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The ’90s Revisited: Robin #1

robin0001aOutcast

Story: Chuck Dixon
Pencils: Tom Grummett
Inks: Scott Hanna
Colors: Adrienne Roy
Letters: Tim Harkins
Asst. Editor: Jordan B. Gorfinkel
Editor: Dennis O’Neil
Covers: Tom Grummett, Scott Hanna
Cover Date: November 1993
Cover Price: $1.50 (Newsstand) / $2.95 (Collector’s)

Robin is no longer welcome in the Batcave. Bruce’s back is broken, the man himself off searching for Jack Drake (Robin’s father) as well as his own doctor. Jean-Paul Valley, formerly Azrael, is now the Batman. And Valley is not keen on having a partner. So, Robin takes off–now officially split from the “Batman and” designation.

A gang is stealing cars–and opts to hit a Gotham Heights dance, figuring there’ll be rich kids’ cars there as easy pickings. Meanwhile, Tim is in attendance with Ariana, and the two get caught up in things. Tim pursues as Robin, but gets run off the road…and encounters a new figure who does not seem that friendly.

It’s been probably 15 years since I read this. Elements, I remember. Ariana, and I recognize some of the names of other characters in the cast as characters that play a role going forward. I originally read this when it came out, back in late 1993, and I may have re-read it during my college years when I “caught up” on the series, buying a run of issues 1-40 or so to match to my run from around #50 to whatever was current at that point.

There’s no “previously” page here. No real description of the premise on the opening page. Only some small context to bring us up to date. So, to pick this up “cold” it’s a bit lacking as a first issue, that big question of “what set off ‘Batman’?” But this issue takes place very much in context of the overall “Bat-Universe” of the time, amidst stuff going on with Knightfall/KnightQuest, and part of the overall story at the time, part of the continuity was that with Jean-Paul Valley taking over as Batman, he wasn’t suited for a partner…certainly not a “junior partner” with more experience than he himself had at the time. So it was a good point for the story as a whole to see Robin split off…but in order to take a character like Robin–Tim Drake–and remove him from the midst of the Batman-centric stuff…it makes sense to explore the character in his own series. SO, as the start of the series, we see him essentially kicked out of the Cave, to begin his solo adventures.

I love Grummett‘s Robin work. It certainly works extremely well here…I see the character on these pages, and this IS “my” Robin. Flip through this issue, and it’s simply ROBIN. The character I grew up with. Reading through the issue, nothing stood out or took me out of the story in a negative way…I just flat-out ENJOYED the issue.

Dixon did a fantastic job with a number of Bat-elements…Robin being one of my favorites. As said above…though this issue wasn’t one to come to “cold,” it fits very much in the Bat-Universe, and Dixon does a great job with the character and supporting cast. Having read this, I’d love to dive in and re-read some more, time permitting.

The first Robin Annual–part of Eclipso: The Darkness Within–was the first time I’d see Robin featured on the cover of a comic, getting his own title. I now know (but didn’t at the point in summer 1992 when I first acquired the Annual) that Robin had had a mini-series (and I’ll be darned if I can remember if Robin II: The Joker’s Wild was out yet or not…but I’m pretty sure it was). Then there was Robin III: Cry of the Huntress, that I ‘discovered’ in late 1992, around the time of the Death of Superman, Sword of Azrael, Spider-Man 2099, and so on. Then the Summer of Superman and Bloodlines, Knightfall and the start of KnightQuest…and Robin gets an ongoing title.

A title that lasted some 180 issues, that with a couple of gaps I’ve since filled in I followed mostly from this issue to the end, 1993 to 2009.

robin0001bI’ve seen this newsstand edition in quarter bins a couple times. The copy I read for this post I got off a 4/$1 rack at a Half-Price Books; and I got a copy as part of a 100-something issue set I bought several years ago (for the price of about 10 modern comics). I don’t see the “collector’s edition” much…but both covers are rather iconic to me. I think I did get both when they came out; and though I presently despise variants, I don’t have the same problem with stuff like these that I do with contemporary variants: there were a static TWO COVERS available. To my knowledge, they were individually orderable by comic shops, and they were NOT “ratioed”–neither cover was intentionally “more rare” than the other as far as comic shops. The “Collector’s Edition” was “only” available through comic shops, while the “Newsstand Edition” was what would be found at Waldenbooks, 7/11, grocery stores and general non-comic shop locations. Since they were different venues, and both covers were available through comic shops…I’m ok with them. Additionally, the “enhanced cover” was twice the price…so rather than merely “missing out on” a preferred cover image, you were SAVING MONEY getting one cover over another. You would pay more for the “variant,” sure, but everyone paid the same, and it was readily available.

All that aside…the early issues of this series in particular were quite good, and though this one single issue might not suck you in…for myself, this was well worth the 25 cents, time spent reading, and time spent writing this post.

