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The Rest of the Stack: Week of September 21, 2011

The Rest of the Stack is my general mini-review coverage of new comics for any given week. It’s in addition to (or in place of) full-size individual reviews. It’s far less formal, and more off-the-top-of-my head thoughts on the given comics than it is detailed reviews.

FEAR ITSELF: UNCANNY X-FORCE #3

fearitselfuncannyxforce003I’m of quite mixed feelings on this issue. On the one hand…it’s Uncanny X-Force, and it’s only $2.99. But then, this is a Fear Itself tie-in, that in some ways feels like it has zero bearing on the main story. Of course, it has a bit MORE meaning to me than the first two issues did, as I have now read God Loves, Man Kills…so have some basis for the Purifiers stuff. This issue primarily suffers from being the closing issue of an only-three-issues mini outside the main title’s continuity flow, and thus this story has nowhere to “go” at its end. Nothing to really explore coming out of this, no real ramifications. Its timeframe is also questionable given the ongoing Dark Angel Saga in the main title–does this take place before or after that story? Still…it’s this cast of characters, we see them doing exactly what the team’s supposedly been formed around, and so the story is fitting. I’m undecided on the art for the issue–it’s good in and of itself, I like it that way. But something about it seems a little bit “off” somehow. All in all, though…a good issue, even if it means YET ANOTHER issue of Uncanny X-Force in such a short period of time. I think I would’ve preferred this as some triple-sized $5-$6 single issue, though. Worthwhile if you’re a fan of UXF in general and want to see how the characters would deal with Fear Itself, or just to have an extra dose of them and their way of doing things. (7.5/10)

INVINCIBLE IRON MAN #508

invincibleironman508I’ve meant to drop this book since #500, but never quite got around to it. Then I found myself figuring that I’m mid-arc, and didn’t want to get caught with a cliffhanger and having to separately track down an extra chapter of something. I’ve generally enjoyed the title…just not for the jacked-up $3.99 price point after being THRILLED to “discover” it was only $2.99 as of the dawn of the Heroic Age. I’ve been having a bit of trouble “following” all this Fear Itself stuff with Tony, and wondering where things are actually going and what it’s going to mean, long-term. The story’s ok in and of itself, though, I suppose…but between the price point and this being something that seems far better suited for collected volumes, I’m not thrilled with it. The art’s good in the way I’ve enjoyed on this title, so can’t really complain about that. I am thinking that I’ll probably get the next issue–what I hope is the conclusion of the title’s tie-in to Fear Itself–and then probably part ways with the title in favor of collected volumes, if at all. (5/10)

THE GUILD: CLARA #1

guildclara001The first thing I noticed about this issue is the HORRENDOUS cover. I don’t really remember the last time I so disliked a cover. If I wasn’t already interested in the issue for the content, I would avoid this entirely just based on the cover! I also didn’t much care for the art on the interior as well. It certainly captures the essence of the character, sure…but it’s a bit too stylized for my taste, particularly given that I’m buying this because of enjoying the live-action web series, and not for this to look like something so different. The story was very good, though, offering plenty of insight into the character and filling in where she’s come from and her relationship with her husband–and kids. I missed the original Guild mini-series, though I’ve been picking up these one-shots and enjoying them. As such, I do plan to pick up what I believe will be the final one-shot of this run in a couple months. I’d recommend this for Guild fans, though I don’t see there being much here for non-Guild fans. (7/10)

STAR TREK #1

startrek001The 2009 Star Trek film is easily my favorite film of the last couple years–and certainly my favorite of 2009. It’s the ONLY film I’ve ever seen 5 times in its first run in the theatre. I think what really hooked me was that with a couple of quick scenes this was established not as a replacement but as an alternate timeline, thus keeping all original continuity intact, and setting this continuity as TECHNICALLY taking place after Nemesis. All that said: I didn’t know what this comic series was going to do, except it features the “new” versions of the characters as established in the 2009 film. That it looks like this series is going to adapt episodes of The Original Series fitting it to this version of the characters was what sold me on this. I hate the $3.99 price point, but I am sufficiently hooked as to at least give this a shot for a few issues. The art’s good–I like how it treads a fine line: the characters look like the actors/actress while also looking like the characters regardless of the live-action actor behind ’em. The story’s good, and a solid read overall. I’ll definitely be getting the next issue. (8.5/10)

