The Burning Blood Part One: Shattered Crystal, Scattered Dreams
Writer: Fabian Nicieza
Penciler: Brett Booth
Inker: Adelso Corona
Colorist: Guru-EFX
Letterer: VC’s Joe Caramagna
Assistant Editor: Lauren Amaro
Editor: Mark Basso
X-Men Senior Editor: Jordan D. White
Cover Date: April 2021
Cover Price: $4.99
Possibly my earliest conscious memories of X-Men comics are the X-Cutioner’s Song event/crossover issues polybagged with a trading card…because a friend was collecting that crossover. It didn’t mean anything to me at the time, personally…though I wasn’t too far behind getting in thanks to the then-new XTAS, and Fatal Attractions event/crossover. There’s still the nostalgia for me for those ranges of issues as such. Two of the earliest issues I can remember owning for myself are Uncanny X-Men #300, and X-Men #24. I do NOT remember "Adam X" nor much of anything about a "third Summers brother" at the time despite whatever issues I was reading…anything I DID know or think surely came from trading cards and/or Wizard Magazine. When Brubaker got to tackle the definitive answer to the question of that brother in 2005’s Deadly Genesis it also didn’t mean too terribly much to me for not being all that invested in there being or who was "the third Summers brother."
Anyway…X-Men Legends #1:
We open on Erik the Red directing his minions–the Crystal Claws–to attack Providence Hospital in Anchorage, Alaska. After much destruction and death, they find the people they’re after: Philip and Deborah Summers. The scene then shifts to find Cyclops and Havok–Scott and Alex Summers–back to back opposing a different wave of these Crystal Claw folks. Once victorious, they seek out Xavier for answers, given his relationship with a certain Shi’Ar. Before they get any, the brothers are called to Alaska where they learn of their grandparents’ kidnapping and ransom. The scene changes again to some flashbacky stuff of the childhood of a character calling himself Adam. He’s meditating in a field and when confronted, gets to show off his abilities with throwing weapons by killing a snake. Cable shows up and talks before giving Adam’s location to the Summers Brothers. While Adam deals with more memories, he finds himself set upon by Hepzibah and Raza of the Starjammers. Their fight is interrupted by Cyclops and Havok, and Adam fights them as well. When the three find themselves at a questionable stalemate, a ship decloaks to reveal Corsair–father of Cyclops and Havok. While he notes the confusion on their faces, Corsair reveals that he knows more than they do, and fires his weapon at them. To Be Continued…
There’s something refreshing and yet challenging about this issue. It’s refreshing to have an issue that has so much packed into it…rather than the decompressed, semi-cinematic, un-captioned, un-narrated, dialogue-less nature of too many modern comics. It’s refreshing to have a first issue start out right into action, rather than being all setup for the next five issues or so, as a mere 1/6th of a singular story. It’s refreshing to have editor’s notes and footnotes. And it’s darned refreshing to this fan of ’90s comics and ’90s X-Men to see Cyclops, Havok, and Xavier in their early-’90s look, not to mention an adult/older Cable, and various other touches that feel very reminiscent of the ’90s. It’s a bit challenging, however, coming 26-27 years after the comics it’s meant to fit around, and though familiar with the general time-frame, I’m not steeped enough in conscious memory of 1994 continuity, "Adam X," and the finer details of that. I don’t feel like I knew Erik the Red prior to Uncanny X-Men #350 in 1998 or so, and I’ve never been a huge fan of the Shi’Ar and such. I’ve also been conditioned especially over the past 20+ years to the decompressed format of modern comics, so found it a bit jarring to have so much going on in this single issue, jumping all over the place. For a new-in-2021-comic, it feels very out of place and a bit choppy/clunky.
The art team manages to capture a ’90s feel in addition to simply depicting the consistency of a ’90s-era "house style" of the characters’ costumes and such. It’s by no means a perfect fit, as it is still a comic actually published in 2021 with seemingly contemporary art, carrying with it a modern aesthetic I can’t quite put to words. The visuals are clearly intended to evoke the colorful, dynamic, over-the-top-ish frenetic action that I, at least, tend to associate by reputation with ’90s comics. This isn’t Jim Lee art by any means, but I liked it and found it rather enjoyable, particularly in the moment as I read this issue. At the minimum, the visual style helps the issue to show us this is a ’90s-era-style story, rather than just telling us the fact.
