• April 2026
    S M T W T F S
     1234
    567891011
    12131415161718
    19202122232425
    2627282930  
  • On Facebook

  • Archives

  • Categories

  • Comic Blog Elite

    Comic Blogs - BlogCatalog Blog Directory

The Weekly Haul: Weeks of February 8th & 15th, 2017

This week was not a tiny week, nor a huge week…but did have one issue in particular I’ve been looking forward to for awhile, another I was curious about and bought grudgingly despite variant covers. Plus some extras, and an Image vol. 1.

weeklyhaul_02152017a

I’ve been anticipating Super Sons for several months now, and though somewhat initially disappointed at it not being out last fall, was glad for time to be given to letting the characters/situation develop a bit more before rushing the title out. And I’m curious about The Wildstorm, but nearly passed on the first issue entirely due to no less than three apparently "equal ratio" variant covers, none of which seemed necessarily "iconic" or recognizeable. Then there’s the regular Superman issue; the fun Batman/TMNT Adventures, giving the second issue of God Country a chance, and not about to pass up a 25-cent issue (Invincible).

weeklyhaul_02152017b

On Tuesday, taking Carol & John’s up on their Feb. 14th promotion, I stopped in, and wound up purchasing the most recent Hellblazer volume. For my "prize," I got to choose five Marvel single issues. Figured I’d give the first couple a shot; the Star Wars Annual seemed an especially good "value" for being "free," and though I"d let the series go, I’m not opposed to "completing" a run of the short-lived X-Men ’92 series (now only missing 4 issues or so).

weeklyhaul_02152017c

And though I’d somewhat intended to buy the first paperback of the current Action Comics run, Superman: Path of Doom…flipping through the volume, I just couldn’t bring myself to buy it. $17 for 6 issues I already have, the first issue in print and digital, and handy. Plus, no bonus content, no "introduction" or "afterward" or such…just another 6-issue "graphic novel."

So I opted to snag Seven to Eternity vol. 1…same or larger thickness, and $7 cheaper.

Since I didn’t get around to posting it last week with rushing my All New Fathom #1 review, and the original got bumped for timing this week, below is my Weekly Haul post of stuff from from last week.

Continue reading

Comics and Valentines

Being sick over the past weekend significantly drained time that I’d intended to spend reading and writing, and getting a bit ahead with this blog. I’d had several thoughts for stuff to post for February 14th, but along with the aforementioned being sick, I face the day as I have every year–Han style.

han_style_solo

So, I’ll let that negativity out a bit. There’s a quote that a friend shared with me many years ago that just epitomized my feelings on the matter of love at the time…and actually inspired me to pull the trigger on finally seeking out Gaiman‘s The Sandman series.

gaiman_quote_love

Then there’s John Constantine, the Hellblazer. When I first "met" the character–the first time I’d read any full story of the character–he was coming off losing a major love of his life. And his dealing with that was something I could identify with at the time (or at least so I thought, but that’s a different story).

damnationsflamecoversection

Then there are two comic marriages that probably have meant the most to me over the years: Clark Kent (Superman) and Lois…and Peter Parker (Spider-Man) and MJ.

superman_lois_marriage

In Superman, there was a hero figure, as well as the ease of identifying with someone (Clark Kent) who was from some town somewhere, not comfortable with a world’s attention, just trying to be the best he could be, as his parents raised him. And by just being himself, NOT some flashy super-figure, Clark Kent "got the girl" despite the "shadow of Superman." (Though he could not in good conscience hold the secret, so Lois knew long before the wedding…but again, more stuff for other times).

spidermanmarriage

And then in Peter Parker, there was that notion that hey…if he can get the girl, get that happy STEP in life (NOT necessarily ENDING)…perhaps something like that’d be a reality, right? People grow and change, mature, stuff happens that they never expect, yadda yadda yadda… I actually grew up on a married Peter & MJ. And to this day, I hold that I have no interest in reading an adult single Peter/Spider-Man story. Yet again, though…more for another post.