General Mills Presents: Batman v Superman Dawn of Justice #4 [Review]

generalmillspresents_batmanvsuperman0004Lights Out

Writer: Joshua Williamson
Penciller: Eduardo Pansica
Inker: Art Thibert
Colorist: Jeromy Cox
Letterer: Deron Bennett
Cover Artists: Gary Frank and Rod Reis
Assistant Editor: Brittany Holzherr
Editor: Alex Antone
Art Director: Larry Berry
Cover Date: N/A (found in cereal boxes in March 2016)
Cover Price: Free

I’m not sure what I actually expected from this issue…but what I got wasn’t it. And this one’s actually very simplistic yet hard to sum up: essentially, it’s a couple of kids up late at night arguing over who is the better hero–Batman or Superman? Each has reasons, but ultimately it takes the intervention of another to point out that they’d actually work together if they’re both heroes, despite differences.

As such, more than any of the other issues, this one just seemed a bit “off” to me, and extremely “meta.” It’s the argument fans have had for probably three-quarters of a century. And an argument sure to come out of Batman v Superman the movie, regardless of the arguments going in. It’s a real-world argument, and one that honestly bugs me.

Long run of thoughts kept short, my answer to “who would win” is that the result is simply determined by the author and story being told.

Still, it’s interesting to see a handful of simple arguments–and to consider them from the point of view of a kid again (and likely at least a quarter-century my junior), and I can appreciate that. And like an earlier reference (that I made covering this series) to Batman: The Animated Series, this issue reminds me of an episode that itself adapted an earlier comic…one in which some young adults are sitting around a bonfire discussing Batman, and having a number of different interpretations of who/what he was (and whether it was in that comic or not I can’t recall, but my “memory” tells me in that story they dismissed the actual Batman as just some guy in a costume!).

Were this a full-size, bought-by-itself AS itself kind of issue, I’d not find it amusing or worthwhile. As something from a box of cereal, it was mildly entertaining, and did not make me feel like I’d wasted my time reading.

The art is quite good, and perhaps it was the influence of the story and that we aren’t in either hero’s head or actually involved in some ongoing story of either, the visuals just seemed to fit all the more, and differences in costume designs didn’t stand out to me along the way…perhaps taking any differences as being the kids’ own memories/interpretations. I also appreciated that even where we see an image of the two heroes about to collide in battle–that’s what it is: they’re about to, but we’re not given a “hint” one way or the other on a possible outcome…until they actually collide, one could “assume” either one could take the upper hand.

If you’ve got this issue, it’s worth reading–it’s a quick piece devoid of any continuity (and any need for continuity), doesn’t tie to anything else–outside this General Mills mini-series or otherwise, nor even other issues in this series. Other than perhaps wanting to complete a set if you have any of the others, or to complete the set by having a #4 and knowing #s 1-3 exist, I wouldn’t recommend putting much effort into tracking this (or the other issues) down. But for having them, I’m glad to have read them…though I wonder somewhat at these not being a quasi-adaptation of the movie…that would have given them a bit more weight, I guess (or mini-reprints of key issues related to the characters/movie). That these are original issues with a number of “known names” from DC and not “just” reprints is cool, despite the enjoyment I could also see in say, having a random Batman #1 or Superman #1. For that matter…any of the various Batman/Superman confrontations from over the years.

General Mills Presents: Batman v Superman Dawn of Justice #3 [Review]

generalmillspresents_batmanvsuperman0003Picture Proof

Writer: Marguerite Bennett
Artist: Marcus To
Colorist: Irma Kniivila
Letterer: Deron Bennett
Cover Artists: Gary Frank and Rod Reis
Assistant Editor: Brittany Holzherr
Editor: Alex Antone
Art Director: Larry Berry
Cover Date: N/A (found in cereal boxes in March 2016)
Cover Price: Free

While it’ll probably bite me on the next issue, I enjoyed this issue more than the previous two, suggesting that each issue is better than the previous. Whether that’s relational or incidental, I’m not sure…but it works for me!

This issue shows us Emily, a young student who happens to witness Batman in action, stopping some thieves and stolen discs…though her friends at school don’t believe her. “Pictures or it didn’t happen!” and all that. Having noticed a disc that fell to the side, she returns to the scene later, anticipating Batman would as well (a bit convenient) and sure enough, he does…and this time she gets a photo of him. When she’s at school again, she continues to be teased for believing in this bat-man…and later at home wonders to herself why she didn’t just show the photo. Seeing a distinctive shadow, she finds that Batman’s shown up to pay a visit–letting her know that he knows about the photo, but that he’s not going to take it from her…he trusts her (to do the right thing). And she does–she realizes that part of the effectiveness of Batman is criminals not believing he’s truly human. She tears up the photo, opting to let Batman remain a legend rather than drag him into reality.

