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52 Week #24 [Review]

Quick Rating: Quite Good!
Story Title: Just Imagine

The rise of the NEW Justice League, what the Martian Manhunter’s been up to, a bit of magic, and the origin of Booster Gold (from the JLA’s archives).

52week24Writer: Geoff Johns, Grant Morrison, Greg Rucka, Mark Waid
Art Breakdowns: Keith Giffen
Pencils: Phil Jimenez
Inks: Andy Lanning
Colors: David Baron
Lettering: Pat Brosseau
Assistant Editors: Harvey Richards & Jeanine Schaefer
Edited by: Stephen Wacker
Cover Art: J.G. Jones & Alex Sinclair
Publisher: DC Comics

The first thing that stands out with this issue is the cover…the flag background seems to be quite similar to the one used for last month’s Justice League of America, perhaps a simple nod to that series and what this issue represents story and history-wise to the overall Justice League. (That Ambush Bug has a shirt reading ‘This Shirt’s a Clue’ is amusing in itself, given all the little clues folks look for that I tend to not "get.")

This issue basically serves to introduce us to the "new" Justice League that’s forming in the absense of the big guns. We also get to see what the Martian Manhunter’s been up to the last few months, and the continuing development of the Ralph/helmet plot.

This issue’s art by Jimenez is great overall, capturing a detailed, clear look at the events of the story and its characters. The bottom-right panel of the first page with Ollie is possibly the best I’ve seen the character look in recent memory (granted, I don’t read the character’s solo title). The visuals just seem to click in this issue, and aside from the occasional apparent shift (go from that panel with Ollie to the 3rd page and compare it visually to Firehawk’s cape/wings/whatever to get what I mean) is very much up there in my list of well-done art that is cool to look at in itself rather than "merely" as a vehicle to suggest imagery for the story being told.

The story itself here runs true-to-form of late for this title…rather than a couple pages here and there for a bunch of simultaneous plots, the core of the issue ("episode," if you want to use the tv analogy) focuses on Firestorm’s Justice League forming (they’re working to recruit Green Arrow as this issue opens), chronicles their first big battle, and sets the stage for events to come. In a way, the plot of the issue is largely simplistic–nothing too terribly deep–but it shows development of events as well as the characters (Firestorm–THIS Firestorm–pulling together a Justice League? Skeets back? Citizen recipients of Luthor’s metahuman treatment springing into action?) Components just fall into place believably, and I think we’re really beginning to see payoff from the foundation the earlier issues worked to lay.

While we don’t see MUCH of the "usual" cast, we continue to see the interactions between the DCU characters active during this year. Though just a couple pages, the Black Adam Family scene would hold very little resonance had we not seen the development of things with Black Adam himself the last 5-6 months, nor the last several months’ development with Isis, and so on.

Following this series from the beginning allows for that deeper "getting" of the overall story…but it by no means excludes one from reading this issue in particular. Even if you’re not following this series, I highly recommend this issue, for the Justice League stuff alone. The closest I came to "discovering" the classic Giffen League initially back in the early 90s was the Doomsday issue. I would love to see a title starring an incarnation such as we see here; I find this League’s story more interesting at the moment than the ‘core’ version with its own title now.

The Origin of Booster Gold
Writer: Mark Waid
Penciller: Dan Jurgens
Inker: Andy Lanning
Colorist: Alex Sinclair
Letterer: Pat Brosseau
Asst. Editor: Harvey Richards
Editor: Stephen Wacker

I’m still not terribly thrilled with these origin segments, but growing used to them (as opposed to the initial disappointment of the format), this one’s pretty good. The art’s quite good–I really like Jurgens‘ visuals–and I actually learned something from it. (I suppose that’s another dissatisfaction with other issues’ origins: when it’s a character whose background I’m already quite familiar with, seeing such a boiled-down version is disappointing).

I might’ve said it in an earlier review, but I’ll reiterate it now (and likely again in coming months): I think that while these make for an ok backup feature, I’d rather see a single "special" or one-shot that contained a bunch of these, and get a couple more story-pages per issue in their place.

Ratings:

Story: 4/5
Art: 4.5/5
Overall: 4/5

Favorites of Walt: The Comic Shops #2 – Comics & Collectibles

favoritesofwaltcomicshopslogo

Not long after discovering Capp’s Comics, my friend and I discovered another store that sold comics–Comics & Collectibles. This store was in a back/side area of a local shopping plaza…rather out of the way, and if you weren’t looking for it, you wouldn’t even know it was there.

