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Uncanny X-Men #600 [Review]

uncannyxmen600Writer: Brian Michael Bendis
Art: Sara Pichelli, Mahmud Asrar, Stuart Immonen, Kris Anka, Chris Bachalo, David Marquez, Frazer Irving
Inks: Wade Von Grawbadger, Tim Townsend, Mark Irwin
Colors: Marte Gracia, Jason Keith, Chris Bachalo, Frazer Irving
Cover: Chris Bachalo
Lettering & Production: VC’s Joe Caramagna
Assistant Editors: Christina Harrington, Xander Jarowey
Editors: Mike Marts and Mark Paniccia
Published by: Marvel
Cover Date: January 2016
Cover Price: $5.99

Winter Carnival

Writer: Mary Jo Duffy
Penciler: George Perez
Inker: Alfredo Alcala
Letterer: Janice Chiang
Cover Art: Paul Gulacy
Associate Editor: Ralph Macchio
Editor: Dennis O’Neil

The first X-Men comic I clearly, consciously remember getting is Uncanny X-Men #300. The costumes, the characters, the cover–it fit the then-current animated series on tv that I was getting familiar with, and had a nice shiny cover to draw extra attention (to say nothing of being a thicker cover physically, making for a durable, high-quality issue to hold).

Several years later I picked up #400, and then years after that 500–though I hadn’t kept up with every issue of the title.

So again now, I bought #600 despite not being entirely current on the title (and overlooking the multiple reboots between the last legitimately-numbered issue and this) because of having bought the last several 100-issue round-number issues when they came up. Some 22 years after getting #300, here I am with #600.

My understanding is that this is Bendis‘ final X-Men issue, as far as being the driving force behind the main X-books. Despite catching up a fair bit on Uncanny X-Men and All-New X-Men recently via Marvel‘s Digital Unlimited, I’m still a bit out of the loop on whatever’s transpired between where I left off there and stuff immediately prior to Secret Wars and the Last Days stuff. But I do know the characters and the bulk of recent stuff in the most general of terms.

This issue finds Beast (Hank McCoy) experiencing an “intervention” by his teammates, forcing him to confront what he’s done of late–with emphasis on having time-traveled to bring the original X-Men into the present where they’re now stuck. Amidst the intervention/confrontation, we get some flashes to a number of smaller interactions–“original” Jean wants to leave the group for awhile; “original” Bobby confronts current Bobby on repressed feelings; Kitty, Colossus, and Illyana catch up with each other, and so on. Meanwhile, we also see Scott Summers’ recent dream to fruition…and it proves to be just a bit different than we’ve been led to believe.

We also get a lengthy “backup story” by Perez, a solo Iceman thing, that while it looks good does not feel particularly relevant nor current. It seems set in the early 1970s, though it feels like a more recent piece. The art is very good–I usually do enjoy Perez‘ art–though I don’t entirely appreciate the black-and-white instead of color. Perhaps it was intended this way, maybe it was a stylistic choice, but that contributes to it not feeling like it belongs in this issue.

The main feature’s story is solid enough, and though it doesn’t feel like an ongoing issue but more like a one-shot, it works decently enough as itself, as what it is. At the same time, I’m not thrilled at what appears to be Bendis trying to cement several key points just before taking off, like he has to solidify or shoehorn in some stuff to force subsequent writers to address things or leave Bendis‘ work to be an absolute character element. I do definitely approve of the supposed conclusion of the Cyclops arc, and hope to see stuff picked up on, that it’d “redeem” the villanous element applied to the character over the last several years.

Visually…while I appreciate the CONCEPT of letting a bunch of artists work on the issue as “the” big anniversary issue…I can really do without it. The shifting visual styles is distracting and draws attention to stuff in a way that takes away from the otherwise-natural shifting nature of the story, giving us some smaller character moments while addressing the larger overall confrontation with Beast.