By comparison to the first two issues of this General Mills Presents series, this is a fantastic issue and I thoroughly enjoyed it. That the main protagonist is likely a quarter-century my junior does not stand out to me as much here as in the prior issues. This one struck me very much as something that would work as an episode of the 1990s Batman: The Animated Series, reminding me a lot of the “I’ve Got Batman in My Basement” episode from that series. Something about that makes this more believable to me, even though we don’t get any kind of internal dialogue from Batman (and that’s something I only just noticed with this issue: none of these are from Superman or Batman’s point of view…they’re all from a kid’s point of view, likely to identify more with the reading audience of the issues!)

I’m not particularly familiar with Marguerite Bennett offhand by name…her name looks familiar to me, but that doesn’t mean an accurate memory on my part, and I’m also unfamiliar with Marcus To and Irma Kniivila. In some ways, I think that’s to the benefit of this issue…I wasn’t trying to be familiar with other work, had no prior expectations to set me up for disappointment, and thus it allowed me to read this the way I ORIGINALLY read comics when I was first introduced to them: by character/what’s on the page, and no real notion of the people who actually wrote or drew or otherwise were part of the creation of a given issue.

As said, this story reminded me of that BTAS episode, and works very well for me as a one-off story. It’s not beholden to anything…not continued from or continued into anything else (even prior issues of this mini-series), and though 20 pages is far too short a span to really get to know any of the characters, there’s just enough there to appreciate Emily’s plight, to identify with her and her friends, and to hint at the benevolence of Batman (he seeks to inspire fear in criminals, not random children). There’s a lot to be pulled “between the panels” in analyzing the issue, but ultimately, I simply ENJOYED reading this, and in the end, that’s what reading a comic’s supposed to be about.

I was neither impressed nor disappointed in the art…but it definitely lands on the higher side than low, for me. From the narration boxes to flying through several pages pretty quickly, this had a definite visual “feel” of a modern comic, and I definitely liked that the Batman we see here looks a lot more like what I’d expect of a comic book Batman than it did some “adaptation” of a live action version.

Of the three issues in this series that I’ve read so far, this is my favorite, and certainly worth checking out if you get a chance (without spending much or going significantly out of your way in order to do so).

Legends of Tomorrow #1 [Review]

legendsoftomorrow0001Cover Art: Aaron Lopresti with Chris Sotomayor
Published by: DC Comics
Cover Date: May 2016
Cover Price: $7.99

I hadn’t paid attention to this originally when I saw it solicited…I noticed the “title” and chalked it up as yet another soon-to-be-failed tv-tie-in of near-zero consequence, at least to me and my following the “regular” continuity of DC stuff. I’m not sure if the tv show had premiered yet or was just about to, but I had no interest in yet another digital-first thing seeing print, and thus ignored it. Then recently there was an ad for it that caught my attention, and left me curious. I was a bit put off learning the thing would be $7.99…even for a double-length issue, being frustrated with $3.99 price points, essentially $8 seemed a bit MUCH for just one issue of something I wasn’t overly familiar with. Still, I resolved to wait and see, not swearing to avoid the book but not intending absolutely to buy it, either. When it came out last week, it was a small week for me, so the $8 wasn’t terribly steep…plus the issue’s squarebound with the title on the spine, so it can actually go on a shelf like a mini tpb, and not simply disappear into a box.

While I’d expected a “lead” story and the others to essentially be “backup” features…if I counted correctly, we have 4 20-page stories in this issue, giving the thing excellent “value” for the content, if one is interested in or doesn’t mind what’s included (vs. say, wishing it was Superman, Batman, Wonder Woman, Flash, or Green Lantern content).

Firestorm – United We Fall part 1
Writer: Gerry Conway
Penciller: Eduardo Pansica
Inker: Rob Hunter
Letterer: Corey Breen
Editor: Jessica Chen

I remember checking out Firestorm: The Nuclear Men title at the launch of the New 52, and it didn’t hold me enough to stick with it past a few months. I’ve never been a huge Firestorm fan, but I’d been loosely aware of the character at points–though mostly it was after the introduction of Jason as the new Firestorm and the apparent demise of Ronnie in Identity Crisis that the character was fully on my radar; and then the Deathstorm stuff around Blackest Night. Now there’s been a fair bit on the Flash tv show and Legends of Tomorrow, so this “lead” story was a good enticement for me to buy the issue.

We open on Ronnie and Jason testing their powers, with something going on with them, and then the two split, and we get a glimpse into their personal lives–individually, and at school with a mutual friend. We also have the introduction of a new/old villain, and come to see that there is something up with Jason, and with the Firestorm Matrix in general, which leads to a cliffhanger promising imminent destruction.

