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X-O Manowar #35 [Review]

xomanowar035Dead Hand Part 2: Extinction Event

Writer: Robert Venditti
Penciler: Diego Bernard
Inkers: Ryan Winn w/Faucher & Pennington
Colorists: Brian Reber w/Ulises Arreola
Letterer: Dave Sharpe
Cover Artists: Lewis Larosa, Jorge Molina, Rafa Sandoval, Juan Jose Ryp
Associate Editor: Tom Brennan
Editor: Warren Simons
Published by: Valiant
Cover Date: April 2015
Cover Price: $3.99

Including the #0 issue a few months back, this marks 36 issues of this title so far. Three years that Valiant’s been "back" in the monthly comics game. 36 monthly issues of a single ongoing title, period. 36 monthly issues with a single writer. And I’ve been reading since the beginning; and even looking back to the 1990s, the original X-O Manowar title was in its early to mid #20s when I became aware of it, and probably wasn’t much past its own 3-year mark when it dipped back off my radar for the most part. Which is all to say: this has to be one of the best "runs" I’ve experienced in a long time.

That said…this is the second issue of presumably a 4-part story. Unlike last year’s Armor Hunters crossover event, this story seems contained to this title. That it continues to draw from that event organically, furthering and developing stuff introduced is a great reward as a longtime reader. While this is not a multi title crossover event…the fact that it deals with stuff FROM one (for me) gives an interesting suggestion: if the initial introduction of the Armor Hunters warranted a huge event, and this Dead Hand thing is those guys’ failsafe and possibly a WORSE threat…SCALE has already been established such that stuff is still quite epic, even contained within this one title.

We open the issue on Earth, several years from now as a couple scientists contemplate an apparent supernova and decide they’d be toast by now if it was actually Alpha Centauri. We then shift TO the Alpha Centauri system where Aric races to contact the high priest on Loam, to get as many Vine evacuated as possible before their planet is destroyed. The Dead Hand protocol has triggered an extinction-level event to wipe out all life on the planet. Though Aric gets through and a handful of Vine escape…the planetary loss is horrific and leaves Aric angry as can be, even as we see how he HAS changed in his ways and dealings with others.

Story-wise, I found myself slightly distracted reading this as I marveled at the fact that I felt bad for the Vine people as well as contemplating Aric’s compassion for them…that they’re not merely some generic race of "spider-aliens" to be loathed AS a race.

The story itself is engaging and–other than the above thoughts–kept me racing through, wondering what would happen, how many would be saved, and seeing a lot of potential for "follow-up" to this issue’s events…particularly if this series lasts a lot longer yet.

The art did what I often prefer: looked good and did not distract. I liked it–I had a good sense of what was going on, and where my mind skipped ahead, forging a very clear expectation, the art quite lived up to it where it could have just as easy been a huge letdown.

"Obviously," as part 2 of a multi-part arc, and in this day ‘n age of comics not being the readiest-available form of entertainment for the casual reader…this won’t be an ideal jumping-on point. But if you’re already following the title, read the previous issue, and whatnot…this is well worth getting. Alternatively, if you’ve read Armor Hunters (the core mini and/or tie-ins and/or the full-event deluxe hardcover due out in a few weeks [as of this writing]…this arc is certainly a worthwhile follow-up to that event. And if you like "cosmic," this arc certainly fits that, and is certainly on-par with anything I know of recent Marvel cosmic stuff…but far more self-contained so far.

Matching to the previous issue (#34), and the above qualifiers…highly recommended!

Age of Apocalypse Revisited: Astonishing X-Men #4

aoa_revisited_logo

astonishingxmen004Plot/Dialogue: Scott Lobdell
Pencils: Joe Madureira
Inks: Townsend/Milgrom
Colors: Steve Buccellato
Separations: Digital Chameleon
Letters: Richard Starkings, Comicraft
Cover: Madureira, Townsend, Buccellato
Editor: Bob Harras
Published by: Marvel Comics
Cover Date: June 1995
Cover Price: $1.95

Doing what comics did well BEFORE they were commonly written-for-the-trade, this issue picks up a bit after the previous issue’s cliffhanger. Where there we saw Blink horrified at finding the eviscerated body of Sabretooth, here we find that she’s gotten over that shock and is now confronting Holocaust over the issue. The "Infinite factory" has been taken apart, and she’s soon joined by the rest of Rogue’s group of X-Men, and together they face Holocaust, each with plenty of reason to take the Horseman apart. The monster holds an ace in the sleeve, though, and escapes…but not before revealing to Rogue that her husband, son, and the stranger Bishop have been taken by Apocalypse…and setting her on a determined course.

Yet again, I found myself enjoying Madureira‘s art in this issue. By name, I’m inclined to want to avoid it in contemporary comics…but here, it’s very good and I enjoyed it. Twenty years ago, it just WAS…and with no name recognition I was–and still am–good with it. There’s a definite "feel" of it being ’90s art–particularly Holocaust’s appearance with the shoulder armor and such–but I’m definitely ok with that.

