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TMNT Revisited: TMNT Adventures (Mini-Series) #3

Posted on October 7, 2016 by Walt

Heroes in a Half-Shell!

Written and Pencilled by: Michael Dooney
Adapted from the Scripts by: David Wise and Patti Howeth
Inked by: Dave Garcia
Lettered by: Steve Lavigne
Color by: Barry Grossman
Cover by: Kevin Eastman, Peter Laird, Steve Lavigne
Published by: Mirage/Archie
Cover Price: $1.00
Cover Date: December 1988

This issue picks up with the rock soldiers interacting with Shredder, Bebop, and Rocksteady. Krang freaks out upon learning Neutrinos are loose on Earth. Meanwhile, the turtles have just about found the technodrome when they’re buzzed by flying cars and opt to chase these instead. The rock soldiers show up and rather than put up a fight, launch a weather-making device (which our heroes promptly ignore), and everyone meets back in the technodrome (where Donatello instantly figures out the alien controls, opens the portal, and the rock soldiers are thrown back through to Dimension X and the Neutrinos voluntarily follow, to continue the fight against Krang (but without ever dealing with Krang in the technodrome). Shredder and his forces leave rather than confront the turtles here in the heart of the technodrome, and the turtles simply leave rather than even trying to find and deal with Shredder or Krang.

The next day, the Shredder re-baits the turtles, who wind up fighting Bebop and Rocksteady again. The turtles and Splinter split up to deal with different facets of the current threat. Krang gets put into the stomach of an android body and electrocuted (er…the body is activated). Shredder then sends Foot robots after the turtles as a diversion until Krang wakes. After having the turtles on the run while growing to a gigantic size, Krang simply turns and punches his way to the surface so the turtles can follow him, rather than dealing with them where they were. Donatello shows up with a blimp he’s been working on, and turns it loose with the others while he and Leo enter the android body to shrink it down. Krang calls Shredder for help, Shredder abandons his imminent victory over Splinter and shows up to point his retromutagen ray at the turtles, Splinter shows up as well and destroys it, then the story shifts back to the technodrome where the Donatello finishes some complicated thing with the portal, and everyone gets out as the whole thing is sucked into Dimension X. We see Shredder and Krang bicker, the turtles chill at home…and the story (mercifully) concludes.

Much as with the previous issue, this is ultra-compressed with an extremely fast-pace and abbreviated scenes such that the characters–from simply reading this–seem interchangeable and inconsequential. As noted also with the previous issue, this is not so much a fault of the writing of the comic as it is a shared problem between the writing of the episodes this issue is based on and trying to cram the contents of more than one episode into a single issue.

The art continues to be good–it’s a welcome visual style that as I’ve said before, holds its own without mimicking the art of the animated series. Yet, the characters are all recognizeable and nothing’s so far off as to seem otherwise (except the coloring can be kinda iffy…especially on a comic that’s got slightly yellowed pages and carries a cover date from nearly 26 years ago).

The cover would make for a decent poster, and the image alone promises something a lot more dramatic than what I read inside.

While in recent years I’ve found the “classic” TMNT animated series rather hokey and have been rather put-off by it, revisiting this miniseries and the episodes themselves has admittedly made me rather nostalgic, and rekindled my interest in the old series. I may not binge-watch the entire thing or even finish tracking down all the seasons…but I’ve been reminded of how much my younger self loved this stuff, and failed to notice the level of hokiness my present-day adult self sees.

From looking at this simply as a comic series, it’s nothing special for the content by itself. What makes this special is that it’s a color series starring the turtles, designed and aimed at the audience of the 1980s cartoon, and is a #1 issue I can actually afford (and have a duplicate or two somewhere, too).

Though I missed this mini-series when it was originally published, it was still something I was able to track down relatively easily a number of years ago, far moreso than ever the original Mirage #1, which I content myself to this day with reprint editions of that.

I can’t imagine something like this mini-series–or this issue–being published today; but it’s certainly a product of its time, and quite worthwhile to get as a fan of the TMNT in general, and the Archie-published stuff in particular.

Filed under: 2016 posts, 2016 Reviews, The '90s Revisited, TMNT Adventures Revisited | Tagged: Adventures, archie, Archie Adventures Series, Archie Comics, Barry Grossman, Dave Garcia, David Wise, Eastman, Heroes in a Half Shell, Laird, Michael Dooney, Mirage, Ninja Turtles, Patti Howeth, Steve Lavigne, Teenage Mutant Ninja Turtls, TMNT, TMNT Adventures | Leave a comment »

TMNT Revisited: TMNT Adventures (Mini-Series) #2

Posted on October 5, 2016 by Walt

Heroes in a Half-Shell!

As noted in my post about the first issue, this mini is based on the first 5-episode mini-series/season of the animated TMNT cartoon. However, where that was 5 episodes, the comics adaptation is a mere 3 issues…leading to a couple weird issue-breaks that do not match up with the episode-breaks in the cartoon.

This issue picks up with the turtles facing some random/weird robots. After dispatching these, they deal with another deathtrap, and then find Splinter…and meet Bebop and Rocksteady. Escaping to the surface, the turtles are followed, but quickly trap Bebop and Rocksteady, and that’s that.

Continuing on, Shredder has a new scheme, and coopts bumbling scientist Baxter Stockman’s “mouser” invention. He sends some after Splinter, but the turtles rescue their master with no problem. However, Shredder’s built hundreds more and they do prove to be a problem. Michelangelo “volunteers” to infiltrate the mansion Shredder’s commandeered, but is captured the the villain…though set free behind his back by Krang. The Mousers are stopped, no one’s dead, and again, that seems to be that. Shredder still won’t give Krang a body, and initiates yet another scheme: opening a portal to Dimension X he lets a flying car into the Technodrome (which promptly blasts a hole and skidaddles), followed by a flying tank of sorts with rock soldiers…and that’s the end of the issue.