cyclopsphoenixmarriage

Then, of course, there’s Cyclops and Phoenix…Scott Summers and Jean Grey. Though they’ve been split up longer than not in my conscious awareness of the characters…theirs is a relationship I still prefer (and miss).

gambit_rogue_xmen24

Finally, perhaps semi-forgotten by more contemporary creators and stories…Rogue and Gambit. As with the above…I could do an entire post just on them, but I’ll leave it that they’re–to me–a "classic comics couple," that I’d long rooted for eventually getting a happy/good ending.


I’m not even truly sure where I was going with this post. I guess just showcasing some examples of my favorite comics couples; that comics have touched on a number of different facets of my feelings on love, couples, and all that.

Call this a token cheesey post. Whatever.

Lately, I’m back to largely feeling Gaiman‘s quote quite close to home.

And other than composing this post the night before…I’ve every conscious intention of going head-in-the-sand for "the day," after which will mean we’re finally past "the holidays" for awhile (and heck, into epic-movie-season or such again).

All New Fathom #1 [Review]

all_new_fathom_0001All New Fathom Part 1 of 8

Writer: Blake Northcott
Pencils: Marco Renna
Digital Inks: Mark Roslan
Colors: John Starr
Letters: Zen
Editors: Vince Hernandez, Gabe Carrasco
Design & Production: Mark Roslan, Peter Steigerwald, Gabe Carrasco
Cover: Marco Renna, John Starr
Cover Date: February 2017
Cover Price: $3.99

I don’t usually go for comics like this. I’m not a fan of these scantily-clad female leads, running around in bathing suits and–from the outside looking in–seeming to be more flash than substance. But, having followed the writer on social media for a number of years, I’d decided when it was announced that she’d be writing a new iteration of the series, I’d at least check it out…all the more as a female such character in this case being written BY a female, and not just another book to be lumped together, written by a guy about some visual/eye candy.

I then managed to forget the thing was due out this week, until–via social media–I saw her post about it being out, which brought it back to my attention…and I was ok with paying out $3.99 for the issue, as it’s at least NOT DC or Marvel and all that.

So what did I wind up with, for that $3.99?

For one thing, I felt like this was a lengthy read. I did not feel like I just turned a couple pages and was at some to-be-continued or like the issue was too short.

I had no idea what to expect, really…having never (That I can recall) read an entire issue of Fathom or Soulfire or such. The opening page puts us right into the heart of the action, as our heroine–Aspen–is mega-uppercut-punched out of the ocean into the coastal city and does battle with the guy doing the punching. While she fights him–and his mysterious weapon, trying to keep any civilians from being killed–we learn that the narration is from AFTER the battle (so she won), telling her friend about the fight. Finally, she reveals what she’s learned about the mysterious weapon that had been used against her, and how that plays into stuff going forward.

I wasn’t overly impressed with the cover, as I’m not really familiar with even the title character, let alone any supporting cast (new OR long-since-established). The main cover’s not bad, but seems rather generic to me (as opposed to indicating the battle that took place in the issue).

Visually, the issue felt like what I would expect from "an Aspen book" even if I can’t quite quantify what that is, exactly…except that I suppose this looks like it belongs with or fits right in with prior books from the publisher, and so does not look like an oddball or out of place piece that happens to be published by Aspen. The characters all look quite believable, and as much as is possible for a woman basically in a bathing suit, I felt like the issue avoided unnecessary or overly-gratuitous imagery…I didn’t feel "dirty" paging through the issue! I was also reminded a bit of Witchblade, and will be interested to see how coincidental (or not, or far off) that works out to be in coming issues.

