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TMNT Revisited: Teenage Mutant Ninja Turtles Adventures #12

tmnt_adventures_revisited

tmntadventures012The Lost World

Script: Dean Clarrain
Pencils: Ken Mitchroney
Inks: Dan Berger
Letters: Gary Fields
Colors: Barry Grossman
Cover: Ken Mitchroney, Steve Lavigne
Editors: Scott Fulop, Victor Gorelick
Published by: Archie Comics
Cover Date: July 1990
Cover Price: $1.00

While this series has diverged from the cartoon continuity that started things off, this issue gives us a new change to Bebop and Rocksteady rather than a “mutant of the month.” Where in the cartoon, the two were human punks that Shredder mutated with the mutagen ooze…this issue opens with Rocksteady dreaming/remembering being a rhino in Africa…suggesting that he and Bebop are mutated animals rather than mutated humans.

The villains have arrived in Dimension X, seeking the turtles and their rescuer–Cherubae, the true form of the “swamp witch” Mary Bones. Planetside, Cherubae fills the turtles in on stuff over a campfire–her background, why she (and Krang) were on Earth, the Turnstone. Before long, Krang’s ship comes upon them, and things move into action. Krang blasts Cherubae, and she drops the Turnstone, though no one sees exactly where it lands. Realizing they can’t help her, the turtles set out to locate the fallen Turnstone. The Sons of Silence–seemingly allied with Krang–disappear and take Cherubae, leaving the others behind. Krang sends Shredder, Bebop, and Rocksteady to seek the Turnstone, while Krang himself zips off to enlist aid from a being named Maligna.

In exchange for the promise of being led to Earth to have her way with it, Krang is granted the aid he seeks. Still searching for the Turnstone, the turtles come across an old coliseum. Before they can really check it out, they’re met by Cudley, serving as middleman (middleCOW?) for Stump and Sling. If they’ll agree to wrestle again, they’ll be given immediate allies. Swallowing their pride, the turtles agree, and Cudley spits out Wingnut, Screwloose, Leatherhead, and a new face–Trap. As Cudley leaves, the group contemplates what to do from here, when they realize they’re surrounded by a number of bug-creatures: Maligna’s children.

I definitely like the story here. For one thing, it sets this series even further apart from the cartoon, while playing with the characters we’re used to. Krang continues to not use (or even have?) his android body, nor does he seem particularly concerned. Bebop and Rocksteady are given some new depth, though it’s possible I’m reading more into it in this issue, knowing what comes later. I’m quite glad that we’re not given long, drawn-out mysteries and such, other than the “prophecy” and buildup toward The Final Conflict. Mary Bones was Mary Bones until last issue, and just pages after we learn she’s actually someone else, that someone is explained to us (and the turtles). We’re also introduced to Maligna, who I’d totally forgotten appeared here. The character is rather generic in this issue…but this sets up some major story beats for coming issues, and Maligna’s impact on the series carries through the late #50s if I recall.

I really very much enjoy Mitchroney‘s art, and suppose at least for now as I reread these issues, he’s high on my list of preferred TMNT artists. There’s nothing I really need to comment on visually here that I haven’t touched on with previous issues.

While we’ve had some quasi-cliffhangers, I’d consider the end of this issue to be the first “major” such cliffhanger as the turtles and their allies are about to be forced into a fight sooner than they could’ve expected. And as I noted with the previous issue, this feels a bit like one of the final episodes of a tv season, getting to the big-stakes endgame and facing a “big bad” and all that with characters that could’ve been pretty much one-offs being brought back into play and a definite sense of continuity from things laid as foundation points over the prior run of episodes.

I’m definitely looking forward to reading the next issue, and totally enjoying getting back into these stories for the first time in close to two decades, and certainly more than half a lifetime.

TMNT Revisited: Teenage Mutant Ninja Turtles Adventures #11

tmnt_adventures_revisited

tmntadventures011White Light

Script: Dean Clarrain
Pencils: Jim Lawson
Inks & Letters: Gary Fields
Colors: Barry Grossman
Cover: Ken Mitchroney, Steve Lavigne
Editors: Scott Fulop, Victor Gorelick
Published by: Archie Comics
Cover Date: June 1990
Cover Price: $1.00

The issue begins with Bebop and Rocksteady, who’ve been trapped in the rubble from the cave-in back in #9. While they contemplate hunger and a weird smell (that neither will claim credit for) a white light shines and several figures emerge, before the scene shifts to the turtles noticing the abundance of rats. They find themselves “herded”  to a figure named Ha’ntaan, who calls himself the Rat King and claims anywhere a rat is found as part of his kingdom. Getting by without particular conflict, the turtles continue their search for Shredder and soon find a trail of chemicals and wastes in the waterflow of the sewer, finding their way to a giant Foot Soldier robot guarding something. Said something turns out to be a trap as the turtles are captured by the figures that Bebop and Rocksteady saw at the beginning of the issue. These figures are a group of aliens called the Sons of Silence, and apparently are working with Krang (and by extension, Shredder). While the villains celebrate their pending victory over their enemies, the scene is observed through the Turnstone by Mary Bones…who decides her time on Earth is at an end and drops the disguise. She uses the Turnstone to rescue the turtles, while Krang & Co. head back to Dimension X in a modified-into-a-spaceship Technodrome.