The story itself moves things along a bit and ties some things up–Sabretooth’s fate, the team’s handling of it, the immediate threat of Holocaust himself, the team dealing with the Infinites, etc. I nearly chuckled at the "smart-arse" back and forth between Rogue and Holocaust, and remember truly laughing out loud in the past when I’d read the scene. "From where I’m standing…" and Holocaust simply punching Rogue away "Then stand over there!" Childish perhaps, but a nice bit of levity within the already dark story.

While functionally a 4-issue mini-series and this is the "finale," the story doesn’t actually end here…just the chapter. The issue ends with a note to follow things into Amazing X-Men #4 and then X-Men: Omega…and that’s what all the AoA series do. We started with X-Men: Alpha with a singular whole, splintered off to the 8 (or 10) minis, and everything re-converges for the true finale in X-Men: Omega.

Were this a contemporary issue/contemporary end-of-a-miniseries, I’d be very annoyed, I think. As-is, seeing this as simply a part of the larger whole and having ZERO expectation of Astonishing X-Men wrapping up as a full self-contained thing, I’m perfectly fine with this, and suspect that (as with this issue) the rest of the #4s will be similar: each leaving me all the more eager to get to the grand finale, having journeyed through the separate sub-stories that make up the overall Age of Apocalypse story.

Convergence #0 [Review]

convergence000The God Machine

Writers: Dan Jurgens & Jeff King
Art: Ethan Van Sciver
Colors: Marcelo Maiolo
Letters: Travis Lanham
Cover: Van Sciver with Maiolo
Editors: Dan Didio and David Pina
Published by: DC Comics
Cover Date: April 2015
Cover Price: $4.99

This issue is an appalling $4.99, for “only” 30 story pages. Yea, that beats the heck outta 20 pages or so for a $3.99 book, but that’s STILL $5! The cover seems to be the shinier/glossy higher-quality (physically) stock, so at least there’s that, too. There are several pages of backmatter, basically showing off a bunch of different “cities” that will be part of this event, and a tidbit about them, along with a classic (-ish) cover image to go with them…some of the covers more relevant than others. This certainly is not as hefty as an Annual or other special issue. At $4.99 weekly, this would be an absolute no-go for me. However, a bit of internet digging yields the notion that this is an oversized issue as a prologue, and next week’s #1 is oversized as well kicking things off, but then will drop down to the $3.99 for fewer pages.

The story of the issue is basically filling in a “gap” of time from the end of Superman: Doomed, where Superman found himself elsewhere/elsewhen, but then found himself back in regular space/time with no memory of what he experienced. Turns out that what he experienced was meeting numerous incarnations of Brainiac and seeing a number of versions of Metropolis, domed cities on a strange/alien world and railing against the notion of the people within being held prisoner…while learning from the Brainiacs that the main entity has apparently grabbed these cities from just before their timelines would have been destroyed and preserving them.

While it felt (and in my summary above probably sounds) extremely “basic,” it works as a prologue. I’d read Doomed last year, so this sorta adds a little bit to that. It also sets things up for Convergence as an event over the coming weeks.

I can’t help but think that Jurgens’ involvement on the writing side is why certain scenes and versions of Brainiac got shown as they did. I’m not familiar with King though the name is familiar (further internet digging suggests this is his comics-writing debut though he’s worked on tv stuff like White Collar that I’m familiar with). Given the co-writing credit, and not having read other comics stuff by him, too early to tell if I like King’s work or not. I suppose if I continue with this series I’ll be finding out as it looks like he’s got the reins for the main run of the series.

I’ve long enjoyed Van Sciver‘s art, going back a good decade-plus now with his Green Lantern work. While there’s a bit of a “feel” to me in this issue that’s “off” just a bit, I really enjoyed most of the art in this issue. I think the “off” stuff is a combination of things, including Superman’s armor looking strange to me compared to the classic (non-armor) suit. Despite that, I was thoroughly struck by the depiction of the classic Death of Superman scene, and really dug the bearded Superman look by issue’s end–if you look closely, he starts the issue clean-shaven but sports a short beard by the end.

While I was certainly glad to see the classic, “true” (to me) Superman and Doomsday in that one scene, I was quite disappointed to not “meet” any of the non-New 52 Supermen in this issue. I was desperately hoping to get at least a “live” glimpse of “my” Superman. But this proved equal parts Superman: Doomed and Convergence : Prologue…either way a Superman story.

I do not relish the notion of EIGHTY $4 issues (on top of the main Convergence mini)…and though this issue has me chomping at the bit for more non-New 52 DC stuff, I’m truly torn on buying into this as single issues, or waiting for the inevitable collected volumes. Given my “giving in” on Villains Month in 2013 and Futures End Month last year…I may just say the heck with it and see what grabs my attention with the covers of #1s, what most rings that nostalgia bell for me and makes me think “ok, that’s freakin’ cool and I really wanna read that!”

Though this sets stuff up, I haven’t a clue how essential it’s actually gonna be in the long run. However, it’s served its purpose in grabbing my attention (against better judgment). Now having #0–and as such essentially the first issue of the series–I’ll probably grab the big #1.

If you’ve no interest in Superman, or only intend to pick up select 2-issue minis due to favorite characters and such and don’t care or intend to follow the core Convergence story, I’d skip this. If you’re considering the series, dipping in…and can stomach the $5 price…Convergence has technically started with this.