Story-wise, I enjoyed how down-to-earth this felt. I figured as a #1 issue, new series and new story, this would feel like just some opening chapter, and just throw a bunch of introductory stuff at me and leave me not really knowing what the heck was going on. However, I found that I got a complete story, really, even as stuff is thrown wide open for subsequent issues! We’re introduced to the title character, her situation, others involved with her, a bit about her background/where she comes from, while seeing the character in action and interacting with her friend. There’s a healthy dose of real-world commentary…particularly in "seeing" how the character is reacted to across various media.

Ultimately, I just enjoyed this issue, and I’m quite glad that I bought it. I checked it out solely based on the writer, and I’m left with an honest interest in getting the next issue to see how things play out.

While it by no means gets into over a decade of "history" with the title character and such, this is still an excellent jumping on point, and one of the stronger, most complete and worthwhile first issues I’ve read in quite awhile.

If you’re a fan of Blake Northcott‘s writing, or Aspen (the character), or the publisher or such, I suspect this will be a fitting bit of enjoyment as well. I’m looking forward to the next issue, and seeing how stuff advances and continues to play out!

The First Mega-Haul of 2017

This past weekend saw my first "mega-haul" of the year, with a combination of Half-Price Books and a trip to the main comic shop, with freshly-stocked bargain-bins!

weekendhaul_01142017a

At HPB, I snagged the long-outta-print trade-paperback-sized paperback edition of Batman: Knightfall. This is the Barnes and Noble "exclusive," which makes it all the more "rare" with ALSO being "out of print"…yet the thing was priced at a mere $8…HARDLY a "collectible" price for a book in such great condition all these years later! So much for consistency, I guess…their loss, my gain!

I also snagged the Alien: The Illustrated Story because it’s…well, Aliens. I’m a sucker for this stuff, and while I am thinking there’s a more deluxe/hardcover type edition of this available, for the price and being in-hand, I didn’t want to pass this up.

And finally, since I (thankfully) had "inventory" photos of my phone, I was able to determine that I did NOT yet own Dark Victory (It’s Long Halloween and Haunted Knight that I already owned)…and since I’ve intended to complete the "trilogy" for ages now, I figured I’d get that marked off the list.

weekendhaul_01142017b

At the comic shop, there was a shortbox of TPBs marked 80% off. I was flat-out astonished to find this Superman: Eradication! volume…honestly did a double-take, and checked my ‘inventory’ to make sure I wasn’t crossing this with something else. But sure enough…this truly is the book I’ve been wanting for ages now, and unable to find for a reasonable price anywhere–in person OR online. And then just because it’s Dan Jurgens, Booster Gold, and at 80% off, the price of a single-issue of a current Rebirth DC comic, I also snagged the JLI vol. 1 paperback.

weekendhaul_01142017c

I also got the latest issue of Spawn (pull list!), which I think puts me at about a full year of having the title on my pull list…a feat the title has never before done!

The TMNT issue I actually picked up at Toys R Us…it was some sort of Mega Bloks promotional issue that I’d been unaware of. Disgustingly, even this has a variant cover (I only saw this "regular" cover available, happily–I’d’ve been highly annoyed to ONLY be ABLE to get the VARIANT). Ridiculously-priced for what it is…but something about it struck me as something that would gnaw away at me if I did not get it, knowing it existed and I could get it FOR the same "cover price" as any other TMNT issue from IDW.

And then we get into the 25-cent bin haul, after the cut…

Continue reading

The ’90s Revisited: Batman #497

90s_revisited

batman_0497Broken Bat

Writer: Doug Moench
Artist: Jim Aparo
Inker: Dick Giordano
Colorist: Adrienne Roy
Letterer: Richard Starkings
Asst. Editor: Jordan B. Gorfinkel
Editor: Dennis O’Neil
Published by: DC Comics
Cover Date: Late July, 1993
Cover Price: $1.25

This is one of the most iconic, “key” comics in my life. The writing is straight-forward, the art is superb, and when I picture Bruce Wayne, this is the version I see. Not necessarily the worn-down, beaten man the issue opens with, but the face, the body structure, the human trying to be more-than-human.

