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Detective Comics #851 [Review]

Batman: Last Rites – Last Days of Gotham part 1 of 2

Writer: Denny O’Neil
Art: Guillem March
Letters: Jared K. Fletcher
Assistant Editor: Janelle Siegel
Editor: Mike Marts
Covers: Guillem March & Tony Daniel
Publisher: DC Comics

This issue seems to introduce a new character–at the least, I am unfamiliar with this character, not having read this title much in a lotta years. This character has elements dating back to the Gotham Earthquake (Batman: Cataclysm), and also has Two Face back in action, even as a doppleganger apparently is running around using his name. As the last guy to really deal with Two Face and with Bruce missing, Nightwing answers the call of duty and goes into action.

There’s something to the art in this issue that makes me think it’s got some manga influence, as the visual style puts me in mind both of that and some sort of adaptation of some cartoon I can’t think of. The art’s far from bad, though it being a bit stylized turns me off to it somewhat. Characters that I believe are intended to be recognizeable are, while other characters seem to look as they should based on what I get from the story’s context.

The story itself is something I really wanted to like, given this brief return by Denny O’Neil. Unfortunately, this issue just didn’t work for me, and I found myself having to force myself to read each page instead of skimming over to get to more interesting stuff. This feels like a fill-in; whether it is or not I don’t pretend to know; though the fact that it’s to be continued in an upcoming issue of Batman is rather telling. If you’re a longtime fan of O’Neil and steeped in Bat-lore from around the Cataclysm stuff and are a fan of Two Face, you’ll probably enjoy this. I came in as someone fresh off Batman: RIP interested in seeing the impact the absence of Batman himself has on everyone, and just was not engaged by the story.

All in all, a fairly disappointing issue for me, though I hope I’ve contextualized that above. The cover is what I must credit with drawing me in, combined with realizing O’Neil was penning the story–this cover image would make a great poster, I think.

Story: 7/10
Art: 6/10
Whole: 6.5/10

Action Comics #872 [Review]

New Krypton part seven: Brainiac Lives

Writer: Geoff Johns
Artist: Pete Woods
Colorist: Brad Anderson
Letterer: Steve Wands
Asst. Editor: Wil Moss
Editor: Matt Idelson
Cover: Gary Frank & Brad Anderson (variant by Chris Sprouse, Karl Story & Guy Major)
Publisher: DC Comics

Superman continues to interact with his cousin, aunt, and uncle over the recent strikes launched against his various enemies, which resulted in the death of a number of humans and the banishment of numerous bad seeds to the phantom zone. Plans are revealed to restore the other “bottle cities” as well that had been captured by Brainiac. While Luthor continues attempting to tap the knowledge/repository that is Brainiac, some militant Kryptonians continue pushing their agenda. As things spring into motion, some “Creature Commandos” are woken in a time new to them (as they were last seen during World War II, it seems). Finally, a strike by Reactron and Metallo shows that not even Kryptonians are safe on Earth.

This is probably my least-favorite chapter of this story so far. I think stuff is starting to wear a bit thin, or is just developing too slowly, somehow. I was particularly turned off by the “startling return of the Creature Commandos”–I don’t mind a “back-door pilot” here and there, but I cared nothing for these characters going in, and care nothing for them now–they seem very out of place and more suited for a period piece set in World War II, not waking up during this arc and taking some of the focus away from the Kryptonians dealing with life on Earth.

The art–while not confusing characters or anything and clearly showing what’s going on–seems also like a letdown after being spoiled with Gary Frank’s art the last number of months. It’s a real change, and the style doesn’t work all that well for me, at least not in this particular outing.

This is the seventh chapter of however many will make up the New Krypton arc. I find myself ready to see things wind down if this is how my attention’s going to be. Whatever it’s lacking, though, this is still quality stuff…just not as high as earlier chapters to the story.