The art for this issue is consistent with the first…much of my thinking on the first issue applies here as well (cool to see the Mirage team on the issue, etc). While the visuals are stylistically their own thing, they are clearly based on the cartoon and fit well without seeming particularly “off.” Essentially they’re simply comic versions structurally, but based on the cartoon elements.

The story is where most of my problems lie…particularly where the cartoon itself seems choppy and just runs from points ‘A’ to ‘B’ to ‘C’ and following that so closely, the comic seems super-compressed, well beyond any preference I’d have to avoid “decompression.”

And therein I find the issue–it’s not so much the writing of this comic that’s the problem as much as it’s the source material. I’m consciously aware that this issue’s story is itself based on another story, and the writing keeps faithfully TO said source material. The faults come from the ludicrous, goofy, weird stuff that (in remaining faithful) had to be translated into this adaptation.

While the first episode of the cartoon–and therefore, the bulk of the first issue–was charming enough in its own way (and gave a roughly whole story without tying up plotlines and such), this is the middle chunk of the overall 5-episode arc and middle of this particular 3-issue series. Sadly, it’s really choppy and all over the place, and the only real fondness I find in it is the art as mentioned, and its “place” as an artifact of history.

Taken by itself, I had to force myself through the issue, and force myself not to just quickly eyeball the pages and move on.

Filed under: 2016 posts, 2016 Reviews, The '90s Revisited, TMNT Adventures Revisited | Tagged: Adventures, archie, Archie Adventures Series, Archie Comics, Barry Grossman, Dave Garcia, David Wise, Eastman, Heroes in a Half Shell, Laird, Michael Dooney, Mirage, Ninja Turtles, Patti Hoeth, Steve Lavigne, Teenage Mutant Ninja Turtles, TMNT, TMNT Adventures | Leave a comment »

TMNT Revisited: TMNT Adventures (Mini-Series) #1

Posted on October 3, 2016 by Walt

Heroes in a Half-Shell!

Written and Pencilled by: Michael Dooney
Adapted from the Scripts by: David Wise and Patti Howeth
Inked by: Dave Garcia
Lettered by: Steve Lavigne
Color by: Barry Grossman
Cover by: Kevin Eastman, Peter Laird
Published by: Mirage/Archie
Cover Price: $1.00
Cover Date: August 1988

It’s rather interesting to consider that this was–I believe–the first color TMNT comic. Sure, First Publishing had colored the original black and white issues, but this issue began as a color production rather than the color being a conversion. And where the original Mirage TMNT comics were certainly of a more mature nature for violence and language, this is based on the animated series that was aimed fairly squarely at kids.

Reading back through the issue, it has–for this fan of 26+ years–a lot of familiarity, both from the cartoon as well as the visual style of the art. Which ultimately makes sense, given Dooney‘s involvement with the Mirage stuff in particular. The character designs are obviously those of the cartoon, though.

Being such an old comic–at least a quarter-century–it’s immediately clear some differences from modern comics physically; and my copy in particular isn’t a particularly clean copy…it definitely is a bit yellowed from age and all that, as the paper is classic newsprint, one can see the dots to the coloring, and so on.

As a whole, the art’s not bad in and of itself, though the style is a bit “interesting” having gotten used to more “modern” renditions of these characters. I rather like the realization that even though this was published by Archie, it was created by the Mirage folks…thus lending a certain authenticity to this as a Ninja Turtles thing, rather than just being some thrown-together adaptation of a kids’ cartoon.

Story-wise, this suffers the same as the cartoon itself does in my mind…overly-simplistic and full of glaring plot-holes and such, requiring a lot more suspension of disbelief than most comics I’m used to. There’s also something rather wonky about the pacing, with this first issue covering maybe an episode and a half of the cartoon, rather than just one episode. In that way it’s a rather “compressed” storytelling that (especially looking at it now) really needs a lot more room to breathe. And as a comic, it misses so much potential in terms of “enhancing” the cartoon with narration or thought balloons or such that just wouldn’t fit the cartoon but would a comic.

Other than some abbreviated dialogue and missing the show’s music, this is absolutely a straight up adaptation and it doesn’t begin to even try to be anything else–different or additional. In and of itself, unfortunately, I can say with honesty I find this issue rather hokey, choppy, and other than the art “working” it’s nothing particularly stand-out or impressive to me.

At the same time, this goes back to the very beginning of the TMNT in tv and “popular” comics, so it has a huge bit of historical significance and is in itself quite the “artifact” of its time. This is the first issue of 3, a mini-series, which adapts the entire first “season” or 5-episode mini-series of the TMNT cartoon. At a time when home media (VHS) was still relatively rare (especially compared to our contemporary age of everything being on DVD and so readily available to purchase and watch whenever we want) this was the closest I personally would get to “owning” the episodes to consume whenever I chose. Back in the late-’80s/early-’90s, though, I’d acquired a rather thick comic that came with an audiocassette, which actually collected all 3 issues into a singular volume…but was not itself a bookshelf volume or graphic novel…it was more an 80-page Giant or such.

Publish this as-is today and I’d be rather disappointed. But looking at it as a singular piece, and in context of its time, it’s not bad, and makes for a fairly interesting sort of read.

