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Ultimate End #1 [Review]

secretwars_ultimateend001Writer: Brian Michael Bendis
Penciler: Mark Bagley
Inker: Scott Hanna
Colorist: Justin Ponsor
Letterer: VC’s Cory Petit
Production Design: Manny Mederos
Cover: Mark Bagley
Assistant Editors: Chris Robinson, Emily Shaw
Editor: Mark Paniccia
Published by: Marvel Comics
Cover Date: July 2015
Cover Price: $3.99

Despite missing the first two issues (to this day 14-some years later I’ve had to rely on reprints for my personal collection) I had jumped into the Ultimate universe basically at its start, with Ultimate Spider-Man #3, and I believe I finally got to read the first two issues initially in a Mighty Marvel Must-Have edition. As such, seeing as how–after several false-starts on the “end” of the Ultimate universe–the ending is finally here, I couldn’t pass this up. And like I started with Ultimate Spider-Man with the single issues, so, too, I found it fitting to follow the single-issues here as well.

This triggers plenty of nostalgia for me from the cover, which utilizes the original trade dress of the Ultimate books–the two solid-color bars down either side of the cover with a skinnier image between. The Ultimate End logo looks familiar, though I think the font is slightly “off” from some of the other Ultimate _______ logos; and of course we have the Battleworld banner across the top and the Secret Wars stamp marking this as part of the overall Secret Wars 2015 event, specifically the Battleworld class of tie-ins. I had noticed an alternate cover with the Miles Morales Spider-Man costume, that looked like the original Ultimate Spider-Man #1 cover that I almost chose over the standard cover. However, never having acquired an original USM #1, I stuck to my guns on getting just the standard/main non-variant cover for this.

We open on (a) Spider-Man tangling with a Serpent Squad, putting him into interaction with Cloak, Dagger, and a Spider-Woman. We then shift to a huge gathering of heroes that seems made up of a mix and combination of “616” characters and “Ultimate” characters. Spidey joins in as everyone is debating the fault and situation itself they all find themselves in, before the party is further crashed by Thors.

Simply opening the book and reading, I was actually expecting the Miles Morales Spider-Man, so was surprised to see a classic-costumed Spidey. Further, this seems to be a Peter Parker Spidey, suggesting he’s either the 616 Spider-Man or another. The issue has a prologue and then jumps to “3 weeks ago,” and references a white portal/other world, so as a cursory read-through I’m not certain on the timing and how much the characters know of where they are and if that was pre-incursion or what; I have not kept up on any Marvel the last several years until Secret Wars #0 and 1. So what may be totally obvious to readers following along was not to me.

Still, knowing the basic premise, that didn’t bother me much…I recognized the various characters overall. Whether this was actually Battleworld as I assumed or a flashback to the universes still being separate isn’t a huge deal to me. Story-wise this worked well enough and had a familiar “feel” stylistically. The art of course is familiar, and Bagley‘s work is just as good now as I recall from when I was following the Ultimate Spider-Man series with his art.

This is only the first issue of–I believe–five, so there’s by no means a complete story here. We’re introduced to stuff, mostly, with a little bit of background/flashback given; this is clearly a first chapter of a larger singular story within the Secret Wars/Battleworld stuff. As I expected that going in and did NOT expect some one-off single-issue tale, I’m fine with that; I also went into this with the expectation that I’d enjoy it and that barring some huge disappointment or negative factor, I wasn’t going to bail on the series just from whatever this single issue held.

I enjoyed the issue overall–story and art, and appreciated the mix of nostalgia and new. I do look forward to the next issue and want to see where things go. I bought this because of my own history with the Ultimate books; though I suspect this may be one of the more “key” tie-ins to the overall Secret Wars as it deals specifically with ending the Ultimate Universe. (After all, Secret Wars is kicked off by the Ultimate and 616 Universes as the final two in existence, merging).

This seems like a very strong issue for a tie-in reading experience, and well worth getting if you’re following Secret Wars. It also seems likely to be a good story overall for putting the lid on the Ultimate Universe, fairly friendly even to readers like me who haven’t really read any of the Ultimate books for years. You could certainly do a lot worse than this issue!

Secret Wars: Battleworld #1 [Review]

secretwars_battleworld001Soldier Supreme; M.O.D.O.K. Madness

Writers: Joshua Williamson, Ed Brisson
Artists: Mike Henderson, Scott Hepburn
Color Artists: Jordan Boyd, Matt Milla
Letterer: VC’s Joe Caramagna
Cover Artist: Paco Medina
Editor: Jon Moisan
Published by: Marvel Comics
Cover Date: July 2015
Cover Price: $3.99

This issue gives us two stories set in Battleworld. The first is a skirmish between a Punisher merged with the spirit of Dr. Strange, Sorceror Supreme and The Infernal Four (a Hulk, Ghost Rider, Wolverine, and Spider-Man). The battle seems to shift things from one status quo to another, perhaps a transitional/origin type thing for stuff either to come or as a side-story to put a reference “on-panel.”