TEENAGE MUTANT NINJA TURTLES #2

teenagemutantninjaturtles002This issue goes a long way to explaining some questions I had from the first issue, both overt and back of the mind. Seeing the background of the animosity between the Turtles, Splinter, and Hob, as well as the way Raph was taken from them leaves me with a significantly different impression of how the story’s gonna shape up. Additionally, it seems that a significant piece of the puzzle that was missing from the first issue’s hints at the characters’ origin has been introduced, and on the whole I think I’m quite fine with this. The story itself has me totally interested and chomping at the bit for the next issue. That’s also a drawback, though–this feels much more drawn-out as a singular story than I can think of for any TMNT story I’ve read in more than a decade. Laird‘s series seemed to just be one ongoing story without clear-cut arcs, and the Tales title was full of one and two-issue arcs. This feels like it’s going to be a 6-issue arc that’ll make for an awesome read in collected format, but any given issue is going to be lacking structurally. The art is sort of sketchy and at points seems minimalistic…and yet, it works for this title, and so long as Duncan is maintained as a consistent artist, I think the style will grow on me and be as definitive for me as Lawson or Eastman. I do have to comment on the variant covers–I hate variants. The TMNT are my exception to the purchase rule, at least with the first issue. This issue, I actually (thankfully) mostly preferred the “standard”/most-common cover. My comic shop first offered me the Simonson 1:4 variant, but I already thought it was atrocious before seeing it in person, and opted to pass instead for the Duncan cover. I would love to see Eastman’s covers as the “main” cover, despite the drastic difference with the interior art. But I refuse–even with TMNT–to pay the far higher price for the Eastman variants for every single issue. This is by far my favorite issue of the week, and even if it meant different stories and different writers and artists, I’d absolutely love a weekly TMNT book. (9.5/10)

X-MEN #18

x-men018I keep saying it, but it keeps coming to mind: For only buying a couple X-titles, they sure seem to be out every week lately. And for $3.99 it’s getting a bit annoying in its way. Still, though part of me has meant to drop this title since the end of the first arc, due to the $3.99 price point primarily…I still find myself just simply enjoying the title with each issue I read. Gischler‘s stile works well for me, and I enjoy his take on these characters. I’m not as thrilled with the art–there’s something to this issue that felt visually “off,” though that may primarily have been Magneto’s depiction. Overall, though…another solid issue. That this is part 3 of a 4-part story (with a “to be concluded” rather than “to be continued” blurb at its end) is all the better, to me–it fits the story, and it’s great that it’s not simply yet another 6-issue arc for a standard collected volume. I will be dropping this title eventually, given the price point…but I’m in for at least one more issue. (8/10)

TMNT: The Exception, My Weakness

tmntidw001leoMy “origin story” with comics involves the Letter People, and Superman. And while Superman (and Batman, and a stack of silver-age DCs from my grandpa) were my first real introduction to comics; the first comics I ever owned were Superman/Batman…

I’ve been “into” the TMNT slightly longer.

First it was the classic cartoon. Some of my friends were into it, so I wound up “having to” see some of it (the original 5-episode mini-series/1st season). And things went from there. The toys. The films. The Archie comics. The original Mirage comics. teenagemutantninjaturtlesidw001Eventually I gave up the toys for the comics, and then eventually the comics went away, too. My freshman year of college I discovered the Image series, but to this day only have a scant handful of issues.

Then in 2001 I discovered that Peter Laird had launched a new series. I spotted #2 on the shelf, and the comic shop had one last copy of #1…which the owner graciously sold to me at cover price. I’ve been “up” on the comics since. I loved the debut of the 2003 animated series, though that eventually fell away due to scheduling and reruns and life getting in the way.

But…the TMNT have been there longer than comics have been in my life.

Continue reading

Teenage Mutant Ninja Turtles (IDW) #1 [Review]


Full review posted to cxPulp.com
.

Story: 4/5
Art: 3.5/5
Overall: 4.5/5

My Earliest Comics (part three) – Grant Morrison’s Secret Origins and the TMNT

I got my introduction to the concept of the comic book way back in 1988 or so, when my mom and grandfather introduced me to comic books with a stack of Silver Age DCs. But my REAL start into comics was with those earliest comics that my parents bought me. This week, I’m providing a brief look at what my earliest comics were.

In this third installment: Secret Origins and the Ninja Turtles!


secretorigins046

I’m not sure what prompted this purchase, but I recall my dad buying this one for me. Maybe it was the “Secret Origins” title itself.

It wasn’t until recently that I realized this issue was by Grant Morrison…it was rather cool to realize I’d read some of his earlier work.