It had many of the newer comics–like Capp’s did–but seemed to have a much different sort of selection of back issues. The quantity was less, but unlike Capp’s, this place had a couple tables with boxes both on and under the tables full of comics for $.25 or 5/$1. There were also boxes of "sets" and "grab bags" for good prices…and for awhile at one point, there were several boxes of old STAR comics and Archies for $.10/ea.

The store owner even had a weekly column about comics in the local paper, which was very cool to read at the time.

It was this comic shop that my friend and I would primarily geek out on back issues. Poring over our back issue guides, and then being amazed at all the great deals we found in those bargain bins (never mind that the condition of the issues wouldn’t always be pristine, or that we later realized that just because an issue had "Sub-Mariner" in the title did not mean it was the series where the issues were "worth" $75+ apiece…just as it never occurred to us that no comic shop owner at that time would even consider putting such valuable comics in a bargain bin).

A couple times, Dad paid $25 to give me a "credit" with the shop for the bargain bins. It gave me a sort of "Tab" so that I could walk in and pick up some bargain issues, without having to spend "new cash." Made for a pretty sweet deal.

As new issues go…it was at this store that I first saw something called "Batman: The Vengeance of Bane" and thought it looked stupid and pointless–and I passed on it. I picked up the first issue of something called Batman: The Sword of Azrael, but thought that it was boring so never picked up the other issues. (To my regret when Knightfall rolled around). Also got my first issue of Spider-Man 2099 here.

And it was–in the heart of that collector mentality that I’m somewhat afraid to admit I was victim of at the time–at this store that my mom, my friend, and I waited in THE hugest line I’ve ever seen at a comic store, for the chance to walk through the store to purchase a single copy apiece of the black-bagged Superman #75.

I recall a few bicycle rides out to this store–about a 40-45 minute journey each way, but highly worth it. Once such journey was where I picked up something called "Kingdom Come," with art by the guy who did that Marvel series–Marvels. (The names Kurt Busiek, Mark Waid, and Alex Ross didn’t mean much in and of themselves to me yet–I followed characters, not writers or artists. Though Alex Ross was the first artist whose work I distinctly recognized).

And it was partway through high school–1996 or 1997–that Comics & Collectibles closed its doors. I still had other comic shops to go to, so it wasn’t a huge loss, except in that sentimental sense.

NEXT WEEK: Fun Stuff Cards & Comics.

52 Week #20 [Review]

Quick Rating: Good
Story Title: Week #20: God is Fragged

Supernova in the Batcave, Steel grows into his new powers, and the heroes in space come under attack…

52week20Writer: Geoff Johns, Grant Morrison, Greg Rucka, Mark Waid
Art Breakdowns: Keith Giffen
Pencils: Chris Batista
Inks: Ruy Jose
Colors: Alex Sinclair
Lettering: Travis Lanham
Assistant Editors: Harvey Richards & Jeanine Schaefer
Edited by: Stephen Wacker
Cover Art: J.G. Jones & Alex Sinclair
Publisher: DC Comics

This issue gives us some fairly continuous action, opened with a moment of quiet as Supernova infiltrates the Batcave. Steel begins to grow into his new powers/strength, saving a number of lives from a burning building. The rest of the issue pretty much focuses on the hereos-in-space: Starfire, Adam Strange, and Animal Man…and of course, their new best buddy, Lobo. These folks come under attack by a bunch of (other) aliens, and wind up bringing more trouble down on their own heads due to the means by which they end the battle.

All in all, not a bad issue at all. I found it to be a good read–though I feel like we’ve not gotten to see nearly enough of the "new" Steel, so it almost feels like he was just tossed in to remind us he exists (though more likely, he’s there for us to see that he’s growing into his new powers, and learning to make use of ’em and in general, keep on truckin’ as a hero).

The battle in space works–I’m not totally into it, but hey, action-in-space and all that. Seeing what happened to Lobo was rather gruesome, though actually made sense, having read his origin a few issues ago–I wasn’t lost or dumbfounded at his state after the battle.
The art continues to work well, serving the story quite well. I really don’t have any complaints with this.

