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25+ Years Later: Wingnut!

I’ve been at least aware of the character for over 25 years now, and know at least one friend had the figure “back in the day,” but until this week, I’d never owned the figure myself.

wingnut_and_screwloose

Now, finally, I do…which puts me one step closer to the “classic” Mutanimals. Sadly, they never did do figures for Jaguar or Dreadmon…but they did for Wingnut & Screwloose, Man Ray (Ray Fillet), Mondo Gecko, and the outright villainous version of Leatherhead.

slash_before_and_after

Along with finally acquiring Wingnut & Screwloose…I was able to get a replacement belt for Slash, so he doesn’t look “naked” anymore.

muckman_before_and_after

And for Muckman, I got a replacement trashcan/backpack accessory, so he can once again carry around his little buddy Joe Eyeball.

storage_shell_turtles

And with the addition of a replacement Raphael, I now once again have all four classic “Storage Shell” TMNT.


I have a small list (comparatively) of figures I still need to “replace” to restore my “classic” collection from when I was a kid, as well as specific characters I particularly want to add to “complete” (-ish) my collection.

I hold no illusions of ever having ALL of the classic/vintage figures, particularly with all the variants that were made of the various characters. There are several “sets” of “variants” that I’m interested in, but my primary interest is in representation of CHARACTERS, period…and at that, ones that were “live” when I was originally collecting these on a regular basis, up to 1992/1993 or so.

I also find myself frustrated at how Target and Walmart along with Toys R Us have had barely ANY of the “current” figures lately, primarily having only the same several “Mutations” or “Mix ‘n Match” editions of characters.

I solidly regret NOT purchasing the “Super Shredder” figure the several times I came across it back in January, as it’s now become impossible-ish to find, and is the one figure from that sub-set that I want, given the enormity of that version of the character in the actual animated series in a way that I’d had no idea of when I actually could have bought the figure.

I may “spotlight” some of my “classic” figures collection in coming posts…at the least, likely new acquisitions as I add them to the collection.

Most imminently, I want to replace Splinter, Rocksteady, and Triceraton, and perhaps add Rat King, Leatherhead, and General Traag…as well as Wyrm and Merdude. Time shall tell!

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The Weekly Haul – Weeks of March 22nd & 29th, 2017

This week’s both huge yet small. Mostly EXPENSIVE.

THREE $5 issues ($4.99) from DC… but these are the would-be-Annuals-now-simply-Specials with the DC heroes crossing over/teaming up with the Hanna-Barbera characters. I don’t know that I’ll be getting ALL of them over the coming months…but these three had my attention…particularly the Booster Gold/Flintstones one and Green Lantern/Space Ghost. I saw the Adam Strange/Future Quest cover enough times that I apparently added it to my stack…so I’ll make a point to read it at least!

weeklyhaul_03292017a

Then I grudgingly hunted down X-Men: Prime…where typically I’ll "vote with my wallet" AGAINST stuff like this…since I was ALREADY throwing price out the window with the DC books, and have long groused about the state of the X-books, I can at least bite the bullet on this issue to "try" it. After all…I can’t KEEP knocking stuff–can’t knock the "new" stuff or the "change of course" or "seeming change of course" if I don’t at least try it. Then after seeing a preview and LOVING the art (a DEFINITE rarity for me, as I virtually NEVER buy solely based on the art) got the apparently-final issue of All-New X-Men (volume whatever…3, 4?). And the preview book was "free," so…whatever.

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The third issue of Kamandi Challenge is out…I need to read #2 yet, but don’t want to fall behind.

Finally, for a $6 cover price, Dark Horse Number Ones reprints 8 #1 issues from Dark Horse…I’m all about these sorts of volumes, especially on the price. It’s even preferable to $1 #1 reprints!

And speaking of reprints…there’s some sort of $10 edition of Letter 44 vol. 1 out…beats the heck outta the $20 cover price on the original edition! I did not get that as I’ve gotten way behind on the single issues, and have all the single issues. Though for the price, I may track it down eventually.

Below, I cover last week‘s haul, which I neglected til now out of frustration at trying to track down the Action Comics issue.

