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AvX: Consequences #2 [Review]


Full review posted to cxPulp.com
.

Story: 3.5/5
Art: 3.5/5
Overall: 3.5/5

Fatal Attractions Revisited: Wolverine #75

Nightmares Persist

Writer: Larry Hama
Penciler: Adam Kubert
Inkers: Mark Farmer, Dan Green, Mark Pennington
Letterer: Pat Brosseau
Colorist: Steve Buccellato
Cover: Adam Kubert, Mark Farmer
Editor:
Bob Harras
Published by:
Marvel Comics
Cover Date:
November 1993
Cover Price:
$3.95

Bishop arrives in the blackbird (having been called by Colossus) to take the X-Men home. Wolverine’s obviously gravely injured from losing the adamantium. Xavier, weakened from the exertion of the exo-suit and shutting Magneto down gets Jean’s help to go into Wolverine’s mind, to try to deal with the psychological trauma of what’s happened. They see bits of his past–as he remembers it–but it’s not much help. They’re ripped out of his mind when the Blackbird hits turbulence and Jean winds up having to hold the plan together with her telekinesis, leaving Xavier alone to keep Wolverine alive. As things get particularly bad, Jean is taxed to her limit and about to lose it–while on the ground, Moira, Cyclops, Jubilee, and the others are horrified by what they’re hearing. Just as Jean does lose the plane, she’s caught by a bandaged arm–Wolverine. They share a moment, as they realize that while he was basically dead, some part of him was aware of her situation and he came back–for her.

Later, Wolverine’s determined to prove himself, to see if he still has what it takes to call himself an X-Man, and takes on a Danger Room scenario. Others watch, and while he’s holding his own, he’s having trouble. Instinctively, he finally pops his claws, to everyone’s horror–not only does he still HAVE the claws, but they’re BONE…and his healing factor so taxed, the punctures of them ripping out of the back of his hands are not closing easily, leaving him literally a bloody mess. A couple weeks later, Wolverine spends some time with Jubilee, catching up a bit, before offering some “final advice” that makes her suspicious. Finally, we close with a letter he leaves for her as he’s made the decision to leave the school and strike out on his own–to find himself, and deal with what’s happened and how it affects things moving forward.

This is the only “solo” title of Fatal Attractions-all the other issues are team-books: X-Factor, X-Force, Uncanny X-Men, X-Men, Excalibur. As such, the hologram on this cover is the most appropriate–Wolverine himself. While it’s a cool hologram, it’s not my favorite–I think that distinction goes to the Havok or Magneto ones. The cover takes a different perspective than X-Men #25, showing Wolverine with all these curvy spikes sticking out of his body, apparently representing the adamantium; rather than him just injured with metal/bone showing through.

As I’ve been saying over the past several posts, this issue and X-Men 25 are my favorites of the 6, and form the “heart” of the story. X-Men 25 climaxes with Wolverine losing the adamantium; this issue picks up the pieces, and ultimately results in Wolverine leaving the team for a time. Also as I’ve said, this issue is such a core part of my childhood with comics that it’s not an issue I see particularly objectively. It’s an iconic, key issue in things–and began nearly six years of Wolverine NOT having the adamantium (a long enough time and becoming a part of the character that the depiction even made it out into licensed products at the time). From #75, Wolverine was without the adamantium until #146, 71 issues later; nearly half the entire run of his series to that point.

I remember this issue being a tense read–the situation the characters were in, and their not knowing what was actually gonna happen. I like the way it shows the characters working together–a team–and the sense of family sprinkled in. There are a lot of great moments that are truly enhanced by knowing about the characters and continuity; maybe even moreso now, with the knowledge of where many of the characters wind up. Xavier’s sense of responsibility to Wolverine–bringing him into the X-men to begin with, involving him in the mission to Avalon, his inability to help Wolverine break through the memory implants, but the help he has provided the man through the years. Stuff with Jean–her past with the Phoenix, and that other horrific return-journey to earth.

The art is a pretty definitive take on the characters–everyone’s familiar, and the visuals are very similar to X-Men 25, further placing both issues at the heart of the story. It also definitely helps that it’s one art team rather than an entire group, and thus a singular consistency throughout the issue.

Probably the roughest part of the issue for me is Wolverine’s letter at the end–the font is hard on the eyes after the lettering of the rest of the issue. I appreciate the representation of a hand-written note, but for just reading the issue, it’s a bit jarring.

