episode of a large ensemble cast tv show where certain characters really get around, while others are checked in on but don’t necessarily have much screen time.

This issue ought to–by 2017 standards–be billed as a "prologue" to the upcoming major story; or heck, in contemporary terms there’d be a whole pre-Event event (particularly if this was Marvel). Here, it’s just the next chapter of the continuing saga, that just happens to be right before the larger titled story kicks off.

I definitely dig the story, though I find reading this over 20 years after the fact, I’m less enamored with Keith’s story, being so much further away in age now than I was then (as well as feeling like there’s a bit of "preachiness" going on here that would have much different connotation were it published in 2017).

Visually, it’s not hard to follow what’s going on, to recognize Superman or Clark, Lois, Keith, Perry, or others. However, it’s hardly my favorite art, ESPECIALLY stacked up against the likes of Dan Jurgens, who IS one of my absolute favorite artists (particularly when it comes to Superman!). Bogdanove‘s style grew on me, and holds a definite place in my memory and liking of the Superman books…but might not be the most appealing to someone unfamiliar with it or this era of Superman.

As a whole, though–story and art–this is certainly a strong issue, giving the reader action, plot development, and moving everyone around the final bit to head into The Death of Clark Kent. I appreciated it as an isolated one-off that I picked up specifically for remembering the cover so clearly.

That said…you’d likely be better served tracking down the collected edition of The Death of Clark Kent if possible, or picking this up as part of a larger group of the issues than to get this one issue by itself.

superman_the_man_of_steel_0044_slice

The ’80s Revisited: DC Retroactive – The ’80s – Superman #1

dc_retroactive_1980s_superman_0001New Day, Final Destiny

Writer: Marv Wolfman
Artist: Sergio Cariello
Letterer: Pat Brosseau
Colorist: Andrew Elder
Editor: Ben Abernathy
Cover: Dan Jurgens
Published by: DC Comics
Cover Date: October 2011
Cover Price: $4.99

I remember when these DC Retroactive specials hit, back in 2011–as a sort of bridge between the pre-Flashpoint wrapup of titles and dawn of the New 52. I got the Superman 1990s one, but don’t recall if I had actually picked up this 1980s one at the time–though I can’t imagine that I would not have, given the cover! Still, this particular copy coming from a 25-cent bin recently, and including a reprint of a 1980s story along with a new story OF the 1980s pre-Crisis on Infinite Earths Superman places it well within my personal definition of a 1980s Revisited issue!

As said, the cover stood out to me most, showing an anguished Superman surrounded by imagery from the ’90s and forward…particularly Superboy Prime and an OMAC from Infinite Crisis; an Amazon from Amazons Attack, Bane breaking Batman from Knightfall, and a prominent Hal Jordan as Parallax from Emerald Twilight, Zero Hour, etc. In fact, this cover would make for an excellent art print and/or poster. The imagery is nice, and the Superman logo is nice and big, the "classic" yellow letters with red 3D coming off..the "classic" DC Bullet logo I grew up with, etc. While part of my motivation grabbing it from the quarter bin was that it was originally a $4.99 issue and here I was snagging it for a mere 25 cents…the cover had grabbed my attention and was worth 25 cents to me to get just to have handy, regardless of owning a copy "somewhere" in my too-vast accumulation.

The issue opens on an exhausted Superman who’s just trying to get some sleep…but if there’s no rest for the wicked, then he’s apparently been very naughty (to paraphrase the character’s thoughts). Superman quickly finds himself in the midst of a major crisis as an alien creature called The Dread destroys the Daily Planet building, killing thousands. When he tries to at least rescue one girl, time freezes…and he encounters the entity known as Destiny (one of the Endless) who pauses time, and confronts Superman with a choice: Superman can give in to The Dread’s option of aiding their conquering of worlds, or he can live to see horrible things happen to the people and its heroes. Destiny shows Superman glimpses of what’s to come: Amazons Attack Washington, killing thousands. A huge brute called Bane breaks Batman’s back. An earthquake levels Gotham City, and the Arkham Asylum inmates take over what remains of the city. Firestorm and Blue Beetle are killed. With encouragement/sanction of the Justice League, Zatanna mindwipes villains. Sue Dibny–the WIFE of one of the JLA–is killed. Wonder Woman kills Maxwell Lord outright. Hal Jordan dismantles the Green Lantern Corps and becomes Parallax. Barry Allen (Flash) is killed during a Crisis. Superman himself is killed by a Doomsday creature. Even his beloved cousin Kara is killed. Many other heroes and villains are killed, and eventually resurrected during a Blackest Night to kill countless others. All Superman has to do to prevent these things is to become the assassin/"herald" of The Dread and let all of Earthly humanity to be made into mindless slaves to The Dread. Yet, Superman refuses to give in, refuses to accept these as the only two options…he holds onto hope in the face of it all. The destruction of the Planet building, everything Superman’s seen right here is shown to be visions granted from Destiny…who himself isn’t actually the Destiny Superman had met before. He knows only that this is someone different…but as readers, we learn that this is a disguised Lyla–Harbinger–"testing" Superman, and finding him to be truly the hero they need to recruit if any of the multiverse is to be saved from the Anti-Monitor.