The other story shows us a bunch of M.O.D.O.K.s brought together by a “prime” MODOK who has realized it might be best to work with himself rather than others. Of course, this really turns out to be a poor plan, as MODOK(s) tend to have a bit too much ego to not try to be THE leader of any group instead of following.

I was good with the art for both stories. Though I’m not particularly familiar with the visual team, I had no real issue following along and was simply able to take in the story as I turned the pages. The stories themselves, similarly, were simply what they were. Essentially half-issue length done-in-ones to offer us glimpses of different characters that might not otherwise get a spotlight in Secret Wars.

Opening the issue and seeing that there were two stories, I was immediately disappointing, mentally flashing back to the “extended fight-scenes” nature of AvX: Vs from several years ago and assumed this was that series’ counterpart. Actually reading the issue I was pleasantly surprised to find something that while still basically “just” fights, at least a little more plot-driven and developmental for Secret Wars.

I could see enjoying this series for the glimpses of characters not otherwise overly spotlighted, but I’ve also been “trained” to be used to (and even prefer) the multi-issue/several-issue stories. Given that, these seem to (by simple pagecount) lack something to be more engaging and interesting for me.

All in all it’s not a bad issue, and well worth reading if you enjoy MODOK or the Sorceror Supreme…or if (like me) you’re simply delving into Secret Wars and want to see characters from different (former) realities interacting. This should also work well as a “companion” book to expand on the main Secret Wars book running through the event.

Battleworld does not seem (yet) to be all that ESSENTIAL…just kinda fun-ish and “worthwhile” to read if you so choose. I haven’t decided yet if I’ll continue with the series…it might depend on how much clustering there is the week the next issue is out and whether I feel like adding it to the stack.

Darth Vader (2015) #5 [Review]

darthvader(2015)005Vader part V

Writer: Kieron Gillen
Artist: Salvador Larroca
Colorist: Edgar Delgado
Letterer: VC’s Joe Caramagna
Cover Artist: Adi Granov
Assistant Editor: Heather Antos
Editor: Jordan D. White
Executive Editors: C.B. Cebulski, Mike Marts
Published by: Marvel Comics
Cover Date: July 2015
Cover Price: $3.99

I intended to drop this. I don’t like the lack of dialogue, and captioning, and how quick it is to read. The speed at which I can blast through an issue makes it a REALLY HORRIBLE “value” for what I spend. But DARN IT…this thing is great to look at, sure is pretty. And I already got the first FOUR issues, the first 2/3 of the arc, and I just had to go and look inside to see if this was a new story or still continuing the existing one, and it’s part 5. So…I bought this, against conscious prior intent…and so help me, I’m really enjoying this title when I get past the conscious, principled complaints.

It ALSO certainly did NOT help that I just re-watched the original Star Wars films, so have these characters–and this time period in the Star Wars canon–front and center in my mind, craving whatever else there is that looks good, looks like it fits, and…in some ways, perhaps I’m just a “sucker” for this stuff right now. The fact that as I sit and type this I feel like I have a stupid, silly grin on my face accentuates that.

Of necessity, we already pretty much know the ultimate fate–or lack thereof–that will befall most of these characters. These droids aren’t around come Empire Strikes Back–they’re not even significant enough to be referenced. Ditto Doctor Aphra. But that doesn’t excuse the feeling they matter right now, in this story, as it is presently unfolding.

I don’t care for the Doctor Who comics, and shoehorning in of new/different/”extra” Companions…yet I’m ok with this for Star Wars comics. Aphra is unlikely to survive, but she’s cool right now, and likeable, and written well and modern despite being set in a story between movies that saw initial theatrical release more than three decades ago.

There’s not a LOT of story in this issue, and I have to keep going back to the art as what makes this. I’m aware of Gillen having done a fair bit with the X-Men title/characters some years back, but largely have yet to read that run, so there’s nothing to the story itself here that I can look at as seeing/feeling this is a Gillen story. But the consistency of the characters and the witty one-offs (Triple-Zero being what he is yet having concern for politeness made me grin) and such give this a modern, contemporary feel while Larroca‘s art (though actually, credit’s gotta go to the ENTIRE visual team) really makes this book. And I don’t usually care about the art enough to gush like this.

I’d love to simply not like this book, because it’s published by Marvel and I’ve not been thrilled with Marvel for awhile as well as the fact that Star Wars and Dark Horse have been pretty much synonymous to me for basically the entire time I’ve been reading comics until just a few months ago.

But despite myself, it’s enjoyable and a fun read and quite worthwhile in and of itself. If you’re a fan of Star Wars, and Darth Vader…I highly recommend this. If you haven’t followed the single issues, it will definitely be worth checking out in the inevitable collected volume.

Thoughts on This Week’s Secret Wars #2, Mythic #1 and X-O Manowar #36

Doing something they haven’t done in AGES, Marvel had a book out this week I was eagerly looking forward to, that drove my going to the comic shop on my lunch break despite construction and traffic and extending the break to read the entirety of the issue before getting back to work.

