Annnnnnnnd we’re back to covering a single week’s haul in a single post!
This time out, looking at stuff from the week of July 14!
Starting with the X-stuff, we’ve got three for the week: Way of X #4, Excalibur #22 (and officially a "senior book" over the adjective-less X-Men now), and X-Corp #3. Can’t say I’m thrilled at the prospect of this latter one…and definitely not a fan of the "whitespace" and "minimalistic" look to it. It also makes the title logo look all the more like a "fon" in a way that I am not keen on and why I initially was not thrilled with this style. The other two at least look interesting and the Excalibur cover makes it look like something actually happens in the issue.
Then we have Sinister War #1, kicking off this ‘event’ in Amazing Spider-Man at least (I think). The logo "font" draws from the ’90s Spider-style, and definitely prompts a bit of nostalgia for me. We also have the 4th issue of Carnage Black White & Blood. And then Aliens: Aftermath #1 which I’m not entirely sure if this is a mini-series or one-shot…but it certainly looks more interesting than the other Alien (singular) comics Marvel has published to date!
We have a new issue of TMNT and yet again, I’m buying far more out of "habit" and such than anything else. I’ve bought the title monthly since #1 in 2011 nearly 10 years ago…but I don’t think there’s been as relatively DRY a stretch as 101-119 here otherwise. Even as "slow" and weird as I initially found the first few issues post-#50, stuff picked up again pretty quickly. We’re nearly 5 arcs into this "Mutant-Town" era and other than an Annual, what have we REALLY gotten to move the story forward from #100? Feels like next to nothing, to me, at least.
This Savage Hearts #1 caught me for its title logo. This is also a #1, so in-the-moment I figured why not? I’m not keen on the art on the cover…but the strength of the LOGO grabbed me. (Minimalistic-logo/trade-dress/design folks, it’s a comic book…the more stylized and bold and BIG the logo, the more it looks like a comic book and likely will grab my attention over blending into every OTHER minimalistic thing…!)
The Batman/Scooby-Doo Mysteries continues to get my $2.99 in support of the price point and lack of variant covers!
Mouse Guard is an interesting title–and size/format for its issues–and coming "back" after (I think years) too long, I was all about getting this issue. It (barely) gets a "pass" being Archaia–I realize the brand is owned by Boom but I believe it’s still its own thing overall, and the issue lacks a Boom LOGO so that gets this around my no-Boom-single-issues thing.
And the Vampiverse thing on Comic Shop News gives me mixed feelings…given the TONS of variant covers Dynamite does, it seems like they already have LOADS of Vampi titles; they probably publish more COVERS for one title than many smaller publishers publish titles!
Next up is the second issue of Skybound X, which I’m hearing mixed things on and have yet to read myself, but kinda bought in on multiple fronts, though it’s sounding less "celebration" and more "extended ad the buyer pays for"…
Bunny Mask is an odd title for me, but I’d bought the first issue, saw this second one, and decided to get it. Plus the Aftershock brand is growing on me a bit. Helm Greycastle‘s 3rd issue puts this at or over halfway through the series, I believe/hope. The title puts me in mind of Masters of the Universe stuff, while knowing it’s not that. Some stuff I saw with solicitation for the series bugged me a bit, but I’ll ignore that for an ok-at-least story, and already have 2 issues, so might as well keep on (contradictory as that is to my lamenting mini-series finishing before I’ve read a #1 and might as well have waited for the collected volume).
GI Joe: A Real American Hero #284 puts us with a mere 16 issues to the big #300. And with getting stuff at multiple shops, the regular cover of TMNT (if I’m double-dipping, might as well get a different cover. I’m not buying multiples FOR the cover). Same with Batman/Scooby-Doo.
And then just because it arrived and was handy when I was getting photos for the blog…I fiiiiiinally pulled the trigger on ordering this metallic Fugitoid figurine from Mirage (it’s a Playmates figure, some sort of thing not sold in regular stores, that I ordered from Mirage itself). I actually forgot that I’d ordered this (it was that much of a whimsical order) but now having it, I’m quite glad to have it.
This week definitely skewed a bit Marvel-heavy. That’s fairly "incidental" in terms of the X-books, though: I’m getting them for being X, not for being Marvel. The Black/White/Blood thing caught me with Wolverine so the Carnage mini I’ve treated as a bit of an extension; and Sinister War is a Spider-thing…and while I’ll probably suck it up with the inevitable $10 ginormous thing that’s likely to be the 75th issue of Amazing Spider-Man, I’m looking at winding back down on the title. Especially if they’re looking to sideline Peter Parker for awhile. I’m really not interested in a non-Peter ASM title right now.
I think the new Blue Beetle/Booster Gold book starts next week, which will get me back to general-ish DC…on strength of the title and creator (Dan Jurgens)’s involvement. For wanting such a title for so long, I can’t NOT support it, though my support is still going to be grudgingly given, just for it being DC at this point.
But that’s stuff for next week, methinks.
This is it for this coverage of a single week’s new comics…let’s see if I can get back to at least doing this much with the blog on a regular basis!