There’s something a little bit “off” with this issue’s visuals. We’re on a Lawson issue, but there’s something to this issue that made me think it was someone else. I can’t really complain too much as the art’s far from bad, but as I’ve come to really like Mitchroney‘s art on this version of the turtles, I’m less impressed with Lawson‘s. There are a couple panels that I do really like, of Raph amidst the rats, where the rats themselves are quite expressive and I actually felt for the little critters. Despite being a bit “off,” the art isn’t bad, and everyone’s recognizable and everything is gotten across that needs to be for my enjoyment of the story.

The story itself is back to what I consider a bit more of the “mythology” of the series, with things coming together toward the “Final Conflict.” While I mention in my summary above Mary Bones “rescuing” the turtles, I suppose we don’t know for sure that that’s what she’s done, only that she’s removed them from Krang and the Sons of Silence. These Sons are not mutants–or don’t appear to be–and with Mary Bones’ reference to them, she knows of them and they seem thus to be aliens, perhaps from Dimension X.

I remember this issue being one of the hardest of the early issues for me to track down, though I can’t honestly remember WHEN I finally managed to do so, nor where I found it…whether it was an issue I found somewhere in-person or if it’s one of a handful I acquired via eBay in the early 2000s while I was in college. I’d known OF the Rat King from the action figure and cartoon, and thanks to stuff like Wizard and whatnot knew he’d been in this issue, #11…but even much as I remember other characters and what became of them in this series, this issue felt like a brand-new read, as if I hadn’t read it before. That, and a slight bit of deja vu in “memory” regarding a couple panels.

I’m a little disappointed there wasn’t MORE to the Rat King himself, what he’s about, an origin, etc., in this issue…but as I believe he’s a Mirage character that was carried over into this title, it’s a bit different than characters created by the guys working on this book. The character is a bit of a dim spot for me, knowing I’ve seen the character in the Mirage vol. 4 books and I believe also during City at War.

If I’m recalling correctly, this issue is sort of a “bridge” between the “development” issues and the issues where a number of these characters–the “mutants of the month”–come back into play. Reflecting at present, it’s occurred to me that it’s much like a tv season, with The Final Conflict serving as the end of this “first season” of TMNT Adventures.

TMNT Revisited: Teenage Mutant Ninja Turtles Adventures #10

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tmntadventures010Going Down?

Plotted by: Dean Clarrain & Ryan Brown
Written by: Dean Clarrain
Penciled by: Ken Mitchroney
Inked by: Dan Berger
Lettered by: Gary Fields
Colored by: Barry Grossman
Cover: Ken Mitchroney, Steve Lavigne
Edited by: Scott Fulop and Victor Gorelick
Published by: Archie Comics
Cover Date: May 1990
Cover Price: $1.00

We open on a bit of ‘lecturing’ on the hazards of man-made pollution via waste-dumping, move to a flashback of Bebop and Rocksteady dumping waste into a sewer-stream, before joining the turtles and Splinter. The turtles talk with Splinter about recent events, piecing things together before setting off to chase down a lead on Krang’s whereabouts. Splinter had his own question–asking Raph why he continued to wear his black costume (from Stump Asteroid) unlike his brothers who are back to their traditional look. Meanwhile, Shredder has called an exterminator, and mentions Bebop and Rocksteady having been gone a few days (perhaps buried under rubble of a cave-in?).

The exterminator is bitten by a roach, then falls into a sewer opening. Meanwhile, the turtles have found nothing at Shredder’s old sub-dock, but realize he might be nearby based on where they bumped into Bebop and Rocksteady earlier. As they pursue this latest lead, Mikey realizes they’re being followed…as Leo realizes they’re being approached. The guys find themselves facing the exterminator (mutated into a giant cockroach) and a mutated planarian worm calling himself Wyrm. While both seek to harm the turtles, they turn on each other…and as they fight, a gas pipeline is ruptured along with some live wires, causing an explosion. As the turtles check on injuries, Raphael notices there’s suddenly a bunch of rodents around them.