With a lead like that, what did I REALLY think?

This issue is only slightly past the midpoint of the Knightfall story. It’s 3 issues before the big 500th issue, and yet is more of a crucial, impactful issue than that, in terms of its effect on the series for a time. The cover spoils the issue, even though really, we already knew it was coming…such was the nature of the beast, even at that time before the internet as we have it now. The cover–at least for the edition(s) I’m used to–feature a half-cover overlay as a sort of “enhancement” or such; just a black-and-white thing mimicking the upper-left corner copy and first part of the title logo…but then has the partially-eclipsed Bat-logo with the text

“You thought it could never happen…

THE BREAKING OF THE BATMAN”

Flip that up, and you have the actual cover itself, the iconic image of a ridiculously-huge and disproportionate Bane pressing Batman backwards over his knee. While the image is NOT lifted from the interior, it certainly conveys its point, and the issue is thus blatantly, fully marked as “the” issue where Batman gets his back broken…even as this “middle chapter” within a larger 19-issue story.

The issue opens with Bruce Wayne just into the manor, surprised at the presence of Bane. The two actually talk, having a semi-civil-ish exchange, basically discussing recent events very matter-of-factly, before the “final battle” between these two is joined. Batman is virtually non-existent, as Bane essentially tosses Bruce Wayne in a Batman costume around, pummeling him nearly to death, the man’s feeble attempts at fighting back doing nothing to slow the villain. As Alfred escapes and seeks out Tim for help, Bane decides on a different course of action than he’d apparently originally intended.

“I am Bane, and I could kill you…but death would only end your agony and silence your shame! Instead, I will simply… BREAK YOU!”

Slamming the battered body down over his knee, Bane then drops him.

“Broken… and done.”

The visuals in this issue are brutal…and it’s almost painful to look at, and just really take in just HOW MUCH of a beating Bane dishes out…yet how resilient Bruce/Batman is, simply to actually SURVIVE the experience. There are subtleties that even just on this read-through I picked up that I hadn’t before (and this is one of the most repeatedly-read comics in my own life) which says a lot! Even a number of years’ worth of issues later, this is the same Bruce Wayne seen in A Death in the Family and during the New Adventures run of the title and others between. This is simply the iconic–to me–visual rendition of the character and by far my favorite.

Story-wise, on the surface there’s really not much. Bane is here, beats up Batman, in essentially an issue-log fight sequence ending with Bruce broken on the ground. It’s something that in the present I would be inclined to strongly dislike–after all, isn’t this just “padding” and “decompression,” having an ENTIRE ISSUE as a fight sequence?!? Yet rather than being a full 1/6th of a graphic novel or such, this is “merely” 1/19th of the Knightfall story itself; the ending of the first TPB of the original collected version, and appropriately-placed within the huger contemporary edition. This truly is just a small piece of a larger story, and so the fight being such a major thing, it does not FEEL padded-out. There are touches that I really liked, especially on this read-through, such as panel “flashbacks” to “recent events,” that I do recall from times I’ve read them, and jog my memory on stuff throughout the Knightfall arc thus far and stuff leading up to it. I could almost hear the somber music swelling as we see these interspersed with “now” and know we’re heading to The Fall, a defining moment for the character of Batman…the guy who can never be defeated, who is always fully prepared with contingencies for everything…but here, he’s gone, worn down as Bane intended, softened TO the point of defeat.

I know I got this copy that I read this time out of a quarter-bin, it’s an issue I’ve seen “hold its price” in terms of what dealers will ask for it…so it’s certainly worthwhile if you find it IN a bargain-bin! Given the full Knightfall story is available in multiple formats and collections, unless you sincerely want to own/read/experience this as a single issue, I would not say it’s actually worth anything more than $1 or so for print or (grudgingly for immediacy) $1.99 for digital.