In addition to the above preamble, I think another draw to THIS take on Firestorm is that it’s written by the character’s co-creator, Gerry Conway…with the added element that I’ve attended a panel where he spoke several years ago, so there’s that quasi-personal-ish connection for me.

I like that the Jason/Ronnie mix has not been scrapped, and that along with both of them we also still have Professor Stein…indicating, for my limited experience with the character, a certain mix of original/classic and newer character elements and an observance of history for the characters. Yet, this also reads as a first issue, showing us bits of stuff with Firestorm and that it requires two people, and there’s this “matrix” thing that allows them to join AS (a) Firestorm; We’re “introduced to” Ronnie and Jason and see a bit about them–Ronnie’s into sports, Jason’s more into academics; We see a bit of “supporting cast” in Stein as well as the boys’ mutual friend; as well as a bit of rivalry between them. I’m familiar enough to simply enjoy the re-introduction/”confirmation” of stuff I figured I knew, and I’m interested in where this story goes.

I’m not sure if I’ve seen Pansica‘s art before or not…but I had no real expectation going into this. I was not disappointed by the art…it’s good, and worked for the story, avoiding random weirdness that’d put me off or have me wondering at anatomy and such; and I was never left trying to figure out WHAT happened or was going on. It’s a good match for the story itself.

I’m not sure exactly how this would rate for me as a first issue wholly on its own…though I probably would not have bought a Firestorm #1. But this was only the first quarter of the issue purchased…

Continue reading

General Mills Presents: Batman v Superman Dawn of Justice #2 [Review]

generalmillspresents_batmanvsuperman0002Field Trip

Writer: Christos Gage
Artist: Federico Dallochio
Colorist: Jim Charalampidis
Letterer: Deron Bennett
Cover Artists: Gary Frank and Rod Reis
Assistant Editor: Brittany Holzherr
Editor: Alex Antone
Art Director: Larry Berry
Cover Date: N/A (found in cereal boxes in March 2016)
Cover Price: Free

This second issue of the “cereal comics” was a good deal more enjoyable than the first for me, despite raising a couple questions in my mind. One: what’s up with Superman’s belt? Is it actually a belt, or some sort of punctuated attachment at the waist? Because it does not seem to go all the way around, but there’s a piece on front and a couple of hints of it, but it’s not actually a belt, but there’s SOMETHING there. Second, when was the last time a comic had Bruce Wayne fairly prominent without Batman or any of the rest of the Bat-family? (Leaving aside this ostensibly taking place in the “DC Cinematic Universe”). To say nothing of–as a 35-year-old adult–the ridiculousness of any other adult (particularly a CEO of a major company) having no problem with some random/unknown student straying from a tour group.

The story itself is pretty simple: a middle school (junior high) class visits Wayne Enterprises; one student breaks off from the group and (conveniently) stumbles across a gang of thieves stealing Kryptonian technology. They have a jamming device to block communication signals–including cell phones–so the student is unable to call 911. Before she can be discovered by the gang, she’s found by Bruce Wayne who followed her to make sure she didn’t get into anything dangerous. Superman shows up to deal with the thieves, and Bruce declines to step out and meet the hero at this time, while he and the student agree to hold the secret of each having been anywhere near this action.

OK, maybe that wasn’t as simple when summarized, but it read quickly. Despite my “issues” with Superman’s costume, the oddness of seeing Bruce Wayne as Bruce Wayne (and not Batman as Bruce Wayne walking amidst the citizenry in-action/on a case), and the irresponsibility of the adults, this was an entertaining enough read, and more enjoyable to me than the previous issue.

I was surprised to see Christos Gage as the writer…a name I’ve not been overly familiar with for quite awhile, but whose work I’ve definitely enjoyed in the past. While it might have colored my perspective going in, I did not actually give the credits any attention until after I read this (hence the surprise) but it does explain my enjoyment a bit. This is definitely a comic geared more for a younger reader (especially middle school age). Outside of this being a continuity-free one-off story that doesn’t “matter” anywhere else, it’s actually pretty good for what it is. I’d be curious at someone reading it without any “comics experience” and their notice (or not) of Bruce Wayne, and whether it would bother them to have him without a costumed Batman on-panel.

I’m not familiar with Dallochio‘s name or art…but the art worked well here for this story. It didn’t blow me away, but it gets everything across that it needs to, and in and of itself did not distract me from the story (just that mental tickle of curiosity about Superman’s belt, but that’s a fault of the costume design and not the specific artist, in my mind).

All in all, I liked this issue, and if you get it in a box of cereal or otherwise come across it without significant effort, it’s certainly worth reading, or at least passing along to a young reader in your life.