I’m starting to get used to the alternating Mitchroney/Lawson art scheme on this title. Now that I’m consciously noticing it, it works, and while every single issue may not be entirely consistent, every-other-issue is (mostly). And as an expected thing, I’m cool with it and take no real issue with the matter. That said, I think I’m preferring Mitchroney‘s style for seeming a little more detailed, softer, and more expressive and (I hate to use the word) “cutesy.” There’s a tone to this that I like, and as an issue of TMNT Adventures, I have no real problem with the art; it fits the book, the story, and general nostalgia and certainly gets everything across that needs to be gotten across.

The story is the sixth issue of a “mutant of the month” (this time TWO of ’em!) in Wyrm and the exterminator, that I seem to recall as “Scumbug” though I don’t think he was named in this issue. I VAGUELY recall the character appearing in the cartoon…but that could just be some sort of deja vu or crossing of memories. I do remember the action figure at the least. I’m curious now to revisit the current animated series to see if Michelangelo calls the one cockroach character ‘scumbug” or “a scumbug” or such.

I mention above that this issue opens with “lecturing,” and while I noticed it twenty-some years ago reading this series (particularly around #17 and then some of the #30s to #40s) there’s a bit of a “message” being put out there, an element of putting some real-world thoughts and subject matter forth. Whether I’d presently see it as a bias or some other political/PC “buzzword” is something I’ll leave out…this puts subject matter out there for consideration by the reader, by kids, to be able to look into on their own, or to go back to later when/if the subject comes up in general. To “connect” it back to a comic they read.

There’s plenty of “convenience” to the story, and some parts of the plot have noticeable (to me as a 34-year-old) holes. But it’s the turtles, it’s new characters, it’s stuff being moved forward a bit, and while far from being a favorite issue, it’s not horrible.

More Grumpiness Toward Variants: An Archie Edition

This morning, I was checking out stories at The Beat, and came across a preview for the latest issue of Jughead.

jughead_preview_trigger_variantsSomething about the image used in the header here drew me in–I’ve seen a couple things recently about Sabrina guest-starring or such, and I have a bit of a renewed interest there lately after seeing Melissa Joan Hart in God’s Not Dead 2 and a couple other things that cropped up in my Facebook newsfeed with her…like it being 20 years since the tv show!

I’ve never really considered Jughead to be a character who was interested in romance, so seeing this image of him with Sabrina, it’s a charming image, and got my curiosity.

But upon getting into the article/preview itself, I was "treated" to the first three images being three different covers for the issue.

Instant turn-off!

I hate that Archie got into the "variants game!" I’m sure they had been doing some here and there, but it was never so noticeable as it’s been the last year-plus with the "relaunch" of the various series. And aside from my usual complaints about variants, the very real anecdote from my own experience is having 1. been "interested in" checking out the new series (Archie #1) and 2. finding over 20 copies of the issue…and not one cover was the same. It was impossible to determine a "main" or "regular" or "standard" cover, because there were just simply too many covers, PERIOD.

Then there was the fact that they upped their pricing, jumping from being pretty much the "best value" to having nothing stand-out. It seemed that where Marvel and DC and the other "major publishers" were dealing in $2.99s and $3.99s and in-between… Archie was maintaining at $2.25 or $2.50. Any given issue would be better than DC/Marvel‘s best price, and thus a prime issue for impulse buying (and this is without even getting into the value of the digests!)

But at $3.99, a standard-size, standard-paper comic is NOT an "impulse" or "casual" buy for me, in general. There are the occasional exceptions, but those are quite rare!

And while it’s a matter for another post, in brief, I’ve held to my refusal to utilize Comixology directly for any digital comics purchases (even apparently avoiding a popular buy-1-get-1-free sale for Cyber Monday yesterday). (31 months now, I was NOT just mouthing off with an empty threat of quitting buying through them over dropping in-app purchasing on Apple devices!) But partially due to ill-will I hold toward Comixology, I’m wary of most digital comics purchasing, period. I’ve softened somewhat in that I’ll use the DC app (powered by/interacts with Comixology but allows in-app purchasing) and the IDW/TMNT one (does the same), but I’m not interested in umpteen different apps for buying digital comics, and I’m not going to buy digital comics on a website and then hassle with "translating" that into some sort of e-reader.

Additionally, while it’s great to have the option of locating a key back-issue or such through a publisher directly, it’s not feasible to me to buy individual issues from a publisher directly, unless they would offer free shipping. If I pay $3.99 for a comic and have to pay $3.99+ shipping and/or handling, you’ve DOUBLED the price of THAT ISSUE ALONE. I don’t like paying $4/issue, making it functionally an $8 issue does not begin to improve anything in my eyes. Even if the issue would be "free" the shipping cost still means I’m better off getting the issue(s) at a comic shop…assuming the shop has the issues stocked to begin with.