On the whole, though…this is one of THE most memorable issues of Wolverine for me, in all the series/incarnations. It’s certainly my favorite, particularly for the time. And for awhile, this was the end of my experience with Fatal Attractions. I originally missed the Excalibur issue as these were coming out, and I’m not even 100% sure if I’d even read the issue until I read a copy for this series of ‘Fatal Attractions Revisited’ posts.

This issue is definitely well worth picking up–particularly if you come across it in a bargain bin. In the years since it originally came out, I’ve paid up to cover price for it–but know I’ve snagged at least one copy from a quarter-bin and one from a dollar bin, another as part of a 3-for-$10 purchase.

Fatal Attractions Revisited: X-Men #25

Dreams Fade

Writer: Fabian Nicieza
Penciler: Andy Kubert
Inker: Matt Ryan
Letterer: Bill Oakley
Colorist: Joe Rosas
Cover: Andy Kubert and Matt Ryan
Editor: Bob Harras
Published by: Marvel Comics
Cover Date: October 1993

The UN decides that they have to protect the world against Magneto, so they initiate “The Magneto Protocols.” Basically, this is an energy grid formed from a bunch of satellites, keyed to Magneto and his powers specifically. If Magneto enters Earth’s atmosphere, he will be rendered powerless. Effectively–this bans him from Earth. Of course, he doesn’t take it lightly–and generates a global EMP wave that causes untold death and destruction as Earth’s electronics are knocked out, if only (in this case) temporarily.

Xavier realizes that he cannot simply wait for peace…and after such a devastating global attack from Magneto, he organizes a special strike team of his X-Men to invade Avalon, to finally put an end to him. He leads this team himself, using a previously-unknown exo-armor powered by his psychic abilities, but which necessitates he take Jean along so they can stop Magneto together. He also takes Wolverine, Gambit, Rogue, and Quicksilver; leaving everyone else behind to carry on the dream. Once on Avalon (unknowingly assisted by Colossus), the group faces Magneto’s Acolytes until they’re teleported away–leaving things just the X-Men vs. Magneto. His back against the figurative wall, Magneto deals a horrific blow to Wolverine, which seals the deal for Xavier, who lashes out with his own powers to take away Magneto’s mind, leaving him in a vegetative state.

I’m pretty sure I got this issue the same evening I got Wolverine #75…and I vaguely recall stopping at KFC with my dad to get dinner on the way home. Probably what makes a memory like that stick while I can’t remember the first time I read earlier chapters of this story…this issue was one of the most definitive, key comics of my youth. I do not recall if I truly knew what was going to happen to Wolverine or not–though I have a vague recollection of a mail-order comics catalog giving something about it away.

At least at the time, this issue was extremely important, and from what I recall, really set the stage for the next few years of X-Men comics; from Magneto to the genesis of Onslaught, and through that to the subsequent years of things that came about from Onslaught and Heroes Reborn.

This issue–the “final battle” between Xavier and Magneto, was along with Magneto’s character in Age of Apocalypse and the 1990s animated series a crucial part of my understanding of Magneto. It’s actually kind of fascinating to me to consider that the Magneto in contemporary X-Men comics is the same character that appears here. Of course, we’re talking nearly two full decades of character development between this and now–but it goes to show what can be done with these characters and time. (While I’ve yet to really read any of the classic Rogue issues, I’m also interested in the fact that the Rogue I grew up reading was herself once a villain in the Marvel Universe. If her character can be handled as it has, it’s not too far fetched to think the same can be done with Magneto.)

I also recall thinking it sort of odd that such a huge thing would happen to Wolverine here rather than in his own title…but then, Wolverine wouldn’t even have a title of his own without the X-men. It also would not have made sense or allowed the conclusion of this issue if such a thing had happened off-panel or they tried to “hide” it to unveil in his own title. And here I am dancing around it as if an event from 19 years ago that was “resolved” 13 years ago is “spoiler territory.”

Magneto destabilizing and forcibly removing the Adamantium from Wolverine’s body was shocking, devastating…and hard to believe it hadn’t much been dealt with before: man of magnetism vs. man of metal bones.

The story itself in this issue is hard to look at critically, because this was such an impactful issue on me as a kid. I suppose that’s one way of suggesting that the story’s not bad. Some stuff I notice now, though seem petty quibbles–such as Xavier’s exo-suit (where’d it come from and why hadn’t it ever come up before–the characters seemed surprised he had it!), and I was reminded of Pryde of the X-Men the way the characters kinda peeled apart to fight smaller battles as the main group moved on. But this issue’s story gave a sense of urgency and finality for Xavier and his strike team, and perhaps it’s hindsight, but it just gave the whole issue an epic feel. Nicieza‘s narration and bits of dialogue also have stuck with me through the years, on the same level as Bane breaking Batman’s back in Batman #497 and Superman’s death in Superman #75.