The JLA story particularly stuck out to me, from the point of view of the mountain they had their HQ in. The bit about how “The shining red one” went, then came again, and was gone was very eye opening at the time. I still hadn’t realized that the Flash character I was reading in the then-present (The Superman/Flash Race from Adventures of Superman) was not the same Flash from my Grandpa’s comics.

I think this issue may have been when I started to realize that there was something significant out there that made these comics different from what I’d read of Grandpa’s.

tmnta025

I’ll detail more of my earliest exposure to the TMNT in another blog soon. But A friend brought this comic to my attention at the mall, and I convinced Dad to buy it for me. I had now idea who the alien guy was, or what was going on story-wise beyond this single issue…but it fit right in with the cartoon at the time. The only REALLY weird thing was Krang affixed to Shredder’s head and the turtles having to “save” him.

tmnta017

Not long after #25, I came across this issue at a flea market my aunt was working at. I convinced Mom to let me get this issue, though again–didn’t know what was up with overall story stuff, didn’t pay much attention to numbering at the time except knowing each issue had progressively higher numbers.

Didn’t understand why Raphael had black tights on, but it was what it was…

mutanimalsintro

I’m pretty sure this one was one that Dad bought me. In retrospect, quite the value–96 pages (3 issues’ content) for $3. At the time, I recognized the chapter breaks, though wasn’t entirely aware of what they meant. Eventually came to realize that this contained material that was originally 3 separate issues (the Mighty Mutanimals 3-issue mini-series).

The story–these characters fighting against an alien invasion–was epic stuff back then to my 10-11-year-old self.

tmnta030

I don’t quite recall if I got this issue off the rack at the mall or if I came across it later after discovering an actual comic shop…but I want to say this was my first “regular” issue of TMNTA, when I began specifically collecting TMNT comics.

tmnta031

This issue stuck out for me as really marking a difference in the cartoon and the comics for the Turtles. April had a boyfriend, Splinter seemed younger and much more involved in their lives, and the characters were abroad–not based in NYC. Come to think of it…I don’t recall if they really ever returned to NYC properly in this title. But that’s something for another blog.

Return of the TMNT

The next slide announced IDW’s long-term deal with Nickelodeon to publish new “Teenage Mutant Ninja Turtles” comics. The first series will debut August 2011 and will be a new beginning for the Turtles, as it all “Starts from scratch.” No announcements yet on who will be writing or drawing, but it was mentioned that as part of the deal, both IDW and Nickelodeon have to sign off on the creators.There will also be a new “Teenage Mutant Ninja Turtles” comic series based on the CGI cartoon set to debut on Nickelodeon.Lastly for the Turtles, an oversized hardcover edition collecting the first 11 issues of the original series is in the works and will feature annotations by Kevin Eastman.</em>

via WC11: IDW Panel – Comic Book Resources

cityatwarI saw a bit of stuff this weekend, but figured it a bit early to start getting excited. Of course, looking at this…well, I gotta jump on board with some thoughts, given my personal history with the TMNT, stuff from recent years, and some stuff I’m planning for this blog once I finish feeding this recent Buffy obsession.

I like that it sounds like there WILL be a regular series that is not tied to the new “cartoon” in addition to whatever cartoon tie-in. Not thrilled at the idea of a new beginning…but hey, IDW has turned out to be a great steward of the GI Joe stuff, and it’s not exactly like Mirage seems chomping at the bit to do anything set in the original continuity. Sooo..count me on board. (Though I guarantee right now that I’m absolutely gonna grumble about the $3.99 price point and variant covers with every issue that I buy!)

I would love to see even a third title–a new Tales book–that would allow numerous other creators a shot at covering the TMNT. Even moreso if they’d be “allowed” to do stories set in the original continuity as well as any other continuity….or heck, make with the Elseworlds-style stuff and do a one-shot or 3-fer set in some original world.

While I don’t know about the annotations…I passed on the 11-issue softcover from Mirage a couple years back, but would be all over this oversized hardcover collection–which sounds a lot more physically readable than the paperback (and without being so likely to outwardly kill the spine of the volume!).

Given what IDW has done with GI Joe, with reprinting the classic Marvel material…I truly, totally, sincerely hope that in addition to this oversized hardcover…and their relationship already with Archie…that we’ll see the entirety of the Mirage TMNT material reprinted (with the entirety of City at War given its own specific volume in particular) as well as the entirety of the Archie TMNT Adventures series. These wouldn’t have to be hardcover (Though having the first 11 issues, Return to New York, and City at War in hardcover would be fantastic!), and could just be a series of TMNT Classic paperbacks or some such.