However, if you’re grabbing this in-print…you MIGHT want to lift that overlay and check which printing you’re buying. I was rather surprised on this copy to realize I’m holding a 2nd print…perhaps that’s part of why it was “only” 25 cents. The only difference I can see outside of the Roman Numeral “II” is that the color of the bat behind the word “Batman” on the cover is yellow for this printing, but white on the first.

The Weekly Haul – Week of December 21st, 2016

This was a relatively small week, with a number of factors.

weeklyhaul_12212016a

New Superman; new Aliens: Life and Death (hard to believe it’s been 2 years now since the whole Fire and Stone thing!). And from a 50% off bin, the first volume of the Clone Saga to go with my first four Ben Reilly Epic.

50% off a Marvel trade is often stretching price-worthiness for me; "only" 40-42% (such as from InStockTrades) is a stretch in general, though still beats the heck outta full price.

Where with DC having reasonably-priced volumes, I’m much more willing to pay full price for those!

…And I’m leaving this at that. Short ‘n sweet. Back to revisiting the ’90s Friday, most likely… and maybe a "bonus" post or two over the weekend with Christmas and all.

The ’90s Revisited: Warlock and the Infinity Watch #42

90s_revisited

warlock_and_the_infinity_watch_0042Win, Lose, Draw!

Writer: John Arcudi
Pencils: Mike Gustovich
Inks: Keith Williams
Colors: Ian Laughlin
Letters: Jack Morelli
Editor: Mark Gruewald
Published by: Marvel Comics
Cover Date: July, 1995
Cover Price: $1.95

This was a hard issue to read. I’m really not familiar with the art team, outside of perhaps earlier work on this title that I read 15+ years ago. While characters are visually familiar from the time, this is hardly the BEST rendition of them. The story is rather scattered and without much context (no "previously page" and not much in the way of in-story exposition). I suppose that’s a good thing by contemporary standards–not wasting much space on that…and this IS a "final chapter" of whatever the story is, as well as a series finale.

Unfortunately, this feels like a rushed, tie-up-as-much-as-possible finale that may have been something seen coming but not entirely "expected."

We basically have a scattered team, with a member physically hospitalized while her mind is active (psychically) with the team; a former member allied with Thanos, another member turned "traitor," and the team’s "home turf" facing a huge storm that could wipe the place out. Out of nowhere, the team’s Infinity Gems (hence "Infinity Watch") all disappear; Warlock is apparently killed; Maxam returns to his own time without further explanation, and the team is left with Warlock heading out on a solo quest to figure out where the gems went. The End.

Frankly, this is a horrible issue in terms of a context-less, isolated cold-read. As said, it’s a series finale, so it’s scrambling to try to wrap stuff up in a hurry as best as possible. For a series that started on such a high note, this is a pitiful whimper to go out on.

Context-wise, from what I recall of reading scattered later issues (I’ve never had the ENTIRE series to read in one go), I can imagine the team and book were headed for a status quo change and some new developments, perhaps plenty of positive, just that stuff got cut short. And a book NOT being given "time" or a new direction given time to shake out, etc. is something that I can "accept" for a story falling flat, even if I don’t like to. In a way, it’s a sign of the times, when series were not written simply as serialized graphic novels, but as episodic things with ongoing developments and actual "subplots" and the like.

A key factor of this issue, though, is its failure to even acknowledge Marvel‘s then "sister" company, Malibu, and its Ultraverse. See…in this issue, the Infinity Gems just simply, arbitrarily disappear out of nowhere, and that’s that. But, if one reads the Rune/Silver Surfer (flipbook Silver Surfer/Rune) issue, we see the Ultraverse character gain the Time Gem, stop time, and snag the rest. Given he steals them all WHILE time is stopped, that explains the sudden, simultaneous disappearance of the gems. It seems counter-intuitive and even a bit shameful to me that that event happens in another book entirely (Silver Surfer got a cartoon in the 1990s, so was more of a "hot" property–so I can see Marvel wanting the bigger brand "out there") with zero acknowledgement in this title…the title in which the Infinity Gems were housed, and the story of their place in the then-Marvel Universe was chronicled for over three years, a long-running title!