Story-wise, on the surface, this is a rather cheesy, pandering, gratuitous thing. As a DC Retroactive issue, this is designed to play on nostalgia, from the cover-inward. For me it gets that on numerous levels–from the ’80s writer in Wolfman to the’80s version of Superman, to the visions of major events from the ’90s and 2000s that were all "current events" for me as a reader as they came about.

But beyond RECOGNIZING that, in a clinical sorta way…I honestly HIGHLY enjoyed this story! It’s exactly the sort of thing I’d want in something like this…give me the older version of the character, with a story that in no way detracts from prior continuity, show that even "old" continuity is part of "new continuity"–one big flow–as well as letting me as a reader see events that I know were indeed coming, that Superman and his world would face and endure. This is both a revisitation of the ’80s and a revisitation of the ’90s. Much as Superman is shown, though, a number of things are left out of being explicitly shown on-page (such as the death of Jason Todd) though the narrative allows for this in acknowledging that so many other events are glimpsed in Superman’s mind.

While I recognize Wolfman‘s contribution to comics history, I cannot honestly say that I specifically recognize his writing…I have not read enough of his work specifically to do so. That said, this was a story I really enjoyed, that captured the "tone" of the 1980s Superman that I do know, from what I have read from immediately prior and shortly after the Crisis itself, before Byrne‘s reboot. That the character is recognizable as such is a strong point to me…as well as the way the glimpses of the actual future of the DC Universe is worked in.

Visually, it’d be easy to mistake this for what it is–a much more contemporary take on Superman. Unfortunately, the issue doesn’t LOOK like ’80s Superman…it looks like early 2010s Superman, a more generic Superman as depicted by whoever the current artist is. However, for this story, the art still works well and in and of itself is quite solid, conveying the action, this artist’s takes on the key turning points that Superman is shown, and the characters involved.

I also quite appreciated the editorial note that Superman had previously met Destiny in Superman #352…I actually made a note for myself with the intention of tracking that issue down in the near future, curious about that original story. I had not even connected that with the knowledge that this issue also contained a reprint story from the ’80s after the new "lead" story.

superman_vol1_0352Superman (vol. 1) #352: Day of Destiny!

Writer: Marv Wolfman
Penciller: Curt Swan
Inker: Frank Chiaramonte
Letterer: Shelly Leferman
Colorist: Adrienne Roy
Editor: Julius Schwartz

It was a very welcome treat to find that the reprinted 1980s story included in this issue was the aforementioned Superman #352! Rather than having to remember to look for the issue and maybe find it easily, maybe not, I was able to simply turn a page and dive right into the story!

This story was also written by Wolfman, with accompanying art by classic Superman artist Curt Swan…whose visuals I definitely recognize and made for a real treat of a thing. Given that it IS from then, it looked and read as an ’80s piece, with the familiarity I’d expect, and also enhanced what I had read in the lead, contextualizing things a bit and giving a post-read feel of merely reading two issues out of order…bringing back memories of reading Grandpa’s old comics. Like I had been grabbed by the cover and read an issue, and then being referred to a previous issue, found it and got to read it.

Despite my praise that definitely comes from the nostalgia of it all…this story’s looking/feeling like its time period isn’t all good…strip away the nostalgia and it felt a bit boring and ham-fisted and a bit borderline preachy.

Superman encounters Destiny, who is determined to PREVENT Superman from helping people, despite Superman’s every instinct being to leap into action and help people as he always does. Superman is forced to stand by helplessly as he sees people that he WOULD save ultimately save themselves. And thus Destiny’s lesson is imparted to the Man of Steel that the world and its people cannot be solely reliant on one person–him–for everything; that they are actually capable of taking care of themselves (Superman and the people are made to realize this).