General Mills Presents: Batman v Superman Dawn of Justice #1 [Review]

generalmillspresents_batmanvsuperman0001Playground Heroes

Writer: Jeff Parker
Penciller: RB Silva
Inker: Jose Marzan Jr.
Colorist: Andrew Dalhouse
Letterer: Deron Bennett
Cover Artists: Gary Frank and Rod Reis
Assistant Editor: Brittany Holzherr
Editor: Alex Antone
Art Director: Larry Berry
Cover Date: N/A (found in cereal boxes in March 2016)
Cover Price: Free

It’s been several years since I reviewed “cereal comics” such as these. Unlike the last batch of General Mills Presents Justice League issues (numbered 5-8 and 9 after 2011’s 1-4) that I never got around to actually reading, these Batman v Superman: Dawn of Justice issues are perfectly timed with the new movie about to hit, so I actually have an interest in reading these right away…mostly because I’m curious about the product and to look at it as an adult and consider (if only to myself) the image of these characters kids might get…remembering back to my own early time in comics with “key” issues such as The Untold Legend of the Batman, which I believe was reprinted and given away in cereal boxes in the early 1980s.

We meet Jacob the morning of a big day at school as he’s introduced to a new neighbor Lucas. Jacob’s mom is giving both boys a ride to school. Jacob’s ok with it, and does minimal duty to help Lucas…nothing antagonistic, nothing above and beyond. His attention is focused on the day’s class visit with Metropolis reporter Clark Kent to STAR Labs…an excitement that’s a bit self-centered as he overlooks Lucas getting bullied just for being “the new kid.” When aliens attack STAR, Superman appears on the scene, and watching him in action Jacob is inspired to stand up for Lucas–because it’s about doing what’s RIGHT, whether one knows if they can succeed or not. And of course, we get a happy ending as the class is safe and Jacob and Lucas have learned a valuable lesson on friendship and standing up for something.

This issue is rather simplistic in its way, rather cliché and not too exciting. Though Batman is on the cover, neither he nor Bruce Wayne appear in this issue; though we do get Clark Kent and Superman. As a mid-thirties adult, the plight of junior high children is foreign to me in all but memory, leaving me too many years removed to “identify” with the kids. Though there are aliens Superman gets to fight, they’re “new” or at least I don’t recognize them, so they’re throw-away generic characters to me. This Superman reads vaguely like one I’d be familiar with…but we get the story from the kids’ point of view, so even Clark is a distant/generic character in this story. Being from the perspective of the kids makes it a more entry-level book (which I’m sure is the point, especially considering it must be assumed that it’s kids reading this, pulling it out of a box of cereal!) For depth of characterization and story, I’m not at all impressed…but as a “cereal comic” this actually exceeds my expectation.

Much of that is probably on the art, though. The visuals fail to capture the on-screen effect of Superman’s costume, resulting in a weird appearance to the character–to me–in this issue as it unfortunately LOOKS LIKE it is an “adaptation” trying to be something other than itself. Costume design aside, I really appreciate the layouts and color work on the issue…other than the physical size of the issue, it looks every bit as contemporary as any other comic, avoiding some generic “grid” layout or such, like there’s actual layout work done and this isn’t simply a bunch of images mashed together on a page. The art also gets the story across such as it is, and didn’t leave me questioning what happened or such.

I think for me the best part of this issue is the Gary Frank/Rod Reis cover…definitely top names to me. Parker, too, rings a bell–though I can’t specifically cite what I know him from off the top of my head.

Again…this is a “cereal comic,” an insert in a box of cereal…so it’s totally separate from any ongoing continuity, and is not part of some adaptation of the movie or such…it’s just taking advantage of the timing. It’s also essentially a throwaway piece seemingly meant to entertain but other than simply BEING a comic book, it doesn’t seem to cater to trying to get someone to go get other comics (except the rest that are part of this cereal box promotion).

Me being me–a lifelong Superman fan; a regular consumer of cereal and frequently perusing the cereal aisle–when I saw the strip across the bottom of a box of Lucky Charms indicating there was something Batman v Superman related, I obviously looked closer…and on realizing it was a new comic promotion, I was genuinely excited–as much as one can be for this sort of thing–and immediately bought a couple boxes. (Over a weekend I bought several more and thus had the entire 4-issue mini with relatively little hassle and plenty of leftover cereal for the next few weeks).

This in no way feels like something essential to the movie…nor is it any great work on the character or any kind of high-literature piece. But it’s an entertaining enough story with a “named” writer and “named artists” whose names I actually recognize, rather than just some random people slapping a comic together…the names lend credibility to this project, and I’m willing to read as a result.

I don’t yet know what the next three issues will hold; whether these are functionally one-shots or if there’s a recurring situation or such…but I would hope kids that find this would enjoy reading it and at least appreciate having read a comic book.

If you’re gonna eat the cereal anyway and see any of these, it’s worth picking up…though there’s nothing here to go completely out of your way for.