Story: 6/10
Art: 7/10
Whole: 6.5/10

Final Crisis: Revelations #4 [Review]

Final Crisis: Revelations part four

Writer: Greg Rucka
Pencils: Philip Tan
Inks: Jonathan Glapion
Colors: Nei Ruffino
Lettering: John J. Hill
Associate Editor: Adam Schlagman
Editor: Eddie Berganza
Covers: Tan, Glapion & Ruffino
Publisher: DC Comics

Opening where the previous issue left off, we see a horribly wounded Spectre at Savage/Cain’s mercy, while the spirit of Mercy finds herself unable or unwilling to act, as Montoya and the Huntress seek just to survive this encounter. Retreating to a church to regroup, theology is debated as things spiral downhill for the heroes. The Spectre continues to be a powerful figure at the heart of this story’s conflict, with potentially vast repercussions to come as Savage/Cain makes his move.

I’m not entirely sure what to think on certain points in this issue. I can say that while it can be good to see some stuff brought up here–we don’t see characters discussing actual religion and theology all that often–I personally find a lot of faulty stuff here that–while it may work in context of the DCU–puts me off a bit.

It’s interesting to see the development of Mercy here; I’ve long been aware of and somewhat familiar with the Spectre; seeing a counterpart does make sense based on what I know of the Spectre character. At the same time, given the apparent scope of this story, it feels almost like THIS should have been the core book–this feels much more like some unverse-impacting crisis situation than what I’ve gotten out of the main Final Crisis book.

The art in this issue is quite good….I have no complaint with it. I like the way the Huntress and Question are portrayed here, and all the characters carry a certain detail that works quite well in giving visuals to the story.

All told, this is a nice, solid issue and as with some of the other tie-ins, I found this far more enjoyable and satisfying than the main title. Whether you’re reading Final Crisis itself or not, this is well worth picking up if you’re following the Spectre or Question characters, or have been following this series anyway.

Story: 8/10
Art: 8/10
Whole: 8/10

What If..? Fallen Son #1 [Review]

What If? Fallen Son: What If… Iron Man Had Died?

Writers: Marc Sumerak
Artist: Trevor Goring
Colorist: Elizabeth Breitweiser
Letterer: Dave Sharpe
Production: Joe Sabino
Assistant Editor: Jordan D. White
Editor: Mark Paniccia
Cover: Ed McGuinness
Publisher: Marvel Comics

This issue derives its story from the intent of answering the question “What if Iron Man had died [instead of Captain America]?” Opening with a recap of events we already know–the heroes’ Civil War, Captain America’s surrender, the bullets on the courthouse stairs–we see the outcome of the trial and where events could have gone had Cap not been assassinated. It is then that Tony Stark falls to events also tied back to the heroes’ war, and we see the world deal with Stark’s death, with snippets we get to check in on tied to the stages of grief. Without Stark to keep things moving as he’d tried, we see that certain more recent events are likely to have played out much differently.

While an interesting concept, I found this issue to be rather weak. I don’t know if that is the writing, or simply the amount of space to play with. We lose several pages to moving events forward without Cap’s death to get to Tony’s…and THEN cram in elements to tie to each of the grief stages, which makes things feel rather forced. Additionally, it seems that one ought to be up to date on subsequent Marvel events to fully appreciate certain moments here to fully appreciate the depth of this story’s events.

The art’s not bad, though not wonderful; it does the job and fits the story.

In addition to the main story, we’re treated to a brief story segment detailing the answer to the question “What if the Runaways became the Young Avengers?” (Written by C.B. Cebulski, Penciled by Patrick Spaziante, Inks by Victor Olazaba, Colors by John Rauch, Letters by Jeff Powell, Production by Joe Sabino, Assistant Editor Michael Horwitz, Associate Editor Chris Allo and Editor Justin Gabrie)

This is a four-page story segment; I don’t have the context nor the interest in it, and would have preferred the few extra pages to have been available to the main story. The art here is not bad, but the story seems a complete waste without having the earlier chapter and not having (nor intending to get) the later chapters. If this story is really worth telling, it should have gotten its own issue and not simply be broken across however many of the What If? issues we have this year.

For me, this issue was a real disappointment, only really redeemed by the fact that against general trend, it is a mere $2.99 cover price, so at least I didn’t waste my money on the new “in” price of $3.99.