Nicieza‘s name was a huge selling point for me–he was one of the main X-writers when I first got into the X-Men in 1993 or so. Getting a new story from him that’s meant to fit right into existing continuity and that is not further-ballooning out modern elements was extremely appealing to me. I mentioned earlier that this issue felt very out of place and choppy/clunky. That’s in the context of being a comic published in 2021, based on modern 2021 comics tropes, generalities, and conditioning over much of the past several decades to the fairly strict, rigid decompression of every 6 issues being a single story, rather than having multiple core stories and numerous plot threads woven across 6 issues. The Summers brothers’ interactions; the quick shift to Xavier for information, the convenience of plot elements falling into place within pages…it worked for me.
If this was a modern issue, I’d expect a multi-page sequence of a mysterious ship approaching a planet that turns out to be Earth followed by multiple pages of attack and double-page spread(s) of the devastation left behind and a cliffhanger of two people with the surname SUMMERS being found. Instead, that’s just several pages’ prologue. In that regard, this issue could pretty easily–by modern standards–be broken out into 3-4 issues. At 30 pages of story in a $4.99 comic…it (grudgingly) actually seems worth its price compared to most same-length/same-priced comics.
This felt like a much longer read than I expected, and I enjoyed the details and captions and such…it’s not that the reader is spoon-fed, but the reader gets to read a story–they don’t have to participate, they don’t have to nitpick and think-deeply and pick stuff apart from subtle visual clues that lack any sort of dialogue or caption reference for key parts of the story…and the only "homework" the reader would need to do–if so chosen–is follow the editor’s notes to check back to X-Men #39 (immediately prior to Legion Quest and the Age of Apocalypse) and a Captain Marvel (Genis-Vell, I presume) issue. There are no "infopages" nor "infographics" interrupting the flow of the story, and really what you see is what you get.
This is by no means a perfect issue, and it is $4.99. But it’s an issue that I was looking forward to for awhile, based primarily on the concept and the cover; and that $4.99 gets you 30 pages of story rather than merely 20ish for $3.99; an extra 50% of story for only an extra 25% of price. The cover sports the "classic" bold, blocky 3-D-ish X-MEN logo certainly associated with the ’90s comics (and then some!) with "Legends" and "#1" worked into it…much the way the ’90s Superman comics fit "Action Comics" and "The Man of Steel" in against "Superman." The cover image of the main/standard/non-variant cover (pictured above) strongly evokes the ’90s to me and lent itself strongly to my sense of nostalgia and thus interest in checking this out…as a series, and certainly as a first issue.
Given that this is a story by a prior writer, meant to fit into a point of continuity nearly half the property’s existence in the past, this certainly won’t be for "everyone," nor will it appeal to everyone. It absolutely appeals to someone like me that grew up with the ’90s X-Men and looks fondly upon that period of the property. While likely a curiosity to readers brought in by Hickman‘s House of X Powers of X, Dawn of X/Reign of X/X of Swords and such…this is absolutely non-essential to what I understand of the current books, and more a chance for older, lapsed readers to get something new. Or for newer readers to get a taste of something out of the past that is actually new.
I’m certainly not keen on a comic’s being $4.99, but I definitely feel I got my money’s worth out of this issue and am really looking forward to #2 and beyond. Honestly, a telling point should be that I so thoroughly enjoyed this issue that it prompted this review at all, marking my first review of a "current issue" in maybe a year or more!
Filed under: 2021 posts, 2021 Reviews, MARVEL, Marvel Universe, X-Men Legends | Tagged: 1990s, Adam-X, Adelso Corona, Brett Booth, cable, comic books, Comic Reviews, comics, Cyclops, Fabian Nicieza, Guru eFX, Havok, Joe Caramagna, Jordan D. White, Lauren Amaro, Mark Basso, MARVEL, Marvel Comics, reviews, Third Summers Brother, x-men, X-Men Legends | Leave a comment »
Comic Reviews by Walt 