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Azrael: Death’s Dark Knight #3 [Review]

Full review posted to comixtreme.com.

Story: 2/5
Art: 2/5
Overall: 2/5

The Unwritten #1 [Review]

Tommy Taylor and the Bogus Identity

Writer: Mike Carey
Artist: Peter Gross
Colors: Chris Chuckry
Letters: Todd Klein
Editor: Pornsak Pichetshote
Cover: Yuko Shimizu
Publisher: Vertigo / DC Comics

This issue opens with essentially a graphic novel representation of a popular kids’ book, one that I immediately compared to Harry Potter. The scene unfolds in a way that reminded me of the ending of Harry Potter, book 7…and at the conclusion of this scene, we move into a “real life” scene years after the Tommy Taylor book had seen print, and meet Tom Taylor. As the now-adult model for the fictional character, Tom has made a living cashing in on the fame thrust upon him–all the more as his father disappeared years earlier–some suspect murdered, but Tom just knows his father left him. At a TommyCon panel, Tom is asked by an audience member about his true past, revealing documents casting his identity into suspicion. As the suspicion makes the national news, Tom finds himself hated and hounded by the public.

I don’t have much to say about the art on this issue–it very much sets a certain tone, and conveys both a fantasy setting and “real world” settings very well. A number of small details capture the feel of the settings, while never making me feel like I was reading something trying to be anything other than a comic book. As a co-creator of the book, and this being the debut issue, there’s nothing prior to make much of a comparison to, but Gross’ work certainly sets a nice standard for a high level of visual quality on this.

The story, though, is what makes this issue. I found myself drawn in from the first page; familiarity with Harry Potter brought to mind, and curious what would set this apart from that. (Further reflection also has me reminded strongly of Abadazad.) We’re introduced to several in-story fictional characters, and then several characters meant to reflect the “real world” within this series. We’re not given a whole lot on any individual character, but we’re given enough to be interested in Tom and his life–who he really is, where he’s come from…what happened to his father, what inspired the Tommy Taylor stories, and a number of other questions. We have a realistic world built around the character–complete with news excerpts, web news articles, blog/chat excerpts, and even snippets of notes from the “author” of the Tommy Taylor books.

There is a lot at play here–I know just enough about writing that I can tell there’s loads of metatextual stuff to be found–that appeals on a number of levels. Wrap the multiple layers with the engaging story and believable characters that are familiar yet unknown enough to engage the reader.

This is one of the best reads I’ve found in comics in a long time…and certainly one of the best values in contemporary comics. We have an oversized issue with few ads priced at only $1; the story is very much a “pilot episode” of sorts, where there’s a story to be found just in this issue, while setting up plenty for the rest of the series to come. As a Vertigo book, I wouldn’t recommend this for the youngest readers, but with that in mind, I highly recommend this issue!

Story: 9/10
Art: 9/10
Whole: 9/10

Supergirl: Cosmic Adventures in the 8th Grade #6 [Review]

Graduation Day, Part 2

Writer: Landry Q. Walker
Artist: Eric Jones
Letterer: Travis Lanham
Coloring: Joey Mason
Asst. Editor: Simona Martore
Editors: Jann Jones & Elisabeth V. Gearlein
Cover: Eric Jones
Publisher: Johnny DC/DC Comics

We open on a battle–Lex Luthor vs. Superman and Supergirl. Supergirl’s opposite/duplicate, Belinda has been taken out of the equation, and Supergirl’s secret identity’s best friend–Luthor’s younger sister–is fighting mad. Amidst the carnage, Streaky the super-cat and Comet the super-horse can be found fulfilling their own roles, as the true menace stands revealed as that 5th-dimensional imp-whose-name-is-hard-to-spell. As Supergirl and her future self attend to Mxy, we even get a couple of great nods toward mainline DC continuity that ought to elicit a knowing smile, at least, from older readers, and yet remain innocent enough that those not “in the know” won’t feel left out as the panels serve the story in and of themselves.

This has been a great series–one that could have come across as overly simplistic, but has a strong balance of complexity with its simplicity. This issue draws on details sprinkled throughout the last 5 issues, building to a resolution that both wraps up the main points introduced without closing the door on the cast of characters.