I actually found myself with two copies of this issue "handy," hence reading this as an isolated single issue. One copy I’d pulled when I came across it going through some comic box looking for something else in my collection; the other with a stack of 25-cent-bin issues; I’m certain I acquired both from 25-cent bins. And frankly, that’s what this issue is worth. There’s sentimentalism to be had if you’re fond of the title or Warlock or any of the other characters, but that’s about it. Outside of "free," this issue is perhaps worth the "base" price of 25 cents, but I wouldn’t say much more than that. On the other hand, the first issue is a great read (as I remember) as are a number of the early issues, perhaps through the Infinity War stuff.

Overall, I’d give this a pass; there’s a lot of better stuff out there to be read.

The ’90s Revisited: Captain America #436

90s_revisited

captain_america_0436Fighting Chance (conclusion): Everybody Hurts Sometime

Writer: Mark Gruenwald
Penciler: Dave Hoover
Inker: Danny Bulanadi
Letterer: Joe Rosen
Colorist: George Roussos
Editor: Mike Rockwitz
Group Editor: Ralph Macchio
Published by: Marvel Comics
Cover Date: February, 1995
Cover Price: $1.50

I’m not sure what I expected out of this issue, but what I got wasn’t it. I’d’ve sworn I read this before, some years ago…having borrowed the entire Fighting Chance storyline from a friend (who had a subscription that incidentally STARTED with the first issue of this 12-part story, which I’d thought was pretty neat at the time!) But this read-through felt like an all-new issue to me, completely unfamiliar and even if I did read it once before, I’d totally forgotten any details (even a bit after actually reading it this time, the details are fuzzy!)

Though it was years after the story was over and done with that I would have read it, I was acutely aware of it going on and remember it really sticking with me as a concept. A whole YEAR’S worth of issues dedicated to a single story! The very thing that gave Captain America his physical ability, to BE Captain America, was killing him! How would that play out? How would such a story end? Surely, the hero would triumph…but wow! What a journey that would be, and such a victory…

Nope.

This issue sees Cap being spit out of some drainage pipe that he was apparently dumped into in the previous issue…pursued by Cobra and Hyde. We get some exposition (super soldier serum killing him, Cap’s under doctor’s orders not to exert himself, he’s thoroughly exerting himself anyway, blah blah blah). Even with his body betraying him, he manages to avoid being killed by the two villains…but at great personal cost. By the end of the issue, he’s pushed himself too far, and with ghostly images of the Statue of Liberty and then-thought-to-be-dead-but not-really-though-we-wouldn’t-find-that-out-for-another-20-years-when-Brubaker-does-TheWinterSoldier-story Bucky flashing before him, Steve seems to lose his battle…he’s paralyzed, a mind trapped in a worthless body.

Hank Pym finds Cap, realizes the situation, and that’s that.

The final chapter, the twelfth issue of a 12-part story…ends on a cliffhanger.

Lovely.

Yeah, yeah…what else should or would I expect…especially reading the issue closer to 2020 than to 2000?

I know Gruenwald‘s name as being one of THE names of this title, and tend to myself think of him as one of the more important writers to handle the character (perhaps for longevity on the title if nothing else). I do like that this issue is squarely a "typical ’90s super-hero brawl" type thing, and Cap is just a super-hero figure, standard ’90s stuff, nothing overly complex (if not simple) about him (compared to sharper, "edgier," more "realistic" takes that would come later). But I found this issue to be rather generic, anti-climactic, and ultimately a disappointment overall.

Of course, as stated above, I think I’d read this once before but didn’t remember anything of it; and this particular reading (either way) was as a singular, isolated issue with no context from any of the introduction and build-up to stuff.

The art was fairly bland…I recognized the characters I would expect to, visually, with no trouble, and there was not much in the way of subtlety to the story being conveyed; any doubt of action was covered by story context.