Perhaps I seem hypocritical in this, as I know that DC and Marvel and virtually every other publisher trades in ridiculous quantities of variants. In this case today, with the Jughead issue, what (I think) particularly set me off was the THREE covers. I can–will–do–mostly turn a blind eye to the existence of variants when there are "only 2" covers. I’ve been beaten into submission on those, and at least can often (yet NOT as often as I’d LIKE) tell which is the "main" cover and which is the variant and can flat-out IGNORE the variant.

But when there are 3 or more covers…it becomes that much MORE likely that I will be unable to get the cover that I actually want! If a shop orders 3-4 shelf copies and there are 2 covers, there’s a better chance there’ll be at least 1 copy of the cover that I am interested in over the others. 3 or more covers further dilutes this and makes it more likely that if I’m not THE first person getting a copy, there’ll be 2 or more copies of the issue, but NOT the cover that I actually want.

And that turns me off and fully discourages buying into the series or continuing with the series at all.

Given the easier availability of stuff from "the big two" and their content being what I’m primarily after, I also have to compromise more. When the smaller publishers or indie publishers pull those same "stunts," it’s a lot easier for me to be harsher and more pointed in my displeasure and avoid them entirely.

I have a nearly-30-year-history with Superman comics and Teenage Mutant Ninja Turtles, with Batman virtually on-par with both of those. Batman I’ve been very choosy on over the years, and even walked away from the Superman titles for over 3 years.

People love variants? Variants are essential to sales, to the continuation of a title? There’s no option to NOT deal in variants? They’re fun? They’re "bonus," or any other spin?

Fine–good on the publisher.

But I am an actual real-life example (particularly when calling stuff out in posts like this or comments on Twitter) of someone who is NOT happy with variants, does NOT enjoy them, for whom the chase and ‘game’ of variants is NOT fun, and who WILL flat-out drop a series…and has "dropped" ENTIRE PUBLISHERS over "variants" shenanigans (Valiant and Boom! Studios).

I get that many will complain but buy anyway. I get that I myself will make rare, occasional one-time/case-by-case exceptions. But as a general rule, I’m quick to drop or continue to just not buy stuff over seemingly insignificant things like variants.

Hey, the publisher is selling or banking on selling multiple copies of an issue to people.

SURELY one of those makes up for not selling any copy to me at all.

TMNT Revisited: Teenage Mutant Ninja Turtles Adventures #9

tmnt_adventures_revisited

tmntadventures009Codename: Chameleon

Plotted by: Steve Lavigne & Dean Clarrain
Written by: Dean Clarrain
Pencilled by: Jim Lawson
Inked & Lettered by: Gary Fields
Colored by: Barry Grossman
Cover: Steve Lavigne
Edited by: Scott Fulop
Managing Editor: Victor Gorelick
Published by: Archie Comics
Cover Date: March 1990
Cover Price: $1.00

raphael_mirage_micro_seriesThe cover of this issue has always been a bit distinctive to me…all the more in later years as I realized it was an homage piece to the cover of the Raphael one-issue Micro Series that originally introduced Casey Jones to the TMNT mythos in the Mirage-published books.

Five issues into this “new direction”–of all-new TMNT stories not rooted in the then-current cartoon or “original” Mirage continuity–and we again have our “Mutant of the Month” in a mostly standalone story. Knowing/remembering what these build to means that I say that in a positive light. It’s a bit formulaic, but it also means we’re getting a larger, expanded cast of characters to be involved as the series goes on, as well as said characters’ origins up-front and on-panel rather than having some mysterious figure that we’re left to wonder about until some later “big reveal” or such.

There’s also plenty of “meta knowledge” for me now, recognizing that these issues are from what would now be considered the “early days” of the TMNT property and what was going on behind the scenes at the time…like the creators on this book being given relatively free reign to do as they wanted and using characters they opted to use and so on…and to create/flesh out new characters both for the story and for the toy line, etc.

The story this issue focuses on a double-agent, code-named ‘Chameleon.’ He’s stolen some plans for for a secret super-weapon…and of course, that makes the news…which leads to Shredder wanting the plans, and sending Bebop and Rocksteady to find the agent. Said agent has conveniently decided to try hiding in/traveling via the sewers, so of course bumps into the turtles…while Bebop and Rocksteady have also taken to the sewers. Chameleon is taken when Shredder’s goons surprise the turtles with a Knucklehead robot (piloted by a Foot Soldier robot), and though he gives up the location of the plans, Shredder mutates him anyway…using mutagen and an actual chameleon. When he escapes and tries to retrieve the plans himself, he finds the turtles, Bebop, and Rocksteady in a standoff. Breaking it, he glows brightly and startling the goons, who shoot at him, causing a cave-in that allows Chameleon to escape with the plans, while trapping the mutants under the Knucklehead cutting off the turtles’ access to the room. We close on evidence that Chameleon has been changed internally as well as externally, setting him up for potential return appearances/adventures.