On the whole–this issue and the series in general–I continue to be satisfied with the product as a whole. It’s one of the better ‘values’ in comics these days, per individual issue, and just has a grand FEEL as a true serial (as opposed to other books that don’t often make the every-30ish-days frequency). I think this series challenges my recent expectations of comics–even with certain stories meandering in and out, I feel that I "get" more out of it than the same number of issues of most anything else.

All that said–chances are, if you’re not on-board yet, you probably aren’t gonna change your mind based on a few remarks from me. And if you’re STILL on-board…you’re probably similarly-minded on the series.

I’m enjoying it–it’s worthwhile and keeps me going to the comic shops each week. Nothing blows me away, but this is simply a solid, reliable series that builds on itself week after week.

Ratings:

Story: 3/5
Art: 3/5
Overall: 3.5/5

52 Week #18 [Review]

Quick Rating: Good
Story Title: Dismantled

Black Adam attempts to bestow an honor on The Question and Montoya, while the Shadowpact and Ralph attend to the helmet of Dr. Fate…and as an ‘afterthought,’ Booster gets a funeral.

52week18Writers: Johns, Morrison, Rucka, Waid
Layouts: Keith Giffen
Pencils: Eddy Barrows
Inks: Rob Stull
Colors: Alex Sinclair
Letters: Travis Lanham
Asst. Editors: Jann Jones and Harvey Richards
Editor: Stephen Wacker
Cover Art: J.G. Jones & Sinclair
Publisher: DC Comics

I’m not terribly thrilled with the choppiness on these issues–it sometimes seems like the story "jumps" a bit, and given the format/size of the issues, there’s not much room for "smooth transitions" exactly…and I can see where one would totally benefit from reading several weeks’ issues in a row. Even for a comic that’s out each week, a "previously" page would certainly come in handy. Viewing this series as a massive tv series (2-3 seasons in one, by giving new episodes for 52 weeks) makes for a good way of looking at it–with some episodes having a focus on one theme, others focusing on a specific character or largely on just a specific character. But even weekly shows often show a few clips of what happened "Previously, on __________."

Noticing the art seems to me to come largely from reading others’ thoughts the last several months, about there not being "top-tier talent" on the art for this series–I honestly don’t mind the so-called "second-stringers" on art–as usual, I’m not offended by the art, the characters are all recognizeable, and it’s clear what’s going on panel-to-panel, really. There’s nothing in the art that totally jumps out at me or blows me away–but I for one am definitely satisfied with said art.

We’re basically 1/3 through the story now, and starting to get some handy payoff to plots that’ve been building throughout. Ralph Dibny seems to be getting around quite a bit, when he does show up. Here he’s interacting with the Shadowpact, as they attend to the helmet of Dr. Fate, and the liquified previous user (who, I suppose, was previously established somewhere, but the name means nothing to me). I’m definitely interested in Ralph’s story, a lot more than I would’ve thought a few weeks ago–but between his dealings with the Connor-Cult and now the helmet…I’m interested in where these writers take the character.

This issue also gives us a look into the aftermath of the Question and Montoya’s actions at the Black Adam/Isis wedding and the impact things are having on them–especially Montoya. I don’t remember much detail from anything I read of her in the first One Year Later, except that she apparently dealt with some traumatic stuff in the missing year–this looks to be at least one of those events.

We also get to see the crap-fest that is Booster’s funeral. Apparently the pall bearers are of some "classic" significance to long-time readers; I didn’t recognize any visually or by name–but I suppose that’s as much the point as not. I don’t like the way Booster’s been portrayed in much of this series–but one has to admit, at least, that even in the funeral situation–there’s a consistency to this particular portrayal.

There’s a glimmer of potential as to the future found in this issue, and if you’ve seen the cover to next week’s issue online, you should have a pretty good idea of what’s coming.

Overall…this issue’s a bit of "same old, same old" as far as this series is concerned–the story moves forward, the art gets the visuals across to complement the story, and there’ll be an issue next week.

If you’re following the series anyway, it’s worth keeping up. If you’ve not been drawn in yet…I don’t think this issue’s gonna do much to change your mind.

The Origin of the Question
Writer: Mark Waid
Art: Joe Bennett
Colors: Alex Sinclair
Letters: Nick J. Napolitano
Asst. Edits: Harvey Richards
Edits: Stephen Wacker

I’m still not entirely thrilled with these origins…the visuals can be cool, but the way I, for one, am wired, I see panels laid out and I want a story, more of a narrative than just fade-in/fade-out flashes with a little bit of text in captions.

