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Age of Apocalypse Revisited: Factor X #3

aoa_revisited_logo

factorx003Open Wounds

Writer: John Francis Moore
Pencilers: Steve Epting with Terry Dodson
Inker: Al Milgrom
Lettering: Richard Starkings, Comicraft
Colorist: Glynis Oliver
Cover: Steve Epting
Editors: Kelly Corvese, Bob Harras
Published by: Marvel Comics
Cover Date: May 1995
Cover Price: $1.95

Hostility between Havok and Cyclops openly breaks out in this issue, as Havok makes his move to get his brother outta the way and take his place within Apocalypse’s hierarchy. Getting to that point follows the arrival of Jean Grey (who left her partner Weapon X in the most recent issue of that mini). Havok capturing and presenting her to Cyclops to further entrap him doesn’t go quite according to plan…and word quickly reaches Apocalypse on the transfer of power between the brothers.

Aside from a rather distractingly cartoony panel of Jean, I really dug the art for this issue…as I have the previous ones as well. Everything seems familiar and consistent overall–something I definitely like in issues of a single mini-series–and I can’t really complain. It’s cool seeing a couple "new" characters taken on by this creative team in flashing back to Weapon X #2.

Story-wise it’s very cool to see Jean’s arrival for a number of factors–but certainly at least for the notion of continuity and the shared universe of the X-books. I identified her so closely with Weapon X due to that series’ start and the cover to its first issue, and it’s interesting to see the crossing over as things build and develop, and get to see Jean interact with Cyclops…especially given what they were to each other in the "main" Marvel Universe prior to Legion screwing stuff up.

With this issue, we’re three-quarters through the series. Past the point of introduction, no treading water, and racing toward a conclusion…though I recall certain characters continuing into X-Men: Omega, so there’s a different sense of things for me looking back on this.

This would not be a singularly favorite issue for me, and the cover is a bit disingenuous–though in a very loose sense it could be seen as accurate given what goes down here. However, I definitely enjoyed reading the issue and seeing stuff progress in general as well as the feeling of things coming together. While the various X-titles sort of split apart coming out of X-Men: Alpha, the "universe" is shrinking a bit and I recall the minis all leading their set of characters back together into the pages of X-Men: Omega to conclude the entirety of the original Age of Apocalypse event/story.

X-O Manowar #34 [Review]

xomanowar0034Dead Hand part 1: To the Last

Writer: Robert Venditti
Penciler: Diego Bernard
Inker: Ryan Winn
Colorist: Brian Reber
Letterer: Dave Sharpe
Cover Artists: Lewis Larosa, Jorge Molina, Das Pastoras, Butch Guice
Associate Editor: Tom Brennan
Editor: Warren Simons
Published by: Valiant Comics
Cover Date: March 2015
Cover Price: $3.99

This issue is fairly distinct as the first “overlay” cover I’m aware of from this incarnation of Valiant. In addition to the “regular” cover, we have another piece covering half the front and all of the back of the issue, providing the same house-ad in color on the back (but nothing on the interior) and half the image of the front (in black-and-white with nothing on the interior side). The overlay includes the arc designation Dead Hand and story chapter (1), while the main/actual cover itself underneath is entirely in color with no arc designation or anything to indicate a new or specific arc.

Compared to prior issues where the “A” cover was outright MISSING half the image as a “variant”/”interlocking” sequence of covers for a single issues, I’ll gladly take this. I don’t really “get” the need for the overlay–the arc title doesn’t cover much and fits the title logo and simply looks like a comic cover. I’ll also accept this as an alternative to having a “black and white variant cover” and a “color variant cover” or some “virgin art” variant cover. Seeing this process done infuriates me all the more on the matter of variant covers.

xomanowar0034_showing_overlay

That said, the cover isn’t bad but doesn’t really stand out to me other than the presence of the overlay.

I like the story quite well, and caught myself contemplating that I’m pretty sure Venditti has been on this book for 35-some issues now (including the #0 issue) which in this day and age is a significant run despite barely being 3 years. While I’ve had previous issues that I didn’t totally “follow” consciously, this one felt nicely rooted in a general continuity–I’ve read since #1; I read the Planet Death arc a couple years ago I read last year’s Armor Hunters stuff; and so this flows nicely out of everything that’s developed so far. I enjoyed seeing Aric return to Loam (and that I recognized the planet’s name) and felt like the Vine (aka “spider aliens”) could be sympathetic characters if only generically. I also quite liked Aric’s sense of responsibility toward ’em.