I couldn’t help but think of the years-earlier story Must There Be a Superman? from Superman #247 (in which the Guardians of the Universe put Superman on trial for interfering with Humanity and impart to him the same lesson, essentially, that Destiny does here). The two are 106-some issues apart (nearly a decade) so it’s not like they were back to back…but as someone who has read SOME stuff from throughout Superman’s history it jumps out at me where it may not to others.

Though I recognize Swan‘s art and like it in the nostalgic sense…there’s a certain "generic" nature to the art that I personally tend to compare to (in particular) Dan Jurgens‘ art, particularly from around The Death of Superman as well as other Superman art from the late 1980s/early 1990s, a good 9+ years removed from this, as this was from Superman 247.


The cover price is rather steep for a 26-page "main" story and 16-page REPRINT. Still, that’s 42 pages of content for $4.99, from a time where many books were $2.99 to $3.99 for only 20 pages. Additionally, the reprint is specifically germane to the main story, which would certainly be a $2.99 value, and it’s pretty unlikely I’d be able to acquire the single issue as its own unit for under $2, so the extra price is still a definite savings and added convenience to have the issue’s story right here.

All in all, this is actually a solid value and enjoyable issue for a $4.99 special, whether at that price over 5 years ago or by present-day 2017 standards. As something that might be come across in a bargain bin, this is certainly worth 25 cents, and would be a strong buy for $1, and I dare say I’d be relatively willing (for the nostalgia factor at least) to pay full cover price on this (or rather, some of the other DC Retroactive specials).

Highly recommended for the lead story if you’re a fan of Wolfman or the era; and certainly worthwhile for a glimpse back to that period combining the lead with the reprinted story (and pre-Gaiman appearance of Destiny). The cover is a definite treat as well!

dcretroactivesuperman1980s

Superman (2016) #18 [Review]

superman_0018Superman: Reborn Part 1

Story: Peter J. Tomasi and Patrick Gleason
Pencils: Patrick Gleason
Inks: Mick Gray
Colors: John Kalisz
Letters: Rob Leigh
Cover: Patrick Gleason and John Kalisz
Assistant Editor: Andrew Marino
Editor: Eddie Berganza
Special Thanks To: Dan Jurgens
Published by: DC Comics
Cover Date: Early May 2017
Cover Price: $2.99

[ Please note that I will spoil the issue a bit, so stop reading now and come back AFTER you’ve read the issue yourself, if you do not want to encounter spoilers! ]

I buy each new week’s Superman book pretty much as an extremely welcome again (after some 6 or so years away) "habit"–and have since about this time last year. That said, the covers rarely "grab" me–I recognize them, the issue gets paid for and taken home, and read. THIS issue, though, really jumped out at me for its coloring/color-scheme, the visual design, and somehow being rather unexpected to me. It also seems like it’s a small piece of a singular image that I can imagine being spread out across at least 3 more chapters of this story (though I’ll be highly annoyed–to say the least–if such a thing would merely be VARIANTS for this single issue. I’ll hold to my notion until at least next week, though, and give the publisher the benefit of the doubt for now).

This is the opening issue of a fairly "hyped" storyline that I’ve been looking forward to despite some disappointment at how the Clark Kent story seemed to "end" over in Action Comics last week. (Though I’ll give it credit for playing into continuity and this feeling largely like "just" the next issue in sequence OF an ongoing thing).

We open on a brief scene of someone–presumably this Mr. Oz–musing on time/space blah blah blah, and then seeing multiple individuals in his "collection" acting out–reacting to the fact that SOMEONE (we aren’t told who) got out. Looking to the empty cell, we see graffiti indicating an extreme hope in Superman…before shifting to Hamilton County and the main part of the issue.

[ Spoilers to follow ]

Clark, Lois, and Jon are celebrating the couple’s anniversary when there’s a knock at the door. The "other" Clark Kent seems to have left something for the family (and majorly spooks Krypto!).  They find that it’s a scrapbook with photos that no one on this Earth–let alone reality–"should" have. Its images shouldn’t even exist, they were wiped out with Clark and Lois’ Earth. Before they can dig all that deeply, they notice their house is on fire…but quickly realize it’s not so much on fire as being ERASED. Then to make it WORSE…Jon’s being erased. Superman leaps into action to save his son, as any father would. And we see the maddening, helpless desperation of our hero and his wife as they see everything they know and love…erased.