The writing on this issue continues with that certain “simplicity” I’ve been noting for awhile (and will probably quit touching on quite so blatantly moving forward). Yet it also includes quite a bit of depth when one really thinks about it. There’s plenty of room to wonder at the past adventures of the double agent, how it’s KNOWN he’s a DOUBLE-agent, and so on. Then there’s the fact he’s now a mutant, transformed against his will, and what that means for his ongoing life. Also delving into darker territory–we see the turtles contemplating that nemeses Bebop and Rocksteady might have been killed by the cave-in (or the unspoken notion of them suffocating while buried under the rubble). They’re obviously not HAPPY about it…though they don’t put any particular effort into looking for the bodies.

Lawson‘s back on the art for this issue, and it’s another one where I would not have recognized his art as his own were it not for the credits presented in the issue. I definitely like that, as the look is consistent ENOUGH that it doesn’t stand out here as radically different or anything. The overall linework seems fairly simple/minimal, which I notice in relation to plenty of other contemporary comics (TMNT and otherwise) but it works for the story, gets everything across, and there’s really no doubt what’s going on as everything is kept obvious.

This is far from being a favorite issue for me, though it’s not bad. If I didn’t know where the series was headed I might’ve enjoyed this more; as-is I’m eager to get to The Final Conflict and the Mutanimals and Invasion stuff.

TMNT Revisited: Teenage Mutant Ninja Turtles Adventures #8

tmnt_adventures_revisited

tmntadventures008Wild Things

Plotted by: Dean Clarrain and Ryan Brown
Written by: Dean Clarrain
Penciled by: Ken Mitchroney
Inked by: Dan Berger
Colored by: Barry Grossman
Lettered by: Gary Fields
Cover: Steve Lavigne
Edits by: Scott Fulop, Victor Gorelick
Published by: Archie Comics
Cover Date: February 1990
Cover Price: $1.00

Returned to their proper time, Cudley the Cowlick has left the turtles on top of a building in the middle of a storm. Unbeknownst to any, his previous arrivals had opened a space/time hole that allowed a couple creatures from another dimension to Earth–a large humanoid bat-creature named Wingnut, and a giant mosquito creature named Screwloose. Together, the two have been hurling rocks at skylights, smashing them…and seeing the turtles, lob a rock at them as well. When they fly off, the turtles return to the sewers and home, only to learn that the trouble being stirred up by their new alien encounter.

Despite the storm, an Australian blimp was out and about, giving Wingnut something to pop on tv, prompting the turtles back into action with their own blimp. Which is also popped. Capturing the two, Wingnut cries and Screwloose pokes him, putting him to sleep for a moment. He explains to the turtles how the pair came to be like they are at present…including the fact that they have their own reason to be interested in battling Krang. Before much else can happen, Cudley reappears and takes the two, bound for Stump Asteroid despite the turtles’ questioning the (as they see it) kidnapping. With nothing else to do, the turtles again return home.

There’s something about this issue’s cover that really grabs me. And there’s almost a sense of deja vu or some such. This may have been one of the earliest covers I’d seen for the series, some time before I actually owned a copy myself. A friend had it, so I probably read it at his house, though it would have been a bit out of context. Whether this was before or after I actually “discovered” the series at all, I’m not sure. I don’t think I’ve seen any other covers done as homage to this, so it’s not iconic in that sense…it’s just an image I see that brings back fond memories and makes me smile, no matter how hokey the story itself seems.

I find myself reading the issue, this series, AS an adult. A 34-year-old re-reading comics possibly not read in 20 years, almost certainly not in the last 10-15, with an adult eye amidst reading contemporary TMNT comics from IDW and plenty of other comics certainly not AIMED AT a younger audience the way I believe these were.

So the stories seem rather simplistic and hokey, cheesey, and almost surfacey or shallow. I have no problem with four mutant turtles…but a huge space/time-travelling cow-head and giant humanoid bat with his giant mosquito-buddy give me pause…something’s not quite right with that.

And yet, despite all that…this works. Wingnut and Screwloose flying around breaking windows because surely Krang must be beneath one? That hardly makes sense except as some “out there” elevator pitch. But having recently seen the Turtle Power! documentary and that the entire (Mirage Studios) group was encouraged to contribute character ideas for the toys…this makes sense, and certainly works as a first appearance and initial foundation from which to build later characterization.

Also despite the hokiness, these characters’ background is actually rather deep. It’s glossed over and not particularly graphic, but Krang’s invasion of Huanu is full of potential for expanded story(ies) while working just fine here as a motivational factor for Wingnut and Screwloose, building Krang as that much more an interdimensional/intergalactic threat beyond simply some cliched villain on Earth.

For an 8-year-old, this seems well-paced and such…plenty of action and interaction with characters, giving and showing some detail while not delving terribly deep. “Reading between the lines” and thinking deeper on stuff as an adult, while the story itself is fairly silly, there’s a lot more depth just below the surface and begging for further development.