The highlight for me of this particular origin is that it’s a character I am not terribly familiar with, so it at least has some new information for me–or at least, confirms stuff I’d sorta picked up without realizing it.
While I’d prefer a couple extra story pages to this sort of "origin," 1. I could see these making for a nice special issue in themselves, as a collection of all these "origin backups" once the series concludes. Perhaps as Who’s Who of 52 or some such. and 2. even though not highly detailed, they at least would allow someone to be able to say "Hey, I recognize that guy..!"

If you’ve enjoyed these 2-pagers, this should be no exception.

Ratings:

Story: 3.5/5
Art: 3/5
Overall: 3/5

52 Week #10 [Review]

Quick Rating: Good
Title: Stop the Press

Black Adam’s conference is interrupted, Clark Kent is on Perry White’s bad side, a new superhero shows up, Booster’s ticked off at events unfolding contrary to Skeets’ historical records, while Will Magnus and Professor Morrow converse…

52week10Writers: Geoff Johns, Grant Morrison, Greg Rucka, Mark Waid
Art Breakdowns: Keith Giffen
Pencils: Chris Batista
Inks: Jimmy Palmiotti & Jack Jadson
Colors: Alex Sinclair
Letters: Jared K. Fletcher
Assitant Editors: Jann Jones & Harvey Richards
Editor: Stephen Wacker
Cover Art: J.G. Jones & Alex Sinclair
Publisher: DC Comics

This series seems to be hit or miss for a lot of people, and while many seem to be losing interest entirely, that’s definitely not the case with me. Things are taking awhile to develop, and the overall story seems to be moving pretty slowly…but overall, I’m liking things pretty much as they are–though if we get in deep, I can find plenty of faults.

This is the tenth issue–and tenth week–of this series. For as slow as things seem to be, enough has happened already that I believe I would just have to dig out the previous issues to make sure I could list ’em all, if I were to attempt to do get into that. At the same time, as far as "big" or "major" stuff…not so much.

But that’s part of the fun of this title–and why I’m enjoying it so far. While it’s just over three times the price of a regular issue, it’s roughly four times the size of a regular issue. And rather than get a chunk of story and have to wait 4-X? weeks for another chapter, we get a new chapter each week. Despite the old/tired comparison…it’s really like following a tv show with a large cast, where there are characters you love and hate, and even when you’re most interested in a certain character, they may not even show up in a given episode, and then be the focus of another episode, or anything in-between.

This issue takes us back to Black Adam, who has gathered together Kahndaq’s allies. While he speaks to them, he is intrrupted by a woman who slipped past guards–a woman who disagrees very much with Adam’s gathering of allies, apparently to rival the U.S.

Meanwhile, Clark Kent has made Perry’s list, and not in a good way, prompting Clark to take some rather drastic action–quite at risk to himself–to re-prove himself to the editor (and possibly begin the setup for where things were at the start of the recently-concluded Up, Up and Away! arc). This ties into what looks to be a developing arc on a new superhero: Supernova–a character I am as much in the dark about as the characters themselves.

Booster Gold is understandably frustrated, as his plans from recent weeks have completely fallen apart on him, and events around him unfold very differently from what he expected. In fact, Skeets doesn’t even have record of certain events, which leads to some curiosity as to their place in all this.

Finally, Magnus and Morrow discuss a recent development, leaving me ready and interested in the next issue.
My favorite part of this issue is the segments devoted to Clark and Perry, and Clark’s developing status-quo in this pre-One-Year-Later world. Reading the issue after this week’s Superman issue felt like a real treat: an extra helping of Clark.

Though I know virtually nothing of the characters–and other than them being part of any large-scale stories/crossovers, I don’t think I’ve read anything with them before this series–I find myself looking forward to whatever it is that’s developing, that Magnus and Morrow are finding themselves involved in.

The story overall is good, though the further into this series we get, the more "continuity-heavy" it seems to be growing. We already know the basic outcome, as we’re into the 5th month of books that take place after this series, so some of that initial "wow, what happened in the missing year?!?" factor has worn off. Of course, that means that the story is going to have to carry itself all the more, and really be a story in and of itself, and not just "hey, this happened during the ‘missing year’!"