Talk about a setup and leaving one hanging! I’ve loved only having to wait two weeks between issues for Superman and Action Comics since last spring…but this would be flat-out frustrating to have to wait an entire two weeks…I’m anxious for the next chapter, in next week’s Action Comics…by the time of this post, a "mere" 5 days, and that seems too long!

There’s plenty to be found within this issue and its story. We have stuff pointing to the larger DC Universe as it now stands. We have stuff rooted firmly within the Superman books, and specifically this title. We have reference to earlier issues, and we have references to pre-Flashpoint elements. So it seems that we’re getting some major payoff about to really kick into gear after most of a year of building. Still more, we have a story that seems like it’s pretty self-contained to the Super-titles, not some line-wide must-buy-them-all crossover or such. I believe some of the events of this book might trickle out and be reflected in other titles, but in this issue we’re only directed to Action Comics, next.

This may not be the BEST issue for a new reader to start with…but it’s not horrible, and I also think a lapsed reader could probably do pretty well here, just knowing that this is pre-Flashpoint Lois and Clark; that they have a son, and there’s been some other Clark Kent around.

Visually, I have very mixed feelings on this issue. On one hand, I like the cover, and most of the interiors are ok. There are a couple panels–one with Tim Drake (Robin/Red Robin) and one of Jon–that just look really off to me. While Tim’s appearance can be chalked up to his imprisonment, the first large panel of Jon just looks too cartoony to me, overly manga-styled for what is NOT a manga volume. I suppose comparison could be drawn as well to Ed McGuinness‘ art (I’m thinking around 2000 or so), but in the moment, it just threw me off and had me feeling a lot more nitpicky about the issue. The cover, though, is pretty darned good, and would make an excellent print for hanging…and if this indeed is part of a multi-part image, I dare say it’ll likely make a fantastic poster.

All in all, even if you’re not "up" on the various Superman titles, if you’ve a passing familiarity, I’d definitely recommend this issue. It’s well worth its $2.99 cover price, and does a nice job of setting stuff up for what ever is to come, while providing its own major chunk of story and key event for things. I’m eagerly anticipating the next chapter, and to see where things go in general with this story, and the Super-books in general!

Classic TMNT Toys: Ray Fillet and Storage Shell Michelangelo

It’s kinda hard to believe that toys I remember getting new off the pegs in stores like Hills, Best, KMart, Toys R Us, Children’s Palace are now considered vintage. Harder still to believe that I still have some of the cards around, as well as the figures!

This is the third in a series of posts sharing these cards/figures, much as I’ve done with the newer 2012-present line.


Ray Fillet

clip_and_collect_profile_ray_fillet_back

This is another “early” figure for me, and also from early in my developing vocabulary. I originally read/pronounced the character’s name “Ray Fill-eht” rather than “Ray Fill-ay.”

I remember recognizing the similarities in this character, and a character in one of those “storybooks” that were out in the early 1990s, that I later learned were actually based on issues of the Archie-published TMNT Adventures. This Ray Fillet was the character appearing as Man Ray and one of the “founders” of the Mighty Mutanimals. There’s a much different-looking version appearing in contemporary IDW-published TMNT comics.

TMNT_cards_ray_fillet_front

Like many of the other figures, this was another “goofy”-ish mutant, rather silly and hardly anything “deep.” I’ve more recently learned that apparently a number of creators that were part of Mirage Studios at the time were encouraged to create/submit characters as possible action figures when the toy line hit it big, which certainly explains some of the random-ish characters.

As for me, I certainly appreciate that many of them were incorporated into comics that gave them more depth, even beyond anything granted in “an episode” or so in the animated series.

TMNT_cards_ray_fillet_back

I haven’t a clue where “Fish Stix” wound up, but I do remember making the connection that this was apparently a Glublub…though it was Bubbla that made the impression in the comics.

class_tmnt_ray_fillet

Here’s the actual figure! One of the ear pieces is broken off, and the color-change elements of the chest and “shirt” are long since faded/gone-screwy. But it’s my genuine, original copy of the figure, still around to this day some 25+ years after getting it!


Storage Shell Michelangelo

clip_and_collect_profile_storage_shell_mike_back

I’m particularly interested these days whenever I see the spelling “Michaelangelo” from this time period. Apparently Eastman and Laird goofed on the spelling–It’s actually Michelangelo–but their error was picked up and carried through half the character’s existence, I believe only eventually corrected as of 2001 or so when Laird relaunched a TMNT comic series.