The art for the issue is solid, and while nothing stood out to me as singularly spectacular or such, it’s really good and fits the story quite well. The design of this issue’s Armor Hunters (with their armors) have a cool look to them and made me think of an “X-O Manowar Corps” in a sense.

This is clearly the opening chapter of an arc, as it basically “just” introduces stuff for the main part of the whole: we see Aric with his people as he prepares to leave; we’re introduced to what I believe are previously-unknown Armor Hunters; we’re introduced to Dead Hand; we see Loam and its reception for Aric; and we’re left on the cusp of a significant event for Loam and Aric as the issue ends. Though a reader would certainly enjoy this most as an in-context story, there’s just enough introductory stuff that I’d say this would be a good jumping-in point for someone to give the book a shot. Unfortunately, this IS “just” an opening chapter of a larger arc so that lends its own aspect to the book in general: there’s NOT a “full story” just in this single issue, which does promote the advantage of waiting for a collected volume to get an entire story in one book.

Whatever complaints I’ve had on variant covers, or my general complaint toward the $3.99 price point, this is a solid issue, and fresh off from reading it, it’s a nice validation of my enjoyment of the series as a whole. As the premiere and presently longest-running Valiant title, if you aren’t checking it out issue by issue, it’s at least well worth checking out in collected edition format. Significant as the Armor Hunters saga was, Dead Hand looks to be extremely significant for Aric and his supporting cast of characters minus additional issues outside of X-O Manowar itself to follow. Very much recommended!

Age of Apocalypse Revisited: X-Man #3

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xman003Turning Point

Writer: Jeph Loeb
Pencils: Steve Skroce
Inks: Bud LaRosa and Mike Sellers
Colors: Mike Thomas
Separations: Digital Chameleon
Letters: Richard Starkings and Comicraft
Cover: Steve Skroce
Editors: Lisa Patrick, Bob Harras
Published by: Marvel Comics
Cover Date: May 1995
Cover Price: $1.95

I miss the single-issue titles and creative presentations of credits…maybe it’s reading so many of these 20-year-old comics lately and barely touching contemporary Marvel books, but it really seems that these aren’t done like this anymore. I appreciate the "Previously…" Pages that catch you up, and avoid disrupting the story or filling it with exposition that (in the inevitable collected volumes) can seem rather silly at points. But that’s part of the fun of revisiting the Age of Apocalypse and pointedly doing so on an issue-by-issue basis rather than via any of the collected editions or digitally.

This issue’s cover is relatively generic…yet, I like it. There’s no real background to it (though the title’s logo takes up most of the space where there otherwise WOULD be background, so there’s not much point to it), and we see Forge with Nate, both men standing together, eyes gleaming, ready for battle. Not terribly dynamic or iconic or stand-out, but works for the issue…and as said, I like it.

The art for the issue continues–as with previous issues–to work well for me, getting things across and not distracting me from the story.

The story itself is solid, and does well as a third issue of a four-part story, building on the previous chapters and leaving things at a tipping point for the fourth issue to wrap up.

Forge and the group find themselves facing Domino, Grizzly ,and Caliban–agents of Apocalypse–and fight. The trio is dealt with, Nate "tasting blood" (so to speak) as he dispatches Domino rather harshly. As the group deals with what they just went through, Forge discovers Brute’s fate as well as the truth behind his suspicions of Essex. Forge’s fate, in turn, is felt by Nate due to their psychic link…and despite Forge’s dying words, Nate faces the killer and discovers the cold truth of Essex himself.

Knowing what comes next honestly "taints" my enjoyment of this issue. It’s a good issue, with plenty of forward movement and development for the characters. But important as the issue’s events are for Nate, I get a different feel from this third issue than I have others–and I’m reminded that just as these minis "spun out" from X-Men: Alpha…so, too, do they dovetail back into it, and thus while there may be endings to the 4th issues, the characters’ stories all go on to an overall conclusion apart from the individual minis.

All that aside…I enjoyed the issue and do look forward to the continuation of this story and the Age of Apocalypse in general.