I’d also forgotten ("realized" after the fact) that despite the initial impact the very notion of this story had had on me, there was an epilogue issue or two that were rather crucial to things, or made a more effective ending (at least looking at cover images and drawing on what I recall of this period in the title’s history).

So ultimately…I do not recommend this issue for a one-issue isolated read. It’s the supposed ending of a major story, yet leaves stuff hanging and just seems like a weak ending for a character such as this after such a long storyline. That said, I would have no problem recommending the run offhand if the entire story and the follow-up issues were found in a 25 or 50 cent bin, just on principle of getting the story for a fraction of the cost of a modern story that’s–at best–equally contrived.

The ’90s Revisited: Green Arrow #101

90s_revisited

green_arrow_0101Run of the Arrow

Writer: Chuck Dixon
Penciller: Rodolfo Damaggio
Inker: Robert Campanella
Colorist: Lee Loughridge
Letterer: John Costanza
Editor: Darren Vincenzo
Published by: DC Comics
Cover Date: October, 1995
Cover Price: $2.25

I’ve wanted to read this for years…maybe 20-21 (it came out some 21 years ago). I’d known THAT Green Arrow had died; that Superman was there, that it was a plane explosion; that his son took over, etc. But until this reading, I’d never actually read the actual issue. Not too long ago, battling insomnia, I bought/read (for the first time) #100 to "finally read the issue where Ollie died." Imagine for a moment my surprise that it DID NOT HAPPEN IN THAT ISSUE…yet had you asked me any time up until then, I would have simply told you, from "knowledge," that Ollie died in #100 and his son took over in #101.

But that leads us to the story of the issue: We open off the cliffhanger from #100 with Ollie pushing buttons on the device he’s trapped in. Remove his hand/arm, and it detonates, and lots of people die. Superman’s solution would be to amputate–save Ollie’s life. But Ollie’s having none of that, and so (knowing Superman would survive because hey, invulnerable!) Ollie detonates the device. Superman finds no remains…and the rest of the issue ties up loose ends from #100 and the story leading into that, apparently…while setting up Ollie’s son Connor to take over.

Really, there’s a lot going on in this issue (and the explosion is a 2-page spread as pages 2 & 3!) so the bulk of the issue is the aftermath (#100 was already a larger anniversary issue…not sure why it didn’t just get the extra pages to have the explosion happen there and repercussions pick up from the "cliffhanger" that would’ve been). I’ve not read a lot of stuff with Connor, but I knew of the character; I even connected a supporting character with an antagonist in the earliest issues of the Mike Grell run that kicked off this title. I didn’t care much for most of this development (so most of the issue), and felt that Ollie really got a crummy send-off…though I have to admit I appreciated the fact that that itself was touched on within the issue.

Visually, I’m not familiar with the Penciller/Inker team, and the art looks it: I recognize characters, obviously, and there isn’t really much of anything WRONG with any of them…but the visual style just doesn’t do anything in particular for me except have the appearance of "mid-’90s DC."

While I typically enjoy Dixon‘s work–especially on the Bat-titles in the ’90s–I did not here; and from this issue alone would only peg it AS a Dixon-written issue because of the name on the cover. Granted, this is an isolated issue read weeks after the previous issue was itself read in isolation, and I haven’t even read the first 4 chapters of the specific story this comes out of. But given that…outside of you either reading the entire story, or (like me) specifically wanting to read for yourself the actual issue where Ollie was killed off for a few years…there’s nothing of particular value to this issue. Alternatively, it might be worthwhile if you settle in to read the run with Connor as Green Arrow. But all in all, this was a disappointing read for me…I’m glad to have read it (past tense) now, but this feels more like an arbitrary thing than the culmination of an event or any truly "heroic" end.

That said…it’s worth 25 cents.