The art–as it’s been consistently on this book–has a simplicity to it that feels like this could be adapting an animated series, without feeling like there’s been any loss in quality for that. The visuals convey the story very well, and are an integral part of the feel of this book.

The creative team has taken something that could have been a flop and created something much better than it had any right to be. If you passed on this or otherwise missed it as singles, I highly recommend checking out any collected volume that may become available…or track down the single issues, and share them with a younger reader in your life!

Story: 9/10
Art: 9/10
Whole: 9.5/10

Superman: World of New Krypton #3 [Review]

Full review posted to comixtreme.com.

Story: 3/5
Art: 3/5
Overall: 3/5

Blackest Night #0 [Review]

Full review posted to comixtreme.com

Story: 4/5
Art: 4/5
Overall: 4/5

Green Lantern #40 [Review]

Full review posted to comixtreme.com.

Story: 4/5
Art: 4/5
Overall: 4/5

Final Crisis: Legion of 3 Worlds #4 [Review]

Full review posted to comixtreme.com.

Story: 4.5/5
Art: 4.5/5
Overall: 4.5/5
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Detective Comics #853 [Review]

Whatever Happened to the Caped Crusader? part 2 of 2

Writer: Neil Gaiman
Penciller: Andy Kubert
Inker: Scott Williams
Colorist: Alex Sinclair
Letterer: Jared K. Fletcher
Assistant Editor: Janelle Siegel
Editor: Mike Marts
Covers: Andy Kubert
Publisher: DC Comics

There’s something to this story that makes it fit in quite well with the stuff that we’ve had from longtime writer Grant Morrison. The abstracts and symbolism, the nods to other eras of continuity and obscurities of the Bat-verse…these are all pretty much at home in my limited understanding of Morrison’s works. At the same time, where this sort of story wouldn’t work for me coming from Morrison, there’s something about the “history” that I have in reading Gaiman’s books and enjoying, understanding, and simply “getting” them that makes this story work very well.

The story is pretty simple, with not very much action here. A large chunk of story is Bruce talking to an image of his mother, sorting out where he is and what he is seeing. As the issue progresses (everything in the previous chapter having set up the foundation for what we get here, now) we begin to see a bit of a cyclical element to the story–one that actually reminds me just a little bit of Ragnarok, the final Thor story a few years ago from Marvel.

The art, though it doesn’t really jump out at me all that much this issue, is still extemely strong, capturing a classic feel without making me feel like this is actually a comic from decades past. Visually, there’s not much of anything I can think of that’d make it much better.

Gaiman references an old children’s book to great effect in this issue. It’s a reference that is fairly key to the whole thing, bringing a lot of stuff to a fitting close…and a reference that to me, makes this that much more a great story.

Though this doesn’t really serve as a hard bookend, closing the door on a version of the character, it still provides a nice breaking point, a send-off of sorts to characters well-known and loved in the Batman continuity. The story that began last year in RIP, continued through Final Crisis and Last Rites actually continues in the mini-event Battle for the Cowl and into some relaunch-type material in a couple months…perhaps the marketing or something else makes this feel like more of a side-story…a “What would happen if we DID decide to end things now?” kinda thing.

On my first read-through of this issue, I was not sold on the ending. Upon further reflection and asking a friend about the book I thought was being referenced, I realized the brilliance of this story. Whether you’ve been a longtime Batman reader or not, you should have no real trouble following this 2-part story. In fact, you might actually enjoy it all the more being aware only of characters’ existence and not being steeped in the history.

Whatever the case, if you can find the story now as single issues, it’s only two issues and so quite worth snagging that way…if you’re unable to get the story as singles, I very highly recommend picking up the collected volume when it comes out this summer.

Story: 9.5/10
Art: 9/10
Whole: 9.5/10

Azrael: Death’s Dark Knight #2 [Review]

Full review posted to comixtreme.com.

Story: 2/5
Art: 3/5
Overall: 2/5

Tales of the TMNT #57 [Review]

Full review posted to comixtreme.com.

Story: 3/5
Art: 3.5/5
Overall: 3/5