Filed under: 2016 posts, 2016 Reviews, The '90s Revisited, TMNT Adventures Revisited | Tagged: Adventures, archie, Archie Adventures Series, Archie Comics, Barry Grossman, Dave Garcia, David Wise, Eastman, Heroes in a Half Shell, Laird, Michael Dooney, Mirage, Ninja Turtles, Patti Hoeth, Steve Lavigne, Teenage Mutant Ninja Turtls, TMNT, TMNT Adventures | Leave a comment »

Zero Hour Revisited – Zero Hour #0

Posted on September 30, 2016 by Walt

Zero Hour

Story and Layout Art: Dan Jurgens
Ink Art: Jerry Ordway
Letters: Gaspar
Colors: Gregory Wright
Asst. Editor: Mike McAvennie
Editor: KC Carlson
Published by: DC Comics
Cover Date: September 1994
Cover Price: $1.50

Here we are, at last–the final issue of Zero Hour itself. We’ve seen time anomalies pop up, and worsen. We’ve seen heroes discover time is being destroyed in the past and the future, working toward the present. We’ve seen the emergence of Extant, and the fall of the Justice Society. We’ve had dozens of tie-in issues where few have directly been part of this core event, though a fair number have danced on the edges. We’ve seen Hall Jordan–former Green Lantern, now Parallax–revealed as the sentient, actual manipulator of things as he seeks to wipe the slate clean after his own trajedies. The heroes have failed, all time and space has been destroyed, and a handful of heroes pulled outside it all, while another small handful remains with Parallax.

Hal prepares energies for the re-creation of the universe, of all existence. His way will see many worlds, and all wrongs will be set right. There will be the Earth everyone knew, minus stuff like the Coast City disaster. There will be a world that Batgirl remembers, in which she was never assaulted by the Joker. Even Extant will have his own world to rule over. Everyone will be happy. This is opposed–how can Hal be God? Waverider and his group of heroes attacks, disrupting Hal, and ultimately–after quite a scuffle–the universe IS reborn…but it unfolds "naturally" withOUT any one entity controlling it, tweaking it. As such, events unfold mostly as remembered, but here there are no alternate timelines, so everyone, everything is folded into one single chronology. The potential time-loop is closed, and all it costs is Hal Jordan and the young Kyle Rayner…while Green Arrow is wracked by the guilt of losing (having had to try to kill) his best friend.

For some reason, the phrasing "the universe is born old" sticks out to me, reading the issue. That may be random or personal and get into stuff I’m not really going to get into in a comics blog, but it’s a key phrasing to my reading.

A lot happens in this issue–look a couple paragraphs above, and that feels like scratching the surface. And yet, it’s a simplistic issue. Time is restarted; Hal wants to tweak it his way, but he’s stopped and so it restarts and unfolds naturally, so it’s similar to before, with small adjustments that functionally "explain away" continuity glitches and timing and such; shuffling a few events here and there to mash into one specific timeline.

We’re left with the notion that anyone that died via entropy or the time fissures has been restored…while anyone who died "outside of Time" (such as the Justice Society) remains dead. Victory, but at a cost.

The art and visuals remain excellent here with clean, crisp pages and dynamic layouts and (to me) iconic scenes playing out.

I don’t know if I’d recommend this as a stand-alone issue out of context of its other issues, but in a way it does work as a singular thing. You open on nothingness, and from that, Hal and his group; the opposing group, we see the FINAL final battle, the villain defeated and the universe restored…and a hint of what’s to come, as well as a fold-out timeline laying everything out for now and moving forward into the rest of 1994 and beyond. So it works as an artifact of sorts, as seeing the end of the story. And if you’re actually going to read it–whether re-read or you’ve never before read it–it’s definitely worth getting if you come across it. But it’s even better if you can snag all five issues–4/3/2/1/0–and read this core story even without any of the other tie-ins!

Going beyond the issue itself and expanding on stuff…

This is a really effective issue and makes me think. There’s a part where Hal smiles, explaining he just wants to make everything right, he wants everyone to live, where I wonder if the intent was to go for a "creepy" smile, or a "mad" smile, as if Hal’s insane. Personally, I have always–and again this time through–found myself wondering ok, why SHOULDN’T he be able to fix things? He’s not talking about recreating a universe that he RULES, or subjugating entire populations, or ending his actions with half the living entities dead, or stuff like that. He’s not targeting any particular people to wipe them out–he’s not even talking about killing Mongul. He just wants a universe where wrongs are set right, and Coast City never blows up.

Yet the argument opposing him makes sense–who is HE to singularly dictate events? Things happened for a reason, and need to remain that way, or Time WILL be altered. So really, my heart hurts for the guy, on the surface, and without considering that he was willing to wipe out the entire universe (he was gonna put it back…). And in the end, all the ramifications and little detailed points are far too numerous to address in a blog post.

I buy into this. I didn’t get into comics until about 2 1/2 years after the original Crisis. While I’d read a couple issues of Armageddon 2001, and a number of Eclipso: The Darkness Within and eve more of the Bloodlines stuff…and of course Doomsday/Funeral for a Friend/Reign of the Supermen, as well as Knightfall, KnightQuest, and KnightsEnd…this was my first DC Universe-wide event of this scale. This story ironed out details I didn’t even know at the time were issues. But it did solidify for me the notion of everything being in one single timeline…and the issue even provides a timeline, concretely laying out where/when major things happened (at least as relevant to the publishing schedule of DC in 1994!).

This was epic, and really set the standard for me of what great events could be. Of course, I’d mainly read only the core series, the Superman chapters, and several others, so it wasn’t until my current reading project of going through the entirety of the event–every single tie-in I’m aware of–that I saw the major cracks in that, and how so many issues were only loosely connected.

Looking back on this current reading experience vs. 22 years ago, I don’t feel like I actually DID "miss out on" anything back then. I did not find anything in these various issues that expanded my understanding of the story or filled in any gaps that I’d truly wondered about or that truly impacted the story…and I was disappointed at some that I’d expected would be expanded on/filled in that really were not. It seems like the issues I’d read back in the day–the Superman titles, Batman, Green Lantern, the core mini–were very much a complete enough experience.

That said, this has provided me a "survey" of a month’s worth of DC titles from July 1994, basically sampling over 30 different titles (though several "families" of related titles are in that).