The ’90s Revisited: Flash #79

flash0079The Once and Future Flash

Story: Mark Waid
Pencils: Greg Larocque
Inks: Roy Richardson
Letterer: Tim Harkins
Colorist: Gina Going
Assistant Editor: Ruben Diaz
Editor: Brian Augustyn
Published by: DC Comics
Cover Date: August 1993
Cover Price: $2.50

I snagged this issue for 25 cents…the primary reason that it caught my attention was that it felt as thick as an annual…spotting the price, I saw it was priced as one also. Looking at the cover a bit closer, then, I realized it was an issue by Waid, and had the Reverse-Flash on the cover…a dynamic more interesting to me now as a fan of the tv series than any time previous. Plus, it has a nice “old-style” feel to it with the Flash’s speech balloons on the cover getting me curious. “You messed with my memories, threatened my city, and hur tmy friends…now you’re gonna pay!!”

Turns out…this issue seems to cap off the The Return of Barry Allen story that I’ve heard of, but never yet read for myself. So coming in, I’m at a loss of specifics to this story…but still felt like I was able to follow along without much issue, given my prior knowledge of Wally as the Flash, and stuff I’ve read about the character’s development aside of what I’ve actually read OF the character through stories.

Eobard Thawne–Professor Zoom–the Reverse Flash–apparently was posing as Barry Allen. Or rather, for a time he THOUGHT he actually WAS Barry. He stands revealed here, and ready to rumble–as he and Wally collide to fight out who gets to be THE Flash. We learn how Thawne wound up in the position he did, how he came to hate Barry, and so on…this is a younger Thawne, before he ever actually met Barry. Given the history that’s unfolded, he must be returned–alive–to his own time, that events might unfold as they’re known. This puts the entire timeline at risk, meaning that Wally can’t just kill him. In the course of the story we see the damage Thawne has caused, as well as the allies by Wally’s side, and it seems this is “the” issue where Wally fully, truly came into his own, getting out from under Barry’s shadow, etc.

Visually, this was a very solid issue. I read through it pretty quickly, and it wasn’t until I reviewed the first few pages that I really caught on to a nifty element: that we’re seeing Zoom’s fist get closer and closer until he and Wally collide–but interspersed between the fractions of time, we’re given flashbacks and context to bring us up to speed as things then jump to “real time.” On realizing this, it seems extremely cinematic–at least TV-cinematic. And that alone works very well for me. While my mind wants to compare this to the tv series, there are obvious elements that do not sync on a literal panel-to-screen basis…but the tone itself does. Leaving aside the visual differences to the tv show (which came some 20-21 years after this issue was published), the art is quite good and I have no problem with it at all. Given the size of this issue–at least double, if not TRIPLE–there was room for a lot to be packed in, as well as other moments spaced out…which allowed several full or double-page splashes to be VERY effective in a way that seems like a lost art in contemporary comics.

Story-wise, this had plenty of context–it’s from an era when it was NOT “inevitable” for everything to get a collected volume–so even coming in on the final chapter, I picked up readily on the overall “core” story beats related to this issue as I read. There’s plenty of detail, certainly some great moments and such that went over my head or that were in other issues so not even in my realm of awareness–but this felt like a season finale that I jumped in on, and didn’t feel LOST.

The prime drawback to me of reading this issue isolated and now lies in the fact that it illustrates to me–in one issue–just how deserved Waid‘s reputation on the book is and leaves me interested in the rest of the story, as well as more Flash (comics) in general.

I still know very little regarding the other speedsters outside of Jay and Wally…but I appreciate their presence, recognize them by name at least, and enjoy seeing the “Flash family” united, with a great sense of history and development. Though this issue leaves me interested in more Flash comics, it’s an interest tied to this era, to this particular incarnation of the series, emphasis on Wally…as opposed to much from the final several years before and thus far in the New 52.

I enjoyed this on reading it…and in typing the above roughly as stream-of-consciousness, I’m left simply feeling this was a fantastic issue, very well worth my time and money. Consciously knowing it is the end of a larger story, I’m hesitant to recommend this solely as a single issue…but if this one issue is an indicator of the quality of the entire story, I’ll “blindly” recommend that for now, containing this issue.

The ’70s Revisited: Action Comics #500

actioncomics0500The Life Story of Superman

Writer: Martin Pasko
Artists: Curt Swan and Frank Chiaramonte
Letterer: Gaspar Saladino
Colorist: Adrienne Roy
Editor: Julius Schwartz
Published by: DC Comics
Cover Date: October 1979
Cover Price: $1.00

This is one of the older comics I’ve read in awhile, particularly as a single issue. With the October 1979 cover date, that places this at just over a year older than ME myself, as well as only just BARELY prior to “The ’80s.” While in some ways 500 isn’t that big a deal nowadays–a number of other US titles crossed the threshold in the ’90s and early 2000s–at the same time it’s a huge milestone given it will be a long,long time before any title hits such a number again “naturally.”

