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Green Lantern #10 [Review]

Quick Rating: Good
Title: Revenge of the Green Lanterns, part one

It’s One Year Later, and Green Lantern is definitely back…but with quite a shadow hanging over him; meanwhile, Hal Jordan prepares to be honored for a past deed…

greenlantern010 Writer: Geoff Johns
Pencils: Ivan Reis
Inks: Marc Campos
Colors: Moose Baumann
Letters: Rob Leigh
Assoc. Editor: Michael Siglain
Editor: Peter Tomasi
Cover Art: Simone Bianchi
Publisher: DC Comics

So…awhile back, Hall Jordan lost his city when it was blown up by an alien bent on having revenge on Superman for failing to save his family and driving him away from Earth. Hal couldn’t handle the strain, went nuts, killed a bunch of other GLs in his bid for control of the central power battery on Oa, became Parallax, tried to wipe out time to set things right, died to re-ignite Earth’s sun when it was put out, stepped forward as a volunteer-host for the Spectre during a spiritual crisis, and ultimately split from the Spectre as the real Parallax stood revealed…huh?

You don’t really need to know all that–though it adds a bit of context to the character. What you need to know for this issue is that Hal Jordan–Green Lantern–has apparently had his past exposed to the world, and/or done something that has led to most people of Earth not trusting him–regarding him as little more than some criminal acting without regard for Earthly laws and regulations.

Of course, this issue takes place a year after the events of the currently-unfolding Infinite Crisis so there’s a lot that’s happened that we–as readers–are not yet aware of. Though Green Lantern has been cast in a negative light (and this seems to extend to Jon Stewart as well, though we don’t actually see him in this issue), Hal Jordan is regarded as a hero for things he’s taken part in during the past year.

On the one hand–at the surface–this story seemed rather boring to me. Looking deeper, though, it’s actually a lot better than I wanted to give it credit for. The one-year jump allows for stories to be beyond the whole "hey…you’re back?!?" sort of situations. Hal’s gotten himself very much involved in life again and rebuilt as well as simply built new relationships. He’s fairly established again within the DC Universe.

Apparent flashbacks give some hint as to a fairly major event in Hal’s past (the missing year) that seems rich in character potential. I also like the fact that a story from the Green Lantern Secret Files & Origins 2005 comes into play here–we saw in that story last year that Hal leaves his ring behind when he flies. It added an extra touch of humanity (and/or recklessness) to the character, and provides context for stuff shown in this issue). That’s not to say that you need to have read that to "get" this issue.

The art gives me little to talk about–it worked for me. Things were clear panel-to-panel as to what was going on, all the more in context of the text. The imagery in general is pretty bright–we’re not mired in shadows here. Characters are recognizable and while they may not be clones of versions from other artists, they don’t at all come across as a reinterpretation, which means we have good art, good story, and a good issue.

There are some definite questions that arise from this issue: exactly what does the world know about Hal Jordan? What do they actually know about Green Lantern that has made GL unwelcome outside the US? (As readers, we have plenty of "dirt" that could place him in that position if the info were common knowledge to the residents of the DCU) And so on.

Having seen (and had it as my computer’s desktop for the last few weeks) the cover to a later issue of this title, I’ve a pretty good idea who the villain of this arc is, which takes away from the "shock" that’s apparent at the end of the issue. But then, anything lost there is replaced by an eager "Why?" to the whole thing.
In the end, this is definitely a good issue, and well worth checking out if you haven’t already. It’s also a good jumping-on point, as it’s the first "One Year Later" issue for this title, and in many ways functions as a new # 1–old and new readers alike are at the same point regarding Hal’s past year or so and his new life.

Ratings:

Story: 3.5/5
Art: 4/5
Overall: 4/5

Bargain-bin goodies

silversurferbargainbin20110119 Though I don’t get to go to many conventions, my local comic shop treats me remarkably well…and I’m quite spoiled, I think, when it comes to regular access to great stuff in a bargain bin.

Take this, for example.

This week, for less than the price of any one of many of Marvel’s current books…I scored Silver Surfer #s 1-12, 15, and Annual #1.

Not bad at all, I must say.

Booking Through Thursday: Periodically

bookingthroughthursdaybuttonEven I read things other than books from time to time … like, Magazines! What magazines/journals do you read??

These days, I really don’t read anything other than books or comics/graphic novels/TPBs/whatever you want to call ‘em. I suppose comics COULD be considered magazines—or periodicals. But for ME, that’s such a given, and for as much as I read traditional-format comics…the better question in that case would be what books do I read, as they’re something I read other than comics.