There’s a lot more that can be discussed on Zero Hour itself–as a story, as an event, on ramifications and implications in-story and on a meta level. Structurally, I found this to be a solid event, and going back the 22 years, it really "set the standard" for me, and I truly MISS when even a universe-wide MAJOR event would "only" take up one publication month–with a WEEKLY core series and just one issue of tie-in per TITLE (though related titles could expand to have larger arcs tying in).

Filed under: 2016 posts, 2016 Reviews, The '90s Revisited, Zero Hour | Tagged: 1990s, Batgirl, Comic Reviews, comics, Dan Jurgens, DC, DC Comics, Gaspar, Green Arrow, Gregory Wright, Guy Gardner, Hal Jordan, Jerry Ordway, KC Carlson, Mike McAvennie, Parallax, Superman, Zero Hour | 1 Comment »

Zero Hour Revisited – Booster Gold #0

Posted on September 22, 2016 by Walt

Blue & Gold Chapter 1: The Secret Origin of Booster Gold

Written by: Geoff Johns & Jeff Katz
Pencil Art by: Dan Jurgens
Finished Art by: Norm Rapmund
Colors by: Hi-Fi
Letters by: Randy Gentile
Asst. Editor: Harvey Richards
Editor: Michael Siglain
Cover by: Jurgens & Rapmund
Published by: DC Comics
Cover Date: September 1994
Cover Price: $1.50

I probably should have actually tucked this in with the "week 3" issues, as this 1. does not end on white pages and 2. takes place prior to events seen in "week 4." C’est la vie…I put this issue almost at the end of stuff because of it being a "retroactive tie-in" published a decade and a half AFTER the actual series.

This issue sees Booster Gold and the Blue Beetles travel through time, and cross paths in the timestream with Parallax (Hal Jordan) and Extant (Hank Hall) circa Zero Hour, 1994. Parallax damages their time-bubble and they’re forced into the 25th Century (with no need to chase down the time-trouble-makers, as they’ve already been dealt with IN Zero Hour–oops, we’ll see that shortly). Turns out the exact day the group emerges in is the day that Booster "threw" a football game and was caught doing so. While striving to ensure that this timestream is not disrupted, they use resources available to continue their own mission and we learn a bit more about Booster’s background as well as the Blue Beetle (several of ’em!) before things have to be dealt with–like putting Dan and Jaime back in their own times without any memory of this issue or the previous having happened…and Ted’s poised to be another "Hero You’ve Never Heard Of" alongside Booster… it’s Blue & Gold, reunited! Though the two quickly realize there’s a bit of a Brother Eye problem that may end things before they’ve truly begun.

This issue was actually published in 2008, some 13 1/2 years after Zero Hour. We were post-Infinite Crisis, post-52, mostly through Countdown, heading toward Final Crisis. And in the early issues of the Geoff Johns run on Booster Gold, with art by Dan Jurgens–the character’s creator and Norm Rapmund‘s excellent inks. And I recall this being one of the more fun series at the time, certainly one of my favorites.

In fact, I had covered the issue at the time, for comiXtreme (and republished in this blog years later), and rated it quite highly. That particular review was based on the issue in that context rather than as a random issue added to this mix, hence any discrepancies between then and now.

Ultimately (given the 14-year-gap in publication) this issue does nothing for the understanding of Zero Hour itself, moving the 1994 series along, etc. But this makes a fun tie-in and providing a more grounded "time" to touch base with–a nod to older/longer-time readers–while serving its own story.

This issue actually kicks off the second arc in the Booster Gold title, and leaves me quite interested in re-reading it…unfortunately, I don’t believe I have any of the early collected volumes, nor ready access (consolidated) to my singles at the moment.

I don’t recommend this in context of Zero Hour itself, really, but it was a great throwback issue, touching in continuity and playing off the #0 issues concept (this was the seventh issue of the series). But as a Booster Gold story, I very definitely recommend the Blue and Gold arc that this kicks off, as well as the first one, 52 Pickup.

Filed under: 2016 posts, 2016 Reviews, The '90s Revisited, Zero Hour | Tagged: 1990s, Blue and Gold, Blue Beetle, Booster Gold, Comic Reviews, comics, Crisis in Time, Dan Jurgens, DC, DC Comics, Geoff Johns, Greatest Hero the World Has Never Known, Harvey RIchards, Hi-Fi, Jeff Katz, Michael Siglain, Norm Rapmund, Randy Gentile, Secret Origin of Booster Gold, Ted Kord, Zero Hour, Zero Issue | 1 Comment »

Zero Hour Revisited – Showcase ’94 #10

Posted on September 16, 2016 by Walt

Aftermath

Script: Alan Grant
Penciller: Mike Vosburg
Inker: Ron McCain
Colorist: Dave Hornung
Letterer: Ken Bruzenak
Consulting Editor: Dennis O’Neil
Editor: Neal Pozner
Published by: DC Comics
Cover Date: September 1994
Cover Price: $1.95

This particular story basically sees a despondent, defeated Jean-Paul Valley momentarily existing as a homeless man on the streets. He’s been stripped of his role as Batman, having abdicated his role as Azrael for that, and now hasn’t a clue what to do with himself. He contemplates himself, his life, where he is, what he’s been through, how his life has changed in a year (basically saying that from Sword of Azrael to Zero Hour has been about a year in the Bat-side of things–further backed by the Superman: The Man of Steel issue where Batman mentions to Superman both having quite a year). Valley intrudes on a group of homeless, "hogging the fire," and eventually one is brave enough to approach him and engage him (albeit one-sidedly…or so it seems). When he up and leaves, the remaining homeless crowd around the fire and then are threatened by another group. Valley returns and drives them off, and continues to mope about, though now accepting that he IS a person, like any of these others.