I definitely enjoyed Perez‘ work on the Iceman story…but it’s such an unrelated thing that I’m honestly resentful at its inclusion, at this issue being over-priced at $6 over the “standard” $4 just for the story’s inclusion. Better a $3.99 issue without it than $5.99 WITH. That said, the story would work as some bonus/extra cheap attraction, as it really has nothing to do with current continuity, and has no likely/obvious ongoing elements to contribute to stuff, other than being a ’70s-looking/’70s-sounding story.

The main story’s art was distracting…and I was reminded how recognizable and unwelcome (to me) Bachalo‘s art is amidst it all…especially for the cover. It’s also very disappointing that the cover looks like it’s half of or one of several “panels” of a larger image, without even a wraparound…only a bunch of variants.

I bought this issue personally for being the anniversary issue, being the actual high-number or “legacy-numbered” issue. That’s for the personal element of having got #300 off the shelf, and each subsequent 100-numbered issue. In and of itself, if you have followed Bendis‘ X-work, you’ll want to pick this up. Otherwise, this is quite skippable for whatever will be ‘current” moving forward. Outside of whatever closure you’d get having followed this series, and/or All-New X-Men, I’d suggest skipping this and waiting for whatever nearest #1 most directly follows and grabs your attention.

Spawn #257 [Review]

spawn257Voyage to the Center of Hell!

Story: Todd McFarlane
Art: Szymon Kudranski
Color: FCO Plascenscia
Lettering: Tom Orzechowski
Cover Art: Jonboy
Editor/Art Assists: Todd McFarlane
Publishing Coordinator: Shannon Bailey
Art Director: Ben Timmreck
Production Artist: Andy Arias
Published by: Image Comics
Cover Date: October 2015
Cover Price: $2.99

I usually know before I set foot in the store what “new” comics I’m going to be buying. This issue of Spawn, however, was an impulse-buy…and credit really is the cover–a definite rarity for ME. There’s something to the coloring of this one that caught my attention, I think–the Venom-esque Spawn, the red and black of the cape and its shadows…as well as the fact that 257 issues in we still have the classic, original title logo whose coloring ON the cover looks fantastic to me. And as it’s been a few years now since I “checked in” on the title (back around #200) AND noting the cover price is “only” $2.99 I figured FOR $2.99 (compared to $3.99) I was willing to take a chance on a “random” single issue.

For the most part, I may as well be lost, on this issue, read in isolation from any surrounding issues or bothering to try to remember what I’ve seen/read/”heard” recently of the title. Thankfully, there is a “previously” blurb that sets some loose context.

Essentially…Spawn’s (Al Simmons) wife Wanda has been killed, and he wants to save her. To do so, he needs the help of an angel and a demon…which is where Michael and the Violator (Clown) come into play. With their assistance, he gets to the entrance of the Tunnel, where he wants to be…and whatever happens from there, we will see unfold in coming issues (apparently to be drawn by Savage Dragon creator/writer/artist Erik Larsen).

As said, I really liked the cover, enough that I bought the issue. The interior art didn’t exactly stand out to me–I was reading for the story and didn’t really care ABOUT the art. But it works very well and kept the tone and feel I’d expect OF a Spawn book, and never left me wondering at some kind of wonkiness to the visual style. The linework has a certain roughness I like for conveying the dark stuff of the issue…and the muted colors accentuate that very well.

Story-wise, I wonder if I came in at the tail-end of an arc, or part of set up for the coming arc–I’m not really sure. I’m truly not familiar enough with the title or characters to have any real sense of nuances for them, but nothing here stood out as contradictory to whatever knowledge I do have. There’s not really much given in the way of exposition–this clearly is not geared specifically AS a jumping on-point–but I definitely like seeing McFarlane on the story credit, even if not art. That smooths over any roughness (to me) of the story making sense or not…just appreciating the original creator’s on the book. (To say nothing of my choosing to just jump in for an issue without seeking an entry point).