Story: 5/10
Art: 6/10
Whole: 5.5/10

Green Lantern Corps #31 [Review]

Sins of the Star Sapphire part three: Empty-Handed Heart

Story and Words: Peter J. Tomasi
Penciller: Patrick Gleason
Inker: Rebecca Buchman
Color: Randy Mayor
Letterer: Steve Wands
Editors: Eddie Berganza & Adam Schlagman
Cover: Gleason & Nei Rufino
Publisher: DC Comics

The Guardians approve a Third Law to add to the Book of Oa–banning physical relationships and love between Green Lanterns. We then shift scenes to the ongoing situation at least partially responsible for the enactment of this law, as several Lanterns are tracking a Sinestro agent who is killing off Green Lanterns to steal their babies. There are also checking-in-on’-em scenes with Mongul as well as the new “Sapphire Lantern” Corps. based on the love just banned for the GLs. At issue’s end, yet another victim seems ready to be claimed in the ongoing GL/Sinestro Corps. animosity.

I’ll be honest–I don’t “get” the Star Sapphire stuff. I don’t think I’d even heard of the character (?) prior to this story, and I just don’t have any interest in the character. I know this story is fleshing things out and showing another fledgling Lantern Corps as we head toward Blackest Night, but other than that element, I’m just not that engaged. The story is somewhat interesting–touching on the subject of an antagonist striking at heroes through families–seen here not as some potential threat but an active and ongoing actuality.

The art doesn’t thrill me….There’s something to it that just doesn’t really do it for me. It clearly shows the characters, yes, and it provides a decent look at some fairly alien characters (and a rather creepy main antagonist)…I’m just not a fan of the style. As tastes do indeed differ, I’d suggest peeking at the art before buying–if you’ve no obvious complaints with it, you’ll probably enjoy this with little trouble.

All in all not a bad issue, keeping things moving forward. I’ll be glad to see this arc conclude and hopefully move on to more interesting territory.

Story: 7/10
Art: 6/10
Whole: 6.5/10

Booster Gold #15 [Review]

Full review posted to comiXtreme.com.

Marvels: Eye of the Camera #1 [Review]

Just One Little Thing

Writer: Kurt Busiek
Artist: Jay Anacleto
Colors: Brian Haberlin
Letters: Richard Starkings & Comicraft
Associate Editor: Jeanine Schaefer
Editor: Tom Brevoort
Cover: Jay Anacleto
Publisher: Marvel Comics

I’ve been looking forward to this series for years. I mean, we’re talking at least a decade. It’s been rumoured for many years, with apparently a couple of false-starts, and now after all this time, this series is here. Now what?

From the cover we immediately see this is different from the original. Different artist, different look…separate entity. No real attempt is made to have the cover evoke the feel of the original series–the “cover dress” with the black border/negative space over a full single image might have worked very well here, with the subtitle Eye of the Camera along the bottom.

The first page is an introduction by the main character, Phil Sheldon; and the issue’s creator credits somehow make me think of some “event” ticket, indicating who is involved for the night and all that. Not bad–I don’t think I’ve seen/held a ticket like that…well, ever–so it helps to indicate this story is not set during my lifetime.

The story follows Sheldon in the opening of the 1960s as he begins to realize that some of his “marvels” may be monsters, unlike the heroes during the war. He also considers that as a family man, perhaps he needs to lay down the freelance photography in pursuit of a steady/full job so that he knows he’s got provision for his family and isn’t still playing at his youth. Through this, we also see the arrival of the Fantastic Four on the scene and the “man on the street” reaction to the super-team’s unveiling.

The art is a very clear departure from that of painter Alex Ross from the original series. I’m not familiar with this artist at all offhand–ntohing comes to mind and I have nothing prior to compare the work to. In and of itself–and I’m sure credit must be given to the colorist in tandem here–has a look that while apparently not painted, has just the right feel to suggest painted, and very nicely captures the look of the characters I recall from the original. By itself, I’d deem this very good art; I honestly think the only thing that may keep it from that is the unfortunate fact that as a sequel, this has got to be compared to the original…and as such, the comparison to Ross must come up.