Not much to say about the art…it doesn’t blow me away, by any means…but it serves the story, and clearly at that. It’s not bad by any means…just fits the story, gets the job done, and elicits no real complaints from me.

The largest hurdle I see to this issue is really the price–that is, collectively for this series, given the weekly nature.

If you’ve been following these, though…I would argue that it’s worth keeping with the series. We’re about 1/5th into it, and I suspect due for some decent payoff in the near future.

And if you’ve been enjoying the recent Superman stuff, you may want to check in on this issue, for the segment with Clark, pre-One Year Later.

History of the DCU
Writer/Layouts: Dan Jurgens
Finishes: Andy Lanning
Letters: Nick J. Napolitano
Colors: Jeromy Cox & Guy Major
Editors: Berganza, Cohen and Schaefer

What can I say about this? This backup feature–which, as recently as two and a half months ago, I was really looking forward to–is an absolute disappointment.

So far, it seems like it would have been FAR more appropriate to serve as its own special issue, perhaps a 52 # 0 or prelude. This 9th chapter basically brings us up to last September (2005) heading into the actual Infinite Crisis series. As far as I can tell, we’ve learned nothing "new" about the New Earth that resulted from that series.

A better "bonus" to these issues would be to save an extra twenty-five cents and cap the issue off with the main story at an even lower cover price…

Ratings:

Story: 4/5
Art: 3.5/5
Overall: 3.5/5

Deadpool/Cable #26 [Review]


Full review posted to cxPulp.com
.

 

Rating: 4.5/5

52 Week #4 [Review]

Quick Rating: Good
Title: Dances With Monsters

Renee Montoya and The Question do their thing, work is done to find the missing heroes-in-space, Booster and Fire discuss Booster’s current attitude and actions, John Irons contemplates what Steel means, and Ralph speaks with Cassie and her ‘cult.’

52week04Writers: Geoff Johns, Grant Morrison, Greg Rucka, Mark Waid
Art Breakdowns: Keith Giffen
Pencils: Joe Bennett
Inks: Jack Jadson
Colors: Alex Sinclair
Letters: Rob Leigh
Assistant Editors: Jann Jones & Harvey Richards
Editor: Stephen Wacker
Cover Art: J.G. Jones & Alex Sinclair
Publisher: DC Comics

History of the DCU Part 3
Story & Layouts: Dan Jurgens
Finishes: Art Thibert
Colors: Guy Major & Jeromy Cox
Letters: Nick J. Napolitano
Edits: Berganza, Cohen & Schaefer

This issue fills us in on the fourth week of the first month following the conclusion to Infinite Crisis. Several of the core plotlines are at least touched on in this issue. Renee Montoya finds herself entirely bored and frustrated at a pointless surveillance job–a job that keeps getting interrupted by The Question.

Some astronauts–I think they’re astronauts–get a glimpse of hope at finding the heroes lost in space during the crisis. Additionally, Booster and Fire discuss the way Booster’s going about his hero-ing, as Fire comments on Booster’s initial reaction to the loss of Ted last year.
Ralph Dibny speaks with Cassie and her ‘cult’ as she’s promised him answers and the possibility of seeing a certain lost loved one. The final plot touched on this issue is John Henry Irons as he contemplates what he’s done by having rushed into the hero gig without thinking–what creating Steel has done in his life and others’ as well–and leads us into what might be a bit of a change for the character.

In a way, it feels like there’s not a LOT that happens in this issue–but with no less than five simultaneous, ongoing stories all being told, that’s to be expected. The scene transitions feel a bit choppy–not entirely interruptive, but at least a couple times I found myself flipping back a page to see what day I was on, and then was surprised when the main story ended, not having registered that it was the end of the week. In a sense, it might be fairly easy to be taken out of the story considering the week ends ‘conveniently’ at a cliffhanger.

Despite the aforementioned choppiness, I didn’t feel like I was reading multiple stories by distinct writers–which I feel is a good thing, given that this is overall a singular story of the events ocurring during the "missing year." The writing in and of itself is good, and conveys the sort of slice-of-life scenes of these characters.

The artwork is good–nothing much negative to say about it, really. Visually, characters are all recognizeable and distinct, and I didn’t catch myself at any scenes wondering who a character was because of artistic interpretations of familiar characters. The art may not be singularly distinct and recognizeable specifically (the way, say, Alex Ross artwork might be)–but it is clear and clean, and gets across what needs to be conveyed visually in the story, and that is the main concern.