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SECRET WARS #2

Given the ending of Secret Wars #1 last week I was eager to see what this new “Battleworld” would be and how the sections would actually be depicted, so of course I had to get #2 as soon as I could, and read the thing as soon as possible after that.

It proved to be a bit of a letdown in that regard and truly felt like a new #1, an introductory issue to some world, with a fair bit “teased” but not much actually shown. I know it’s still only the first chunk of story and all, and “only” the “core” where there are oodles of tie-in issues and tie-in mini-series and all that still coming in the next few weeks and MONTHS, but I was still hoping for something more.

On the other side of things…despite the aforementioned hope, there was also the expectation of something a lot worse. I WANT to dislike this specifically because I’m consciously aware of it being a Hickman book. Unfortunately, I can’t find the same fault and feel in it that I would EXPECT of a Hickman book, and instead read the thing, turning page after page just wondering where stuff was going and if anything would be some overly blatant lead-out to other stuff. But it didn’t feel that way.

I enjoyed the issue on the whole, and am actually more disappointed to consciously realize the thing is not a weekly, and my brain is too caught up in DC’s thing being “only” 2 months…while I fear this Secret Wars thing is gonna be drawn out for half a year or so now.

MYTHIC #1

While it wasn’t pulled for me–its “promo pricing” being $1.99 instead of the usual $1-or-under threshold–seems I was the first one to actually buy a copy of the thing anyway, despite the shop having been open for at least a couple hours before I got there. And it is definitely the pricing that caught my attention for the book along with being a #1.

But reading the thing, it just doesn’t grab me. I got to the end of the issue, and actually went back and counted the story pages, sure that this had to have cut off around 16-18 pages, but no…22 story pages. Which is NOT bad for the $1.99 cover price…but getting to the end of the issue and simply wondering what the heck I’ve just read (not in a good way) does not bode well for me.

The issue’s not horrible or anything, by a long shot…but it just doesn’t grab me. It’s “another” reality-vs-fantasy thing showing that what “should” be fantasy is “true” while all the fiction and “magic” is real, and just feels cliche to me. None of the characters truly grabbed me, nothing to the visuals stood out, and even the cover seems…tired? Overly basic and generic?

Seems that EVERY SINGLE WEEK there’s a new #1 from Image out there, with one “high concept” or another, and though lately I’ve been more willing to try some of ’em instead of ONLY waiting for a paperback, they have incredibly high standards to live up to–even if I can’t exactly articulate some checklist of what those standards are.

X-O MANOWAR #36

Dead Hand part three. Aric failed to save Loam, but vows that Earth will not be destroyed the same way. He puts out a call to other armors around the universe, summoning them to his side to take the fight to Dead Hand even as Earth begins to realize the threat it now faces so soon after the Armor Hunters.

As usual, the art for the issue is good, and the story doesn’t suck. Unfortunately, I have a growing trepidation toward Valiant in general lately over stuff due for this summer–particularly the “Incentive Series” Legends of the Geomancer that has been advertised as part of the Book of Death stuff and yet simultaneously explained as not being needed to “get” and enjoy Book of Death.

Reading this issue I found myself contemplating whether or not the next issue would be my last, ast least in this format or for awhile. Instead of simply enjoying the story, the experience was tainted despite wanting to read this in and of itself.

Ultimately, a couple of good splash pages left me ready for the conclusion, and thinking about how we had an 18-part giant Armor Hunters event last summer…and in this third chapter of four we have stuff going on that seems like it’s supposed to all be so much bigger than the Armor Hunters but the story is given a fraction of the scope.

Despite negatives, though…this marks 37 monthly issues of X-O Manowar that I’ve kept up with…something I don’t think I’ve done with any title from any publisher to this extent in most of a decade.

Adding to the Thanos Collection

infinity_gauntlet_number1

I’ve been on quite the Thanos (and Warlock) kick lately, finally "pulling the trigger" on gathering up a number of the collected volumes associated with the characters, with my favorite stories involving them…or at least ones that I’ve known of but not yet read, and want to (and anticipate their becoming favorites).

On Free Comic Book Day 2015, while out with friends, I spotted a simple but extremely effective display in which a copy of the Infinity Gauntlet paperback was propped up next to a giant coin bank of Thanos’ infamous gauntlet sporting some pretty, shiny Infinity Gems (aka "shiny plastic," in this case). I’d seen this before and I’d passed on it…but Free Comic Book Day tends to be an "extra" thing where I’m more likely to try new stuff than usual, or to buy stuff I don’t normally buy in the course of visiting comic shops. Unfortunately, someone a dozen-or-more people ahead of me in line picked it up and claimed it, so I wasn’t able to buy it there and then.

thanos_bank

At another shop I did spot a Thanos bust bank, and while it wasn’t what I’d decided I wanted, I decided to make do with what I could get and bought it. Still Thanos, and he IS sporting the gauntlet…but it’s hardly a "life-size" piece.

After parting ways with my friends, I went to visit my parents and help out with some stuff…and fortuitously put me in range of two other comic shops. The first one did not have the Gauntlet bank…but the second one did.

infinity_gauntlet_bank

And of course, since it had become my most-coveted item for the day and was the entire reason I went to the fourth shop, I bought it.