While a product of its time, the issue is extra-sized for “only” $1–something like this would absolutely be $7.99-$9.99 present-day.

The story is a bit hokey and clichéd–Superman is leading a tour through a newly-opening museum in his own honor (that he’s serving as a guest tour-guide raises money for his favorite charity, though). As they visit different displays, we as readers are given information of the various parts of his life to that point, as it stood in 1979. The means of this context being shared includes a memory device that allows Superman better access to his own subconscious memories as well as to share those with others…and thanks to a secret villain, the memories are also fed into a clone’s memory. Eventually the villain stands revealed as Lex Luthor, which is fitting enough given this anniversary issue and touching on major elements of Superman’s life. Overall, we’re shown a bit of the final days of Krypton and why Jor-El only saved his son; We’re seen how baby Kal-El arrived on Earth and came to be adopted by the Kents; that he operated as Superboy; that he had adventures while in college, joined the Daily Planet, etc.

It’s somewhat odd for me, reading this. This Superman feels very familiar in a nostalgic sort of way…this is (largely) the Superman I recall from reading Grandpa’s old comics as a kid. It doesn’t seem NEARLY as hokey as I thought I’d remembered–I credit that to this being “bronze age” Superman rather than “early Silver Age”–as it takes stuff relatively seriously, and definitely suggests a “continuity” of the time, that plays into stuff I do actually recall while reading (but might not recall off the top of my head with zero context)–such as the Kents’ ages.

I don’t recognize Pasko‘s name and certainly wouldn’t be able to–at present–tell his writing from anyone else I’m unfamiliar with…but the story works, and I didn’t have any significant problems with anything. I enjoyed the art for the issue…regardless of what continuity elements I do or don’t recall from reading as a kid…Swan‘s Superman is absolutely familiar, and while there’s something to this version that I don’t care for (behind Byrne and Jurgens‘ Superman), he’s visually iconic as the Superman from this period, which is something I definitely appreciate. I can’t quite explain it as of this typing, but there’s also something about seeing Julius Schwartz as the editor that made me smile a bit. Perhaps due to having come to learn well after the fact that he was editor on so many of the comics I’d read as a kid, and I retroactively associate his name with a certain tone.

This issue itself caught my attention as an anniversary issue, as #500…the “next” anniversary issue for the title going backward, for me (as I already have #s 600, 700, 800, and 900). The price–25 cents (4 for $1) was also most excellent and appealing. Though my copy isn’t in wonderful condition, it was quite readable, and I enjoyed it well enough. All in all I’m quite glad I bought the issue and made the point of reading it fairly immediately. It’s also raised my interest in other Super-books of the late-’70s/early-’80s.

If you’re a fan of “classic” Superman or just curious, this issue is certainly worth a few dollars…I don’t know a “guide value” for it, but I’d’ve certainly found it worth $4 (the price of most current new comics) if not $5 (it IS a vintage comic, after all).

The ’80s Revisited: The New Adventures of Superboy #1

newadventuresofsuperboy0001The Most Important Year of Superboy’s Life!

Writer: Cary Bates
Penciller: Kurt Schaffenberger
Inker: David Hunt
Colorist: Gene D’Angelo
Letterer: Ben Oda
Editor: Julius Schwartz
Published by: DC Comics
Cover Date: January, 1980
Cover Price: $0.40

This issue only just barely makes the cut to be counted as an ’80s comic…though I am pretty sure that is a technicality, as it’s the cover date, while the publication date was likely at least a couple months earlier, the end of 1979. I actually remember this issue as one I’d managed to acquire ages ago, when I was in junior high (probably–early 1990s). I could not have told you anything about the content of the issue from memory, but on reading it, I realized I had also definitely actually READ the thing, too.

We start with a classic Julius Schwartz cover, showing us a rather absurd, dramatic scene that relates to the content of the story within…a relation that plays up some element that doesn’t seem to make much sense on the cover, but has a reasonable story explanation. In this case, Superboy is celebrating a birthday, but his parents insist he needs an extra candle…and this story promises to tell us WHY.

Of course, while we have SUPERBOY on the cover…it’s actually Clark Kent being celebrated within…which fits continuity, as they weren’t THAT open about Superboy’s identity even back then…he held the secret identity knowing enemies of Superboy wouldn’t hesitate to strike at him through those he loved–particularly his parents. Clark’s 16 birthday is here, and he’s asked about the extra candle…he doesn’t know himself why it’s used, just that his parents have added it every year since his 8th. We then get a flashback from Jonathan and Martha’s point of view as the secret is revealed to us–the readers. Two ancient aliens found their way to Earth, where after “testing” the newly-revealed Superboy (that they have searched for since crossing paths with baby Kal-El’s rocket years earlier) deem him their salvation. They accidentally made themselves immortal–something that’s become a curse–and need someone of sufficient makeup that they could SURVIVE a device that would transfer one’s ability to age into them. Yet, they mean Superboy (and Earth) no harm…so provide the 8-year-old Superboy the choice: help them, or don’t.