Story-wise, this seems both a sort of quasi-epilogue to KnightsEnd, partly following up on that and bridging that story and the start of the ongoing Azrael series that started sometime later in 1994, I believe. This is definitely where a title like this–Showcase ‘__–excels. You don’t have to have an entire issue of some other title dedicated to a story, but you can have a standard-issue-length story presented once without having to be entirely its own one-shot or Special Issue or whatever. There’s room for this Azrael (Jean-Paul Valley) story, prior to/without an Azrael title (yet), but without hijacking another issue of Batman or Detective or Robin or Catwoman or whatever.

Given that, I like this story, and somehow was kinda surprised that it DID run the "full length" of a standard-sized issue. Then, for only 45 cents more (1994 pricing) we get another issue-or-so’s worth of content spotlighting other stuff.

And the cover–featuring Azrael–is a nice Quesada/Kesel piece with the destroyed Az-Bats helmet on the Az-Bats-period Bat-symbol. Iconic, simple, and applicable to the story.

The Tempting part 1: The Beating of Wings

Writer/Creator: Brian Augustyn
Penciller: Anthony Chun
Inker: Matt Banning
Letterer: Steve Haynie
Colorist: Lee Loughridge
Editor: Neal Pozner

I’d swear I’ve read stuff with Black Condor before–specifically in Justice League America–but this did not feel like that at all. I think it’s safe to say this is the first "solo outing" I’ve read of the character, and it felt like a bit of a first-issue thing, introducing the main character, a supporting character, and a conflict. Of course, the hero starts to seem victorious, before being presented with a greater challenge, and we’re left with a cliffhanger (I ought to see if I have the next issue of this, but honestly I doubt I’ll get to it anytime soon…I’m interested, but not necessarily enough to hunt it down for an immediate read. Chances are if I ever get around to assembling the several years of these Showcase Years I’ll read it someday).

The story and art are both good, and as mentioned above for the Azrael story, this is a solid outing that seems like it could lead into an ongoing series; but barring that/prior to that, serves in that stead, being allowed to be put out there as part of an anthology ongoing even where any singular character/story would not support its own thing.

No real complaints, and I do feel I’ve a bit more insight into the character, or at least the context, than I would have had without having read this.

Deja Views

Story: Mike McAvennie
Pencils: Jason Armstrong
Inks: Stan Woch
Colors: Stuart Chaifetz
Letters: Willie Schubert
Consulting Editor: KC Carlson
Editor: Neal Pozner

This story was all over the place, but essentially focuses on a group of Time-themed villains including Clock-King (I believe) and Calendar Man (I think–and not at all like the revamped Rebirth version!). The group is trying to steal some helmet or armor, and stuck in a time-loop, and they got confused in-story right after I got confused reading and jumping to the conclusion that there was some significant editorial error before realizing that was part of the story. And before things are completely sorted out, the story fades to white, signifying the "join" to Zero Hour.

Visually, no great issue on this story for me…it’s not bad, not wonderful. I’m not overly familiar with the characters, don’t really care about them, and this story doesn’t seem to directly come out of anything…it’s just "a story set during _______" (here, Zero Hour). This tie is enough to "justify" including this in reading Zero Hour stuff, but the issue does not sport the official Zero Hour banner or trade dress. Of course, that’s in keeping to the title‘s trade dress of generic fonts for "logos" rather than some bold solo-title logo.

At least it’s more tie-in than a number of tie-ins had, so it’s worth reading for the sake of completeness, though does not ultimately "matter."

OVERALL THOUGHTS

While this title itself–Showcase ’94–may not in and of itself matter all that much, I’m more convinced than ever at its greatness for its time. That’s not to say I could see following such a book long-term in the present, in 2016…but going back 22 years and the three issues I’ve now read for their having a segment each tied to Zero Hour, I recognize what the book’s existence allowed to be published without hijacking other books’ pages or the stories just not getting told. Add to that my not recognizing many of the creators and a slight memory suggesting this: the book was the sort for giving "new talent" a chance without being otherwise committed to a book. Try a writer out, give an artist a story to do, without compromising a "regular" or "ongoing" title, but still get their work out there, see how they do with various characters and creative team lineups.

This issue as a whole is not worth it in terms of Zero Hour, really…but it’s a strong issue, with a distinctive cover, and for the quasi-self-contained Azrael story, it’s well worth a bargain-bin buy (just not worth some collector’s premium or markup despite the issue’s age or cover).

Filed under: 2016 posts, 2016 Reviews, The '90s Revisited, Zero Hour | Tagged: 1990s, Aftermath, Alan Grant, Anthony Chun, Azrael, Beating of Wings, Black Condor, Brian Augustyn, Calendar Man, Comic Reviews, comics, Dave Hornung, DC, DC Comics, Dennis O'Neil, Jason Armstrong, KC Carlson, Ken Bruzenak, Lee Loughridge, Matt Banning, Mike McAvennie, Mike Vosburg, Neal Pozner, Ron McCain, Stan Woch, Steve Haynie, Stuart Chaifetz, Willie Schubert, Zero Hour | 1 Comment »

Zero Hour Revisited – Anima #7

Posted on September 15, 2016 by Walt

Suddenly, Johnny Gets a Feeling

Writers: Elizabeth Hand & Paul Witcover
Guest Penciller: Brent Anderson
Inker: Will Blyberg
Letterer: Chris Eliopoulos
Colorist: Patricia Mulvihill
Assistant Editor: Chris Eades
Editor: Rob Simpson
Published by: DC Comics
Cover Date: September 1994
Cover Price: $1.50

I recall Anima being one of the characters introduced during the Bloodlines Annuals event in 1993, and of course remember the character more than others as she (obviously) had her own series or a short time. That said, this is the first I can consciously remember actually reading of the character.

Reading this issue, though “only” 7 into its run, was not a fun thing out-of-context. I could recognize the main character and associates by context-clues and figure stuff out, but the story seemed (in part for my lack of familiarity with any of the characters or the full context of the continuity/situation at this point) to jump all over the place enough that I’m not even gonna try to summarize it. Suffice it to say that this felt like diving into a mid-season episode of some tv show and maybe not being disgusted or put off enough by it to turn it off, but it definitely was not the most engaging nor (detail-wise) memorable.