I don’t specifically collect banks or busts…but they ARE functionally plastic statues, and since I’m not going to pay hundreds of dollars for a single item, I’m quite content with the plastic variety.

thanos_and_infinity_gauntlet_banks

Sadly, I only later realized that whoever OKed the Gauntlet screwed up–THE Infinity Gauntlet was on Thanos’ LEFT hand…while this bank is clearly a right-handed piece. The Thanos bust has it correct.

I actually looked online for some images to see if I was just misremembering or such, and found more recent pieces that DO show Thanos with a right-handed gauntlet…so I’m just gonna go with it on the notion that it’s Starlin‘s Thanos, and that depiction of the character that wields the left-handed one…and a more generic Thanos that uses the right.

As such, the bank isn’t entirely inaccurate, but it does bother me a bit, in that I-didn’t-think-this-sort-of-continuity-detail-WOULD kind of way. But that sort of continuity thing is a discussion for some other post, some other time.

Suffice it to say these are a couple of cool items for my collection, and their coolness to me IS entirely based on Thanos appearing in the Marvel Studios films…and nostalgia for the ’90s Thanos stuff. (Other than the FCBD Infinity issue a couple years ago, I have yet to actually read Infinity and don’t presently have any great intent to seek it out).

Art, Pagecount, and Price in Comics

I’d picked up the first several issues of the new Marvel Star Wars and Darth Vader comics, and while I enjoyed them “well enough,” the “new & shiny” has worn off and I’m back to the fact the things are $3.99 and not feeling as “worth it” to me. (the rapid expansion of the “line” is a contributing factor as well).

darth_vader_03a

I recently caught up on some of my reading and quickly realized how FAST I was blowing through the issues. I flipped back through and realized how there was a definite LACK OF words on many pages.

darth_vader_03b  darth_vader_03e

I love the art, and the fact it has a nicely “cinematic” look is certainly appealing–VISUALLY–but AS it does a great job, I can see it, appreciate it, but I blow right through, taking stuff in like quick single frames of a movie.

darth_vader_03c

I don’t even notice much in the way of “visual sound effects” (possibly the tradeoff for not “covering up” the art) so there’s even less to slow the eye from passing quickly over stuff, taking it in and continuing on; seeing and ‘hearing’ stuff in the back of the mind.

darth_vader_03d

Granted, for the purposes of this post I’m only providing photos of some of the pages-other pages do have a lot more in the way of dialogue/word balloons–but the fact that so many of the pages go so quick is highly problematic for me as we ONLY get 20 pages of story for the $3.99 cover price.

darth_vader_03f

[Above pages all from Darth Vader #3; below are from #4]

While I certainly like and enjoy good art in comics–for me, bad art can taint a story, but good art merely adds to a story. I buy comics for the story…without a story that interests me, I don’t care how beautiful the art “in general” is.

darth_vader_04a

Particularly when I re-read comics from the ’90s and earlier I notice just how “wordy” they seem compared to a lot of modern comics. Caption boxes, plenty of dialogue, even some labels and occasional editorial notes.

Moreso with pre-’90s comics I notice the more consistent “standard” panel layouts where panels seemed primarily contained to boxes…sure, the layouts might not be as dynamic as present-day, but having more distinct panels (in my mind and memory as I type this post) seems to mean “more” panels on a page.

darth_vader_04c

Particularly when there’s a lot of quick action in-story, just like I’m not going to hit pause or switch to some half-speed mode watching tv or a movie I don’t feel any need or desire to pause in moving through an issue to look closely at every little detail that might be present or marvel at the sheer quality of the detail, etc.

darth_vader_04b  darth_vader_04d

If you’ve read my blog at any length you certainly know that I have a problem with $3.99 as a price point for comics (especially for Marvel and DC, while I’m more lenient on other publishers). Only 20 pages for my $3.99 gets quite annoying; and $3.99 when I can breeze right through an issue in 5-6 minutes would mean I’m paying the equivalent of $40/hr for entertainment. That’d be like spending $60-$80 to watch a movie!

I can buy a prose novel–a STORY–for $8 and carry the thing around reading for those 5-10 minutes at a time here and there for WEEKS before finishing it.

Not all comics are quite so quick a read (and they are certainly of varying quality)…and as said earlier, I really like the art on these issues; it’s just that I don’t find the art alone to be enough to justify the cost in and of itself.

I was already figuring I’d cut my losses and drop the Star Wars books/avoid newer ones–I can pick single issues up later from bargain bins or I can buy the collected volumes or I’ll outright forget ’em and life will simply go on.

The page count and lack of story PER ISSUE just doesn’t work for me.