The art is good, and we’re back to Mitchroney. This issue has the appearance of an early TMNT Adventures issue, as it is, and the visuals get everything across that needs to be (even if not QUITE fitting the dialogue and gratuitous famous-buildings references).

I like the issue overall. Though the issue is #8, functionally it’s #4, and continues the seeming one-off stories throwing new characters into the mix and then being done with them by the end of the issue. As I came in with #25 and then the Winter 1992 collection of the Mighty Mutanimals mini, I never got to have the actual experience of reading these for the first time with no clue of where the characters would wind up…and that’s knowledge I can’t forget, so certainly colors my reading.

TMNT Revisited: Teenage Mutant Ninja Turtles Adventures #7

tmnt_adventures_revisited

tmntadventures007Plotted by: Dean Clarrain and Ryan Brown
Written by: Dean Clarrain
Penciled by: Jim Lawson
Inked & Lettered by: Gary Fields
Colored by: Barry Grossman
Cover: Ryan Brown
Editors: Scott Fulop, Victor Gorelick
Published by: Archie Comics
Cover Date: December 1989
Cover Price: $1.00

Now, this is a trip down memory lane! Unlike contemporary comics that MIGHT have a “previously…” page or some kind of recap…this is absolutely from the days when any given issue might be someone’s first, and acknowledgement would be given to that with exposition catching one up, or some sort of recap. This issue takes a couple pages to recap recent events (TMNT Adventures #s 5 & 6 specifically) right to the final panel of the previous issue, picking up immediately from there.

The turtles are spit out by a cow head, in front of a couple of living tree-figures. We as readers (along with the turtles) are quickly introduced to Stump and Sling (the trees) and Cudley the Cowlick (the cow head). Cudley can travel through space and time, carrying others in his mouth. Stump and Sling run Intergalactic Wrestling from Sump Arena, and they’re presently on Stump Asteroid. The turtles are forced to wrestle an alien named Cryin’ Houn’, while learning that Leatherhead is still alive (also grabbed by Cudley) and he’s facing Ace Duck. The wrestling matches end with the turtles and Leatherhead victorious, and Stump and sling are forced to send the turtles home (Leatherhead elects to stay, feeling he has no place back on Earth). Cudley accidentally returns the turtles first to Earth 100 years in their future (giving them a glimpse of a world ravaged by environmental disaster. Interspersed through the issue we see Shredder getting yelled at by Krang for losing his one connection to the Turnstone, and then of Krang lamenting the situation and getting further frustrated that he tunes in too late to catch the day’s Intergalactic Wrestling match (and thus we as readers see that he just missed learning of the turtles’ and Leatherhead’s involvement).

The art here is pretty good…not exactly my ideal, but it works quite well. I doubt I would have recognized the work as Lawson‘s as it lacks the visual style I’ve gotten accustomed to from his work since the TMNT vol. 4 Mirage run through to present. There’s a definite simplicity to the visuals of the issue–linework as well as coloring–that gives this the definite look and feel of something aimed at kids. That’s not to say it’s bad, just that it differs greatly from the original Mirage series and does not come off as overly detailed. I do like the turtles’ wresting costumes, and offhand they remind me a bit of the “superhero turtles” seen in later Mirage stuff.

The story is also rather simple and straightforward even while introducing a cosmic element to this version of the turtles. Stump and Sling remind me quite a bit of the X-Men’s Mojo, except not nearly so dark/villainous. Cudley’s an interesting figure…weird, yet not a mutant; just an alien…and a bit of a deux ex machina on the space/time travel thing.

The issue continues to add to the world of this take on the turtles, moving yet further away from the cartoon, Mirage comics, and forging its own continuity with its own take on existing characters while introducing characters unique to this series.

I enjoyed the issue, and while a couple details stick with me, I’d forgotten other particulars. I was also very interested to note copyright information in the indicia, differentiating Man Ray, Cryin’ Houn, Turnstone, Mary Bones, Stump, Sling, and Cudley as being creator-owned characters and not Mirage stock. That’s mostly a topic for its own post, but my noticing it here definitely puts that at the forefront of my mind and I’ll be looking for such details in future issues with other characters I recall.

TMNT Revisited: Teenage Mutant Ninja Turtles Adventures #5

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tmntadventures005Something Fishy Goes Down

Plot by: Dean Clarrain & Ryan Brown
Written by: Dean Clarrain
Penciled by: Ken Mitchroney
Inked by: Dave Garcia
Lettered by: Gary Fields
Colored by: Barry Grossman
Edited by: Victor Gorelick
Published by: Archie Comics
Cover Date: October 1989
Cover Price: $1.00

Finally…while covering the original TMNT Adventures mini-series and the first few issues of this ongoing series, I’ve been eager to get to this issue–and beyond. This is where things truly start, in my mind, as this series diverges into its own continuity, away from the cartoon and Mirage comics and truly becomes its own thing.