All that said…I’m interested enough in where things go from here, just from reading this issue, that if I happen to notice the next issue, I’ll probably pick it up. I’ve never engaged with this book on a long-term basis, so I’m not interested now in tossing it on my pull-list or anything. I’m also intrigued at the notion of Larsen on the art and seeing what Spawn looks like in his style.

All in all, I’d say this is “just another issue” of the title…if you like the title, you’ll probably want to get it; if you don’t care, there’s really nothing here that says the story itself is anything essential or groundbreaking (maybe the next issue will have/be that).

Still…for my $2.99, I am definitely satisfied with my random purchase of this issue.

Thanks, Valiant! (Superman and The Flash)

Three months post-Legends of the Geomancer, and with having dumped Valiant entirely from my pull list, I’m finding myself buying other stuff as I continue to support the local comic shop–just not via Valiant‘s offerings.

superman_flash_oct_21_2015

This week, I snagged an old Superman vs. The Flash for cover price, and at another shop managed to find Flash #53 for the price of a standard contemporary comic. I was willing to pay $3.99 for it for the immediacy and specificity–I was seeking this specific single issue, hadn’t seen it in bargain bins, and it’s not like I often see the Flash in quarter bins anyway.

I wouldn’t be (able to be) buying the back issues and collected volumes I have been lately, had I not been "freed" from the weekly Valiant expenditure…though in some weeks I think I’m actually spending a bit MORE, but I’m "affording" stuff I would NOT be able to ON TOP OF buying Valiant.

So, in response to the ridiculousness that was Legends of the Geomancer and my finding other stuff that I’m truly ENJOYING more than just "tolerating" the $3.99 and turning a blind eye to variant covers and such…

I can only say thanks, Valiant.

Thoughts On This Week’s Secret Wars #6

secretwars(2015)006I think this is my final issue. This cover–probably for having been printed in advance–still shows “of 8” whereas the series has been expanded to 9 issues at least. And displaying the tardiness of this book, the first POST-Secret Wars books hit this week already…meaning that only 2/3 into this event series, we’ve already got the post-series status quo showing up.

Back in 2005/2006, DC did their One Year Later jump, intentionally midway through Infinite Crisis…but that was promoted that way. That something would happen in Infinite Crisis and all of DC‘s titles would jump ahead a year, though Infinite Crisis itself would still have a couple issues remaining to play out.

It was PLANNED that way.

And frankly, despite the early “fun” to Secret Wars stuff and the nostalgia factor…I find myself back to the general negative feelings on their stuff that I’ve often wound up with.

They hype this big, huge event far beyond anything that could truly, possibly be delivered. And then while the story has barely started, is less than halfway through…they’re already hyping the NEXT thing. The NEXT status quo, the NEXT event, the NEXT whatever.

There’s no room for things to just settle, to let something play out, to give books several months to “cool off,” to explore ramifications and “aftermath” of stuff from one big event before jumping into the next.

Solicitation cycles and all that, I’m sure. To say nothing of the 6-issue periodical volumes.

I’d truly had high hopes that we’d see a fresh, all-new Marvel Universe that I could start with, Day One, and “meet” characters anew. We’d still have had everything to that point, but now have a new universe for EVERYONE to start with…even if it also involved a mashup of “the 616” and the Ultimate lines.

But other than several characters “crossing over” or “carrying over” or whatever (hardly much different than say, Sugarman, Dark Beast, Holocaust, and Nate Grey–X-Man–carrying over to the “main” X-Men line after the original Age of Apocalypse), it’s the same Marvel Universe that we started with. 

“My” Wolverine is still dead, with X-23 and a crossed-over Old Man Logan as a replacement/excuse to keep original-Wolverine dead while still HAVING Wolverines.

Then there’s opening the issue onto a white page with gray lettering stating “Three Weeks Later.” Given the sporadic release of the title and my having trailed off on tie-ins and such, I found it a bit jarring and less than appealing. “Three weeks after WHAT?!?” I asked myself. “I don’t even remember how the previous issue ended!” Sure, a few pages in, I came to a recap, but that doesn’t change my initial, involuntary reaction to the issue.