The ’90s Revisited: X-Men Prime

90s_revisited

xmenprime001Racing the Night

Writers: Scott Lobdell & Fabian Nicieza
Pencilers: Bryan Hitch, Jeff Matsuda, Gary Frank, Mike McKone, Terry Dodson, Ben Herrerr, Paul Pelletier
Inkers: Al Milgrom, P. Craig Russell, Cam Smith, Mark Farmer, Mark McKenna, Tom Palmer, Tim Townsend, Hector Collazo
Letttering: Richard Starkings and Comicraft
Coloring: Steve Buccellato and Electric Crayon
Cover: Bryan Hitch
Editor: Bob Harras
Published by: Marvel Comics
Cover Date: July 1995
Cover Price: $4.95

With this issue, we’re back to the “real” reality/universe/timeline/whatever. The 616 Marvel Universe. Bishop and his mission was a success, and by stopping Legion from killing Xavier…the Age of Apocalypse never happened, things have been set right. Or have they?

We have a bunch of plot points sharing this issue…while the various Age of Apocalypse mini-series led into X-Men: Omega, this issue now serves as the focal point for the return of the “regular” X-Men titles…as a “regular universe” Alpha issue to introduce readers to the current status quo of the characters and teams that make up the X-side of the Marvel Universe and send the readers into the mix of titles having had this bit of setup for where things are moving forward.

I do think that if Free Comic Book Day had been around in 1995, this would certainly have been a Marvel offering…an in-continuity quasi-anthology to get readers to jump aboard the entire line of X-comics.

I can’t say I’m honestly all that thrilled with this issue on this re-read. I certainly appreciate that there are “only” two writers credited, offering a bit of consistency to the story side of things. The issue is quite a mix visually due to the numerous pencilers and inkers getting their chance to work on pages presumably germane to the individual titles. Reading through this time, I noticed a bit of wonky art at points, but somehow was not particularly jarred by the shifts…perhaps for familiarity with the Age of Apocalypse stuff as a whole.

After the shiny “chromium” covers for X-Men: Alpha and X-Men: Omega, seems Marvel felt the need to give this a special cover as well–a clear plastic-ish thing with an inner orangey background. We also get the “alternate” X-Men logo, with the Prime part next to it…and the whole thing is a wrap-around (which I very much appreciate 20 years later in an age of VARIANT “interlocking” covers).

The story introduces or re-introduces some characters–and I even see hints of Onslaught in this reading. We find out that several characters–Nate Grey, Dark Beast, Sugarman, and Holocaust–escaped the Age of Apocalypse and wound up in the real timeline. Nate first appears in the “present,” while Magneto’s Acolytes only now in the present discover what will be revealed to be Holocaust…but Beast and Sugarman arrived 20 years ago, and were responsible for the Morlocks and Genosha’s Mutates, respectively. Marrow is reintroduced, aged twenty years from a prior appearance…Rogue and Iceman are on a roadtrip, the former haunted by whatever she saw in Gambit’s memories (Gambit’s in a coma). Trish Tilby reveals the Legacy Virus to the public along with the knowledge that it’s affecting humans as well as Mutants. X-Factor chases Mystique and Havok’s powers act up on him; X-Force’s base is destroyed. Wolverine is living in the woods outside Xavier’s mansion (refusing to reside under the same roof as Sabretooth) and Bishop is having unconscious outbursts as a result of the visions he’s having as a result of his temporal status in relation to the Age of Apocalypse. Amidst all this a mutant seeks the X-Men but winds up victim of humans lashing out against something they fear and do not understand.

This certainly sets up the various X-titles moving forward, so for that alone is pretty much an “essential read.” Yet, unless one intends to pursue those issues from mid-1995 that this is immediately germane to, there’s not much to really dig into singularly with this issue. Outside of characters involved and how they now will interact in the 616 universe, there’s no actual story-content directly tied to the story of the Age of Apocalypse timeline.

Given that, my covering of this issue is much like why I covered the non-Legion Quest X-books that preceded Age of Apocalypse: this is stuff coming out on the “other end”, the border, “bleed,” or whatever butting up against the Age of Apocalypse without actually BEING an issue of that..

While rarer than the Alpha or Omega issues in bargain bins, I certainly would not pay much more than cover price for this (and that would be a grudgingly-paid price). I’d seek this out to use as a starting point diving into any or all of the X-books of the time but certainly not if you’re only interested in the Age of Apocalypse.

Unlike contemporary Marvel, this does not kick off “the next” EVENT but rather gives the individual titles time to flex and explore their own things for awhile before everything heats up again with the following year’s Onslaught stuff.

xmenprime_wraparound

Secret Wars (2015) #1 [Review]

secretwars(2015)001The End Times

Writer & Designer: Jonathan Hickman
Artist: Esad Ribic
Color Artist: Ive Svorcina
Letterer: Chris Eliopoulos
Production: Idette Winecoor
Cover by: Alex Ross
Assistant Editors:Jon Moisan & Alanna Smith
Editors: Tom Brevoort with Wil Moss
Published by: Marvel Comics
Cover Date: July 2015
Cover Price: $4.99

Despite a certain grumpiness toward Marvel stuff lately, and being almost entirely out of the loop having consciously AVOIDED most of their contemporary stuff…I couldn’t simply pass this up. I gave DC‘s Convergence a chance, for two $5 issues and a $4…so having been turned off to that, I decided I can at least give Marvel‘s Event a chance for a $5 issue or two.