Essentially, there’s this girl, known as Anima, with a bond to some sort of demon named Animus. Animus is imprisoned by siblings/colleagues, as others conspire to do something nasty to the realm of Man, and Anima/Animus are key to stopping that, hence an adversarial situation.

Outside of Eliopoulos on lettering, I really don’t recognize the creative team. Then, the fact that outside of probably this issue (seeing it in the Zero Hour stack and as an issue coming up in the queue) I haven’t really even considered the series for years adds to this series’ isolation in history and continuity. This character came out of the DC Universe Bloodlines stuff; carries the standard DC logo, carries in this case the Zero Hour and DC Universe banner, so it was (at the time at least) certainly in-continuity and such (mid-1990s!). But you would hardly know it to look at any contemporary DC lineup, probably not SINCE the actual 1990s (1999/2000 or so).

That lack of recognition, memory, impact, lends to the weirdness of reading this…certainly refreshing in its way as one of those titles that I seriously doubt would even get a publishing chance nowadays, let alone an audience to go seven issues (let alone any further). The parts with Animus and siblings struck me as rather Hellblazer-esque (ok, perhaps this’d fit in with the new Hellblazer title in Rebirth?) and thus in continuity but tucked off into their own little separated section of continuity.

There’s an offhanded reference indicating Anima had gotten Superman’s message (from waaaaaayyyyy back at the start of Zero Hour!) but outside of that and the fade-to-white abruptness ending this issue, you wouldn’t know it had anything to do with a bigger crossover. This certainly fits the “red skies” designation of sorts…that is, there’s a passing shoe-horned-in reference for a panel or two, but otherwise the issue’s actual story is not impacted nor does it in turn impact, the main event story it supposedly ties in with.

I think this issue would probably fit pretty solidly in with its own series as a run–reading Anima from first issue to however long the series ran–but it’s not even really “fun” as an isolated, standalone issue; it does not advance Zero Hour itself, nor does it shed any real light on something that the main Zero Hour just didn’t have space to do. I would not recommend this outside of an Anima read-through; and given (if only) my own conscious lack of memory of anything impactful even from this series long-term, I certainly would not recommend paying more than 25-50 cents for this in a bargain-bin purchase.

Filed under: 2016 posts, 2016 Reviews, The '90s Revisited, Zero Hour | Tagged: 1990s, Anima, Brent Anderson, Chris Eades, Chris Eliopoulos, Comic Reviews, comics, DC, DC Comics, Elizabeth Hand, Patricia Mulvihill, Paul Witcover, Rob Simpson, Suddenly Johnny Gets a Feeling, Will Blyberg, Zero Hour | 1 Comment »

Zero Hour Revisited – Action Comics #703

Posted on September 14, 2016 by Walt

Chronocide!

Writer: David Michelinie
Artists: Jackson Guice & Denis Rodier
Letterer: Bill Oakley
Colorist: Glenn Whitmore
Assistant Editor: Chris Duffy
Associate Editor: Frank Pittarese
Editor: Mike Carlin
Published by: DC Comics
Cover Date: September 1994
Cover Price: $1.50

This is an interesting sort of issue, though the cover puts me off a bit. It’s been a generic sort of image to me, one I haven’t really–truly–looked at in years, just sort of glossing over it, recognizing it, and that’s it, because of it being what it is. It sort of deals with the interior story, though it’s a bit misleading, suggesting Superman abandoning Lois to the Entropy thing of this story, saving himself…when the story is more his facing that sort of loss of his parents, and Lois is the last one standing.

Clark returns to the Daily Planet, having done HIS part, and leaving/trusting the other heroes to do their part. But then, Perry White fades out and Superman realizes they’ve failed. And if Time has been destroyed as recently as Perry’s birth, then his own parents–Ma and Pa Kent–won’t be far behind. So he races to them, but just as he arrives at the farm, finds himself in an alternate timeline/dimension with a younger version of his parents, and where the rocket that brought him to Earth was retrieved, while he had died as an infant. Superman and the younger Kents eventually find themselves faced with reality of Time’s destruction, and just as Superman’s about to save his own parents, he’s pulled into the Timestream for the final moments of Zero Hour, while the world–our perspective ending with Lois’ account of the approaching whiteness–is wiped out, going to the white pages ending all of the ZH books that shared this final week of July 1994.

With the Superman titles all tying in, we’ve seen Superman meet numerous alternate-timeline/universe versions of Batman; we’ve seen him meet a version of his biological parents from Krypton; an alternate super-hero filling his role on another Earth; and now an alternate version of his Earth-parents. All while essentially being part of the ongoing running battle with Extant and the power behind even him. It’s both cool in the sense that we get to see Superman stories taking advantage of the time-anomalies stuff; but stretches stuff a bit to figure all this PLUS his involvement in the "main story." Still, as flimsy as explanations are between his "side stories" and the main, both seem to stand alone pretty well.

I’m not overly fond of the art here, and yet it still triggers the nostalgia factor for me, and I both recognize and remember it. It fits the story and is definitely a product of its time, and I don’t know what I’d do for replacing it. It’s not bad art, just not my favorite art.

Given Dan Jurgens‘ role in Zero Hour itself and obvious ties on the Super-team, the Superman titles in general fit better with Zero Hour than most; and I certainly have better, clearer memory of them as part of the event, and their being a huge part of my exposure to the DC Universe beyond the event itself, so I’m certainly a bit biased. That said, I do feel like this does more to reference the actual, developing story of Zero Hour (if not itself further developing that story) than most other tie-ins. Even so, this hardly seems essential, and will be more of interest to someone reading through the Superman books of the time than someone just reading the "core" Zero Hour series.