That said, I found this to be an excellent issue. It seems to be “sequel” in that it is a follow-up; though time-wise, it seems to be coming between the pages of the original story. As the first of six issues, I have no idea how the other issues will play out in that regard–are these meant to be taken as “between issues” stories from the original, between pages, or just another story from the same period, much as one could tell two independent stories that both follow the same life, the difference simply being the events chosen to focus on and unpack in each story.

Without Ross, I can think of no artist who would have done better than Mr. Anacleto; and I trust Busiek–who wrote the original series–with whatever he’s choosing to do here.

A very worthwhile issue…though with about a decade and a half of having the original story available in full under a single cover, I can’t help but wonder if this sequel will read better in the same way–as a whole, rather than split into six segments across half a year.

If the rest of the issues hold up to this one, this could be one of those rare sequels that at least matches its original.

Story: 8/10
Art: 9/10
Whole: 8.5/10

Secret Invasion #8 [Review]

Writer: Brian Michael Bendis
Penciller: Leinil Francis Yu
Inker: Mark Morales
Colorist: Laura Martin
Letterer: Chris Eliopoulos
Production: Irene Lee
Assoc. Editor: Jeanine Schaefer
Editor: Tom Brevoort
Cover: Gabrielle Dell’Otto
Publisher: Marvel Comics

That’s it?!?

This issue presumably picks up from where the last issue left off–but I’m not 100%, because I have only gotten certain beats of this story, being a reader who took ’em at their word that one would be able to just buy the main series and get a full story.

The Wasp apparently was turned into some sort of biological weapon (wha? when?), and rather than see the action moving forward, we’re treated to an opening sequence that seems to be more of a time-jump, going from a current in-your-face event to “well, now that we’re DONE, what exactly HAPPENED out there, Guys?!?” retrospective. Though The Wasp (insert arbitrary long-standing character here) died, the Skrulls were defeated, and now that the Skrull Plot has been brought to light, let’s see those who can take the fall do so, to shake things up for yet. another. “new.” “status quo.

The art on this issue isn’t horrible, but there’s something to it that doesn’t quite seem what I’d expect from Yu. While his style worked very well for me when he was on Wolverine a number of years ago, his style here isn’t really to my liking–many of the characters look odd to me…something much different from the “gritty” style I liked. Still, the art mostly shows what’s going on, and characters are recognizeable, so no huge fault there. (You can flip through the issue and determine if you like the visual style or not, as it maintains a consistent style throughout).

The story…

Well, I’m not satisfied. I bought the first issue of the series to check it out, and despite knowing better, I was hooked and bought the second issue. At that point, I’d bought a quarter of the series, so figured I’d grudgingly give it a shot for a few more issues, just to see if I could be proven wrong…and with this “8th” and “final” issue (I use quotes there because frankly, it is absurd to believe you can read a “core mini-series” for a Marvel event and not have to buy the umpteen specials, mini-series and tie-in issues as the event went on, and there are even epilogue/follow-up Secret Invasion issues BEFORE we even launch into the new “event” hot on the heels of this year-long monstrosity.

This issue was choppy, and tried to cram way too much in–we had at least three issues that did virtually nothing and now we have an issue with everything but the kitchen sink crammed in almost more to set up the next story than to truly provide an ending to this story. We hit a cliffhanger, then get a couple pages of resolution (tack those pages into the previous issue, and call this an epilogue/transition).

If you’ve been following the series, sure….pick this issue up. If you’re looking for surprises…well, avoid anything Marvel-related until you read this in one format or another. I’m not interested in where things are going, and maybe am not the target audience.

Story: 3/10
Art: 5/10
Whole: 4/10

Batman #682 [Review]

Batman: The Butler Did It

Writer: Grant Morrison
Penciller: Lee Garbett
Inker: Trevor Scott
Colorist: Guy Major
Letterer: Jared K. Fletcher
Asst. Editor: Janelle Siegel
Editor: Mike Marts
Cover: Alex Ross (variant by Tony Daniel)
Publisher: DC Comics

There’s not much to this issue, it seems. Bruce and Alfred have a conversation about his having chosen to become “a bat” and how events throughout his career have shaped who/what he is. We’re treated to images from throughout the Batman’s history, as if every Batman comic you’ve ever read has a place in the current Batman’s life.