Age of Apocalypse Revisited: Astonishing X-Men #3

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astonishingxmen003In Excess

Plot: Scott Lobdell
Dialogue: Jeph Loeb
Pencils: Joe Madureira
Inks: Townsend/Milgrom
Colors: Steve Buccellato
Separations: Digital Chameleon
Letters: Richard Starkings and Comicraft
Cover: Joe Madureira
Editor: Bob Harras
Published by: Marvel Comics
Cover Date: May 1995
Cover Price: $1.95

With this issue, we head into the final half of the Age of Apocalypse story. We pick up on Wild Child being pursued and brought down…and when about to be killed, realize that Rogue and her group of X-Men have arrived to rescue him. On figuring out that something’s happened to Sabretooth, they mount yet another rescue mission. We also find out about Blink and Sabretooth’s past–what has so bonded the two; and we get a moment with Magneto and Bishop discussing Bishop’s ability to take a life, should it be possible to actually send him back in time–as it’s likely he would have to kill Legion to stop him.

This issue is definitely one where Morph stands out–and while I initially suspected this might’ve been where I started to REALLY notice the character, I recall that this series came a couple years AFTER the Fox animated X-Men tv series where we’d had a Morph, and this AoA character is actually the ‘derivative’ of sorts, at least by name.

I enjoyed this one quite a bit (with the USUAL caveat of that being in spite of the dystopian environment and dark situations the characters are actually in). At the time (in general) Rogue was one of my favorite characters…and this version of the character is rather "classic" to me…and in some ways even more interesting to me than the regular version at the time, and certainly moreso than recent years in the contemporary X-books. It’s also kind of odd to see Bishop struggling with the notion of taking a life, given the way he’s portrayed years later and most of the last decade.

I also continue to be amazed at how much a part of the X-universe Jeph Loeb was, prior to having real "name recognition" for me with comics…and sad to notice the contrast in how much of his ’90s work I enjoyed and how little I’ve enjoyed his contemporary stuff, myself.

This begins the third quarter of the Age of Apocalypse story as originally presented, and this 3rd of 4 issues hits a high gear. Given this is a mini-series, and a "temporary universe" as far as we’re (as readers) concerned…given so much is already "different" from the "regular" universe…there’s a heightened sense of "anything can happen" and that it’s pretty certain not everyone’s going to survive the series–they don’t need to, as the ongoing/perpetual nature of the X-Men property in general doesn’t apply to this. Even if major, core characters die, if we’re back to the "regular" books in a month or two, they’ll be "back" and none the worse for wear.

While I haven’t cared much for Madureira‘s contemporary work–looking "too stylized" for my personal tastes–the art works really well on this issue and I definitely enjoyed it. Though the cover isn’t nearly as "iconic" as the first issue, looking at it sitting here while I type, I like this one…both the focus on Rogue (despite some wonky perspective with her legs) and the coloring of the logo, playing off the foreground and the generic-ish background.

Definitely a good issue, enjoyable to read and look at, with a nice balance of characters, and keeping the story moving forward while giving a dark cliffhanger that promises an interesting 4th issue.

Age of Apocalypse Revisited: Gambit and the X-Ternals #2

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gambitandthexternals002Where No eXternal Has Gone Before!

Writer: Fabian Nicieza
Penciler: Tony Daniel
Inkers: Conrad, Milgrom, Christian
Letterer: Chris Eliopoulos
Colorist: Marie Javins
Separations: Digital Chameleon
Cover: Tony Daniel
Editor: Bob Harras
Published by: Marvel Comics
Cover Date: April 1995
Cover Price: $1.95

Picking up immediately on the heels of the previous issue, our point of view is back with Gambit and his group, as they suddenly find themselves farther from home than they ever could have imagined being…and facing what they come to learn is the Shi’Ar Imperial Guard. The encounter is not encouraging, and Gambit has the group retreat. Rictor–who tagged along in their cross-galaxy space-hop–goes with the Imperial Guard. While he meets with a certain brutality interacting with the Guard, Gambit and co. meet a local who brings them up to speed on the situation they’ve found themselves in on this alien world. Rictor soon leads the Guard back to the X-Ternals, and the fight again does not go well, but this time the group is rescued by another group–calling themselves the Starjammers…who explain the danger facing all existence.

The art in this issue seems somehow "off" on this read-through…I’m sure it’s not all that different from the first issue, but as has plagued many of the #2s, there’s something to not being the opening chapter, nor penultimate or final chapter that leaves me a bit dissatisfied with the issue and more negatively critical of stuff that wouldn’t otherwise bother me. On the whole, the art works, the characters are familiar and mostly distinct…though just paging through the issue there’s a strange sort of blend to the visuals that–at least just for this issue–seems "off" to me.