We begin with the turtles at an aquarium, where they meet a worker who talks to them about the difference in rays and fish, before sending them out as the place is closing. Meanwhile we learn that Bebop and Rocksteady have lost a container of mutagen in the sewer. As Krang gives Shredder a dressing-down we shift scenes to find that the aquarium worker is doing some investigating on the side–disliking pollution and companies doing the polluting. He’s washed in a surge of mutagen-tainted water and disappears. The turtles decided to walk home along the shore and become targets for a torpedo from Shredder’s sub. However, they’re saved when something turns the torpedo around. The turtles find Shredder’s sub–parked for damages–end end up screwing up a mysterious figure’s plans to blow it up, as the figure doesn’t want to harm the turtles–only Shredder. While the turtles fight Bebop and Rocksteady and accidentally flood the sub, the creature–a large mutant ray calling himself Man Ray–confronts Shredder. Declining to kill the villain, Shredder gets away, and the wearied mutant returns to the water, wished well by the turtles. The day saved, the citizens of New York get their fireworks display unaware of Shredder’s plan to have destroyed the Statue of Liberty.

Man Ray (or “Ray Fillet” as the action figure was named) is probably my favorite Mutanimal character (oops, we don’t get that term for quite awhile yet)…certainly my favorite of the “new mutants” introduced in this series; if only because he was the first, and was part of the story in one of the earliest issues I’d read.

The story is solid enough if a bit “convenient” at points…but I enjoyed it a lot more than I did the adaptations of cartoon episodes. I’d totally forgotten about Man Ray having a brief appearance as a human, and would not picture the character like that otherwise. 

The art was a bit of a surprise to pay attention to–I was expecting a bigger change, but the art team’s mostly the same, which leads me to reconsider certain memories OF the art on this series, for better or worse (I think better).

The tone is “fun” yet a bit more heavy and serious than the cartoon and earlier issues…yet still far from the dark, gritty violence that could be found in the original Mirage comics.

As I recall, the next several issues also introduce new characters, as this creative team gets into some serious, fun world-building and differentiates this series from Mirage and the cartoon.

So long as one knows the “basics” of TMNT in general, this issue serves as a great #1 in my mind, and would recommend anyone interested in TMNT Adventures as a series start here rather than with anything earlier.

TMNT Revisited: TMNT Adventures (Mini-Series) #3

tmnt_adventures_revisited

tmntadventuresmini003Heroes in a Half-Shell!

Written and Pencilled by: Michael Dooney
Adapted from the Scripts by: David Wise and Patti Howeth
Inked by: Dave Garcia
Lettered by: Steve Lavigne
Color by: Barry Grossman
Cover by: Kevin Eastman, Peter Laird, Steve Lavigne
Published by: Mirage/Archie
Cover Price: $1.00
Cover Date: December 1988

This issue picks up with the rock soldiers interacting with Shredder, Bebop, and Rocksteady. Krang freaks out upon learning Neutrinos are loose on Earth. Meanwhile, the turtles have just about found the technodrome when they’re buzzed by flying cars and opt to chase these instead. The rock soldiers show up and rather than put up a fight, launch a weather-making device (which our heroes promptly ignore), and everyone meets back in the technodrome (where Donatello instantly figures out the alien controls, opens the portal, and the rock soldiers are thrown back through to Dimension X and the Neutrinos voluntarily follow, to continue the fight against Krang (but without ever dealing with Krang in the technodrome). Shredder and his forces leave rather than confront the turtles here in the heart of the technodrome, and the turtles simply leave rather than even trying to find and deal with Shredder or Krang.

The next day, the Shredder re-baits the turtles, who wind up fighting Bebop and Rocksteady again. The turtles and Splinter split up to deal with different facets of the current threat. Krang gets put into the stomach of an android body and electrocuted (er…the body is activated). Shredder then sends Foot robots after the turtles as a diversion until Krang wakes. After having the turtles on the run while growing to a gigantic size, Krang simply turns and punches his way to the surface so the turtles can follow him, rather than dealing with them where they were. Donatello shows up with a blimp he’s been working on, and turns it loose with the others while he and Leo enter the android body to shrink it down. Krang calls Shredder for help, Shredder abandons his imminent victory over Splinter and shows up to point his retromutagen ray at the turtles, Splinter shows up as well and destroys it, then the story shifts back to the technodrome where the Donatello finishes some complicated thing with the portal, and everyone gets out as the whole thing is sucked into Dimension X. We see Shredder and Krang bicker, the turtles chill at home…and the story (mercifully) concludes.