I remember the Donatello with Storage Shell figure as the first/only of the turtles with that feature…then later the other three got the treatment. This was one of the ones that at the time I did get a “complete set,” really appreciating the molds/paintjobs (though I wouldn’t’ve had the phrasing to describe it as such back then). In retrospect, I suspect it was that the figures were pretty standard-ish–no fancy costumes, no externally-weird “theme” or variant. If one didn’t know the shells opened, the figures just look like slightly brighter/better-colored versions of the standard characters!

TMNT_cards_storage_shell_mike_front

To this day, I can’t begin to explain the “storage shell” notion for the actual characters. As toys that come with a bunch of miniscule accessories, I can appreciate that this was a way to have a little storage compartment to keep a bunch of them handy for play time…but showing the character in action with a shell open on a hinge is just kinda creepy…especially after the story in the IDW comics a couple years ago where Donatello was horribly injured when Rocksteady sledge-hammered his shell…

TMNT_cards_storage_shell_mike_back

I miss the days of these individualized cards with figures. The fronts are customized to the specific figure, as is the back–detailing included accessories (that I believe were quite visible through the bubble on the front) as well as the profile section.

I also miss having large multi-wave assortments displayed, to see what’s (been) available and exists out there. Contemporary toys showing the 4-6 figures within the same/current “wave” is ok-ish, but there’s something pleasantly rich about seeing so many allies and villains chaaracters just on the card…and it certainly did wonders for making me want more figures as a kid, giving me something (always) to be “hunting” for!

class_tmnt_storage_shell_mike

Here’s the figure itself. Probably my only real “complaint” to the color scheme and such is the pink gums to the exaggerated grimace this version of the characters had. It just makes it seem all the more exaggerated, though at least definitely served to differentiate from the “original” version of the standard figures…especially since there was no special “costume” or such to otherwise set these apart when the shell is closed into place.


I think it’s safe to say that these are two of my favorite figures at this point, in looking back. The sculpts on the storage shell turtles, and Ray Fillet (though I prefer the Man Ray version of the character).

Next up, to wrap up this mini “series” of posts, I’ll show off TMNT II character Rahzar and what I consider to be a “later” random mutant, Walkabout.

Did you ever have any of the “storage shell” turtles? While I don’t recall if this concept was revisited during the run of the toys based on the 2003 animated series, “storage shell” versions were released a couple years ago for the 2012-present iterations of the characters.

Are there any classic TMNT toys of characters you’d want to get just for the sake of having the character?

Respond in the comments section for this post!

Classic TMNT Toys: Mutant Military TMNT

It’s kinda hard to believe that toys I remember getting new off the pegs in stores like Hills, Best, KMart, Toys R Us, Children’s Palace are now considered vintage. Harder still to believe that I still have some of the cards around, as well as the figures.

This is the second in a series of posts sharing these cards/figures, much as I’ve done with the newer 2012-present line.


Lieutenant Leo

clip_and_collect_profile_lieutenant_leo_back

I was all about the characters in the late ’80s/early ’90s, and if I couldn’t get unique characters, I chased after “variants” of the main characters. In many cases I only got one or two (where they even had “full sets” for a singular theme), but the “Mutant Military” set is one where I got at least three, and current have three; I don’t recall if I ever had the Donatello figure.

I find this particular line a bit more questionable as an adult, particularly given life the last 15+ years and the way my views on the (U.S.) military, military stuff in general, and the subject of “war” have changed and developed.

I’m not fond of just tossing these characters into “military gear” and pushing military “stereotypes” or such, when very real people risk their lives serving their country. But then, NOT being military myself, I have no idea, honestly, if these would actually BE appreciated or not.

TMNT_cards_lieutenant_leo_front

Somehow I find it highly doubtful figures like this would get made nowadays. And having fictional characters like this shown waving a United States flag, with the red/white/blue and white stars theme to the packaging?

Yeah, not all that likely these days, I don’t think.

TMNT_cards_lieutenant_leo_back

Unlike some of the other card backs, I find it interesting that the other figures shown are nothing but turtles variants. No non-turtle allies and no villains.

class_tmnt_lieutenant_leo

The figure itself, decked out in military gear.


Midshipman Mike

clip_and_collect_profile_midshipman_mike_back

As a military-themed figure, and this one apparently being the Navy figure, I’m probably least thrilled with it. My dad served 21 years in the U.S. Navy, and my grandfather was also U.S. Navy.