The story itself is good, though a bit fast-paced and feeling quite a bit the opposite of "decompressed." This issue’s events could easily (by contemporary standards) be stretched to at least 2-3 issues–as we meet the Imperial Guard, see a fight and retreat, meet another new character and get exposition, see Rictor interrogated, another fight, meet another group, get further exposition, and finally a declaration to end the issue. That a lot is packed into the issue is good, and feels like a lot is going on, keeping things moving forward and giving a bit of that sense of hecticness the characters must be feeling, trying to find their bearings in this screwy new setting they’re thrust into.

With the Age of Apocalypse story exploring a number of different facets of the X-Universe, this series gets to do the "cosmic" side of things. It’s not entirely to my liking, nor is it necessarily a disliking. Though I’ve read some of the stuff with "X-Men in Space" I’m not really used to THESE X-characters "in space" so that throws me off a bit.

All in all, the issue’s rather average; neither landing as something crummy and distasteful nor anything of great significance or notice. It simply is what it is. We have plenty of action and story advancement and are moved into the heart of things away from the simple "premise" of this mini as spun out from X-Men: Alpha.

And like many other issues in the Age of Apocalypse stuff, I find this current re-reading to be almost new as it’s been so long since the last time I read through the entire story that I’ve forgotten details even if I’ve retained broad strokes.

Age of Apocalypse Revisited: X-Calibre #2

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xcalibre002Burn

Writer: Warren Ellis
Pencils: Roger Cruz, Renato Arlem, Charles Mota, Eddie Wagner
Inks: Phil Moy, Tom Wegrzyn, Harry Candelario
Colors: Joe Rosas, Digital Chameleon
Letters: Richard Starkings, Comicraft
Cover: Ken Lashley
Editors: Suzanne Gaffney, Bob Harras
Published by: Marvel Comics
Cover Date: April 1995
Cover Price: $1.95

Some of these covers stick out to me and are rather instantly recognizable by image alone, without or in spite of the logos. This cover, though, could be brand new and I wouldn’t be able to tell you one way or the other. I suppose that’s because I only clearly recall broad strokes and not the details of the series.

This issue picks up on Destiny and her vision of Avalon burning. We then jump to an attack on Apocalypse’s forces, before cutting to Nightcrawler suffocating with fellow refugees in a sub. Though he escapes, others are not so fortunate. When the sub surfaces and seeks repairs, the refugees are transferred…and only his hanging back saves Nightcrawler from suffering the fate of the others. His inability to save them, though, leads our hero to attack Callisto and her minions, meteing out death for death-dealing. Finally, confronting Callisto herself, part of Nightcrawler’s mission fulfills itself in the arrival of Mystique.

This is a rather dark story, facing the dark elements in a way that somehow hits me a bit closer than some of the other titles’ situations…perhaps Nightcrawler saving himself but not anyone else–regardless of the fact of his INABILITY to do so. Prior to re-reading this I could only have told you that whatever this issue contains must have happened, but would not have been able to tell even the context of the cover image or anything that went down in this issue. The dark tone fits, as well as Nightcrawler’s own actions–marking him as quite different from his "regular universe" counterpart. I liked the intro page included here, something years ahead of its time: catching me up as a reader without forced exposition/contextualization eating up valuable space within the story itself.

I’m surprised, looking at the credits, to see so many involved with the Pencils and Inks…simply reading the issue, I didn’t even consciously notice anything amiss in the art that would even suggest so many creators involved. That’s certainly a good thing art-wise; or at the least says something about my enjoying the story enough to not notice.

In and of itself, there’s really nothing "special" to this issue; it’s a middle chapter lacking the newness and nature of an intro issue, it isn’t a penultimate nor finale chapter. It moves pieces around the board (so to speak) and gets things in place for the back half of the series.

While I look forward to reading Nightcrawler and Mystique’s interactions in the next issue, it’s not in a chomping-at-the-bit sort of way. I am moreso looking forward to getting to  finishing up on the #2s and getting to month #3.