It’s been a long time since I’ve bought an Alex Ross covered issue of anything, and seeing his work on a Marvel anything again is quite cool. The interior of the issue is about 33 pages of actual story, and additional pages serving as title, credits, character, divider, and memorial pages…with the final pages of story going to black with a few words of text. While that seems at first to be quite a waste of space and pages, I find myself allowing it some leeway as I enjoyed the fade to white effect in DC‘s Zero Hour, and hold to that twenty-some years later.

Story-wise, things are a bit choppy to me, jumping between the 616 Marvel Universe and the Ultimate Universe. I’m not at all caught up on current going-ons in the Marvel Universe, but for the most part was able to follow along and get the “core” stuff out of the issue. Much like recognizing a bunch of characters while yet lacking their recent backstory for stuff like Zero Hour back in the ’90s, or any other event, this is what it is for me–a throwing-together of a universe of characters and I didn’t expect to experience this the way I would something I had more familiarity and interest in.

I’ve rarely enjoyed Hickman‘s work, and consciously recognizing his name on this project left me a bit dismayed the other day. I could compare elements of his work to Priest–the non-sequential storytelling, the caption/header dividing of scenes, the overall sense of the story not just being some straight-forward thing–but where I enjoy it in Priest‘s work (particularly his classic Black Panther and Quantum and Woody runs) I don’t care for it with Hickman‘s…but that truly gets into a whole different thing than this issue. As such, I expected to have a real problem with the issue’s story. Fortunately, I believe my negative expectation ran deep enough that this failed to be that extreme and so I actually enjoyed the issue as much as I have much of anything from Marvel of late.

The art was solid, and while it does not have the “classic” look my mind wanted, it’s mostly clear and certainly modern and on the whole, works for this take on the various characters. There were a few panels where I honestly went cross-eyed trying to visually parse out what was actually going on (especially one with Rocket Raccoon) but the bulk of the thing was good.

This is definitely being billed as the END of the Marvel Universe AND the Ultimate Universe, with a page at the end citing their “lives.” In that regard, this really should have been a 0 issue or something else, as whatever the Secret Wars part is, that begins NEXT issue with a mashup of the various worlds/timelines/whatever. Still…you could do worse. I mostly enjoyed the reading experience, and realizing the next issue is already due out next week, I’m very much looking forward to it. I’m also looking forward to several of the tie-in minis.

As starts go, I think I like this better than any other recent Marvel event I can think of…and if only for the immediate present, it’s certainly got the weight behind it for once as something that does and will matter.

I find myself a bit surprised to say so, but…recommended!

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Free Comic Book Day 2015 – A Few Issues’ Thoughts

Free Comic Book Day was this past Saturday, and I picked up a number of issues. Rather than attempt to write up single posts for each FCBD issue, here are some of the ones I’ve had a chance to read so far and my thoughts on them.

Teenage Mutant Ninja Turtles FCBD 2015

fcbd2015_tmntI think this is the one I was looking forward to MOST of all the FCBD issues this year. And truthfully, I was not particularly disappointed. We get an all-new story–an in-continuity continuation of things that seems to fit within the present–it does not spoil the Mutanimals stuff, and takes place after TMNT #45, which works well with me getting it 3 days after #45. The art fits right in with the main series itself, so doesn’t even stick out. This isn’t some integral issue to stuff–I’m pretty sure one will be able to read the ongoing without ever knowing they missed this, but reading this will give newer readers some context of recent events and even core tidbits going back to the start of the IDW continuity. A lot of the issue is contextual exposition that I’m not used to seeing in the series…but given the nature of this it works very well for me, and I think would give the newer readers enough to contextualize the current story while teasing the detailed nuances of the actual stories that came before so one might seek those out.

The Tick FCBD 2015

fcbd2015_tickI remember watching and enjoying the animated Tick series Saturday mornings back in the day…scary to think it’s been 20-some years! Sadly I can’t really clearly remember the characters’ "conversational" voices in my head. This was still a quick, fun issue for the most part–the first story with Tick and Arthur dealing with a giant creature eating the city, and the third story with them being distracted by one threat or adventure after another, keeping them from holding a spot in line for the art museum. The middle story wasn’t really to my taste, explaining some of Tick’s time blacked out, apparently from an old #1 issue. Probably a lot more fun for long-time fans of the COMICS, but it means nothing to me not having read those. The art’s good, and the stories fun, and the price was certainly right. As "just" a fun FCBD issue, this is definitely worth reading, and I enjoyed reading it.

Secret Wars #0

fcbd2015_marvelsecretwarsMarvel’s hype-machine has certainly done its job…at least in getting me to where I’d actually be interested in getting a copy of this free issue (at a $4 discount from USUAL Marvel pricing!) The cover particularly stands out to me. However, I am not at all impressed by the interior…and was honestly rather disappointed to see Hickman’s credit on the cover and be consciously reminded that this IS actually his story. This issue didn’t really give me context for stuff, and I had no idea if it’s a "catch readers up to prepare them for the rest of the series" #0 or a "This is where the story truly begins" #0. The story seemed to actually try to be both, but felt choppy and lacked any kind of "editor’s notes" to refer me to any specific stories or to even place this against whatever issues are already out for various titles. Given I’ve hardly touched Marvel in a couple years, I’m lost. So while my frustration with DC and Convergence might give way to trying Secret Wars #1, I’m more curious about several of the tie-in minis and may well skip the core Secret Wars book…especially for the price point and knowledge that there’s virtually no way this does NOT get a collected volume whether I "support the single issues" or not.