Much as with the previous issue, this is ultra-compressed with an extremely fast-pace and abbreviated scenes such that the characters–from simply reading this–seem interchangeable and inconsequential. As noted also with the previous issue, this is not so much a fault of the writing of the comic as it is a shared problem between the writing of the episodes this issue is based on and trying to cram the contents of more than one episode into a single issue.

The art continues to be good–it’s a welcome visual style that as I’ve said before, holds its own without mimicking the art of the animated series. Yet, the characters are all recognizeable and nothing’s so far off as to seem otherwise (except the coloring can be kinda iffy…especially on a comic that’s got slightly yellowed pages and carries a cover date from nearly 26 years ago).

The cover would make for a decent poster, and the image alone promises something a lot more dramatic than what I read inside.

While in recent years I’ve found the “classic” TMNT animated series rather hokey and have been rather put-off by it, revisiting this miniseries and the episodes themselves has admittedly made me rather nostalgic, and rekindled my interest in the old series. I may not binge-watch the entire thing or even finish tracking down all the seasons…but I’ve been reminded of how much my younger self loved this stuff, and failed to notice the level of hokiness my present-day adult self sees.

From looking at this simply as a comic series, it’s nothing special for the content by itself. What makes this special is that it’s a color series starring the turtles, designed and aimed at the audience of the 1980s cartoon, and is a #1 issue I can actually afford (and have a duplicate or two somewhere, too).

Though I missed this mini-series when it was originally published, it was still something I was able to track down relatively easily a number of years ago, far moreso than ever the original Mirage #1, which I content myself to this day with reprint editions of that.

I can’t imagine something like this mini-series–or this issue–being published today; but it’s certainly a product of its time, and quite worthwhile to get as a fan of the TMNT in general, and the Archie-published stuff in particular.

TMNT Revisited: TMNT Adventures (Mini-Series) #2

tmnt_adventures_revisited

tmntadventuresmini002Heroes in a Half-Shell!

Written and Pencilled by: Michael Dooney
Adapted from the Scripts by: David Wise and Patti Howeth
Inked by: Dave Garcia
Lettered by: Steve Lavigne
Color by: Barry Grossman
Cover by: Kevin Eastman, Peter Laird, Steve Lavigne
Published by: Mirage/Archie
Cover Price: $1.00
Cover Date: October 1988

As noted in my post about the first issue, this mini is based on the first 5-episode mini-series/season of the animated TMNT cartoon. However, where that was 5 episodes, the comics adaptation is a mere 3 issues…leading to a couple weird issue-breaks that do not match up with the episode-breaks in the cartoon.

This issue picks up with the turtles facing some random/weird robots. After dispatching these, they deal with another deathtrap, and then find Splinter…and meet Bebop and Rocksteady. Escaping to the surface, the turtles are followed, but quickly trap Bebop and Rocksteady, and that’s that.

Continuing on, Shredder has a new scheme, and coopts bumbling scientist Baxter Stockman’s “mouser” invention. He sends some after Splinter, but the turtles rescue their master with no problem. However, Shredder’s built hundreds more and they do prove to be a problem. Michelangelo “volunteers” to infiltrate the mansion Shredder’s commandeered, but is captured the the villain…though set free behind his back by Krang. The Mousers are stopped, no one’s dead, and again, that seems to be that. Shredder still won’t give Krang a body, and initiates yet another scheme: opening a portal to Dimension X he lets a flying car into the Technodrome (which promptly blasts a hole and skidaddles), followed by a flying tank of sorts with rock soldiers…and that’s the end of the issue.

The art for this issue is consistent with the first…much of my thinking on the first issue applies here as well (cool to see the Mirage team on the issue, etc). While the visuals are stylistically their own thing, they are clearly based on the cartoon and fit well without seeming particularly “off.” Essentially they’re simply comic versions structurally, but based on the cartoon elements.

The story is where most of my problems lie…particularly where the cartoon itself seems choppy and just runs from points ‘A’ to ‘B’ to ‘C’ and following that so closely, the comic seems super-compressed, well beyond any preference I’d have to avoid “decompression.”

And therein I find the issue–it’s not so much the writing of this comic that’s the problem as much as it’s the source material. I’m consciously aware that this issue’s story is itself based on another story, and the writing keeps faithfully TO said source material. The faults come from the ludicrous, goofy, weird stuff that (in remaining faithful) had to be translated into this adaptation.

While the first episode of the cartoon–and therefore, the bulk of the first issue–was charming enough in its own way (and gave a roughly whole story without tying up plotlines and such), this is the middle chunk of the overall 5-episode arc and middle of this particular 3-issue series. Sadly, it’s really choppy and all over the place, and the only real fondness I find in it is the art as mentioned, and its “place” as an artifact of history.

Taken by itself, I had to force myself through the issue, and force myself not to just quickly eyeball the pages and move on.