And while I didn’t “notice” it as much earlier on, or could overlook it, or whatever…I can’t help but feel a sense of pretentiousness to the book…that sense now of it trying to be some High Story, on some higher, multiple-levels more than “just” some straight-up super-hero thing with a huge quantity of characters all interacting that leads to a new Marvel Universe from the parts.

As is often the case, though…it will likely read a LOT better in a collected edition, when the ENTIRE story can be binge-read. At this typing, I figure I’ll finish out the Age of Apocalypse series, probably watch for some other stuff in dollar bins that I started with…but by and large, I think I’m done with this until I suck it up and buy a collected edition. 3 issues left, one probably a $4.99 to $5.99 as an extra-sized finale…that’s $13-$14 toward a collected volume!

Batman and Robin Eternal #1 [Review]

batmanandrobineternal001Story: James Tynion IV & Scott Snyder
Script: James Tynion IV
Pencils: Tony Daniel
Inks: Sandu Florea
Colors: Tomeu Morey
Letters: Tom Napolitano
Cover: Tony Daniel, Sandu Florea, Tomeu Morey
Asst. Editor: Dave Wielgosz
Editor: Chris Conro
Group Editor: Mark Doyle
Published by: DC Comics
Cover Date: December 2015
Cover Price: $3.99

Against otherwise better judgment, I decided to check this out. I’m sure it had plenty to do with being a #1–a chance to “check it out” from the start, before things get deep. Also that I got the impression the series is due to focus heavily on the previous Robins–Dick, Jason, and Tim–which is something I’m quite interested in (particularly Dick and Tim). I also have the hope of it being a lengthy but mostly contained story, and while I’m really not thrilled at the prospect of a WEEKLY $4 book, since it’s not like I’m really following anything else from DC and Marvel at the moment, I might be able to tolerate a weekly dose at the higher price.

We open with a flashback, then jump to the ‘present’ with Red Robin, Grayson, and Red Hood pursuing someone; a bit of an action sequence. Scene skips abound as we get a moment with the new Batman interacting with would-be Bat-protégé Harper Row, then more flashbacky stuff, and Grayson encounters a costumed figure that could have used lethal force but doesn’t; we’re introduced to this “Mother” as a concept, and “The Orphan,” and ultimately get a fairly disturbing “reveal” for the ending of the issue.

Aside from the concept, probably the first thing I noticed with the issue was the art. I tend to enjoy Daniel’s work, and even on a hit-or-miss basis, this one’s a hit for me. I really liked the look of the issue on the whole–including Dick and Jason looking rather similar (thanks to metatextual knowledge of Jason’s creation/introduction back in the ’80s). Really no complaints visually.

Story-wise I’m less-keen on stuff. Structurally, I definitely appreciate the issue. I liked that we’re dropped in on action right away (rather than some “talking heads” situation), and I like that we get a bit of an overview of the characters that seem poised to be focal points of this weekly series. It’s silly details that hung me up–stuff like “The Narrows” as a location I don’t ever remember in Gotham prior to the Nolan films or the Arkham games, as well as stuff from Dick’s flashback to his first “super-villain” tying to those films. I can’t quite put my finger on why that bugs me, but it’s there. Hardly a “dealbreaker,” though. I have more concern with Batman–Bruce’s–actions and potential motivation, perhaps just on a metatextual level.

Whatever the specifics…I enjoyed this on the whole. The issue also felt thick (and it is–I count 30 pages of story to the usual 20ish) and so the issue is much more worth its $3.99 cover price.

Seeing the third volume of the paperbacks for the previous Batman weekly–Batman Eternal–also out this week plants the seed in my mind all the more that I might prefer to just wait for collected volumes…particularly given how quickly I lost track of DC‘s weeklies last year. If I’m not going to get around to/keep up with weekly issues and binge-read anyway…might as well wait for my preferred format.