Filed under: 2021 Non-Review Posts, 2021 posts, NON-REVIEW CONTENT, The Weekly Haul | Tagged: Aftershock, Aliens Aftermath, Archaia, Batman Scooby-Doo Mysteries, BUnny Mask, Carnage Black White & Blood, Dark Horse, DC Comics, Excalibur, Fugitoid, Helm Greycastle, Image, MARVEL, Mirage, Mouse Guard, New Comic Book Day, new comics, Savage Hearts, Sinister War, Skybound X, TMNT, Way of X, weekly haul, weekly hauls, X-Corp | Leave a comment »
I’m continuing to get drawn in, and the odd vocabulary elements are feeling a bit more normal. I’m liking the flashbacks that are fleshing out the present, and beginning to get a sense of the continuity that’s been built from the start of this series. You know something’s being done right when I’m interested in going back to re-read the issues so far just to appreciate the world that’s been built in such a short span of time. The story is engaging and the characters are easy enough to identify with. The art continues on a high note as well. Though I saw this issue’s end coming a couple pages early that ramped up the tension which made the cliffhanger both that much more appreciable and a bit anticlimactic, as if it ended a panel or two too soon.
Three issues in, and I’m quite enjoying this series. Having figured out the art style for the flashbacks vs. the present, I quite enjoy the shifts, as we follow Bloodshot on his quest to find out the truth about his past. While he seeks his past, Project Rising Spirit is determined to remove him from the field permanently. The story kinda sucked me in on this issue; as said, recognizing flashbacks made this a much more enjoyable read and didn’t seem disruptive at all. I like both visual styles as presented here. As I keep saying, I’m enjoying this new take on a “classic” character; even knowing this isn’t the original “version” doesn’t bother me. Sort of a cross between Marvel’s Ultimate Comics line and DC‘s New 52, with the best of both worlds. Definitely looking forward to the next issue.
The cover to this issue puts me in mind of a cover from the early issues of the Wolverine relaunch back in ’03 or so, where we see grumpy Wolverine on the ground, a line of bullet-holes across the wall–and him; and just looking at it, you know someone’s in for a world o’ hurt. Here, we get a look at the two title characters and a scene that kinda plays on the state of things, and (at least to me) comes off as rather amusing. Archer with a crossbow, pondering the Armstrong, who he’s shot umpteen times but calmly (cheerfully, even!) drinking a beer. With his parents’ reality revealed, Archer breaks from them and decides to join Armstrong, and the two begin their quest for the parts of The Boon that are scattered throughout the world. Of course, it wouldn’t be a quest if it was easy, and things sure don’t start easy for the pair. I really like this new take on the characters–it’s fresher and somehow seems a bit more realistic than the classic. I also like that the title characters don’t spend the entire first arc or two against each other–I’m far more interested in how they handle things as a “team,” with such drastically different backgrounds, personality, and abilities. The story keeps me interested, and I like the art–and the character designs. This Armstrong looks younger–and more presentable–than the classic, and somehow, that brings more of a sense of “fun” to the title, amidst the darker, more serious elements.
This issue introduces us to the Fugitoid–an alien scientist in a robot body. This issue as a whole is “the origin issue” for the Fugitoid, detailing the robot as well as Dr. Honeycutt, and the motivations that led to the Fugitoid’s situation. While the essense of the original origin is present, details have obviously been changed–and it works really well for me. The art’s pretty solid, and pulls off the “alien, yet similar to Earth” vibe. The story itself is good, though I found out after reading this that the issue spoils something from the next issue of the main TMNT title–though I didn’t feel like there was anything particularly revelatory, and actually thought this played off stuff we’ve already seen. We get a glimpse of an entire culture that works far better for me than their use in the classic cartoon–taking a campy, goofy concept and making it a valid, reasonable element for the current continuity. The issue ends with no ad for a next issue, and I’m unsure if there will be any more–the first collected volume was 4 issues, and this is the 8th–making another complete 4-issue volume. I hope these continue; as I’ve indicated before–I’d gladly keep buying this companion series to the main title, with different creative teams and spotlight characters.
While the turtles are out searching for Splinter, they are ambushed by the Foot, who want revenge for the death of Shredder. While battling the ninjas, the turtles come across a strange building marked with the letters “TCRI”–which they recognize as the same as what was on the canister of goo that mutated them. When they investigate the building further, they find plenty of oddities, including the inhabitants of the building, and an alien device they’ve built that spells major issue for the turtles’ future. The story is fairly simple, and things kinda scoot along quickly. This is still early in the existence of the TMNT, so for me it’s more the ideas that were put forth than actual grace in execution of the story. The art’s solid, and quite a contrast to contemporary takes on the characters. Still, I like it, and it’s really cool to see this colorized in a single-issue format; if I didn’t know it started out black-and-white and had no attention called to it, I’d have a hard time believing this wasn’t a color comic to begin with. Despite the various collected volumes already out, I hope this Color Classics series lasts long enough to re-present the entire Mirage vol. 1 TMNT series…though I wouldn’t entirely mind if it skips a bunch of the middle stuff and just re-presents the “core” Eastman/Laird stuff of the first 11 issues, Micro-Series, Return to New York, and City at War arcs.
Comic Reviews by Walt 