A guy can dream, right?

Tales of the TMNT #32 [Review]

classicreviewlogowhite

Quick Rating: Very Good–Fun!
Story Title: The Eye of Aga-Moo-Tou

Summary: The TMNT and the C.O.W. Boys of Moo Mesa team up again to tackle the threat posed by Savanti Romero gaining access to the Eye of Aga-Moo-Tou.

talesofthetmnt032 Plot: Laird & Brown
Words: Murphy
Layouts: Ryan Brown
Pencils: Dario Brizuela
Inks: Joe Rubinstein
Letters: Eric Talbot
Editor, Creative Consultant: Peter Laird
Managing Editor: Murphy
Production, Design: Eric Talbot
Covers: (main): Dario Brizuela, (variant): Andres Ponce, Ryan Brown, Steve Lavigne
Publisher: Mirage

Despite never having been a fan of the C.O.W. Boys (I was aware of them briefly in the 90s, but never "into" them), this is great fun. We get those characters back, interacting side-by-side with the TMNT in a way that makes perfect sense in the TMNT-verse, and is just…fun.

A nearly-immortal figure locates the mystical Eye of Aga-Moo-Tou, though the Eye is also located by old TMNT villain Savanti Romero. Meanwhile, at Moo Mesa, the C.O.W. Boys are going about their regular business, when things go all wacky thanks to Romero. Back on Earth, Tsou-T’an-Jin makes contact with and transports the turtles to Moo Mesa, where they find their old friends mind-controlled/possessed by Romero, and the battle for the Eye is joined…

At its surface, this is a rather simple, stereotypical story…mega-powerful mystical artifact located by a villain, first protagonists on the scene defeated and turned on second-wave fellow heroes, yadda yadda yadda. Then again, it really isn’t much deeper than that, if you look strictly at story elements. The fun and enjoyment comes from the specific characters–here, the Teenage Mutant Ninja Turtles AND the C.O.W. Boys of Moo Mesa thrust together in a single story.

The story flows, hitting key beats of structure. Not being terribly familiar with all the characters, I can’t say for certain that everyone’s in-character; the turtles seem to be right on track, so I presume the COW Boys are, too..and given that (as far as I can tell) original creators of all characters involved are…well…involved with this issue, I’ve no reason to believe this does anything but fit both sides of the "crossover" of the properties.

The art throughout is just fine, with all the characters being totally recognizable, and panels clear/clean as to what’s going on. This isn’t just some comic adaptation of a cartoon, but it’s also not one of the darker, gritter of the TMNT stories.
For jumping in cold and just wanting "a" TMNT story, this is a great issue to do so with, and it’s even kid-friendly on the whole–probably moreso than a certain teen wizard’s exploits, for point of comparison.

The great thing about this title is that it features a monthly supply of in-continuity TMNT stories by a variety of writers and artists that include stories set in the characters’ past, present, and future, as well as easily contain property crossovers like we have here. While many titles from bigger publishers might suffer from radical shifts in creative teams from issue-to-issue on writing and visuals, it’s become a sort of staple for this book.

If you can find it, I highly recommend this issue…and really, the series in general for any of you longer-time TMNT fans.

Ratings:

Story: 3.5/5
Art: 4/5
Overall: 4/5

Tales of the TMNT #70 [Review]

Return to New York, book 1.5: Zog

Plot: Eric Talbot and Jim Lawson
Script/Pencils: Jim Lawson
Inks/Tones/Letters: Eric Talbot
Frontispiece: Michael Dooney
Cover: Jim Lawson, Eric Talbot and Steve Lavigne
Published by: Mirage Publishing

Refusing to wait for his brothers, Raphael returns to the NYC sewers, where he promptly encounters a Triceraton. Upon waking from the beating inflicted, he finds himself prisoner of Zog, along with a Foot ninja. Though technically enemies, the Turtle and Foot realize they’re not gonna get free of this alone, and must work together…though after a bit of cooperation, their relationship tanks pretty quickly. When their captor returns, Raph takes advantage of the alien dinosaur’s deteriorating mental state by donning the skull of the dead Triceraton commander. With this guise, he convinces Zog that he’s needed for a final mission that involves helping the turtles.