I’m known to dip into Reader’s Digest when I have one handy and don’t have other stuff onhand to read. I keep an issue at my desk at work in case I ever find myself without a book, so I have SOMEthing to read.

Though there are some “high end” magazine-like publications for comics, I don’t follow those, not really. I used to—years ago—read Wizard magazine…but that publication has (at least to me) fallen to such depths that I can’t even bring myself to bother reading cover blurbs if I even see the thing at all.

lifewitharchie001 Perhaps the best answer to this would be Life With Archie: The Married Life. It’s a magazine-sized publication, produced monthly. It has a few fluff features to round things out, but the heart of the publication is the presentation of two full-length comic-sized stories. One follows a future in which Archie married Betty; the other follows a future in which Archie married Veronica.

It’s a fantastic product at only $3.99…the price of a single Marvel comic, but oversized and containing two Archie comics.

And these stories—of an adult, post-college Archie—are far more relatable and relevant to me as an adult than the usual Archie fare (nothing wrong with the usual…but I’m getting to where high school was almost half a lifetime ago).

Fallen Son: The Death of Captain America #4 [Review]

Quick Rating: Good
Story Title: Chapter 4: Depression

Spider-Man mourns the loss of Cap, but still has to deal with stuff that life throws at him…

fallensonthedeathofcaptainamerica004 Writer: Jeph Loeb
Pencils: David Finch
Inks: Danny Miki
Colors: Frank D’Armata
Letters: Richard Starkings & Comicraft
From an Idea by: J. Michael Straczynski
Assistant Editor: Alejandro Arbona
Editor: Bill Rosemann
Cover Art: David Finch | Variant by: Michael Turner
Publisher: Marvel Comics

This story has certainly lost much of its impact–on me–by being stretched out so much. That’s not to say it’s entirely devoid of impact…but going through these "stages of grief" or "loss" or whatever the official phrasing is would work much better had this series been more immediate and timely. After all, I have had what? A quarter year (or more) now to get used to the idea of Captain America being "dead," and to partake in the online culture of communication that has really lessened the character’s death–as I have come to really agree that within a couple years or so, we’ll have Steve Rogers alive and well, having "got better" after this ordeal…or worse, turn out that THIS Steve Rogers was a certain alien poser.

That meta-textual stuff aside…this was a good issue. This issue’s focus is on a "depressed" Spider-Man as he deals with the loss of a man he’d looked up to as a hero–not just a "fellow" super-hero or colleague, but as an actual hero far above his own "level," by whom it was an honor to even be so much as acknowledged. And while spending time in a cemetary, Spidey/Peter realizes that he’s got an audience…and when his spider-sense goes off, he leaps into action, lashing out at the clear and present threat. The issue winds down with Spidey and Wolverine (which helps hold this series together, not merely "jumping" from one character to another, but maintaining some continuity as the characters interact).

There’s a lot that could be said and analyzed and "read into" the text, based on knowledge that’s been made public about events the writer has faced, and I’d like to acknowledge that fact without getting into it beyond this statement.

The story seems to fit Spidey…I haven’t followed the character all that much for a number of years, so I might be getting something that’s not there, depending on the nuances one pulls out. For me, though, this seemed to be a solid reflection of Spidey acting in context of having just lost a mentor/father-figure/inspiration…and that he’s in the black suit lends yet further loss based on what he’s apparently been dealing with in his own book(s). The threat faced in the cemetery elicits the expected reaction from the character, while simultaneously providing a nice twist, breaking just a bit from a clichéd sort of formula.

I liked the art here. Finch isn’t an artist I’m terribly familiar with of late, only dipping into Marvel here and there the last several years…but the art is definitely recognizable, and carries a certain realism to it that (while allowing one to still subconsciously recognize it as "just" 2-d comic book art) adds a lot to the visual enjoyment of the story. And I think that is the best-looking version of the "villain" I can ever remember seeing.

As a whole, this issue (to me) is an example of how enjoyable story arcs can be as a series of stories that CAN be taken alone, but are also part of a larger arc, rather than a series of chapters that FEEL like they are 1/6th segments of a single story…and that makes it certainly worth its cover price.

If you’re following the series already, this isn’t an issue to skip on; and if you’re just interested in Spidey…you’ve got a good dose of him dealing with another loss in his life, mixed with some action here, and I think it’s fair to say you probably don’t NEED to have read the earlier issues to get/follow/enjoy this issue. I do think these may read better in a collected volume in one sitting, though. Of course, you can do much worse by way of single issues.