TMNT Revisited: TMNT Adventures #9

tmntadventures009

Full Post at TMNT Revisited
Teenage Mutant Ninja Turtles Adventures #9

The Valiant #3 [Review]

thevaliant003Writers: Jeff Lemire and Matt Kindt
Artist: Paolo Rivera with Joe Rivera
Letterer: Dave Lanphear
Assistant Editor: Kyle Andrukiewicz
Editor: Warren Simons
Published by: Valiant Comics
Cover Date: February 2014
Cover Price: $3.99

While it could just be that it’s the most immediate, this is probably my favorite issue of this mini so far.

The main thrust of the issue is that Gilad (the Eternal Warrior) has allied himself with a number of allies (basically, the rest of the major characters in the Valiant universe) to fight The Immortal Enemy, an entity as old as Time itself that is trying to kill the newest Geomancer. Gilad’s failed a number of times in the past to prevent this, but he’s highly determined that it will never happen again. Meanwhile, authorities behind Gilad’s group are working to get a mysterious box opened. As all this is going on and the heroes seem to be defeated, Bloodshot has been getting Kay (the new Geomancer) to safety and prepares to defend her if needed–he’s her last line of defense. The two learn more of each other, and Kay tests her powers…but the Immortal Enemy continues its path to the Geomancer.

I breezed through this issue hardly noticing the art, overall. In this case that’s definitely a good thing–it just fit the story, conveyed plenty, and didn’t really left me wondering what was going on. I don’t care much for lengthy “silent” scenes where I have to “focus” on the art to pick up on what’s going on. I far prefer to read a story and be able to “notice” the action going on behind the words…and this issue struck me as very well balanced in that regard. It certainly worked for me.

The story itself has shifted from what I’d thought was going to be an Eternal Warrior or Unity story to a Bloodshot story, and I think I truly like that. I’m further behind on a lot of my Valiant reading than I’d like to be, so I’m enjoying the Bloodshot emphasis all the more. I’m also definitely enjoying the development of something between Bloodshot and the Geomancer–the two are such different characters, and yet there’s definitely something quite interesting about them being “teamed up” and interacting directly with one another. I skipped the recap at the beginning of the issue, but had no problem “picking back up” with things, and am eager to get to the story’s conclusion despite knowing it leads into Bloodshot Reborn (as opposed to simply concluding as a 4-issue story that sits for a bit before being picked back up).

As a third issue of four, this is by no means a jumping-on point. But it certainly draws from what’s been set up in the first couple issues and leaves me looking forward quite a bit to the final issue, and with some suspicion that Bloodshot’s status quo has been significantly altered…and I’m hoping that Kay makes it through this story and would quite enjoy seeing her as part of the cast of the new Bloodshot series this spring.

I remember expecting skinny squarebound issues when Valiant announced the “prestige format” of the series, having gotten used to that for Marvel and DC “prestige format” comics in the 1990s. What I’ve got instead is a cardstock cover, endpapers, and a pleasant lack of ads. Best of all–the cover price remains “only” $3.99…and I count a full 22 story pages–making the physical quality of the individual issue(s) well worth the cover price, particularly compared against a standard issue. We also get “commentary” in the back with several pages of blended art, showing a few of the story pages divided in quarters showing the layouts, pencils, inks, and colors which is a neat effect…these pages overlaid with commentary in “narration boxes” from writer Jeff Lemire contextualizing some stuff about the issue (no need to have a smartphone with an app to pull up some video short that’ll eat into a data plan for a few words from a creator).

All in all, quite a good issue…plenty enjoyable, high quality, and certainly worth its cover price.

Age of Apocalypse Revisited: Amazing X-Men #2

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amazingxmen002Sacrificial Lambs

Writer: Fabian Nicieza
Penciler: Andy Kubert
Inker: Matt Ryan
Lettering: Richard Starkings and Comicraft
Colors: Kevin Somers, Digital Chameleon
Cover: Andy Kubert
Editor: Bob Harras
Published by: Marvel Comics
Cover Date: April 1995
Cover Price: $1.95

We open on a prologue of sorts, witnessing Abyss torturing someone to maximize his own enjoyment of feeding off the kid’s life force. Then we turn back to the X-Men who now face foes who have commandeered the re-wiring of the Sentinels…now instead of being "invisible" to the sentinels, the X-Men are included as targets…a challenge they must overcome in order to be at all effective in helping the humans escape. They also learn that Abyss is holding this boy hostage, and Quicksilver and Storm go after him to save the kid. Meanwhile, Apocalypse determines that he Has Had Enough Of This and prepares to attack Magneto directly.