I can’t be certain without digging out the original Return to New York arc…but this reads as slightly more refined than that. But then, it’s coming nearly two decades later, and the Mirage talent has had plenty of time to grow and refine their work since the original story. Also, this is written by Lawson & Talbot rather than Eastman & Laird, so has that slightly different feel. Despite that, this does not feel out of place in and of itself, and I greatly enjoyed the return to such a key story. The “voice” of the characters fits, and while the opening pages provide some context and serve to differentiate this from the early TMNT issues, there’s nothing that I can recall that this contradicts.

The Lawson/Talbot art seems pretty much standard-TMNT to me…really, the standard, to where other artists’ work on the characters has been the variance and different interpretations. While the visuals don’t exactly match what I recall of the original story, that’s fine by me. The art fits the story, conveys what’s going on, and it’s the story itself that makes the issue fit, the art just conveys this specific chapter.

This seems a fitting send-off to this long-running title. Though this is the final issue, its predecessor felt like much more of a final issue. This fits between-issues of the 1980s Return to New York arc when the turtles returned from Northampton and confronted the resurrected Shredder after their sound defeat months earlier. One of the best final touches to the issue is that rather than ship with different editions, each with a different cover (as virtually every other comic publisher seems wont to do these days), this issue ships with a “variant version” on the front, and the “standard” cover on the back…and Mirage gets loads of credit from me for that. This “variant” cover takes on the trade dress of the Return to New York arc–this’ll fit nicely in the longbox with that story and not look out of place–while the standard cover on the back carries the contemporary trade dress/logo.

This issue may whet your appetite for the full Return to New York story if you’re just checking this out or otherwise are not familiar with this key story from the original Mirage run of TMNT. If you’re already familiar with that story, this should be that much more of a treat.

I wouldn’t recommend this issue as a single issue to start with…but otherwise, it’s well worth tracking down…particularly if you’re familiar with the early Mirage TMNT stories.

Story: 7.5/10
Art: 7.5/10
Overall: 8/10

Tales of the TMNT #69 [Review]

Full review posted to comixtreme.com.

Story: 3.5/5
Art: 4/5
Overall: 3.5/5

Tales of the TMNT #67 [Review]

Full review posted to comixtreme.com.

Story: 3.5/5
Art: 4/5
Overall: 3.5/5

The Rest of the Stack: Two Weeks of Other Books I’ve Read

Due to hitting the busy season at work, I basically took a week off from reviewing. With the Thanksgiving holiday, I’ve had a chance to catch up a bit. As usual, these are mini/”capsule” reviews of books I picked up but am not writing out a full review for. This post is double-sized due to covering TWO weeks’ worth of books.

Teenage Mutant Ninja Turtles Color Special #1
This issue’s a real treat. For the same price as a black-and-white issue of Tales of the TMNT, the issue is full-color. Best of all, it’s the classic #1 issue, now in color for the first time as a comic. (It’s been colorized at least once before, in the First graphic novel Teenage Mutant Ninja Turtles Book I). The coloring looks quite natural, and it would have been awesome to see the original series re-issued in color…or at least, the first ten issues, the one-shots for each turtle, and Return to New York. For that matter, City at War as well. As-is, at the very least, this is a nice version of #1 to add to one’s collection without breaking the bank. Highly recommended for any TMNT fan, or anyone curious as to how the turtles’ story got started.

Deadpool: Merc With a Mouth #5
This issue continues the story of Deadpool, Zombie-head Deadpool and Dr. Betty facing Hydra agents trying to kill them to get the head themselves. A bit of cheesecake art to the issue, but that can be overlooked for an excellent scene in which Deadpool and Bill (not Bob–he insists he’s Bill, though Deadpool can’t seem to really tell the difference from his old buddy) have an exchange over the Star Wars series of movies. Suffice to say that reading this, one knows exactly where Deadpool stands regarding the trilogies. Overall another fun issue. I’m pretty sure the story wraps with issue 6, so at this point if you aren’t already following the book or able to get the first few issues, you’re probably just as well to wait for a collected edition. The story so far definitely seems well worthwhile for Deadpool fans, whichever way the story’s read.

Supergirl #47
This issue provides a good deal of backstory to Alura, and her courtship by Zor-El. We also see the character FINALLY acting out of real motivation that can be understood, instead of just coming off as a near-villainous witch of a character. Reactron is put on trial, and Alura is determined that he will be tried justly and not simply killed out of vengeance-seeking. Unfortunately, her fellow New Kryptonians don’t all share the sentiment, leading to some interesting character development. Though Supergirl is present in these pages, this is very much Alura’s story, with her daughter playing a minor role. The end of the issue has an interesting (in a way) revelation that does seem par for the course. Not a bad issue, but not wonderful. If you’re already following the title and/or the over-arching story in the Super-books, this’ll be just fine. It’s not really an issue to entice new readers, I don’t think. Not sure if it’s significant or just an oversight on someone’s part, but the cover lacks the “World Against Superman” banner the titles have been carrying lately, though this retains the red-shield numbering begun with August’s Codename: Patriot arc.