Ratings:

Story: 3.5/5
Art: 4/5
Overall: 4/5

Young Justice #0 [Review]


Full review posted to cxPulp.com
.

 

Story: 3.5/5
Art: 4/5
Overall: 4/5

Invincible Iron Man #500 [Review]


Full review posted to cxPulp.com
.

Story: 2/5
Art: 2/5
Overall: 2.5/5

Death of Spider-Man [Checklist]

February 2011
Ultimate Avengers vs. New Ultimates #1
Ultimate Spider-Man #153 (prelude)
Ultimate Spider-Man #154 (prelude)

March 2011
Ultimate Avengers vs. New Ultimates #2
Ultimate Spider-Man #155 (prelude)
Ultimate Spider-Man #156

April 2011
Ultimate Avengers vs. New Ultimates #3
Ultimate Spider-Man #157

May 2011
Ultimate Avengers vs. New Ultimates #4
Ultimate Spider-Man #158

June 2011
Ultimate Avengers vs. New Ultimates #5
Ultimate Spider-Man #159
Ultimate Spider-Man #160

July 2011
Ultimate Avengers vs. New Ultimates #6
Ultimate Spider-Man #161
Ultimate Spider-Man #162

August 2011
?

deathofspidermanchecklist

Faces of Evil: Deathstroke #1 [Review]

Quick Rating: Very Good
Story Title: Faces of Evil: Deathstroke

After suffering a humiliating defeat, Deathstroke takes stock of his life and makes plans for moving forward.

facesofevildeathstroke001 Writer: David Hine
Penciller: Georges Jeanty
Inker: Mark McKenna
Colorist: Jo Smith
Letterer: Pat Brosseau
Assistant Editor: Janelle Siegel
Editor: Michael Marts
Cover: Ladronn
Publisher: DC Comics

Last I recall seeing Deathstroke was in the Last Will and Testament special last Fall, when Deathstroke was defeated in combat by Geoforce. After that humiliating defeat, Deathstroke has had some time to recover, and to take stock of his life. This issue opens with him in the hospital–where those attending to him marvel at his very survival. Once he’s awake, Deathstroke arranges a meeting with his daughter, and the two deal with "family issues" they have with one another. Finally, we see Deathstroke beginning to set up what may be his new status quo.

Hine seems to get this character quite well. The story here is believeable and well within what I’d expect of the character despite my limited exposure to him. We have a man who’s been pushed to his limit and forced to reassess what he is going to do with his life. We get to see him contemplative and in action, see what makes him very dangerous.

The art is solid, too. No complaints here–everything’s nice and clear, with no problems following the action. There’s a slight change in the coloring for a flashback scene that sets that sequence apart from the rest of the issue–gives it a bit of a surreal effect without going hokey or cheesey on us.

Next to Meltzer‘s writing of this character in Identity Crisis and Last Will, this has to be the best depiction I’ve seen of Deathstroke. This issue is–at standard cover price, even!–well worth snagging if you’ve any interest in Deathstroke. And if you’ve never dealt with the character before, you could probably still quite enjoy this issue, as it deals with the here-and-now of the title character as he prepares for what he is going to do moving forward from here.

Ratings:

Story: 4/5
Art: 3.5/5
Overall: 4/5

Astro City: Samaritan #1 [Review]

Quick Rating: Great
Story Title: The Eagle and the Mountain

Samaritan and an old foe size each other up in their latest encounter, as we see key moments in both characters’ past.

astrocitysamaritan Writer: Kurt Busiek
Artist: Brent E. Anderson
Colors: Alex Sinclair
Lettering and Design: John Roshell of Comicraft
Asst. Editor: Kristy Quinn
Editor: Ben Abernathy
Cover Art: Alex Ross
Publisher: DC Comics/Wildstorm Signature Series

While I’ve read several of the Astro City TPBs, the first arc of Dark Age, and a couple other AC stories, I don’t feel all that familiar with any specific characters. They’re largely archetypal to me, and I think I read them with other characters in mind, or at least, without much of a vested interest in anyone in particular.

Samaritan to me is a different take on Superman, and this "Infidel" puts me in mind of Lex Luthor, and visually in mind of some character from Hellblazer (Papa Midnight, perhaps).

However, these characters certainly are not the others–they draw from a similar pool of ideas, but hold a rich uniqueness all their own.