The ’90s Revisited: Batman #416

90s_revisited

batman_0416White Gold and Truth

Writer: Jim Starlin
Penciler: Jim Aparo
Inker: Mike DeCarlo
Letterer: Agustin Mas
Colorist: Adrienne Roy
Editor: Denny O’Neil
Published by: DC Comics
Cover Date: February, 1988
Cover Price: 75 Cents

[ I wrote this up weeks ago, but never got around to editing and posting my text until now. Fellow blogger Chris Sheehan of Chris is on Infinite Earths covered this issue as well, a couple weeks after I wrote my text; you can find his (far more detailed) coverage here from early November of this year. ]

I’m sure I’ve read this issue in the past…though that was probably in the earlier days of my reading comics–like 1992 or so. I’m pretty certain I recall this issue being part of a 3-pack available at a department store (Hills?) as it’s a "back issue" even from that time, yet a random one I read early on. But it’s a much different thing reading it again now, all these years later.

To be perhaps over-simple in summarizing the issue: Robin (Jason Todd) is shown to be reckless, but rescued by Nightwing. Nightwing and Batman later have words, and then Nightwing helps Robin, with Batman’s hidden approval.

I would have already read A Lonely Place of Dying, and new that this Nightwing guy was "the original Robin" and that "the Robin who died" was Jason Todd, and as a back issue, here was an issue that had the two teaming up. Getting the Dick/Bruce confrontation here–and learning that they haven’t talked in 18 months–surprised me on this reading. Firstly, for having a specific timeframe given, and secondly that I didn’t remember it. Knowing what I do nowadays, but still having a blind spot from this period, I would guess that this is "the" issue that detailed the split and/or retconned things to Dick having been shot and ordered off the job, hence striking out on his own with the Teen Titans and becoming Nightwing instead of Robin. (Much the way #408 retconned Jason’s background to having been found stealing tires off the Batmobile). I would guess this is the Batman title’s explanation of things, whether or not it exactly fits with whatever was going on in the Teen Titans book at the time, and with the ripples/ramifications still being situated post-Crisis.

While the cover is kinda generic and not all that appealing to me, it’s definitely memorable…at least to me, given it was (as I remember) one of my earlier "back issues" long before bargain bins became such a thing for me as they have been the past decade or so. The interior art is "classic" to me, and more than once I had to remind myself I was NOT reading A Death in the Family. Part of me is partially amazed to realize this is the same creative team that DID do that story, even though it’s almost a year’s worth of issues off from this one…back in an age where it did not seem like creative teams shifted every several issues. Whining about that aside…I love the art here, as it clearly conveys the story, does everything I’d expect it to…and stirs up the nostalgia as well.

Story-wise, I felt like even here there was a bit of setup for Death in the Family, though it’s likely a bit of "reaching" on my part. Or in another way of looking at it…having the same creative team allowed for more internal consistency for the title both in characterization as well as visualization. Most often, I think of Starlin as doing Thanos/Warlock stuff, with the Infinity Gauntlet and all over at Marvel…but I think it’s safe to say that he’s also one of my favorite Batman writers!

This issue works quite well for me as a one-off, though I’m obviously a bit biased in nostalgia and remembering this…it’s a one-off for this READING but I’m hardly any sort of new reader or such, which makes this in its own way "just another issue" that I happened to read that I can partially contextualize without other issues. Yet we have a beginning, middle, and end…and though this certainly is not the final issue of the series, we do NOT have a cliffhanger or "To Be Continued…" We just get this as an episode that introduces us to the current Robin, the former Robin, contextualizes both, confronts Batman, and we get a bit of development with all the relationships, seeing that they all have different "history" with each other without (as a reader) absolutely having to KNOW the history.

All in all, this is good, solid issue…and one I would definitely recommend if you find it in a bargain bin! It’s certainly worth a quarter, and if the condition is good, I’d even say go up to $1 on it for the reading experience. The potential we see here gets really developed years later in the Dick/Tim dynamic…and we see the start of that here, had Jason lived.