Valiant 25th Anniversary Special

fcbd2015_valiantI already bought and read Bloodshot Reborn #1 weeks ago, so while I could buy into a story set some time after the last I’d seen the character within The Valiant, now suddenly finding this "untold" story segment kinda bugs me. This could’ve been included somehow in Bloodshot Reborn #1 or done as some other sort of giveaway or such. Or perhaps hold off a few weeks and kick off May with Bloodshot Reborn #1 next week, so this would have fallen where it should have. The lists of first appearances, greatest team-ups, greatest battles, etc. included both classic and contemporary Valiant so didn’t really interest me as presented. There are a couple teaser images for Eternal Warrior and Archer & Armstrong that are interesting enough. I honestly did NOT appreciate the inclusion of a chunk of Ninjak #1, given that came out awhile ago and #2 just came out last week…again, better to have held the release of #1 til after this, or "preview" something else. Give us a nice image for each title and a page apiece listing all the contemporary Valiant’s titles with their collected volumes available, perhaps. Give us some sort of timeline of where the various volumes fall in relation to each other. SOMEthing. Aside from the opening page TELLING me it’s been 25 years of Valiant, this did not feel at ALL like anything "special" for it…for that, give us the new stories from the hardbacks that kicked off the new Valiant close to a decade ago. Give us some new art from classic AND contemporary creators. I don’t know. This just felt like a big preview book and ad…but hey, it’s "free," it’s "just" a Free Comic Book Day issue to try to "sell" people on the stuff, so not like i"m even the target audience. C’est la vie.

Divergence #1

fcbd2015_dcdivergenceI don’t actually know what I expected of this issue, but whatever it was, this wasn’t it. I suppose I’m glad this is "original" material…I’m certainly quite tired of "just" reprint or "preview" material trying to sell me on stuff. Given the text intro addressing what this issue IS, I gather I’m not alone in that regard. We get the identity of who it is in the Batsuit taking focus in Batman come June, as well as a new status quo for SUperman (did Lois do her thing in a recent issue, or is this the first we’ve gotten of it?). And I had a hard time with the Justice League short, even though Johns wrote it. I found myself skimming it and I’m honestly just not any more interested in Darkseid now than I was nearly four years ago nor any previous time: I just don’t care about the character at any real length, especially as portrayed in the last 15-20 years. I also get tired of the constant messing about with characters for the sake of trying to appear new and hip and cool and relevant. Just goes to show how much I am NOT the target audience and have no particular problem continuing to primarily ignore DC stuff. Plus I have half a year’s worth of Batman Eternal to "catch up" on and I am burned out on weekly stuff.

All-New, All-Different Avengers

fcbd2015_allnewalldifferentavengersSomething to the cover of this issue just looks like some sort of "all-ages" comic rather than an actual in-continuity Marvel main universe continuity comic. And it certainly highlights just how out of touch I am with contemporary Marvel…I see the female Thor, a new Vision, the Nova I don’t care for, the Spidey I’m not interested in, some weird anatomy for the kid Marvel I know nothing about, Captain Falconamerica, and "Iron Man" (Stark, Pepper, who-knows-who). I have no real context for their story on the interior except it’s "the future," which could mean simply we’re getting an advance look at status quo, or this is a story set a few years down the road…I don’t really, honestly care enough to think too much. We also get a short story with a couple people turned into Inhumans and meeting a core group of experienced Inhuman characters…and maybe it’s just me, but it comes off very much of the Inhumans somewhat replacing mutants, which just does not sit well with me. This isn’t a horrible issue if you’re into the current Marvel stuff, but it does nothing positive toward "selling" ME on the Marvel Universe moving forward, and is truly something that I would not BUY and only have/read because it was free.

 

Doctor Who

fcbd2015_doctorwhoI actually couldn’t even "get into" this. I muddled through the chapter with the Twelfth Doctor, but only slightly skimmed the Eleventh and Tenth. For having so thoroughly enjoyed the tv series I just don’t seem to be able to get into the comics. Perhaps because the tv show is tight enough and thorough enough that I find it hard to "get into" adventures set within existing continuity "between episodes" or such. I picked up several copies specifically to share…but I’m half wondering as of this typing if I want to do that to anyone. At least they might enjoy the single issue as a random piece or for the photoshopped cover, even if it does nothing toward getting anyone interested in the comics. There’s also the issue of pricing and format…namely having four ongoing Doctor titles plus a rotating series of mini-series for the other Doctors, and hardbacks instead of paperbacks. At least when IDW had the license there were larger collected volumes than what Titan has done thus far (granted, they’ve only been publishing Doctor Who for about 10-11 months now).