Certainly not an issue worth paying more than $1 or so for; but not something to singularly avoid in a bargain bin, either.

We’re finally nearing the end of this event as a whole, and for that, I’m definitely glad.

Filed under: 2016 posts, 2016 Reviews, The '90s Revisited, Zero Hour | Tagged: 1990s, Action Comics, Bill Oakley, Chris Duffy, Chronocide, Comic Reviews, comics, David Michelinie, DC, DC Comics, Denis Rodier, Frank Pittarese, Glenn Whitmore, Jackson Guice, Mike Carlin, Nothing Left to Lose, Zero Hour | 1 Comment »

Zero Hour Revisited – Catwoman #14

Posted on September 13, 2016 by Walt

Broken Mirrors

Writer: Jo Duffy
Penciller: Jim Balent
Inker: Bob Smith
Colorist: Buzz Setzer
Letterer: Bobpin
Consulting Editor: Dennis O’Neil
Editor: Jordan B. Gorfinkel
Published by: DC Comics
Cover Date: September 1994
Cover Price: $1.50

I was looking forward to getting to this issue, as I only vaguely recall owning (and presumably reading) the first issue, and the two KnightsEnd tie-in issues. This would be the first issue of this iteration of Catwoman that I’ve read in years, and after not caring for New 52 stuff, I figured it’d be interesting and a bit refreshing to see the "classic" ’90s costume, etc.

But then very shortly into the issue, I got sidetracked at catching a couple errors that I feel should have been caught in editing, that put me off a bit and dropped this a few notches in my esteem. The story itself is ok, but by the end of the issue, I felt like I’d missed something somewhere, as even being unfamiliar with this version of Catwoman, stuff still seemed a bit outta-nowhere to me.

Catwoman completes a new heist–stealing some sort of ornamental/antique bed dedicated to Bast, a cat goddess. She sleeps, and when she wakes, she’s in the middle of Zero Hour (though those words are not used and there’s no telling she has any hint of that story going on). The city’s gone feral–or prehistoric–and instead of her tame house-cats, she’s got a sabre-toothed tiger as a pet; instead of a butler she’s got a barbarian in her place, and…yeah. Making the best of the situation–and the excuse to don her outfit indoors–Catwoman leaps into action. She and her new barbarian friend find themselves trying to save the prehistoric cat from a hunting party, and then out of nowhere, Selina grabs the guy for a kiss, and the world goes white.

I can appreciate the adventurous hijinks of having Catwoman team up with time-displaced stand-ins for Marvel‘s Ka-Zar and Zabu, and definitely like that–by way of acknowledging this title’s place in the event–we see Selina viewing multiple versions of herself in a multi-panel mirror and all. And in a way, this having virtually zero context for me–it does not seem continued FROM the previous issue, and other than the fade-to-white signifying the end of Zero Hour #1, this doesn’t seem likely to necessarily CONTINUE to the next issue (but what do I know, having never read the #0 or #15-onward?). So on one hand it’s a "fun" sort of stand-alone/one-off story. Establish Selina/Catwoman. Change the environment, introduce shirtless-guy and ancient kitty, move into cliché story of pet wild animal being hunted. Sure. Then the kiss and…that’s it. So despite "fun" randomness, I’m just NOT *impressed* by this issue.

Visually, the art is good…though I may be biased (particularly recalling back to my 13-year-old self)…this is a book that I’d simultaneously say we wouldn’t get "today" and yet in some ways, I think we WOULD with a certain on-page sexiness and suggestion being more acceptable nowadays than 20-some years ago. And at least in retrospect, I realize that where I’ve often prided myself on having AVOIDED the "bad girl comics" until last year’s Aliens/Vampirella…I think I had a brush with them in this ’90s Catwoman title.

That said, this issue is certainly no necessity for the reading of Zero Hour itself…but it’s a fun-ish one-off. It does somewhat walk a thin line of being somehow gratuitous with that skin-tight costume leaving nothing to the imagination and yet being fairly acceptable for what it is (hey, at least she’s covered and not showing bare skin all over–it’s a Code-approved comic, after all!). I don’t recommend the issue in and of itself–it’s not something to track down. But as with so many of these tie-in issues…if you’re working on a run of the series, or this event, etc. it’s not necessarily something to AVOID.

The issue’d be worth 25-50 cents or so, but not something I’d pay cover price for, and maybe not even something I’d pay $1 for. Still, having read it, it has me curious about the series itself and thinking if I found a run of the series in the cheap-bins, I’d be inclined to snag ’em.

Filed under: 2016 posts, 2016 Reviews, The '90s Revisited, Zero Hour | Tagged: 1990s, Bob Smith, Bobpin, Broken Mirrors, Buzz Setzer, Catwoman, Comic Reviews, comics, DC, DC Comics, Dennis O'Neil, Jim Balent, Jo Duffy, Jordan B. Gorfinkel, Zero Hour | 1 Comment »

The ’80s Revisited: Worlds Finest #323

Posted on September 9, 2016 by Walt

Afraid of the Dark

Writer: Joey Cavalieri
Penciller: Jose Delbo
Inker: Alfredo Alcala
Letterer: Duncan Andrews
Colorist: Nansi Hoolahan
Editor: Janice Race
Cover: Denys Cowan, Dick Giordano, Tatjana Wood
Published by: DC Comics
Cover Date: January 1986
Cover Price: $0.75

I don’t know that I know exactly what I expected from this issue…but this sure wasn’t it!