Still…a good first issue, working well as a “pilot” issue and getting me interested, confirming that yes, I am (myself, at least) interested in where this story goes, whatever the format. And as a first issue…this is well worth checking out if you’ve any particular interest in Batman’s sidekicks.

One Year Later

A couple weeks ago, I hit the one-year mark of having a new post for this blog every single weekday (Mon-Fri). Over 52 weeks of at least five posts per week.

What started as a personal “experiment” in seeing if I could do a month, then several months, then top my previous “record,” eventually turned into me deciding to keep up the daily schedule to hit that year mark. Then I decided to finish out the month.

When I found myself with nothing prepared Wednesday night, I used that as an excuse to finally ‘break’ my trend. Now I’m free of that…less pressure to put on myself to keep it up.

And while I’m not going to specifically NOT post…I’m probably going to (try to) allow a bit more time between posts for awhile. Take a break from writing ABOUT comics and comics-related stuff and spend more time just simply reading and enjoying them.

This blog will still be here, I’ll still be here, and even if I’m not posting daily for awhile, I expect to have stuff here and there.

Some Raw Thoughts to Start September

[This is a rather raw/unedited post. No fancy formatting, no strategically-placed images. Just some worn-out thoughts from a guy worn out with the ongoing comic-buying thing.]

I’ve seen (but not read many) articles about the apprent “failure” of the DC You campaign, the support remaining behind it, ways it failed readers and ways it reinvigorated ’em. Stuff like that.

But not having read MUCH (going mostly off quasi-clickbaity headlines and links to VIDEOS rather than text), here are some of MY thoughts.

For me, to me, it’s been a failure. I bought the first issue of Batman Beyond, based on learning it was now Tim Drake behind the mask, that Terry had died during Futures End or such, and having an interest in the Tim Drake character, as one of my (pre-New 52) favorite characters. As I type this, I do not recall issue #2, if I even bought it (I’m pretty sure I passed on it). Despite interest in the future Batman, interest in Tim Drake, and having a soft spot for Dan Jurgens’ work…it wasn’t enough to hold me. Sure, the $2.99 price is appealing in an overwhelming sea of $3.99 books, but I just do not have faith in DC keeping the book going longer than 6-12 issues, which would make for a couple of collected editions, likely accessible in a bargain bin in a year or two’s time…or single issues in a bargain bin for 1/4 to 1/3 on the whole cover price.

I’m forcing myself to try a few issues of Constantine, missing the Vertigo Hellblazer incarnation. While the first two issues (I’ve bought but not yet read the third) seemed a lot more in line with that…again, I haven’t a clue how long this incarnation will last; whether the creative team will bail or leave or be let go, or the book will be cancelled, etc. There’s no “history” to it, with “only” 3 issues, while there are 3 HUNDRED issues of the Vertigo series…plus assorted guest-starring roles, specials, and so on.

Pretty much everything “continuing” from before Convergence just simply doesn’t interest me–especially as serialized graphic novels rather than monthly episodes in any sort of truly ongoing story.

And perhaps is was misunderstanding on my end, but the notion that ‘continuity’ doesn’t matter and that ‘story’ is more important REALLY put me off to some of the truly new things (as well as–again–the lack of faith in any true longevity to the series beyond what I can eventually get in bargain bins or discounted collected volumes in a couple years’ time).

And maybe that’s the thing, too, in the face of stuff that’s otherwise just “the latest” thing or the most current in a series of things that puts me “off” of new/current comics while leaving me totally embracing ’90s stuff and older stuff.

Ten years ago, maybe eleven, I was railing against $2.99 comics, up from $2.50 or less. The last seven or so against $3.99 comics, having gone straight from $2.99 with no stops at $3.25, $3.50, or $3.75 between.

And for wanting to follow entire continuities, entire universes…at the rare/occasional $3 and mostly $4/issue anymore, that’s just not possible for stuff like Marvel and DC. Even for sub-groupings or “families” of titles. Marvel double-ships a bunch of titles last I paid attention, and DC…has just really lost me with the New 52, beyond however much they’d “lost” me prior.

