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The ’90s Revisited: X-O Manowar/Iron Man in Heavy Metal #1

90srevisitedxomanowar_ironman_heavymetal001Heavy Metal part 1

Writer: Fabian Nicieza
Artist: Andy Smith
Letters: Virtual Calligraphy
Color Art: Twilight Graphics
Assistant Editor: Omar Banmally
Consulting Assistant Editor: Nancy Poletti
Consulting Editor: Mark Gruenwald
Editor: Lynaire Thompson
Editor in Chief: Bob Layton
Published by: Acclaim Comics/Valiant
Cover Date: September 1996
Cover Price: $2.50

I vaguely remember when this series was originally out. I don’t remember details, but I’m supposing (in retrospect) that the Iron Man connection is what caught my eye…though there was probably Wizard coverage, and I wasn’t unaware of X-O Manowar from the #0 issue at least. Of course, there was the video game, which this is based on or inspired by or what-have-you. Given Acclaim was doing the video game, and had bought Valiant, it makes a lot of sense that there’d be a tie-in comic.

While I’ve found many of the "later" Valiant comics, this issue has eluded me until recently when I noticed both issues of the "crossover" on eBay. Being edged out on the bidding at the last second I looked for other instances, and including shipping scored a copy of both this X-O Manowar/Iron Man issue and the companion Iron Man/X-O Manowar for the price of a single contemporary Marvel comic. While this oughtta be quarter-bin fodder, not finding it that way made it worthwhile to me to pay a bit of a premium just to HAVE the issues.

The cover looks rather odd to me–far from an ideal thing, and rather generic. There’s something a bit "off" to me about both armors…probably the "early digital" art, which may even be a still from the video game (I don’t care enough to investigate further). Either way for a cross-company crossover this does not look like anything special from the cover alone.

Upon opening the issue I immediately saw an art style that did not appeal to me. I don’t know if I’ve seen or liked anything else from Andy Smith, but in this issue, I am not a fan. It’s not horrible art, and it’s certainly far, FAR superior to anything I could possibly do myself. It gets things across and isn’t too wonky or anything…basically it does its intended job but does not stand out as anything special.

Seeing Nicieza‘s name as the writer was an immediate appeal for me…but getting into the issue I felt rather left down. This thing’s all over the place and does not feel developed at all. We jump from villains we aren’t given much about to other villains; and world to world. I found myself confused to realize partway through that we’re actually dealing with MULTIPLE sets of Iron Man/X-O Manowar and not just the two characters being matched up for a single double-universe adventure.

I believe this was a time when Iron Man had been "de-aged" or replaced by a younger parallel-dimension version of himself or some such, so that’s not ENTIRELY off-putting to "learn" here but that’s not really explained. And given this is an issue from Acclaim, it’s certainly well-past the X-O Manowar stuff I was familiar with, am familiar with…and having just read a 2015-published issue of the contemporary X-O Manowar series found the character dull and not at all 3-dimensional here.

I’ve often enjoyed Nicieza‘s work, particularly his X-Men stuff, and find myself seeing this as being completely hobbled by BEING a video game tie-in, presumably with a bunch of "checklist" points to be hit during the issue. And with Acclaim and Marvel both getting to publish an issue, there’s probably a certain bit of symmetry that had to be achieved as well. All of which ultimately leads to an issue that I didn’t enjoy.

I would be incensed at having paid full price for this–particularly had it been published in 2015 and passed off as anything supposedly special. However, it’s still something that I’ve been curious about for years, and a definite "artifact" of its time…so despite not enjoying the issue, I do expect I’ll read the Marvel-published one as well just to "get the story," and all that. Unfortunately this does somewhat taint my expectations toward the bulk of the Acclaim-published Valiant stuff and makes me hesitate just a bit on diving into reading any of those anytime soon.

Marvel Universe Series IV Revisited, Part 8

This is another fairly boring (to me) “page” in this series. I’m not all that familiar with Splice or Tiger Shark, though I definitely know of the other characters and have read a fair amount with all of them through the years.

While the image is simple enough to see what’s going on without being overly “busy” like some of the others in this set, the characters’ individual cards seem to be some of the more individualistic of the set so far. Tiger Shark definitely gets the raw end of things, being shown taking a repulsor blast, rather than getting a cool pose.

I remember Namor’s “savage, new look” from around this time…at the least, it’s interesting to see the character with long hair, compared to his usual style.

