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Justice Society of America – Kingdom Come Special: Superman [Review]

Written and Illustrated by: Alex Ross
Colors: Alex Sinclair
Letters: Rob Leigh
Asst. Editor: Harvey Richards
Editor: Michael Siglain
Cover: Alex Ross (variant by Dale Eaglesham & Brian Miller)
Publisher: DC Comics

My first thought of this book: With an interior by Alex Ross, featuring this particular character…why would I have any interest in a cover by another artist when Ross provides the main cover to go with the interior?!?

We open with Superman vs. Superman, then cut to “the Kingdom Come Superman” talking with Cyclone, who encourages him to talk about his past, the world he lost. Following their conversation, Superman looks up Norman McCay, the pastor he’d briefly met shortly before his world died, and determines to meet the man. Noticing a green cloud at the Daily Planet, he rushes there first, fearing a repeat of his history…things aren’t what they appear, and he briefly encounters our Superman. Following a quiet visit with a now-retired Norman McCay, Supes meets our Lois, and she learns details to how her counterpart perished.

I recall the debut of Marvels, and later, Kingdom Come–I’ve been amazed at actually reading the first couple individual issues of Kingdom Come given what it’s become in the 13 or so years since as a graphic novel. I remember the first time I read the entire story–in the collected format, as one of my earliest graphic novels purchased. I’ve always enjoyed Ross’ art, and generally credit him as the first comics artist whose work I could recognize specifically by sight. Additionally, Kingdom Come has long been one of my favorite stories–I can even credit it with some of my earliest interest in studying the bible, for context of the passages quoted.

Given all that, this issue honestly impressed me. I didn’t think anything would measure up to the original Kingdom Come, but while placed squarely in current JSA continuity, this also fleshes out Kingdom Come itself, providing a follow-up without being an exact sequel–leaving the original intact, but adding details that serve to enhance that story should one recall it.

The story here is quite good and totally believable to me of this Superman. We get to explore with him what it is to meet “alternate-world-counterparts” who look exactly like those we know, and yet are not the people we know…the heart of the individual that is noticeable regardless of the infinite variables of their lives. Offhand, this issue’s story is exactly the sort of thing I’ve wanted to see since this mega-arc began late last year.

This is Alex Ross’s art–I’d recognize it regardless of hype, promotion, or issue credits. The quality is there, the consistency is there, the tone is there…the detailed familiarity visually…is there. Visually, this is one of the best-looking comics I’ve seen…if you’re a fan of Ross’ work you shouldn’t be disappointed; if you’re not a fan…well, this probably is not for you.

There’s also some back-matter: sketches, commentary, layouts–all that give insight into what went into the creation of this issue; it’s all pretty interesting even though I’m not usually a fan of this sorta stuff…it certainly helps round the issue out, giving me little room to really complain about the cover price.

My sheer enjoyment of this issue comes from the story, and the art, AND the nostalgia. Offhand, this is definitely one of my favorite issues of the year, and very much worth having picked up.

Story: 9/10
Art: 9.5/10
Whole: 9.5/10

Action Comics #871 [Review]

New Krypton: Beyond Doomsday

Writer: Geoff Johns
Artist: Pete Woods
Colorist: Brad Anderson
Letterer: Rob Leigh
Editor: Matt Idelson
Cover: Alex Ross (variant by Stephane Roux)
Publisher: DC Comics

In the most recent issue of Superman (New Krypton “triangle number” 2), we ended with Doomsday arriving to spoil introductions between Kryptonians and the American president. Then we had a one-shot to explore further what Jimmy Olsen discovered on his recent adventure (and presumably set some stuff up for later in this mega-arc). Now we’re back to Doomsday. Except the issue begins with General Sam Lane dealing with Luthor, explaining his place in all this. Finally picking up on that cliffhanger, Superman takes charge, having had the most up-close-and-personal experience with the creature, and directs others to get the people clear, while he races into battle. Though the first time the two fought (sixteen years ago!) Superman’s allies easily fell, leaving him alone to stop the creature, this time his allies have all of his powers, and we have a half-issue Kryptonians-dogpile-Doomsday slugfest. Meanwhile, in Superman’s fortress, some Zod loyalists seek to free their General from the Phantom Zone, discovering something interesting in the process.