Valiant was manageable with only about 9 titles/month, but in terms of single issues for “everything they publish,” they blew it big-time with LotG (see anything I’ve posted in the last couple months about Valiant).

Which leaves me with my old fallback and readily-admitted exception to most anyother “stance” or “principle” I’ll take in comics: the TMNT. 2 books/month (1 ongoing, 1 of whatever the ‘current’ mini-series is), 1 book/month based on the cartoon, and about 1 book/month reprinting classic material…four books/month. I can handle that, and I get the entirety, pretty much, of comic book output of TMNT.

I might try something different here or there–Thom Zahler’s Long Distance, giving in to nostalgia with X-Men ’92 or Age of Apocalypse (with the added benefit of knowing these are mini-series and not an ongoing ‘investment’).

But at this point, I’m sick of the event-into-event-into-event-into-EVENT model. I’m sick of renumbering. I’m sick of the “seasonal” model of Marvel, and I’m sick of a crappy Superman.

I’m sick of the speculator-collector stuff, I’m sick of variant covers, and I’m entirely sick of shrinking pagecounts with increasing prices.

I’m sick of comics being nothing more than serialized graphic novels, where shocks, surprises, and “key” story elements have to be taken in within larger groupings of issues and not simply as the latest unfolding chapter of an ongoing continuous series. An X-Man dies in chapter 2 of a 6-part story, there’s no TRUE bearing on the series until at least the next arc–she might be back or the death undone in 4 issues as the larger story for the “graphic novel” resolves, or the very next “arc” as part of a larger 2-volume thing.

And I don’t like the unpredictability of most “indie” comics…and particularly WITH the serialized graphic novel bit…either I have no idea when/if I’ll get a second issue if I trie a first, or the thing’s geared toward the graphic novel. The “guaranteed-to-be-collected-into-a-single-volume” thing dooms most single issues for me.

Raiding quarter bins, I can buy a 16-issue (more than a YEAR)’s run of something for the price of a single current issue. I can sample smaller runs of various series. For only SLIGHTLY more than buying a 6-issue arc, I can buy a HUNDRED issues from 20 years ago. From a period of definite nostalgia for me, of a time when I simply enjoyed comics for what they were, and following ongoing stories with little regard–outside the occasional in-title “event” or “crossover”–for any notion of collected volumes.

And while I absolutely will NOT knock it–with Marvel Unlimited, I can read 40 issues for about what ONE would cost me, and I can truly “binge-read” series without laying out a small fortune.

So, bringing this stream-of-conscious post to a close: yeah. DC You was a failure for me. It has not drawn me ‘back’ in, it doesn’t leave me at all reinvigorated toward DC, and I’m desperately chasing alternatives to the former “joy” of the weekly/monthly comics-buying experience.

Recent Omnibii Acquisitions

Last December or so, or maybe late November, I ordered the Trial of Captain America omnibus. And I recently threw in and got the Age of Apocalypse Companion volume…and then Onslaught.

omnibii_this_year

While I don’t like the pricing (and have only gone in with significant discounts online)…I have a number of Marvel omnibus volumes…but thus far have only ever bought one DC omnibus. And I have never bought an Absolute Edition despite a couple somewhat having my interest.

I’m a sucker for nostalgia. For the ’90s.

Brubaker‘s Captain America being a bit of an exception. And the Marvel volumes fit much better in with other volumes on the shelf…they’re just significantly thicker.

I’m thinking the Onslaught volume hopefully caps a bunch of large purchases for a bit. Outside of a handful of out-of-print X-Men volumes…I’m largely content to wait–as far as omnibii–for the actual Age of Apocalypse volume next year.

Meantime, some thicker paperbacks have my growing attention on the DC side.