The language with this figure strikes me a lot more as “pirate adventure” than something reflecting a contemporary (even in the early 1990s) U.S. military thing.

TMNT_cards_midshipman_mike_front

The eyepatch puts me in mind also of “pirates” and/or playing off the notion of Popeye.

I also stand by my statement on the Leo figure that having the turtles waving a U.S. flag would, sadly, probably not happen today, nor the color scheme of this packaging.

TMNT_cards_midshipman_mike_back

I’m somewhat interested at seeing the “mini figures” that were included as accessories with regular figures–this one had the Sewer Sea Gull, which is rather generic…compared with more important/significant “accessory” characters such as Joe Eyeball with Muckman, or Screwloose with Wingnut.

Also note that–keeping consistent for the wave–all other figures shown here on the card back are turtles variants.

Finally, this is a figure whose card even retains the peg-hole piece, apparently never got completely separated from the card. I understand this is a definite rarity, and a coveted thing in modern toy collecting with figures that are typically sold/displayed from pegs in stores. Other than “noting” that, I’m not getting into that matter at present–it’s not a thing that I myself care about with buying toys!

class_tmnt_midshipman_mike

The figure itself is a bit odd for one of the turtles…the legs seem to be on a different sort of connector to the body, with more of a forward/back poseability rather than the more rounded “ball” joint the regular figures tend to have. I suppose it lends itself to the figure looking like he’s walking across a ship’s deck or something, but whatever.


Green Beret Raph

clip_and_collect_profile_green_beret_raph_back

The more I “analyze” these cards and truly take in the words and such of ’em as a mid/late 30s adult, the more I am certain these would not be produced today…or at least, certainly not without some huge protest, petition campaign, and other scandal/controversy!

It’s also interesting as an adult to “read between the lines” here at what could be taken from the profile, but also to see how “real life” is glossed over to keep it aimed as it was toward kids.

TMNT_cards_green_beret_raph_front

Again with the flag and packaging color scheme…as well as the cut-but-unpunched peg-hole on this one. As another figure I apparently got from Hills, I can only imagine I found these sitting on a shelf, perhaps placed there at the time if there wasn’t room on the pegs. (There was once a time when stores had dozens of pegs, seemingly entire aisles dedicated to TMNT product, primarily these figures…and they’d be fully-stocked, not just 1-3 figures loosely placed on each of 3-4ish pegs!)

TMNT_cards_green_beret_raph_back

And another figure with a mini-character included as an accessory…though again, a rather forgettable/insignificant one…though I’d be rather entertained at having it now as an adult!

class_tmnt_green_beret_raph

While I can’t speak to the quasi-camo pattern to this figure…at least the character fits the uniform, with plenty of green, and the muted darker red for Raphael.


Next up, I’ll look at a couple of my favorite classic figures, Ray Fillet and Storage Shell Mikey!

If you’re military, or know someone who is–what do you think of these figures? And if you’re non-military, same question?

Feel free to leave a response in the comments section of this post!

Classic TMNT Toys: Baxter Stockman and Make My Day Leo

It’s kinda hard to believe that toys I remember getting new off the pegs in stores like Hills, Best, KMart, Toys R Us, Children’s Palace are now considered vintage. Harder still to believe that I still have some of the cards around, as well as the figures (yet even harder to believe that I have a couple cards for figures that I do not seem to have around anymore)!

This is the first in a series of posts sharing these cards/figures, much as I’ve done with the newer 2012-present line.


Baxter Stockman

clip_and_collect_profile_baxter_stockman_back

While I’ve eventually given in and "accepted" it for nostalgia, I am not a fan of Baxter Stockman as a white guy (he was black in the original comics!) nor as a mutant fly. I think to me he just comes off as rather 2-dimensional or "just another mutant" as a fly, rather than as a brilliant (if deranged) scientist after his own goals and clashing with the turtles when they try to stop him.

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Of course, I didn’t "know any better" at the time when I first got this figure. It was just another character, one that a friend had and I wanted my own, so eventually got it. Here’s the front of the card…

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…and here’s the back. At this point, the figures still had the "origin of the turtles" at the top, along with the "ad" for the canister of "ooze" stuff that came with a miniature un-mutated turtle. I’m not sure if it’s déjà vu or what, but I simultaneously think I’d gotten one of these, yet wonder if it was just that I had wanted it but never actually got one.

There were still very few figures at the point this one was out, with Baxter, Ace Duck, and Genghis Frog (and Krang?) as new allies and enemies additions.