We see the noble boy choose to help them, using their device on himself, which means he will no longer (ever) age, giving his ability TO age to the aliens, that they might finally age and find the end of their (unnaturally-long) lives. They also impart a bit of amnesia to the young Clark so that he won’t remember his choice, and can live with the thought that his ‘immortality’ comes from being Kryptonian on earth, rather than choosing to sacrifice a part of himself. After they leave and the Kents lament their boy’s fate, Clark reveals that he noticed from what the aliens had said about their plight that it was their own minds keeping them from aging…he actually countered their device with his heat vision…granting the aliens the BELIEF that they could age, which tricked their minds into ALLOWING them to age. Meanwhile, Clark will continue to age as normal…a win/win situation. Though the amnesia kicked in and he no longer remembers the aliens or his solution/decision, his parents do–and honor their pride in him with the extra candle.

I recognize the names Cary Bates and Kurt Schaffenberger, though I can’t particularly place them off the top of my head, as of this typing. I’m pretty sure they’re either “big names” at DC from the late-’70s/early-’80s, or on the Superman family of titles (or both). I of course recognize Julius Schwartz as the editor as mentioned above.

This issue’s story worked decently for me–I’m not thrilled with it, nor does it play much into “continuity” that I recall except the obvious references and Editor’s Notes to remind (or inform) the reader of things of note (like the elder Kents having been de-aged). Stuff like that I took at face value as a kid, and took at face value here, but the added benefit of–as an adult–now having some vague memories of reading about the stuff being referenced, since I’d originally read the issue. In and of itself, I don’t know if I “buy” Superboy as an 8-year-old…but then, some of that may simply be that I’m so far removed from that age now, where I was only several when I would have originally read this. The story is a done-in-one, with nothing of note added to an ongoing saga or anything; just another “adventure” that takes an issue and leaves things in place for the next issue.

The art is quite good, and I really like the style overall…there’s something particularly familiar to it that puts me in mind of some of these characters even into the then-current comics I read in the late-’80s. It certainly fit the story and nothing to the art drew me out or distracted me, so it definitely succeeded in doing its job.

All in all, I enjoyed the issue as what it is–a “random” one-off, done-in-one issue that just so happens to be a #1 from an age when an issue with a #1 actually had some measure of significance. This was more than worth the 25 cents I paid for it.

Additionally, there’s an ad in the issue for the then-current issue of Adventure Comics that grabbed my attention…to the point that I actually sought it out in a non-bargain back-issue bin and found/bought it. It’s possible dabbling in these older back issues lately is just that–a dabbling. At the same time, I find myself more and more interested in older comics than new, and I’m increasingly willing to buy an issue from the back issue bins where I used to hold myself strictly to the quarter-bins.

New 52 Zero Omnibus

One large part of it being rather disconcerting randomly purchasing the Dark Knight Returns/Death of Superman hardcovers the other day was that I was already planning on another large purchase: the DC Comics New 52 Zero Omnibus.

An employee at Half-Price Books had recently–in asking if I was on the marketing list–mentioned their huge sale coming up with the daily coupons 20/20, 30/30, 40/40 and 50% off.

I was unwilling to pay even HPB‘s price on this particular volume…but take an additional 30% off? That brings it very much into worthwhile pricing territory!

dc_new52_zero_omnibus

I drove out of my way after work specifically to get this, figuring copies were fairly limited and others might take advantage of the sale the same way I intended…so I bought it with a 30% off coupon, rather than wait a couple more days for 40% (and I’d be shocked if any remain by Sunday’s 50% off). All told, I saved over $100 off the cover price of this thing, and 70% off total between the already-discounted price and the coupon, with some tax thrown back on.

While I’ve no idea when I’ll get around to reading from this, it (and the Villains Month Omnibus I got last year) are especially appealing to me for the issues largely being one-shots (to my understanding) even if they serve an ongoing narrative…so while this has but one single issue from any given title of the 52 or so…it’s still a bunch of issues that I’d hope I can enjoy well enough on their own one at a time.

Now, I guess there’s just a matter of finding that Futures End Omnibus and waiting to see if they do an omnibus of the weekly series. And for around the price I paid for this, I would not be opposed to the #1s omnibus.

That said…there are loads of other books I’m interested in and want to get in the near-ish future…but I’ve gotta try to back off the spending a bit, with some personal stuff going on. I’d been looking forward to this one for weeks, between spotting it at a HPB and then weeks after that learning of the upcoming sale and resolving to get it–if available still–using a sale coupon.