Like the first issue, this one is something rather different than I thought I remembered…something that might yet be attributable to cover images that I’ve seen repeatedly through the years while not re-reading the contents for years. This issue’s cover…while showing Storm and Quicksilver battling Abyss seems a bit stylistic, particularly in Abyss’ appearance as well as Quicksilver’s silent scream. A coworker asked me about part of it–if Storm was shooting lightning, and I realized that hadn’t even registered to me visually…just a bunch of color and lines.

The story is solid and enjoyable enough (given the dark setting and subject matter). It’s interesting to see the possible romantic relationship between Storm and Quicksilver simmering just under things, and at the least the relationship the characters DO have as-is. Somehow I’ve associated this title more with Rogue and her group than with Storm and Quicksilver, yet at least as of these first two issues, it’s definitely a Storm/Quicksilver-led group…though I believe the focus shifts a bit for the back half of the series.

The art is good, and no real complaints from me there outside of my note above on the cover. Even that isn’t horrible and is more of a "noticed" thing than anything drawing me out of the story or distracting or such.

Nearly halfway through the Age of Apocalypse now, and it seems like the journey’s just begun. Though I’ve not cared much for the "10 years later" stuff through present done with "advancing" the world…I still feel there is an incredible amount of potential for these characters and stories to be told prior to where we picked up in X-Men: Alpha.

And that’s probably part of why I find myself drawn more to Amazing and Astonishing X-Men to the self-inflicted quasi-dread of reading some of the other titles. This book holds as one of the "treats" of the bunch, though.

Age of Apocalypse Revisited: Weapon X #2

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weaponx002Fire in the Sky!

Script: Larry Hama
Pencils: Adam Kubert
Inks: Dan Green
Colors: Joe Rosas
Separations: Digital Chameleon
Letters: Pat Brosseau
Cover: Adam Kubert
Editor: Bob Harras
Published by: Marvel Comics
Cover Date: April 1995
Cover Price: $1.95

On reading the first page of this issue, I felt lost, and actually re-checked the cover. Yep–this IS #2. Not #3 or 4…I didn’t miss an issue. I don’t actually remember the ending to the first issue, but opening on Weapon X wading to shore amidst refugee/survivors, screaming for Jean definitely threw me a bit.

That’s where the issue opens–Logan’s just located Jean, who left to help with the evacuation of the humans from North America. The two reunite, a definite distance/rift between them that neither seems to want to acknowledge. There’s an attack, and the two leap in to help, though it brings things to a head between them and they part ways. Returning to the Human High Council, Logan is stopped by Mariko, and while the two converse another attack commences, and Logan again leaps into action in a way only he can. By the time the attack is over, Jean has left…though Logan is once more able to follow thanks to their psi-link, and the years of partnership between the two reach a tipping point.

This issue definitely feels like a “middle chapter” of a story. We’re thrown in the deep end at the issue’s beginning, and left with an unresolved situation at its end. At its end, we’re halfway through, having been introduced to Logan (Weapon X) and Jean in their status quo, we’ve witnessed their initial mission to completion and then further development of their situation, and things rapidly shifting into place for what I loosely recall of their placement for the far end of the Age of Apocalypse story.

I do like Hama‘s writing, and it’s still interesting to me to look back and realize what he’d done with the Wolverine character (and here, Weapon X) long before I ever recognized his GI Joe work. I touched on the notion covering the previous issue, but saw hints of it again in this issue: while this Weapon X is this reality’s version of Wolverine, there IS a darkness that I suppose I could “accept”–given what I recall of the ending of this Age of Apocalypse epic–morphing into what I considered a ridiculous and stupid thing in more recent years, NEARLY 20 years after the fact.

There’s an authenticity here that I appreciate, and while the story doesn’t leave me chomping at the bit for the next issue, I’m not disappointed to have read this one.

The art is quite good, and I continue to really enjoy Kubert‘s take on things, particularly Weapon X’s hair. That, combined with the burnt-critter version and then seeing the hair growing back over the span of a number of pages was cool–a sort of detail that worked well and conveyed how “tough” the character is physically.

Weapon X may not be my favorite of the Age of Apocalypse titles, but it’s not one I’ve dreaded reading…it falls somewhere in the middle or a neutral place if I were to rank ’em. This was a good issue, and ties in with stuff unfolding in Amazing X-Men, and while this stands alone overall, it’s great to see reference to other chunks of the whole, as this series is not unfolding in a vacuum.