You can also see the "hole" where I’d actually cut out the "pizza point" from this figure. I seem to recall having done that with a bunch of my earliest figures…as well as having cut out the "clip and collect" profile cards…though when I took a stack of them with me to school one day, I lost them. That may be why I apparently kept the entire card backs on later figures.


Make My Day Leo

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I vaguely remember this figure, though it’s one that I do not currently seem to have in my on-hand collection of my original figures.

While I did get several "variant sets" of all four turtles, when I only got one from a given "set," I tended to go with Leonardo, who was originally my favorite turtle of the four.

I find it amusing enough as an adult to see various "references" that were over my head as a kid, such as the whole "Make. My. Day." thing, or the Humphrey Bogart references, etc.

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I kinda like the bit there on the left…the "Go ahead!" part playing into the figure’s name. Go ahead! Make my day! Timeline-wise, the character "manhandling" Dirtbag there at the top places it around the time of that character, Groundchuck, and Chrome Dome.

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…And the back of the card strikes me as being from the height of the toy line, with this large array of ancillary characters–particularly on the villains side of things. I see a number of figures that I’d love to get ahold of to this day–though I’m absolutely not willing to "shell" out big dollars for them…I’m not that sort of collector.


Next up, I’ll get into the "Mutant Military" TMNT figures…and those I have the actual figures for, as well!

Do you remember either of the figures in this post? Did you have either of them? How about other figures shown on the card back(s)?

Feel free to leave feedback in the comments for this post!

The Imaginext Collection Begins…

Well, technically my Imaginext collection had already begun, but at this point, safe to say it’s begun in earnest now. At least compared to then.

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Here we have what REALLY had my eye: a Doomsday, with a battle-damaged Superman. Overall, I like this set…though Doomsday is significantly larger in scale than I’d prefer. Still…he should be a hulking behemoth that even Superman would have trouble with, so…it works. I definitely like how it has parts of the "classic" green suit as well as the bony protrusions and such…also lets ’em get away with not having a giant naked monster…

And though his suit is a bit messed up…there’s no "blood" on Superman. And there are no trunks, so it’s not quite "my" Superman, but I don’t miss the trunks all that much…especially with a solid red belt, the cape, and red boots!

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Then we have Goldar and Lord Zedd. These were a Power Rangers 2-pack.

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And here we have the Mighty Morphin’ Power Rangers themselves. For the sake of completeness and my OCD, I tracked down the White Tigerzord set in order to get the White Ranger.

The rest of the Rangers were 2-packs, and surprisingly easy to find (and/or I got lucky!).


There are a few more Imaginext things I’m particularly interested in…chief among them, the Megazord that is somewhat in scale with these Rangers. There’s also a giant Goldar with its own version of Rita Repulsa that I’m waffling on seeking out.

On the DC side, there are a couple Robin/Red Robin figures…but unfortunately, none as parts of any of the cheaper 2-packs…they’re part of larger sets or vehicle/figure packs…which when I really just want the figure, make ’em more expensive than they’re worth. (At least with the White Ranger, I really dig the Tigerzord, too; and Doomsday was the primary draw for that pack!)

I guess time’ll tell…and I may have another post on these Imaginext toys soon…I really love the variety to the multiple licenses available! Much like Funko‘s Pop line, these allow multiple franchises to co-exist and seem to fit well together. And they’re much more "available" and reasonably-priced than the "adult collector" toys for either Marvel or DC!

Curse Words…for Curse Words: Dropped Due to Variants

If you’ve been reading this blog for ANY length of time, you know that I–as a general rule–loathe variant covers. Primarily "ratioed" variants, but with very FEW exceptions, variants in general, their very existence.

And this week just REALLY reminded me WHY.

And though I COULD blame the comic shop, I personally place the blame squarely on the publisher, FOR doing a variant. Or allowing a variant. Or WHATEVER the case is.

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After actually rather enjoying the first issue, and looking forward to the second issue, the day finally came: Curse Words #2 was on "the list" as out on February 22nd.

Having been "burned" by a "surprise" variant on Moonshine #2 (which, by the way, immediately prompted me to NOT pick it up ,and thus lost me on singles on that series), I was "re-aware" of even Image doing variants on stuff (something I’d be more inclined to attribute to DC, Marvel, IDW, Boom, and Dynamite!).