The art by Garbett isn’t bad–it’s certainly a depature from the RIP arc, but it works well enough here. I don’t recognize the name, so am not sure if I’ve seen this artist’s work elsewhere, but in this issue, I have no problem with it in and of itself.

Story-wise, I feel rather lost and disappointed. RIP was vastly over-hyped, and where I expected some brilliant swerve that would serve to explain 2+ years’ worth of Batman stories in a satisfactory manner, I found the closing of that story anti-climactic. And a mere ONE week later to have the next issue and have no reference to RIP or any “death” of Batman is a letdown in itself. That I can hardly follow this issue’s narrative–I have read Batman for 19 1/2 years, comics for 20 years, and have delved even further back in my reading through the years–and this issue feels choppy and “trippy.” Is Bruce hallucinating? Is that what RIP was? Is this what he saw while drugged out by the Black Glove? Or is this Alfred’s recollection of events? If so, WHEN was this? Is this before or after RIP? Is someone musing to themselves, “talking” to Bruce, or is Bruce actually there?

Honestly, I’d be hard-pressed to recommend this issue. I almost feel suckered–after all, perhaps it’s important since it was rushed out THE VERY FIRST WEEK after RIP ended. If you’ve actually enjoyed the ending of RIP, perhaps you’ll enjoy this–perhaps you actualy “get” Mr. Morrison’s style here.

As for me…this is a trainwreck. I don’t want to look, but some part of me can’t help but look, and grouse at what I wind up seeing.

Story: 5/10
Art: 7/10
Whole: 6/10

Superman #682 [Review]

New Krypton part six: Invasive Surgery

Writer: James Robinson
Penciller: Renato Guedes
Inker: Wilson Magalhares
Colorist: David Curiel
Letterer: John J. Hill
Asst. Editor: Wil Moss
Editor: Matt Idelson
Cover: Alex Ross (variant by Rodolfo Migliari)
Publisher: DC Comics

Including the Jimmy Olsen special, this is the seventh straight week of an ongoing Superman narrative…in that sense, it’s definitely like the good ol’ days of the 90s ongoing story. Being a decade older and more knowledgeable at things like “creative teams” and in general knowing more than “just” the “character” I’m reading, I see a lot more–like while this is an ongoing story overall, we keep shifting focus from one character to another, as each creative team really gets to step up and tell their own story within the larger whole.

In part 6 of New Krypton, we begin with Clark and Martha visiting Jonathan’s grave–a fairly touching scene, though I don’t feel like I’ve seen Clark and Martha interact quite this way before. Martha seems a bit sharper…though given what the characters have been through, it’s still believable. After the two find an extremely unexpected “guest” already visiting the grave, we launch into the meat of the issue, as Kryptonians–led by Zor-El, Alura, and Supergirl–embark on a campaign of ridding the world of Superman’s old foes in a less than polite manor. Whatever their good intentions, they succeed mainly in provoking Superman to anger, and Earth’s populace to fear.

The art still hasn’t captured me–it’s got a style that somehow just doesn’t come across all that well, and I can’t quite tell how much it’s the pencils and how much it’s the colors. The look it gets for Bizarro works very well, though. There’s far, far more talent in the art than I’m capable of–but compared to the likes of Jim Lee, Gary Frank, Dan Jurgens, and others, this art just doesn’t do it for me.

The story makes perfect sense, and gets to deal with the question of how effective Superman really is, as well as the different perspectives held by the Kryptonians. It also continues to show that if Superman can do what he does, and a handful of Kryptonians do what they do, the world has justification for its fear and worry. This issue plays very well within the overall narrative of late, moving the story forward and setting up the next chapter(s) as well.

I like the cover–the image here reminds me of the cover to 1998’s Superman Forever, and it’s that much easier to imagine the motion in the depicted moment and that immediately following.

Overall, perhaps not the best point to start with on jumping in–but definitely worth getting if you’re already following the story or determined to get this title despite the crossover.

Story: 8/10
Art: 7/10
Whole: 7.5/10