And it begins with a small tug–an almost gentle pull–a harder yank–then a wrenching tear–

“We are all but bit players in a tragedy far larger than any of us…a tragedy called LIFE, Logan. But today, for you, perhaps for me–the curtain falls…and the play is FINISHED!”

The art is equally hard to look at critically–much as I’ve loved Jim Lee‘s X-Men art, this issue probably subconsciously became my standard of “good” X-Men art vs. “not-so-good” X-Men art in the ’90s. It’s also great to see a single art team rather than a whole mess of folks being involved; the consistency helps things flow, and I’m never taken out of the story, jarred by an art change or such.

This issue’s cover is one of the simpler ones, unlike the clutter on the X-Factor and Uncanny X-Men issues. This one, you see Magneto blasting Wolverine, and of course the excellent Gambit hologram. Of course, I like to think the Magneto hologram from UXM 304 would have been more fitting here, but it was appropriate for the X-Men’s oldest foe to be spotlighted on the anniversary issue of the series that counted back to the beginning. Even taking a look at the entire wraparound cover, things are pretty simple, so to speak…and very indicative of what happens in the issue, without giving it away in and of itself–we see Xavier and the rest of his strike team reacting to Magneto mid-attack on Wolverine who’s obviously in some trouble here.

This issue and Wolverine #75 are the heart of this event, for me; when I think of this story, it’s these two issues–Magneto vs. Wolverine, and then of the X-Men’s return-journey to Earth and Wolverine dealing with the aftermath of stuff. You can take away the previous three chapters and skip the sixth chapter without really losing anything of what I’ve thought of as Fatal Attractions. Offhand, next to the likes of X-Men #41 (the finale of Legion Quest) I can’t think of another single X-Men issue that’s had more impact on me and my X-Men reading.

If you find this in a bargain bin, I highly recommend it–you’ll do well with context and/or nostalgia driving you, but I daresay that even coming in cold but with a basic/generic understanding of X-Men, one can appreciate the enormity of what unfolds in this issue.

X-Men #25 Wraparound

The Rest of the Stack: Week of July 4, 2012

The Rest of the Stack is my general mini-review coverage of new comics for any given week. It’s in addition to (or in place of) full-size individual reviews. It’s far less formal, and more off-the-top-of-my head thoughts on the given comics than it is detailed reviews.


X-MEN: LEGACY #269

avxxmenlegacy269Taking on Iceman’s powers. Rogue does her part to help the Phoenix Five fix the world. Unfortunately, she walks into an ambush by Ms. Marvel, and the two have a slugfest and a bit of a heart to heart amidst the punching and such. By issue’s end, Ms. Marvel’s planted a seed of doubt in Rogue that might just cause some issues with the Phoenix Five. Now, it’s been a couple weeks since this came out (oops…slacking a bit in my reviewing) but this didn’t seem like a bad issue, though it didn’t really do much for me. I’ve yet to read the original stuff of Rogue vs. Ms. Marvel, and I can appreciate (and like) the fact of it being brought up again, but I’m growing tired of the fights, and I’ve never much cared for Ms. Marvel, nor am I quite sure what’s up with the character given the pending Captain Marvel series coming up. Still, I’m liking the focus on Rogue, and this continues to pique my interest toward the original Rogue stories as well as stuff from the last few years. I’ll be curious to see if this title (or its numbering) exists with the Marvel Now stuff coming up post-AvX…but for now I’m on board if only for the fact of this being an AvX tie-in. (7/10)

WOLVERINE AND THE X-MEN #12

avxwolverineandthexmen012I’m really beginning to lose track of what’s happened where in what tie-in or official chapter of AvX. This issue gets into the detail of the Avengers invading to “capture” Hope for her own good, as we see how much of that unfolded, and Rachel Grey’s part in it all. We also have more on the Gladiator/Kid Gladiator stuff. I continue to not really care for Bachalo‘s art…there’s just something to the style that I don’t like, and I really think that’s my #1 turn-off to this title at this point (other than the $3.99 price). Otherwise this is a decent issue with conflict for a goal rather than just the characters beating on each other. But another issue snagged for the AvX banner rather than the title or content itself. Nearly two weeks after reading and it’s virtually forgettable. (7/10)