So, when I saw two different covers, neither of which was visually "familiar" to me, and I was already expecting there to be a "new" or "unfamiliar" (because I ONLY bought one cover of #1!) issue, I figured fine, they did a second issue with variants, I had not really seen any "marketing" or such for the issue so was not (for once) pre-disposed to preferring one specific cover…so I grabbed the more appealing (to me) cover of the two or so I saw.

Got it home, even included the thing in my photos for my "Weekly Haul" post, none the wiser of anything.

But then I went to READ the thing.

And I saw that the word "Second" was NOT followed by "Issue" after all, on the cover.

Nope…it was followed by "Printing."

I managed to grab a second printing of #1, the issue that I already owned, that I bought and read weeks ago.

And of course, much as with most publishers, comics are not some "returnable" thing, so it’s not even like I can take the thing back to the shop for a refund or such. I’m stuck with a second copy of the first issue now, and no copies of the second.

Frankly, to say that I’m "annoyed" is an understatement.

On principle, I’m done with this book as single issues. I might snag the collected volume(s), but I will NOT support it any further as single issues.

Should I have noticed that it was not actually the second issue? Maybe. BUT when I know the second issue’s due out, with a cover that’s not mimicking the first, and I’m grabbing my comics in a hurry and just want to get stuff and get out after a long day at work, I’m not gonna examine every stupid facet of a cover. I buy comics because I want to read the story, not for stupid covers!

Maybe the shop should have put something with the issue to indicate 2nd printing. Maybe they should’ve shelved it with last month’s books instead of right next to the brand-new 2nd issue (but probably more sales having them together, so someone can immediately see and pick up BOTH issues if they’re looking for them/curious!).

So, I hold Image responsible…with no idea if the "idea" or "push" came from a creator or not. Just use the same darned cover, and mark it as a second printing! IF I wanted more "art" from something, I’d buy a darned print or something!

And on top of this…folks wonder why I tend to gravitate toward collected volumes for new issues. At least THERE, I’m FAR LESS LIKELY to wind up getting some 2nd print of something I already have, with just a cover in quick passing to go on.

The Weekly Haul: Week of February 22, 2017

This week in comics is probably my most expensive in awhile…or at least, it sure feels like it! But then, multiple $3.99 issues and two $4.99s will do that! (Ugh!)

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Actually, the only $2.99 of the week was Action Comics. I’ve been looking forward to Highlander for awhile, though other than knowing that there was a new (mini?) series coming, and something giving me the notion it’s a prequel to the original film, I know virtually nothing about it yet. I’m giving Curse Words and Kamandi Challenge a second issue, and of course, keeping up with the Prometheus/Aliens/Predator/AvP: Life and Death arc. And with TMNT being just about my favorite property, a bit eager on that new issue despite the price point (again, with TMNT remaining my conscious exception to pricing that’d put me off of other properties).

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And a second-for-the-week $4.99 TMNT book in the "Director’s Cut" of Batman/TMNT Adventures #1. I knew I’d ultimately regret it if I didn’t get the thing…and rather than waste time/money later in extra-hunting to get it, figured I’d just nip that right in the bud (so to speak).

And then the Dr. Strange keychain and Outcast #25 were "free" bonuses at the shop (along with a full-size Dr. Strange movie poster that I may photograph later once framed!).

Next step is getting stuff actually read!

Pokémon Through the Years: The Games

Back in probably 1998, a friend got me to try this new card game, based on a video game that was taking the country by storm. Pokémon. Not long after–in early 1999 or so–he convinced me to get a Gameboy and the actual game, so we could battle and trade critters and such. He’d started with Pokémon Blue, so I got Pokémon Red.

Fast-forward to this past summer, July 2016, and the release of Pokémon Go got me back into the property after a number of years away.

A couple other friends convinced me to get a 2DS, and I re-bought Red via the digital shop…though quickly left that aside to try the newer game: Pokémon Omega Ruby (both my red 2Ds and Omega Ruby chosen to stick with the Red theme).

I also pre-ordered Pokémon Sun at the time. Then, due to a Black Friday sale, I ordered Pokémon Y though have yet to dive into playing that one–I figure its time will come, eventually!

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And I came across my original box, and the mini manual, while going through some years-old stuff helping parents clear out the old house.

So even with the more-than-a-decade gap, and the 18 or so years total since getting that first game…I have all four on a shelf.

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And perhaps one of these days I’ll really get into detail on my experiences and thoughts regarding the various aspects of Pokémon through the years beyond just having these four games.