Not much else really stands out to me with these…though it IS interesting to realize that I would have been exposed to Wonder Man this early, despite my earliest conscious discovery of the character being his return early in Busiek‘s Avengers run and then backtracking to learn of his early-’90s fate.

Continue reading

AvX: Consequences #3 [Review]


Full review posted to cxPulp.com
.

Story: 3.5/5
Art: 4/5
Overall: 3.5/5

Avengers: X-Sanction [Review]

Writer: Jeph Loeb
Penciler: Ed McGuinness
Inker: Dexter Vines
Colorist: Morry Hollowell
Lettering: Comicraft’s Albert Deschesne
Cover Art: Ed McGuiness, Dexter Vines & Morry Hollowell
Published by: Marvel Comics
Cover Price: $24.99

I found this volume at a Half-Price Books last weekend, and wound up buying it. Not the best deal I’ve ever found–especially for something as skinny as this volume–but not the worst.

As single issues, this story came out I believe December 2011 to March 2012, essentially leading into AvX.

Last year, I was both put off yet intrigued at a new story focusing on Cable. Though the character had supposedly died at the end of 2010’s Second Coming, here he was, back after less than 2 years; barely a year and a half (in other measure: less than 3 6-issue arcs’ time). From what I recall, despite some mild interest in Cable’s return and dealing with the Avengers…it was this being a mini-series priced at $3.99 that really put me off. And then learning it wasn’t even to be a self-contained story, but lead into a major 2012 event. So I passed on it as singles.

Though this only contains 4 issues, it’s priced at $24.99–essentially $6.25 per issue of content (makes $3.99 per issue seem like a steal). Granted, this is an oversized hardcover, and a 4-issue premiere hardcover might be $19.99 (basically $5 per issue of content), so the oversized format could “justify” a higher price. But this sort of pricing is absolutely NOT worthwhile for only four issues, and this story in particular.

I’m actually somewhat regretting paying half of that $24.99 for this as-is.

The Ed McGuiness art is not bad–I liked his work on some of the Superman and then Superman/Batman stuff, and while I wouldn’t consider it exactly “ideal” for this story, it works.

The story itself seems overly simple and “decompressed” to a large degree and really comes out of nowhere. Cable draws Falcon off from a fight and incapacitates him, knowing Captain America would follow. The two fight, and Cap is incapacitated. Next, Iron Man shows up and he, too, is incapacitated. Then Red Hulk shows up, followed by Cyclops, Wolverine, and Hope herself. We learn amidst all this that Cable apparently did not actually die, but reunited with Blaquesmith, and learns that the destroyed world they’re in could be prevented if Hope had lived–having apparently died due to the Avengers. So with just hours to live until the techno-organic ravaging his body kills him, Cable travels to the past to take out the Avengers so that Hope can live and save the world.

While it’s long since become a moot point…I continue to find myself curious about Cable’s techno-organic virus; recalling that in #100 of his series back in the early 2000s, the character made a concerted effort and managed to excise the virus, removing it as a factor in his life. Seeing it back here and playing such a pivotal role seems rather contradictory.

I’m also not convinced that this needed to be its own separate series…if it was really so important, it might have been worth an issue or two of an Avengers title or even one of the X-books. At the least, it could probably have been “compressed” to fit a double-sized one-shot rather than be stretched into 4 issues.

Ultimately, this is a fairly mediocre series/story/volume, and way too quick a read for $25. If you can find it for half (preferably more)-off, the art at least is worth looking at, and while I don’t recall what material is contained in the It’s Coming tpb preceding AvX, this seems like it would have been much better served being billed as a specific prequel to AvXrather than some stand-alone thing.

Avengers: Season One [Review]

Writer: Peter David
Artists: Andrea DiVito, Jon Buran, Nigel Raynor, Mike Bowden, Walden Wong
Color Artist: Wil Quintana
Letterer: VC’s Clayton Cowles
Cover Art: Adi Granov
Assistant Editor: Jake Thomas
Associate Editor: Lauren Sankovitch
Editor: Tom Brevoort
Published by: Marvel Comics

When I heard that Avengers Season One was going to be included with the Walmart edition of the DVD/Bluray, I was pretty much “sold” on the spot. By the time this came out, though, I’d resigned myself to some sort of DVD-case-digest-size book, probably on crummy paperstock and not at all reasonably worth the added cost (though if it was one of these sets priced the same as the non-set package, it’d totally be worth it!)

