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Uncanny X-Men: The Heroic Age #1 [Review]

Full review posted to cxPulp.com.

Story: 3.5/5
Art: 3.5/5
Overall: 3.5/5

X-Men: Second Coming #2 [Review]

Full review posted to cxPulp.com.

Story: 4/5
Art: 3.5/5
Overall: 3.5/5

X-Men #1 [Review]

Full review posted to cxPulp.com.

Story: 4/5
Art: 3.5/5
Overall: 3.5/5

Invincible Iron Man Annual #1 [Review]

Full review posted to cxPulp.com.

Story: 4/5
Art: 4/5
Overall: 4/5

New Mutants #14 [Review]

Second Coming (chapter 11)

Written by: Zeb Wells
Art by: Ibraim Roberson, Lan Medina and Nathan Fox
Colored by: Brian Reber, Matt Milla and Jose Villarubia
Lettered by: VC’s Joe Caramagna
Cover by: Adi Granov
Associate Editor: Daniel Ketchum
Editor: Nick Lowe
Published by: Marvel Comics

Xavier enters the mind of his son, David (Legion) Haller, to prepare him to help the X-Men. In the real world, Cyclops deputizes every mutant present as X-Men…the dome trapping them and the nimrods arriving every few minutes means that every individual must come together, to “Fight or die.” Meanwhile, Rogue and Hope share a moment, as Colossus and Namor have their hands full holding the Golden Gate Bridge against Nimrods. In the future, the X-Force contingent has their hands full with their own problems…including multiple Master Molds. Back in the present, Hank McCoy–Beast–says his goodbyes as he prepares to enter the fray, and another player joins the battle.

The multiple artists / multiple colorists team is quite noticeable, and while in some ways it’s distracting, it’s also fitting to the story, as we’re dealing with several very different locales: David Haller’s mindscape, the X-Men in present day, and X-Force in a dark future. I’m not particularly a fan of any of the art–the only issues of this series I’ve bought have been whatever issues were earlier chapters of Second Coming–and offhand I don’t even recognize the artists’ names from any of their previous work that I might have seen. Of the differing visuals, the most off-putting is David Haller’s mind…but that seems intentional, and works well. The future scenes with X-Force are fairly slick, and I do like the distinctiveness. The present-day scenes are probably my favorites.

The story seems fairly simple and generic in that this is “just” another chapter in the ongoing crossover Second Coming. This continues from the previous chapter, and leads into the next chapter; we get forward movement in the crossover, but as a shared story, there’s not a whole lot moving whatever the New Mutants story is along, that I can tell. Again, as with the art…this isn’t a bad thing…perhaps because I have no real interest in this title standing alone, don’t know the newer characters, and picked this up as Second Coming Chapter 11 rather than New Mutants #14. Despite that, I really don’t feel lost–and the unfamiliarity is something I expected for this story, since I barely touched the X-books after Messiah Complex. I enjoyed the interaction with Rogue and Hope–the characters seem well suited for each other, and could make for an interesting friendship in future issues.

All in all, another solid chapter of Second Coming. I’m not yet sold on whatever the story is that’ll immediately follow this arc’s conclusion, nor the next big story with the vampires. Still, this keeps me interested in Second Coming, and I’m very, very interested to see what unfolds next week. This issue’s cliffhanger also reminds me somewhat thematically of the season finale to the first season of the 1990s X-Men animated series.

If you’ve already been following New Mutants, or are following the Second Coming main story, this is not an issue to be missed. If you’re not following this, you’ll probably be better off waiting for the next arc.

Story: 8/10
Art: 8/10
Overall: 8/10

Invincible Iron Man #27 [Review]

Full review posted to cxPulp.com.

Story: 4/5
Art: 4/5
Overall: 4/5

Captain America: Reborn #6 [Review]

By: Ed Brubaker, Bryan Hitch and Butch Guice
Colors: Paul Mounts
Leters: VC’s Joe Caramagna
Designer: Rian Hughes
Covers: Hitch and Mounts; John Cassaday and Laura Martin; Joe Quesada, Danny Miki and Richard Isanove
Assoc. Editor: Lauren Sankovitch
Editor: Tom Brevoort

Before I read a single page of this issue, I was impressed by a stark difference I’m entirely unused to. This issue–at least, for the version of the cover that I bought, keeping with the visual style of the covers I’ve chosen since issue #1–sports not only a wrap-around cover, but a gatefold as well. That is, we have a 3-“panel” cover that folds out to the width of 3 comic covers, as a single, large image. Meanwhile, the latest Justice League of America issue from DC features HALF of a two-panel image as each of two different editions of the same exact issue. I dislike variants, but have a much easier time tolerating them when each is at least its own complete image. And the “build-an-image” motif where covers connect to form a larger image is cool, so long as it is multiple different issues–whether consecutive issues of a series/mini-series, or of a crossover/story arc.