G.I.JOE: A REAL AMERICAN HERO #180

gijoearealamericanhero180While this issue has the usual volley of variant covers such that there’s actually a “checklist” of all the covers (this is one of my primary gripes with IDW and their $3.99 pricing)…the main “gimmick” of this issue is that the Joes go to Comic Con. As in…their mission actually sends them to the San Diego Comic Con, where they spray-paint the tip of Snake Eyes’ uzi orange and the group then fits in perfectly with all the other cosplayers. Overall, the story is fairly forgettable in a general sense…but it’s rather amusing and makes for quite a fun issue just seeing the Joes in a comic convention. There’s even a page where Snake Eyes is separated from the group, and you can actually do a “Where’s Waldo?” searching out the missing ninja on the page (yeah, he’s in there!). It’s been quite awhile since I’ve checked in with this title, and I’m not sure I’m going on to the next issue…but for a single-issue purchase, I quite enjoyed this, and found it surprisingly accessible on the whole. The story worked and the art’s good…and the issue on the whole is fun, and met expectations. (8.5/10)

AVENGERS VS. X-MEN #7

avx007The X-Men do their best to make good on Cyclops’ deadly three words: “No More Avengers.” Of course, the way they go about accomplishing this isn’t the best, and is met with varying degrees of commitment. The Avengers learn what–or who–the Phoenix Five fear and make use of that, though ultimately, things continue to spiral quickly outta control. We’re into the second half of things, and the story remains fairly solid, though my overall interest is waning. I really like Coipel‘s art in this issue, though it looks better in some parts than others. All in all, not a bad issue, but having followed all the tie-ins so far, I find myself wondering how well this will read when all is said and done, and without the tie-ins as things unfold. At this point, I doubt anything I say about this core series or any of the tie-ins will bring you into the story…though this issue would not send me into dropping the series at this point, either. (7.5/10)

UNCANNY X-MEN #15

avxuncannyxmen015The Phoenix Five decide it’s time to deal with Sinister, so they begin to seek the villain. Of course, Sinister has his own plans in the matter–such as making things difficult–but the X-Men prevail and the battle is assured. While this is officially a tie-in to AvX, this is really more of an “in the midst of AvX while we have this particular status quo to play with…” story. This isn’t the X-Men (or even the Phoenix Five) dealing with stuff with the Avengers…this is them dealing with a classic X-Men villain with a new status quo, but under their own new status quo AS the Phoenix Five. So this isn’t a bad issue if you want to jump into a story during AvX without it having much tie to the crossover–just that the characters are presently in their Phoenix Five mode rather than standard. I still loathe (as always) the $3.99 price point, and the renumbering of this series…yet if it continues beyond Marvel Now, given my investment and the series’ “age” I may track down back issues or at least collected volumes, and possibly even continue beyond AvX. (8/10)

LEGENDS OF THE DARK KNIGHT #5

legendsofthedarkknight0052012 has really been the year that “sold” me on digital–for books as well as comics. I have no idea if LotDK is going to get print editions (the way the Batman Beyond, and Smallville Season 11 do). But I’m quite enjoying this weekly digital comic. The way the panels are all separated out for the “Guided View” in Comixology on my iPhone, I don’t even know the approximate pagecount I’m getting for my $.99…but the price is right, at $.99 I don’t mind buying the next chapter each week (for now). The first three “issues” were standalone stories, but this is part 2 of a 3-parter. I’m not sure if this is set in any particular continuity, but given recent hype over stuff with the Batman titles in the New 52, this seems closer to the “old” DCU or at least to be outside the New 52…which makes it that much more enjoyable for me. I’m not a huge fan of the art for this story, and would surely balk at it in a print edition. But given the nature of this series, I’m accepting it with this story and just enjoying a weekly Batman comic again. I keep forgetting to look for the new issue, but wind up thinking to over the weekend, which also adds to this series’ appeal: I’ve already bought my “regular” weekly comics and generally have already read those–so this is something new to get at the midpoint before the next Wednesday’s new releases. If not the 3-parter, I’d highly recommend checking out the first “issue” at least! (9/10)

Avengers vs. X-Men #3 [Review]


Full review posted to cxPulp.com
.

Story: 3.5/5
Art: 3.5/5
Overall: 3.5/5

Avengers Academy #29 [Review]


Full review posted to cxPulp.com
.