The package felt suitably heavy, though, when I finally bought it the morning the thing was available. When I opened the package, seeing the pages-out, I was ready to be incensed at the actual packaging…until I slid out a full-size TPB volume that would easily command a $14.99+ cover price if it were being sold by itself. Even at some “bargain” $9.99 price, in and of itself the book makes the added cost worthwhile if you’re interested in the book itself.

The physical package is your average Marvel paperback. The cover stock and pages, and dimensions are as any other Marvel volume that this would be indistinguishable as an ‘exclusive’ if it wasn’t for the notice on the cover where the pricing would be “Custom Edition Not For Resale.” (That, and that this is a paperback where I believe thus far the other Season One books have been only in hardback).

The writing is solid–and I’d expect no less of David‘s work. He knows these characters and it shows–though in a way it reminds me that I myself do not know these characters particularly well in their pre-1990s iterations. While the writing is solid–it manages to capture these characters in a suitably generic sort of way–they’re recognizable without being placed entirely in the silver age nor the modern age. The relationships seem familiar to what I know of them in the comics, while bordering on adapting the movie versions.

Visually, much of the book is the same way. There are multiple artists (depicting different scenes/settings) which works fairly well as it differentiates what each character is seeing/doing through the story. Though it works, I got a distinct sense that I’m supposed to associate these comics with the characters from the movies, that this story is supposed to fit either the comics or the movie universe according to primary experience.

Sure, that works well enough–it is a tie-in product, after all. But the fact it evoked the movie characters as much as it did took me out of the story and left me unsure where the story’s supposed to be set, and I probably didn’t enjoy it as much as I would have if it felt like it was more based in the traditional comics story. I suspect I was also soured a bit by a one-shot I read earlier this year that was set in the movie universe that itself felt like a waste of time.

If this was a $15 paperback or $20+ hardcover being sold by itself, I’d be pretty disappointed despite the creative talent involved and wondering if there’d be some way to get a refund. Standing solely on its own this–to me–is not something worth seeking out specifically.

But as a bonus included with a blu-ray I was already planning to buy, this gets points as a decent read, with art that never felt bad or out of place. And though it’s the size of 4-5ish single issues, I don’t think I paid more for this package than the cost of two standard Marvel comics in addition to the actual blu-ray pack.

All that said–you get a complete story in this volume. There’s no cliffhanger directing you into some other volume or series of volumes; this is not a prologue to a crossover/event nor some epilogue/continuation of a crossover/event. You have the characters, you see their adventure, the threat(s) they face, and you have resolution.

If you’ve seen the movie, the characters don’t particularly contradict the film. Or if you read this and then watch the film, stuff works overall.

And really, on the whole, I’m glad I went with the Walmart purchase for this book. If you can still find the blu-ray/DVD package with this graphic novel at your local Walmart, and want the Avengers film anyway, this is definitely a worthwhile purchase.

Possible Packaging for The Avengers?

packagingthumbThe other day, my roommate and I got to talking about the Avengers movie coming out in a couple days, and then of how we oughtta watch the “solo” films this week in the lead-up to it.

We then got to talking about DVD packaging (I have the original Iron Man in a case shaped like his helmet mask, and I have The Dark Knight in a case shaped like Batman’s cowl; he has one of the Transformers films in a transforming Bumblebee figure. And the gem of the special cases–his model of the 2009 Enterprise, with the film encased in the saucer section of the ship. (Something we’d joked about the time the film first hit theaters: how cool would it be for them to do a case that was the Enterprise, but the saucer held the DVDs? And then sure enough–the idea proved fruitful from elsewhere.)

So our conversation turned toward the packaging of Avengers and/or the solo films. Captain America’s shield–that’s round. WHY Target (they did those other ‘special cases’) didn’t have an “exclusive” packaging shaped like the shield is beyond us.

But then we got to thinking about how there’s bound to be special collector sets when Avengers comes out on home release, with it boxed with the other solo films.

Why not a box/case with Avengers, Incredible Hulk, Iron Man, Iron Man 2, Captain America, and Thor attached to a handle–the disc case part being the head of Thor’s hammer?

Or returning to the idea of Cap’s shield…and this is the idea I think we liked best…have the films packaged in a much larger replica of the shield.

They could put the films around the outer rim, with Avengers locked in the center. Have the main front of Cap’s shield as the lid (screw-on, snap-on, hinged…whatever works).