Picking up where the previous issue left off, this issue finds Steve Rogers in his Captain America uniform, his body in control of the Red Skull’s consciousness, ready to murder his old partner Bucky, now the current Captain America. Meanwhile, a number of friends/allies fight for not only the rescue of Steve but also of those who have become entwined with the Red Skull and his machinations. Steve battles for control of his body, and unsurprisingly (especially given the title of this series) Steve wins out, the Skull is dispatched, and Steve is left–stable and no longer being bounced throughout his own history–in the present, to deal with a world in which he’s been absent and missed the Secret Invasion and most of Osborne’s Dark Reign.

The art on this book is high quality stuff. While it’s not perfect or anything, It really brings a lot to the story, enhancing the story and never particularly distracting from the reading experience. There are a couple of “iconic” full-page shots that were a little distracting as a result (in a good way, though). Despite the distraction–of noting the enormity of the moments depicted–they were a couple of my favorite moments of the entire issue. One shows Steve and Bucky rushing into battle side-by-side…two Captain Americas existing side-by-side. The other is Steve leaping into the fray, shield raised, the sunlight glinting off it, as many of the characters realize that THEIR Captain America is back.

While I tend to enjoy Brubaker‘s writing, this issue seemed so anticlimactic as to lack any real enjoyment for me. The enjoyment I found was in the art, in those images mentioned above. It doesn’t help that there wasn’t much to “wonder” about in this series. The title itself gave away the ending: Captain America would be reborn…and as we’d pretty much JUST wrapped up an 18-month mega-arc introducing a NEW Captain America into things (Bucky’s transformation from enemy agent to Shield-bearer)…it was pretty darned obvious. This issue in particular was spoiled by the fact that its first “epilogue” shipped some 4-5 weeks ago. Why that couldn’t have simply been held is beyond me–but it gave us an issue of Steve obviously back, obviously no longer bouncing through time, obviously alive, and Bucky alive as well. All that was left was the exact, specific details as to how things would wrap up.

If you’ve been following the series so far, it’s worthwhile to snag this issue to wrap up and such. Otherwise, wait for the collected edition–which will HOPEFULLY contain not only this 6-issue mini, but BOTH epilogues: Who Will Wield the Shield? and Who Will Not Wield the Shield?

Story: 5/10
Art: 8/10
Overall: 6.5/10

Captain America: Reborn #4 [Review]

By: Ed Brubaker, Bryan Hitch and Butch Guice
Colors: Paul Mounts
Letters: VC’s Joe Caramagna
Covers: Hitch, Guice and Mounts; John Cassaday and Laura Martin, Joe Kubert and Laura Martin
Assoc. Editor: Jeanine Schaefer and Sankovitch
Editor: Tom Brevoort
Publisher: Marvel Comics

I’m not 100% certain I bought/read issue 3 of this, offhand. Even if I not only read issue 3 but also reviewed it, I don’t at present recall issue 3. Despite that, it’s almost an irrelevant point as this issue finds Cap still bouncing through time, the Skull and crew still getting things assembled, and Cap’s allies still playing catch-up.

Skull and crew arrive in Latveria at invitation of Doctor Doom. Doom fixes their time device, while Cap’s allies are finding out what happened with Sharon and how she–and her blod–hold the key to what’s going on with Cap.

As Doom’s device is activated, things come to a bit of a head as a body is present, though all may not be quite as promising as it appears.

The art’s easily the best part of this story. Hitch draws a great Doctor Doom, and I found myself enjoying the visuals even as the story sped through its own pages. Brubaker’s done a great job overall with the Captain America saga. This series seems just a bit much, though, and something feels a bit “off” from what I enjoyed in reading the first omnibus and the 1.5-year saga following up on Steve’s death and Bucky’s installation as the new Cap.

If you’re specifically a fan of Brubaker’s work you’ll probably enjoy this; ditto if you’re a fan of Hitch’s art. If you’ve been following this mini thus far, probably worth finishing out the story. Otherwise, you’re probably just as well holding off for a collected volume.

Plus, with a collected volume…you won’t have two different titles for the same story (three, if we count the fact that this essentially IS the Captain America title right now, outright replacing the main title for its duration).