Age of Apocalypse Revisited: X-Men Omega

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xmenomega001_front…Endings

Story: Scott Lobdell
Dialogue: Mark Waid
Pencils: Roger Cruz
Inks: LaRosa, Townsend, Kesel, Candelario, Hanna, Milgrom
Letters: Richard Starkings and Comicraft
Colors: Steve Buccellato, Electric Crayon
Cover: John Romita Jr., Klaus Janson
Editor: Bob Harras
Published by: Marvel Comics
Cover Date: June 1995
Cover Price: $3.95

While not nearly as "iconic" as the Alpha issue to me…this issue is still one of THE most iconic comic issues of my youth. Though the majority of the context comes from the various individual titles that make up the Age of Apocalypse, this is THE issue they all led into, after spinning out of X-Men: Alpha. As such, while I didn’t remember details of most of the individual series, I remembered where things wound up because of this issue.

We open on a full-page of Magneto, bloodied and energy crackling around him, standing defiantly against an off-page foe, who we find is Holocaust, battering the leader of the X-Men for Apocalypse’s amusement before the villain reveals his final plans. Meanwhile, Angel finds Karma, while in the pens, the X-Men arrive via Blink’s portals. As they contemplate the lack of opposition and come across Beast, we move to see Cyclops and Jean leading freed humans across the bridge away from Apocalypse’s stronghold. Apocalypse’s forcefield is taken down by Angel’s suicide bomb…his sacrifice allows Nate (X-Man) access to Apocalypse…where he finds and is recognized by Magneto as The One that Forge had long ago promised to deliver.

while Nate takes on Holocaust, the X-Men have found the M’Kraan crystal, and Destiny confirms Bishop’s claims and everything comes down to Illyana choosing to help restore broken reality. The three enter the crystal, leaving the X-Men to fight Apocalypse’s forces. On the bridge, Jean realizes the bombs have been launched and throws up a psi-shield…holding them back as long as she can. In the crystal, Destiny guides Illyana in unlocking her powers, getting Bishop back to the moment things went wrong. Back on the bridge, Havok reveals himself, unleashing his powers to take out Jean and Scott before being taken out himself by Weapon X. The X-Men rescue baby Charles, mess up Beast’s escape attempt, while others have fallen in battle and misunderstanding.

In the past, Bishop confronts his past self and Legion, preventing Legion from killing anyone…and closing a loop that sees the X-Men ripped back to their own time and the chronal energies erasing their presence and Legion’s from the memories of all left behind…that events would unfold as they had with no taint from Legion’s obtrusive presence.

Nate finally gets to Apocalypse before being attacked again by Holocaust…using a shard of the M’Kraan crystal he and Holocaust are unexpectedly removed from the equation. The distraction is enough for Magneto to summon the power to rip Apocalypse apart, finally killing the evil mutant and ending his reign. In the last few moments left to him, he rejoins Rogue and his son, while reflecting on the importance of one man to the world itself…as the nuclear blast is about to engulf them. Hope is left behind, in Bishop accomplishing his mission…and preventing any of this from ever having happened.

This issue being what it is, as mentioned above…there’s little separating its nostalgic and emotional, lasting impact on me from the technicalities of the issue itself.

At this typing, I don’t particularly recognize Cruz‘ name or art…and would have sworn there was someone else on the art. Looking back, Cruz contributed to a couple previous X-issues, and was the penciler on the Alpha issue as well…so while the art isn’t ENTIRELY consistent with the individual series, it provides a definite consistency to the other bookend issue of this entire mega-arc. In and of itself, I really don’t have any complaints on the art…everyone is recognizeable and obvious for who they are…and though many of the characters don’t look quite as well-done as they were in the individual books, given this issue involves so many without being a "jam book," that’s hardly an issue for me. We have numerous inkers and a full roster of Letterers and Colorists…whether that was to get the book out "on time" or to allow more hands to touch the project, be a part of it, I don’t know. It’s really something I mostly notice for specifically scoping out the credits to write this up.

Story-wise, I see Mark Waid on dialogue, as with X-Men: Alpha…which is interesting again as before given I wasn’t consciously aware of him 20 years ago but know him as a writer whose work I like present-day…and realize how much I like his dialogue through this issue, hokey and cheesey as parts are. Magneto’s final moments in the issue resonate particularly for me.

Given the specific issues that things unfolded in, this is the first we’ve "seen" of the "regular" X-Men in the entirety of the labeled Age of Apocalypse issues. The brief bit we get with them–specifically of Storm realizing the true battle was fought elsewhere–is something that has stuck with me since originally reading the issue, and worked its way into my head over the years as a concept that truly influences my understanding and conception of time travel and alternate reality stories…really in a way I can’t quite put to typed words.

The Age of Apocalypse ends, the "true reality" is restored…but this story left lasting repercussions (and characters) on the X-universe and the Marvel universe in general. Fitting in a way, perhaps, that present-day 2015 we’re about to get major changes to the very fabric of the Marvel universe, as I’ve just finished re-reading this tale.

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