How cool would that be?

capblurayshield
Above: Mock-up of 6-film Avengers package idea

The Rest of the Stack: Week of October 19, 2011

allofthestack

The Rest of the Stack is my general mini-review coverage of new comics for any given week. It’s in addition to (or in place of) full-size individual reviews. It’s far less formal, and more off-the-top-of-my head thoughts on the given comics than it is detailed reviews.

FEAR ITSELF #7

fearitself007Spoilers ahead. When? When am I going to learn that Marvel does not ever, Ever, EVER actually END an event? It’s just the attempting “hook” of the next thing. This issue hardly made any sense. More posturing. More glowy/Tron Legacy-style characters, more magical weapons transforming characters into weird alternate-version-action-figures of themselves. And just a couple years after all the hoopla over JMS having an interesting story to bring Thor back? Hey, let’s kill him off. AGAIN. And let’s just have all these vague little “moments” to spin off into other stuff. The story ends way early, but wait–there’s more! There are these multiple “epilogues” that REALLY are PROLOGUES to other series and such that Marvel wants you to go out there and buy. And of course, like a complete sucker, I fell in for it. And at $4.99 for this issue. Pretty sure that means I was hoodwinked into paying for those prologues. And the Hulk stuff makes no sense.

FEAR ITSELF 7.0

fearitself007aYeah, in writing this, if you think *I* am being choppy, well…I’m just emulating what I read. I was almost content to not even buy this issue, but figured no, I’ll finish the series, finish the event. But it doesn’t even truly end, it just sets you up for these other spin-off series, and these .1/.2/.3 issues (aka Fear Itself #7.1, #7.2, #7.3 so they can claim you don’t have to buy ANOTHER mini-series to make sense of this one, nor have to admit this series is now 10 issues instead of the originally stated 7). And you know what? I barely paid attention to the art here. Maybe it was ok, maybe it just wasn’t horrible, but I was trying to follow the story, and neither story nor art nor the combination really made things make the sort of sense they were surely going for. I may sound cliche, but fired up as I am at this, and seeing this as being another of Marvel‘s “core” things…well, chance after chance after chance, but I’m sorry, I just am not interested in more than the concepts. The actual stories, the actual execution of whatever ideas…there just isn’t any satisfaction to whatever payoff there is. Very dissatisfied with this issue, this series, and I’m voting with my wallet. I’m out. (2/10)

INVINCIBLE IRON MAN #509

invincibleironman509My 10th issue post-500 (counting that 5xx.1 issue)…and yeah, I’m done. Modified my pull list recently, and told my comic shop I’d finish out Fear Itself and Iron Man, but none of the follow-ups. None of the spin-offs. Maybe I’m just out of touch with Marvel, but whatever potential there was here is squandered. Surfacey plan on Tony’s drinking. Whatever this Asgardian armor thing is, he looks like the Destroyer or whatever that robot with the visor is–but no one says anything about it, nor do I get what its properties are, whether this is a quasi-permanent thing or not. There’s some interaction between Tony and a dwarf that could set up stuff for down the road, but time alone will tell on that. Pepper’s situation is “conveniently” dealt with, squandering tension from the previous issue. And much as I loved Fraction‘s first 24-some issues in particular–it’s what got me buying this in the first place–all that goodwill has pretty much been crapped away–though I mainly blame Marvel in general and these darned event-after-event-after-Event-after-EVENT thing they’ve been doing. Art’s the usual for this title. Story’s probably not bad once it gets explained by those more patient than me, or in the collected volume (maybe with some tie-ins thrown in for better flavoring). Again…voting with my wallet. I’m done. This isn’t worth $3.99/issue, I’m caught up, and I’m choosing not to keep buying a title on the offchance it’ll get better “next month” or have an epiphany-type moment. (5/10)

JUSTICE LEAGUE #2

justiceleague002If I’m paying $3.99, it’s for extra pages of story. If you want to–on top of a full issue at $2.99–give me extra pages of text or prose or whatever to add to the worldbuilding, sure, great. But if I’m paying for it? No. Not my cup of tea. 22 pages of story for $3.99, with some supplemental stuff. The Superman and Batman design pages were semi-interesting, because I’d listened to an interview weeks ago with Mr. Hamner discussing having been hired to do these guides. But the Steve Trevor transcript segments did nothing for me. Somehow I’m not quite AS fired up about this as I was about practically the same thing happening with Action Comics #2…but the mood I’m in having read this week’s comics, and being so freaking tired of comics’ prices, their VALUE these days, this title’s on my chopping block. Like Action…maybe I’ll enjoy it more in a collected volume, from Amazon, bundled with something else for free shipping, to justify whatever the cost. Get the whole story in one go so it feels like an actual story instead of a segment, and not have it broken up by the same old useless ads and such, and hopefully without stupid PAID backmatter clogging things up. The story–this feels like just another segment of something much bigger, that is INTENDED for a single story, which it will achieve in collected-edition format. The art’s good–it’s Jim Lee, after all–but even some of that seems to be posturing, and doesn’t really “do” anything for me. At $3.99 and not being significantly longer (remember, Superman #1 was what–25 pages for $2.99???) than anything else…you’re probably best off waiting for the graphic novel. (6/10)