The issue opens with a story about an eagle and a mountain, to set things up. The issue is narrated by Infidel, presenting things from his point of view–something that when done on occasion like this, works very well. Though we know that he is the "bad guy" (Samaritan being the "good guy"), it’s easy to see where Infidel is coming from, his motivation and such.

Through the years, Infidel and Samaritan have clashed, and despite the intensity of the battles, neither every truly gained the upper hand, resulting in a truce of sorts, as each watches the other, waiting for a moment to strike. The cordiality between Samaritan and Infidel is a bit off-putting at first, but works very well here. It is in itself a bit archetypal–two bitter enemies interacting civilly, almost friendly, neither seeking to physically confront the other…but the dangerousness of both is felt throughout the interactions, and the characters have a very real feel to them, as more than just some black/white comic-book-supervillain/comic-book-superhero interaction; there’s just more depth to it.

And that seems to me to be a large part of the way Astro City works–standard superheroes and supervillains cast in a "real world" of sorts, offering plausible answers to questions that transpose comic book situations with real world actuality. Of course it’s still a comic itself–but it gets beyond certain cliches.

The art works really well here–Anderson‘s art is clear and mood-suited as usual, conveying both the quieter and the loud, cosmic scenes quite well.

Possibly the best part of this issue is that it stands alone. If you’re a long-time fan of Astro City, it’ll add to your enjoyment of the overall "saga." However, if you’ve never touched an Astro City book, this is a great place to check it out, with a story of one of the main superheroes and maybe his greatest foe. In a world of increasing need of the "previously…" page, this issue acknowledges that with a "previously" box: What You Need To Know Before Reading This Issue! / Uh, nothing, really. Dive on in, the water’s fine.

Check it out–it’s a $4 book, but it’s 40 pages, self-contained, and a very enjoyable read!

Ratings:

Story: 4.5/5
Art: 4.5/5
Overall: 4.5/5

Superman: World of New Krypton #1 [Review]

Quick Rating: Good
Story Title: World of New Krypton Part One

Superman begins his new life on New Krypton by getting to know a bit of his new surroundings as he is tasked with choosing a Guild to belong to.

supermanworldofnewkrypton001 Writers: James Robinson and Greg Rucka
Artist: Pete Woods
Colorist: Brad Anderson
Letterer: Steve Wands
Asst. Editor: Wil Moss
Editor: Matt Idelson
Cover: Gary Frank with Brad Anderson (variant by Ladronn)
Publisher: DC Comics

We open this issue on Superman’s solo journey from Earth to New Krypton. Arriving, Superman is confronted by locals informing him that Zod wishes to meet with him–Superman declares that his family comes first and proceeds to his Aunt’s home. Here he declares his intention to live amongst his people on New Krypton as a Kryptonian, leaving Earth behind. As such, he must choose a guild and in general adjust to Kryptonian customs as just another guy in the crowd, since he’s nothing special on a world where everyone has his super-powers. After exploring a bit and meeting with Zod, his guild is chosen and we’re left with a Superman facing a future as a Kryptonian with other Kryptonians.

The art here is not bad, but I’m not terribly thrilled with it. It just lacks the detail/feel or something that I get from other artists like Jim Lee, Dan Jurgens, and Gary Frank (That the cover is a Frank image allows for that much more an immediate comparison). The story is conveyed, we can see a range of expression in characters’ faces where called for and so on, so the art is simply not to my personal taste/preference.

The story is solid. While I haven’t entirely bought into the seeming suddenness of Superman’s decision to pursue this course of action–it’s felt fairly forced/arbitrary like plopping playing pieces where-ever one decides on a gaming board and then throwing some almost arbitrary reasoning to the placement–I can’t deny the potential this story has. It’s been nearly two decades since we last had a story exploring a world without a Superman–but that story was a world which had lost its Superman to death, not one “deserted” or “abandoned” by its hero. Either way, this is the series that follows Superman as he deals with leaving Earth behind in order to live with his people, seeking to protect them from a threat that they don’t want to acknowledge.

On the one hand, this may not be the best point to jump on-board without the context of Brainiac or the branded New Krypton story, if one understands simply that Superman is beginning another “quest” that involves his going to and living on this planet of Kryptonians, this shouldn’t be too bad a point to start into things.

As only the first issue of twelve, it’s hard to say where things will go. For now, I’m taking this simply as another Superman book, and do look forward to seeing how the character handles this new year-long status quo.

Ratings:

Story: 4/5
Art: 3/5
Overall: 3.5/5