The only story point that really jumped out at me offhand was Steel’s–I’m not certain, but I think we’re seeing where his history has been modified somewhat, possibly undoing stuff from several years ago. And frankly, I’m ok with such modification, as I wasn’t thrilled with said events as they originally unfolded at the end of Superman: The Man of Steel.

The backup I’m not as thrilled with. This week’s four-pager informs us (yet again?) that Donna Troy remembers and/or has access to memories and knowledge of the multiverse, pre-Crisis on Infinite Earths as well as post-, and everything up to present. We’re reminded THAT there was a multiverse, that there was a crisis, and that sacrifices were made that rocked everyone deeply. For this reader, at least, it feels like nothing new that wasn’t covered in Infinite Crisis. Additionally, it feels like the framing of this history is a bit of a detraction, robbing the history/story of precious panels to keep reminding us of Donna Troy (but then, perhaps that comes from my envisioning it as a singular story, how it will read when all the chapters are read back-to-back rather than a week apart?)

Taken as a whole, I’m still not entirely sure what to make of this format. While it’s not perfect (and I can’t quite put my finger on anything that WOULD make it perfect), I’m enjoying it thus far. Of course, 4 issues down leaves us with another 48 issues to go… This ride’s just beginning, and DC‘s got me hooked for the present.

Ratings:

Story: 4/5
Art: 4/5
Overall: 4/5

The plans of mice and men

usagionshelfwith2volsY’know….when the year was dawning, 5/6 weeks ago…I hastily rushed into a couple things.

One was a “to-be-read” book challenge—I assembled a list of twelve books I’ve been meaning to read, and the goal is to get through those by the end of 2011. An “alternates” list is allowed, which I also maxed out at 12 books. The year is still young—it only took one full month to get through my first book, and I’m already into a second book—which I didn’t even realize was going to exist. Meanwhile, I’m about 1/3 into the audiobook version of one of my alternates.

buffyssn1The other thing was something I’d heard about from several podcasts the last several years—to “adopt” a character. I decided to do so with Usagi Yojimbo, having intended for ages to read and learn more about the character, but never quite getting myself around to it.

Then as the year actually dawned, I realized multiple seasons of Buffy the Vampire Slayer were on Netflix streaming.

Thought about picking up where I’d left off 5 1/2 years earlier at the end of the first season, but opted to just start fresh at the beginning. Some idle curiosity combined with some casual checking out, and I found myself quickly drawn into the show.

buffythevampireslayerseasoneight001Tonight, I finished the 3rd season; meaning I’ve averaged about half a season per week. Of course, I’m now to the point where Angel spun off into his own show, and the question becomes: do I simply continue on through Buffy, and then double back to watch Angel…or do I flip back and forth and attempt to follow both series simultaneously, the way they originally aired?

And as I realize how much time I’ve spent…Usagi sits on the shelf, and it seems that I’ve in many ways “adopted” Buffy as a character to focus on this year.

Continue reading

Fall of the Hulks: Alpha [Review]

Quick Rating: Good
Story Title: Meeting of the Minds

The Leader and his group of intellectual villains work behind the scenes through Marvel’s history to assemble the lost knowledge of the Library of Alexandria.

fallofthehulksalphaWriter: Jeff Parker
Penciler: Paul Pelletier
Inker: Vicente Cifuentes
Colorists: Guru eFX
Letterer: Simon Bowland
Cover: Ed McGuinness, Mark Farmer, Dave Stewart
Production: Irene Y. Lee
Assistant Editor: Jordan D. White
Associate Editor: Nathan Cosby
Senior Editor: Mark Paniccia
Published by: Marvel Comics

I wasn’t really sure what to expect from this issue, except perhaps a jumping-on point in preparation for the coming Fall of the Hulks "event." What I did not expect was what seems to essentially be an "Illuminati" of intellectual Marvel villains and their "backstory" throughout Marvel’s past.