Story: 5.5
Art: 9
Overall: 7

Captain America: Reborn #2 [Review]

By: Ed Brubaker, Bryan Hitch and Butch Guice
Colors: Paul Mounts
Letters: VC’s Joe Caramagna
Covers: Hitch, Guice and Mounts; John Cassaday and Laura Martin, Tim Sale and Dave Stewart
Assoc. Editor: Jeanine Schaefer and Sankovitch
Editor: Tom Brevoort
Publisher: Marvel Comics

Well, I’m glad I picked the cover I did for the first issue…it seems that that was indeed the “standard” cover, meaning if I follow through with this entire series, I won’t be left feeling like one of my covers is out-of-place with the others.

I continue to be baffled as to why this couldn’t just be issue #602 of Captain America (or better yet, #53 or whatever without the renumbering). After all, while we have a different artist in Hitch on the visuals, the story is still Brubaker’s, and honestly looks and feels like any other issue of Captain America. If it’s about the chance at a #1 in the face of combining all previous runs to make the fat ol’ #600…then surely part of the trade dress for this story could have displayed a “part #1” or “part #2” while having the actual issue number in small print.

As said…this story is very much a Brubaker issue of Captain America. Amidst some Lost-styled time-hop scenes of Stever Rogers reliving scenes of his earliest days as Captain America (and his transformation from scrawny kid TO Captain America) we learn a little bit about the time-flashing that likely foreshadows something significant for later in the story. We also see the present as the current Captain America–formerly Bucky–and the Black Widow face Norman Osborne’s “evil” (or is that “dark?”) Avengers and see that Norman’s now got a stake in things as he issues an ultimatum to act as the issue’s cliffhanger.

It seems almost a given to me that Brubaker’s writing is high quality and in top form here–whatever “event” this is billed as, and whatever elements may or may not have been “forced,” he makes the story work in and of itself in its own sandbox that we’ve seen since his run started…while incorporating obvious and relevant elements from the larger Marvel Universe as a whole.

Hitch and Guice provide excellent visuals that capture the tone of the story very well. Though the art may not match up 100% with what the bulk of the Cap series has had, it certainly fits very well with it…having its own style without being a departure from what longer-time readers are likely familiar with. In itself, no complaints from me on the art.

Taken as a whole, this issue was pretty good. I was actually intending NOT to buy this issue due to the price tag and figuring on waiting for the collected edition if anything–but with Marvel’s pricing of late, it’s probably cheaper this way, and I have the feeling this pulled-out-into-itself mini-series will greatly inform whether or not I return to the monthly Cap book this fall.

If Cap’s your thing, this is well recommended. Otherwise…you would probably be more satisfied waiting for a complete arc to read.

Story: 7/10
Art: 8/10
Whole: 7/10

Captain America: Reborn #1 [Review]

By: Ed Brubaker, Bryan Hitch and Butch Guice
Colors: Paul Mounts
Letters: VC’s Joe Caramagna
Covers: Hitch, Guice and Mounts; John Cassaday and Laura Martin, Alex Ross, Joe Quesada, Danny Miki and Richard Isanove
Assoc. Editor: Jeanine Schaefer
Editor: Tom Brevoort
Publisher: Marvel Comics

After the reveal in Cap #600 that the gun we thought had killed Steve was something other than a simple gun, this issue picks the story up and moves forward. We see what appears to be a flashback to Steve’s time in World War II, though we quickly discover there’s a bit more to the scenes than just flashbacks. In the present, we see the other players of the story gather, and discover the nature of Steve’s flashbacks–which also seems to set up what is to come later in the story. We also discover through terminology and visuals that it would be really quite simple to set “Lost” square into the Marvel Universe.

As returns go, the story seems to be plausible enough in terms of comic book returns. I’ve enjoyed just about everything I’ve read from Brubaker the last couple years, be it Captain America, Criminal, Incognito, and what-have-you. I recently read through the Captain America by Ed Brubaker Omnibus, which gave me a great appreciation for the story he’s told the last few years in the main Cap book (it’s that reading that also convinced me that I think it far, far too soon be seeing Steve brought back). However, as stories go, this seems upper-middle-of-the-road to me, mainly because my first thought at a couple of scenes was of Lost (and reinforced when I saw comments pop up on Twitter on that subject).

The art is good stuff, and seems to fit the tone established across Brubaker’s tenure on the main Cap book–high quality, and nothing jarring me out of the story for any particular visual issue. It’s not spectacular, but it is good–and I really have zero complaint on the art…at least on the interior. I do have a bit of an issue with the variants, but that’s a usual complaint from me–I don’t like ’em.

On the whole, this is not a bad start to this mini–but the cover price combined with its place (presumably) within the ongoing Captain America story…I don’t plan to pick up later issues, and will await the collected volume(s). If out-of-title event minis–or Brubaker–or just Cap–are your thing, you’ll probably enjoy this. I do expect this is going to read a LOT better as a collected single story, though.

Story: 7/10
Art: 8/10
Whole: 7/10