Metropolis finds itself in the grips of a magical darkness…which means that even Superman can’t do anything about it–though he still tries to at least help, even if he can’t solve anything with it. but he quickly gets taken down by Nightwolf and his magical darkness-wolves (werewolves? dire wolves? magic-wolves, whatever). Nightwolf then parades around proclaiming himself king of the world (essentially) with the beaten Superman as a symbol of his own power and abilities. Meanwhile, Batman does the detective leg-work of the piece, tracking down the origin of this Nightwolf, learning a weakness he can exploit, and ultimately saving the city (and Superman) from the magical threat. In the aftermath, Batman rejects Superman’s attempted thank-you, lecturing him on how he could’ve been killed, and can’t just rush into stuff with FORCE. Batman leaves things at the fact that he’ll SAVE Superman any time, but will not help write his epitaph. And thus, the World’s Finest team has broken up, paving the way for the adversarial (despite mutual respect) relationship of the later 1980s and 1990s that pretty much remains in 2016, 30 years after this issue saw print.

The art is not bad, as Superman and Batman both have a very familiar look, very much what I associate with them for the early to mid 1980s "bronze ange" and such (so much so that as I read Batman’s lines, I heard the voice of the actor from the Untold Legend of the Batman comics-on-cassette!) By extension of THAT, I got a bit of Superman’s voice from the Man of Steel comics-on-cassette stuff as well. My only real problem with the art stems from the time this was published: Superman vs. magical wolves that leave him beaten, costume shredded, and basically unconscious…yet there’s no blood. I don’t need to see a bloodied, shredded almost-corpse, but for the level of threat this supposedly was, it’s odd as a mid-30s adult to read this and see Superman just so "simply" taken down but the only thing INDICATING any harm is holes/tears in the costume with nothing but clean, unmarred skin beneath.

Story-wise, again, this isn’t bad, but it’s certainly DATED. For one thing, someone successfully taking over even a city, and Superman going down, and Batman having to track down the villain’s origin and figure out a weakness and actually take the guy on and such–this would CERTAINLY be a 6-issue arc in terms of contemporary deconstructed/padded/written-for-the-trade comics. And with as much as I have read of modern-day contemporary comics published in the last 15-some years, the "modern sensibility" being drilled into me constantly for all this time–this issue feels ultra-compressed to the point of there being no real character to it…and I’m disappointed at how "filler" and ARBITRARY it felt. I mean, there’s a lot of potential here, but as a now-2016 reader reading this cold some 30 years after it was published, even the hints of characterization and depth that could be picked up on just doesn’t "work" for me as a single issue.

This does not feel like it’s picking up from a cliffhangered previous issue, and as the final issue of the entire series, there’s no cliffhanger (at least not in the "To Be Continued…" sense, though it leaves the Superman/Batman relationship hanging to be developed from its now-broken pieces). As such, it feels like it could be set "whenever," and has no real hook on a specific point in continuity, based on the story itself. And for the flimsy/abrupt splintering of the "partnership" between Batman and Superman, that comes outta nowhere–no internal narration or thought balloons of Batman wishing Clark hadn’t rushed in, and that he’s always doing this and never thinks ahead, whatever. As such, the final couple pages could have been tacked on as "epilogue" to virtually ANY story in which Superman "almost died" and Batman got to "save the day."

The cover as well is a bit out of sync with my personal expectations as well. It seems to indicate the split, a farewell between the two heroes, but no real indicator of cause nor actuality. Given Batman’s small wave, it seems more a casual thing between old friends than any real split or breakup or animosity.

Perhaps adding to my feelings on this issue is also the modern day sensibilities in comics–something as "crucial" as the friendship between Batman and Superman, their partnership, the way they’ve been the best of friends (to this point) coming to an end? This would have been hyped and hugely played-up, with an extra-sized issue with at least another short story following each character and exploring their feelings on the matter and where things are likely to go, etc. (I think of Cyclops vs. Wolverine with Prelude to Schism as its own mini-series to set up the conflict, then Schism itself as another mini to have them actually fight, and then the outcome split into an entirely new ongoing series and a renumbered version of a 48-year-old series).

Something this big just seemed like the issue should have FELT bigger, felt more important, felt Earth-shattering…but instead, it feels like a whimper, or like some tv show that was told it was getting another season, is preparing to film a season finale, but gets told the pre-finale episode is their last, but they can film another minute or two’s worth of story to "wrap things up."

I was quoted $2 for this issue, minus a 20% discount, so figure I paid roughly $1.60 for this…and its cover price is $0.75, so 30 years after its publication, as a "key issue" (final issue of a longrunning series, the "breakup" of the Superman/Batman team), I barely paid more than twice cover price, which itself STILL made it half the cost of a current Dc Rebirth issue, and only a little over 1/3 the cost of a contemporary Marvel issue. The reading experience took longer than contemporary comics, and I’ve sunk however much additional time into typing and preparing this review, so I certainly got my money’s worth out of this for time-to-expense considerations (and I was "prepared" to pay around $6 for this, too!).

Aside from having some desire to read it for yourself, to "experience" the issue as a whole for yourself, this was a real letdown and not something I’d recommend seeking out. Still, there are worse issues, and if you’re (like me) a huge fan of Superman, and even the Superman/Batman stuff, this is worth picking up if you can get it cheaply.

Filed under: 2016 posts, 2016 Reviews, The '90s Revisited | Tagged: Afraid of the Dark, Alfredo Alcala, Batman, Comic Reviews, comics, DC Comics, Denys Cowan, Dick Giordano, Duncan Andrews, Final Issue, Janice Race, Joey Cavalieri, Jose Delbo, Nansi Hoolahan, Superman, Tatjana Wood, World's Finest, World's Finest Comics | Leave a comment »

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TMNT Revisited: TMNT Adventures (Mini-Series) #3

TMNT Revisited: TMNT Adventures (Mini-Series) #2

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Zero Hour Revisited – Zero Hour #0

Zero Hour Revisited – Booster Gold #0

Zero Hour Revisited – Showcase ’94 #10

Zero Hour Revisited – Anima #7

Zero Hour Revisited – Action Comics #703

Zero Hour Revisited – Catwoman #14

The ’80s Revisited: Worlds Finest #323

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