Flash: Rebirth #5
I’m pretty sure this started out as a 5-issue mini-series…I recall it seeming slightly “off” as I recalled Green Lantern: Rebirth being 6, and thinking the two ought to be pretty much the same length. This issue sees all the various speedsters team up, as well as a development that presumably “solves” whatever issue it was Wally’s kids were having with their powers…and we seem to have a new Impulse (given Bart gave up the identity to become Kid Flash back in 2003). This continues the “legacy” aspect of the Flash line. There’s a revelation that affects Barry’s past…as well as a very specific threat to his past. This is a sorta interesting issue, but on the whole, continues to be more “miss” than “hit” for me. GL: Rebirth dispelled my unease toward returning a long-dead character to an old status quo and really set up a great new status quo that worked everyone into the mix. This Flash: Rebirth has not at all sold me on any “WHY” Barry needs to be back, and simply puts things logically into place to ALLOW for the character being back, and incorporating pretty much everything else involving the Flash family of characters. Recommended if you’ve already invested in the first 4 issues of the series.

Uncle Scrooge #385
It’s great to be able to pick up this series now. I’d bought maybe 3 issues several years ago while it was being put out by Gemstone, but simply could not justify the $8 per issue, even if it was squarebound and double-ish-sized. This issue is fairly low-key, picking up from the previous issue. Scrooge, Donald, and the nephews continue to deal with Magica as she tries for Scrooge’s Number One Dime. Once things are wrapped up at the mine, Scrooge & Co. wind up looking for sunken treasure, and dealing with Magica AND the Beagle Boys. While not the greatest of comics, this is still a good, fun issue, and well worth getting if you’ve any interest in these characters.

Archie #603
The “Wedding Story” has taken a twist I didn’t expect: rather than being a 6-part exploration of Archie marrying Veronica, after 3 issues of that the story has switched to give us the story of what would happen if Archie married Betty instead. I’m really enjoying this “longform” story that not only takes more than a page to tell, but multiple issues. I’ve picked up the occasional Archie book through the years…but with stories like this, I might just stick around on a monthly basis.

Superman #694
This issue sees Mon-El’s “official” return to action as he re-reveals himself to the people who’ve thought him dead for awhile. This also debuts the “new” costume…which honestly seems a non-issue to me, despite the big deal being made of it. On the whole, it looks to me like the only difference is that Mon-El is now sporting a small “S-shield,” as he’s holding Superman’s place…and Blue shorts to contrast with the red costume (sort of a reverse-Superman color scheme). Probably the best part of the issue is the interaction with Connor and Ma, showing that Mon has a place within the Superman family of characters.

Image United #1
I have mixed feelings on this book. For one thing, something of this scale ought to have a huge multi-panel fold-out cover, such that all the primary characters are spotlighted…instead of one having to choose one of six segments of the picture as the cover to purchase. I chose the Savage Dragon segment, that character long being one of my favorite characters that I rarely read, though the Spawn cover was cool, too. The “jam session” of having each character’s creator doing that character’s visuals is a very cool thing, and a different take on doing a crossover project. The story itself seems to be a slow build and full of little but action (presumably to show off the blending of the different art styles). Being familiar with these characters for the past 16-17 years, the blended style worked well, and nothing really seemed all that jarring. Since this will surely be collected into a single volume eventually and my proclivity toward this type of variant/alternate covers…I’ll probably pass on the subsequent issues and snag the collected volume when that comes out, if I still have enough interest.

Son of Marvel Reading Chronology
This is one of those freebies that Marvel puts out on occasion, to try to hook one on buying more product. While I prefer the “Saga” issues (they’re free, and take far, far longer to read than any other single comics, and fill me in on stuff so I know what’s up overall without having to keep up on Marvel’s output in general), this guide is rather informative, showing what volumes are out there, in-print…and what they collect. As well as, of course, the order to read them for a chronological reading experience in-continuity. If nothing else, this has informed me that there are currently 10 hardcovers collecting Ultimate Spider-Man, so I know there are only 5 left that I want to try to track down. This is definitely a worthwhile guide if you can find it and not have to pay for it…or at least, please don’t pay much for it, as It is SUPPOSED to be FREE.