BATMAN #2

batman002Best of the week. Which isn’t saying much. Well, I suppose moreso, it doesn’t take much. This has Batman, and Bruce, Dick shows up and we see that this isn’t gonna be some dumb cliche thing. We jump right into the action, then flash back to pick up where #1 left off and resolve things and head to that opening action, and then wrap up from there. Though this is part of a continuing story, we get a functional beginning-middle-end that works, and I’m interested in coming back for the next issue. The art’s good overall, though I don’t much care for some of the panels that just seem…”off.” All in all, solid story and solid art, doing what a single issue should. Also potentially fortuitous that this came out the day after the Batman: Year One animated film, and that I read this issue shortly after watching an interview “extra” on the B:YO disc with Snyder and others talking about Batman. (8.5/10)

The Iron Age [Checklist]

JUNE 2011

  • The Iron Age: Alpha #1
  • The Iron Age #1

JULY 2011

  • The Iron Age #2

AUGUST 2011

  • The Iron Age #3
  • The Iron Age: Omega #1

“As the Earth is destroyed from the cosmic might of one of the most feared enemies in the Marvel Universe, Iron Man is flung headling into the timestream! Can Stark return to the present to save the future? Only with the help of the greatest heroes can Iron Man return from the Iron Age!”

Invincible Iron Man #500.1 [Review]

“What it was like, What happened, and What it’s like now”

Writer: Matt Fraction
Artist: Salvador Larroca
Colorist: Frank D’Armata
Letterer: VC’s Joe Caramagna
Editor: Alejandro Arbona
Senior Editor: Stephen Wacker
Cover:
Salvador Larroca
Published by:
Marvel Comics

Tony Stark attends an AA meeting, and shares his story, recounting in the vaguest of terms his history as an alcoholic and how it’s affected him throughout his career. After the meeting, we see how actually talking about things affects Tony.

The story of this issue is really that simple. I had my doubts about the accessibility of this issue, of what would make it such a good jumping-on point. And really, for this character…I can’t think of anything better. Telling his story at an AA meeting is a perfect vehicle for touching on some of the major points of the character’s history and if not exactly explaining everything to new readers, it provides a glimpse of what’s come before, as well as insight into the character–stuff that provides a bit of foundation for new readers, or reminds longer-time readers of where things have come in recent years in particular.

This sort of issue–a “breather” of sorts, a “slice of life” or whatever–where characters have a chance to reflect, to have “down time” and just be themselves without an actively-moving high-action story–this is the sort of issue I am extremely fond of. And yet, while do enjoy this type of issue, it’s not terribly deep nor overly insightful…and really is pretty formulaic.

The art is the usual style and quality–which is a very strong positive in my book. No real complaints from me on the visuals.

The issue ends with a double-page series of panels “previewing” what is to come in the next year in this title…reminding me very much of Booster Gold #1, an issue (or issues?) of JSA, and generally the way DC‘s done things. So it’s nothing fresh or new…and unfortunately, it does all of nothing for me. I don’t even know what it is we’re seeing, and it doesn’t do a thing to hook me or have me particularly interested/excited to see context/details of how the situation(s) come about.

Though this issue–as part of the Marvel.1 “initiative”–is designed to be a jumping-on point, and I’d intended to bail after #500, this also serves as a bit of an epilogue to Fraction‘s run on the character thus far…and if there’s a 2nd omnibus-style hardcover for his run, I would be quite satisfied if it ended with this issue.

Whether looking for a jumping-on or jumping-off point, if you’ve enjoyed any of Fraction/Larroca‘s run or have been curious about the title, I definitely recommend this issue.

Story: 7/10
Art:
8/10
Whole: 7.5/10

Invincible Iron Man #500 [Review]


Full review posted to cxPulp.com
.

Story: 2/5
Art: 2/5
Overall: 2.5/5