Story: 3.5/5
Art: 4.5/5
Overall: 4/5

Wolverine and the X-Men #9 [Review]

Day of the Phoenix, Dark Night of the Soul

Writer: Jason Aaron
Penciler/Colorist: Chris Bachalo
Inkers: Tim Townsend, Jaime Mendoza, Al Vey
Letterer: Chris Eliopoulos
Assistant Editor: Jordan D. White
Associate Editor: Daniel Ketchum
Editor: Nick Lowe
Published by: Marvel Comics

This is another issue I bought solely for the AvX banner at the top, jumping in to wallow in the latest big Event in the hopes of just simply having fun with it instead of being so cranky as I’ve been the last few years toward these things. Just saying, up-front.

Wolverine and Beast are hanging out, recovering from recent injuries (presumably sustained in an earlier issue, but frankly, I don’t need to know the details…the situation just IS. Like a sitcom episode or such. It’s enough to gather what happened…I know these characters, so it is what it is.) An alarm goes off and Beast realizes the Phoenix is heading towards Earth. When Captain America shows up, he and Wolverine know exactly why the Avenger is there, and they greet him. Beast joins one of Cap’s initiatives for fighting the Phoenix, and Wolverine signs on for another, advising Cap that things will not be simple in taking action that Cyclops will certainly oppose. Meanwhile, a couple of the mutants with mind powers are overwhelmed at the approaching Phoenix force, while out in space there are aliens gambling on what world the Phoenix will destroy next, and the Shi’Ar emperor (is that Gladiator?!?) prepares to head to Earth to rescue his son.

Story-wise…there’s a LOT going on here, simplistic as the overall issue is (Cap wants to make sure he can count on Wolverine in the event of large-scale conflict with the X-Men). I definitely enjoy seeing the characters interact–especially the friendship that’s apparent between Wolverine and Beast. Since this title is supposedly based around the school Wolverine founded, it’s good to see some students, too, and how they all interact (and Toad as the groundskeeper/janitor, but not entirely overlooked by those around him is a nice touch).

Visually….this is an ugly issue, to me. I can appreciate Bachalo‘s art, but that seems to be hit or miss for me–sometimes I like it, but this is another time where I do not. It better than I could draw myself, yeah…but it just doesn’t work for me here. It seems at once surreal, strongly stylized, impressionistic, and sketchy. Granted, characters are distinct and recognizable, but I’d almost have preferred prose here.

Overall…this is definitely a good issue. There seems to be plenty for the ongoing readers…but as my first issue in nearly a year (I read #1 but no further) I don’t feel lost or left out, really…and the goings-on of the issue itself relate directly to AvX (unlike this week’s Avengers #25) which makes this a good tie-in for those looking for more beyond the “core” AvX series without dropping that reader in the deep end with no floatie. At the same time, it does not seem to contain anything crucial to the core series, so there’s nothing forcing an AvX reader to pick this up. Swap in a preferable artist whose visuals fit my tastes better and this’d be a great issue.

Story: 8/10
Art: 5/10
Whole: 7.5/10

X-Men Regenesis Checklist [Checklist]

Following X-Men: Schism every mutant must choose a side: Cyclops’ or Wolverine’s. With the X-Men cut in two, things will never be the same again. Choose Your Team.

OCTOBER 2011

  • Uncanny X-Men #544
  • X-Men: Regenesis #1
  • Wolverine #17
  • Wolverine & the X-Men #1

 

NOVEMBER 2011

  • Uncanny X-Men #1
  • X-Men Legacy #259
  • Generation Hope #13
  • New Mutants #33
  • X-Men #20

 

DECEMBER 2011

  • Uncanny X-Force #19

 

JANUARY 2012

  • X-Factor #230

 

SOURCE: Marvel Retailer Postcard-Checklist

Fear Itself: Uncanny X-Force #1 [Review]


Full review posted to cxPulp.com
.

Story: 3/5
Art: 2.5/5
Overall: 3/5

X-Men: Schism [Checklist]

The line has been drawn in the sands of Utopia. Prepare for a conflict between former teammates, brothers-in-arms, and friends as Cyclops & Wolverine go to war with one another! From superstar writer Jason Aaron and a ground-shaking ensemble of the industry’s best artists coms X-Men: Schism, the series that will split the X-Men down the middle! United No More!

JULY

  • X-Men: Schism #1 (Art by Carlos Pacheco)
  • X-Men: Schism #2 (Art by Frank Cho)

AUGUST

  • X-Men: Schism #3 (Art by Daniel Acuna)
  • Generation Hope #10

SEPTEMBER

  • X-Men: Schism #4 (Art by Alan Davis)
  • Generation Hope #11

OCTOBER

  • X-Men: Schism #5 (Art by Adam Kubert)