The story continues to build on what’s come before, picking up where we’d left off, responding to and progressing from that cliffhanger. We get some small nods to flesh out certain characters and see what the Kryptonians’ view of humans contains. It seems Doomsday’s reputation indeed is widely-known as are his origins. Johns keeps Superman in-character–as we saw years back, Supes faced his fears of Doomsday, overcoming them–he doesn’t freeze or wring his hands or cry or anything when Doomsday shows. He springs into action, confidently taking charge. On the whole, I have no real issue with the story here that isn’t self-defeating.

The art isn’t bad, either. It’s a definite departure from Frank, but in and of itself is not bad. It might just be the angles, but it appears that some bits of continuity are nicely maintained–Doomsday never has regrown the bony protrusion Superman snapped off his knee in their first encounter. The battle with Doomsday has a few panels where it’s not 100% clear what’s what…but I suppose that helps convey the nature of the battle with so many involved, and not much space between combatants. No huge complaint from me on the art.

As a whole, this is another solid issue, that admittedly leaves me waiting for the next chapter to find out more about who was found in the Fortress, what happens given the Doomsday battle, what General Lane has planned, and so on. This is hardly the best point to jump on-board, but it’s still early enough one could go snag the earlier chapters and get in from there.

I’m not blown away, but nor am I disappointed. As much as any comic is worth $3 these days, this one’s not a waste of money.

Story: 8/10
Art: 7/10
Whole: 7.5/10

Tales of the TMNT #52 [Review]

Posted to comixtreme.com.

The Walking Dead #54 [Review]

Posted to comixtreme.com.

Booster Gold #14 [Review]

Posted to comixtreme.com.

Justice League America #69 [Back-Issue Review]

Down for the Count

Story and Art: Dan Jurgens
Finished Art: Rick Burchett
Letters: Willie Schubert
Colors: Gene D’Angelo
Asst. Editor: Ruben Diaz
Editor: Brian Augustyn
Cover: Dan Jurgens

This issue opens with the Justice League already in action, rescuing people from a huge fire. As we get some context, we discover the Justice League has responded to a distress call out of their usual stomping grounds, with reports of a monster tearing up the place. While the League searches for the creature and helps those it can on the way, Superman is appearing on the Cat Grant show for an interview being televised at high school students. About the time the League finds the monster, the creature hurls debris through their transport, stalling them. Once the League deals with that mess, they began taking on the creature and finding it to be no easy chore. As the League is torn apart, Booster Gold is punched away into the sky–surviving solely because of a force field raised just in time–and caught by Superman.

I originally picked this issue up discovering it to “tie in” to the Doomsday / Death of Superman story–though at the time I knew little else. I recognized Maxima from an appearance years earlier in a Superman comic, but everyone else was unfamiliar to me. With sixteen years’ further experience with comics, everyone’s familiar to me upon the current read-through, as is plenty of context around various characters and even the creative team of the book.

The story is basically one long fight scene with the heroes either looking for or trading punches with their quarry. Juxtaposed with the action is the interview with Superman–with some nice segues back and forth between the League’s fight. The interview provides some great context for where Superman stands in regard to his fellow Justice Leaguers, as well as some nice continuity nods to recent events in DC Comics at the time. The issue’s end is one of those “oh, YEAH!” moments–cliffhanger, sure, but has one itching to get to the next part of the story. While there are no “previously” pages (there IS a note to go read Superman: The Man of Steel #18 first, though), it’s not hard to follow along with events in this issue. Given the nature of the issue’s story–contextualizing the destructive power of the creature–it does not seem at all important exactly WHO any of the Leaguers are, just that they ARE the Justice League.

The art is very much a classic–Jurgens has been one of my absolute favorite Superman (and related) artists precisely because of being one of the main artists involved in this story. To me, the depictions of the characters found here are THE standard–I have zero real complaint with the art (save that given the nature of the story, it’s rather toned-back and wounds suffered appear far less devastating than the text makes ’em out to be).

This is a great issue–perhaps largely for being the first real battle with the doomsday creature in the overall story–but also has seeds sown that play out not only in the Doomsday story but also in this title for awhile after the death of Superman. The story is good–I especially enjoy that interview/tussle structure, and the art is top notch. One probably wouldn’t be reading this completely out of context–and it’s included in the Death of Superman collected volume–but not a bad read if you come across it in a bargain bin somewhere.

Story: 8/10
Art: 8/10
Whole: 8/10