Blast From the Past: How to Draw Comics the Marvel Way

It’s been quite awhile since I bought what I would consider “Comics Reference” books…but I saw this one on a bargain table for $3, and couldn’t talk myself into passing it up.

how_to_draw_comics_the_marvel_way_book

How to Draw Comics the Marvel Way. It’s an old book–one I remember from my earliest days being into comics, and checking out from the library numerous times just to look through and consider making my own comics.

I certainly couldn’t “afford” it as a kid using limited allowance on comics themselves. But now as an adult…for less than most contemporary comics cost themselves, it was a well-worthwhile purchase, to me.

And despite being marked as “used,” I’d flipped through (have not yet gone singly page-by-page) and it didn’t seem to be marked up, just some shelf wear/fading and such (that I would expect of a book this age).

So I’m happy with it. Certainly FAR happier than what I recall of the library edition the last time I’d seen it, where someone had drawn in it (remember, it was a LIBRARY COPY still belonging to the library and still in CIRCULATION at the time) and otherwise basically ruined the thing.

I may not like to draw or be anything of an artist…but this is a nice addition to my collection…

My Marvel Digital Journey, Month #2

uncannyxforce026When I first decided to try the Marvel Digital app, I justified it to myself on cost of print counterparts. Read a couple stories and that’d pay for itself, compared to buying the collected volumes.

For that first month, I ultimately read about 50 issues, working out to everything being like having read a bunch of 25-cent bin books. For “only” $10 spent, I was quite pleased with myself.

But getting into Month #2, I found myself devouring issues, and REALLY found myself taking advantage of the content-to-price ratio.

First, I decided to read/finish the final part of the run of Uncanny X-Force I’d dropped after frustration with the shipping frequency and art changes and general bad attitude toward Marvel and $3.99 books.

uncannyavengers001Finishing that, I followed a story thread into Uncanny Avengers; then followed stuff from that into the “core” event mini for Axis. Then I backtracked on Magneto’s story…and then decided to backtrack further to get the context for him going off on his own. But knowing the books had run side-by-side, I decided to pair Uncanny X-Men with All-New X-Men.

And in the reading I tried to include Annuals, which led me to the Arms of the Octopus “Special” issues; I also read all the tie-ins of the Battle of the Atom crossover.

Amidst all that, I also took about a week and a half “off” from the comics to read two full-length books: A Street Cat Named Bob, and The World According to Bob.

avengersxmenaxis001All in all, for what amounted to just under 3 weeks of reading, I breezed through nearly 120 issues, all from within the last several years; well over $400 had I bought the issues in-print as they were coming out, and still significantly cheaper than even a 25-cent bin.

All that X-reading has me looking at my third month definitely including the entirety of the first Wolverine & the X-Men, probably the middle Uncanny X-Men run, and the female X-Men title. I might throw in the core AvX series as a re-read. I also find myself interested in reading stuff because I “can,” that I would not otherwise have any real interest in…though some of it I’m content to save for another month or two, when the app catches up to immediately pre-Secret Wars continuity.

Skeptical as I was to start…the way it’s played out–having a tablet I like and plentiful wi-fi (at home and at work)–this has been amazing for my getting back a “joy” in (Marvel) comics.

My list of comics read:

  • xmen_battleoftheatom001Uncanny X-Force #25-35
  • Uncanny Avengers vol. 1 #1-25
  • Uncanny Avengers vol. 1 #8AU
  • Uncanny Avengers vol. 1 Annual #1
  • Avengers & X-Men: Axis #1-9
  • Magneto (2014) #1-14
  • All-New X-Men (2012) #1-26
  • Uncanny X-Men (2013) #1-22
  • X-Men: Battle of the Atom #1-2
  • X-Men (vol4) #5-6
  • Wolverine and the X-Men vol. 1 #36-37
  • All-New X-Men (2012) Special #1 (Arms of the Octopus 1 of 3)
  • Indestructible Hulk Special #1 (Arms of the Octopus 2 of 3)
  • Superior Foes of Spider-Man Special #1 (Arms of the Octopus 3 of 3)