This issue basically follows The Leader, M.O.D.O.K., Egghead, The Wizard, The Mad Thinker, The Red Ghost, and Dr. Doom as they assemble the contents of the formerly-believed-lost contents of the Library of Alexandria through the years. Their first mission is an incursion into the home of the Eternals. Here the protagonists discover there are other locations around the planet with further Alexandrian contents, including Wakanda and Atlantis. Bucking the silver Age trend of simplicity, here we see that it takes months and years for the protagonists to prepare to actually launch a mission to gain the knowledge they’re after, as well as the explanation that allows for what we’ve already seen in the last half-decade of continuity regarding these characters. As the issue closes out, we get some info regarding the Red Hulk, which actually intrigues me after never before this having any interest in even the concept of that character.

The story is pretty good in and of itself. It’s not spectacular, and I’m not a huge fan of retcons…but for my understanding of things, the backstory that is here inserted into existing continuity seems to work. Additionally, I feel like I have a better understanding of who The Leader and The Red Ghost are now than I ever did before.
The art is also quite solid…while keeping its own feel, it also evokes some of the feeling of the different eras the story touches upon.

Though I came to the issue familiar with little more than the characters’ names and visual representations (excepting Dr. Doom), everyone was quite recognizable, and I really enjoyed the visuals.
Even though I’ve not followed the Hulk side of the Marvel Universe since World War Hulk ended, I still really enjoyed this issue and found that I didn’t need to know recent events. I’ve often enjoyed stories that flesh out villain characters and give them depth and motivation, and true explanation for why they would door act as they do, and this is one such issue.

I expect this is little more than set-up in the grand scheme of things, but if you want a Leader story involving a teaming-up of supervillains (including death and betrayal) reminiscent of 1980s stories but with a modern feel, this is a great issue for that.

Ratings:

Story: 3.5/5
Art: 4/5
Overall: 3.5/5

Transformers: Infestation #1 [Review]

Written by: Dan Abnett and Andy Lanning
Art by: Nick Roche
Colors by: Joana Lafuente
Lettered by: Robbie Robbins
Edited by: Andy Schmidt
Assistant Editor: Bobby Curnow
Published by: IDW

Galvatron and his Decepticons battle the zombies that have infested the world. Partway into the battle, Optimus Prime and the Autobots arrive. Galvatron insists they stop fighting each other and focus on saving the world…but by way of the Autobots surrendering to him. Once Galvatron is neutralized, we find out that he’s encountered this threat before. As the Autobots consider their next step, they’re ambushed by someone ready, willing, and capable of giving them all a Really Bad Day.

The story seems really simple–robots vs. zombies. Except these robots are the Transformers…familiar figures likely far more familiar to readers than those that kicked off this “event.” It’s quite amusing–and more than fitting–that the leader of the Decepticons would want the Autobots to surrender to him, rather than throwing himself and his followers at mercy of “the good guys” as would be typical for a story like this.

I’m not familiar with this version of the characters–and I can’t help but wonder if Megatron is to Transformers comics what Shredder is to the original Mirage TMNT run. But as with the Infestation issue that kicked off this event…I don’t feel too lost jumping into this issue. Best of all, I still enjoyed this, even not paying much attention to which characters are which. At only 2 issues…we’re only going to get a glimpse into this world of the Transformers.

The art is strong, and seems to capture a bit of the feel of a cartoon as well as being a sort of adaptation of the “angular” take on the characters that doesn’t seem quite as “boxy” as I would expect. Still, no real complaint here, except that Optimus Prime put me in mind of something from Gundam (though in some ways, one humanoid-shaped robot is gonna remind one of another).

I’d sorta expected to see the CVR in this issue, rather than finding the Transformers in the midst of battle with the zombies. Of course, it actually makes sense that they’re not in this issue–they didn’t discover until after it’d been initiated that the Infestation had made it to other worlds, so they’re bound to show up in the next issue to explain things and deal with the threat to this world.

I enjoyed this issue overall, though I think I’ll enjoy it a lot more once the Infestation event is out in its entirety.

I’m quite pleased that this is its own two-issue mini-series: I can follow Infestation into what I assume is current Transformers continuity, but I’m not having to buy random issues of an ongoing series, tossed into the middle of an already-started story. Similarly, I think it’s probably good that being its own series, readers of the ongoing Transformers series are not forced to read the Infestation event or have the ongoing story interrupted for two issues.

Recommended reading. (For readers of the ongoing Transformers, though, I certainly recommend reading Infestation #1 before reading this.)

Story: 8/10
Art: 8/10
Whole: 8/10