Continue reading

More Inconsistent, Baffling Pricing at HPB

It’s amazing to me the seeming “randomness” of books’ pricing at Half-Price Books…especially on graphic novels/comics!

Take two different copies of the first printing of 1993’s The Death of Superman.

HPB_DoS_pricing_01

Two copies, neither in great condition. One is–as would be EXPECTED for a place calling itself Half-Price Books–half of the $5 cover price. It’s actually a “newsstand” edition, given the bar code (as opposed to the Direct Market edition that had the “bleeding S”). Yet the newsstand one is in better condition at less than half the price of the more battered copy!

HPB_DoS_pricing_02

The date on the price stickers suggests that at least these were bought a couple weeks apart…though that also suggests to me (given the condition and these BOTH being First Printing editions) that two different people may have handled the pricing. (That, or it goes to show how ridiculously INCONSISTENT they are!)

HPB_DoS_pricing_03

I’d gotten the two reversed to hold and better show the damage to the more expensive copy–a bent spine/corner in particular.

Two different copies of the same book–one that’s not particularly “rare,” as I often see at least one (if not multiple or several multiples) at any HPB I go to. The book has been “in print” in one format or another for nearly a quarter-century–it eventually went from $4.95 cover price a $9.95/9 edition where they changed to the more iconic image lifted from Superman #75 itself. That one (I believe) went through a couple editions, and then just last year, the entire Death/Return saga was repackaged into a 5-volume set (including post-saga Doomsday stuff).

I’m even more flabbergasted at the pricing given the condition of the books. It’s one thing if something is in pristine/new condition…but when it’s old, beaten/battered, obviously seen better days…something MIGHT BE a “First Edition” or first print, but what, exactly, about that qualifies it as an exception?

I overheard at a an HPB location on the day of their 50%-off-one-item coupon day an employee commenting in response to a customer remarking on the crowd that a lot of folks were in getting “collectible” stuff that’s sat around for MONTHS.

Or, in my interpretation…stuff’s priced too high for folks to justify, but cut that price in half, and they’ll flock to the store!

As I’ve said numerous times in the past…if they want to be a boutique specialty shop, fine…but I wish they would at LEAST separate out their precious “out of print” and “collectible” stock and KEEP to their name for the general everyday stock.

End rant.

The ’90s Revisited: Superman #50

90s_revisited

superman(1987)0050Krisis of the Krimson Kryptonite Part Four: The Human Factor

Story by: Jerry Ordway
Art by: Dan Jurgens, Brett Breeding, Kerry Gammill, Dennis Janke, Curt Swan, John Byrne, and Jerry Ordway
Colors by: Glenn Whitmore
Letters by: John Costanza
Editing by: Mike Carlin
Cover by: Jerry Ordway
Published by: DC Comics
Cover Date: December 1990
Cover Price: $1.50

This is an extra-sized issue, for a whopping DOUBLE-usual-cover-price…at a whole $1.50. That’s still HALF what contemporary DC Rebirth comics cost, and less than half of what a current Marvel comic costs. Granted, we’re talking a little over 26 years’ difference, but still…

Speaking of covers and cover prices…this may not be THE best or THE most iconic cover ever for a Superman comic (at least, not to me, and not one of my personal top ten) but its "spirit" is pretty iconic–Superman bursting through a wall. In this case, fairly appropriate, after several issues of his being powerless…basically a normal human. Having the strength to simply, cheerfully burst through a solid brick wall is a small indicator of his power level being much increased. Superman #50 is one of the first comics I ever got as a "back issue," and before I really knew the concept of "multiple printings" or "variant covers" or the like. The copy of the issue that I first owned, the first time that I read this, gave away a fairly major spoiler for the issue (at the time).

superman50spoilercover

Historic Engagement Issue. Ok, so the engagement was looming, and it happened here. I had no idea at the time that it was a second print, hence spoiling the ending by calling out what happens in the issue and how it’d go down in history (beyond concluding a several-part story and seeing Superman get his powers back).

This issue gives us a glimpse of Clark in action, going about life powerless–but getting beyond the simplistic "mild-mannered reporter" and letting us see that it really is he himself–Clark–that makes the man, not the Super. Even without powers, he’s not gonna stand by or put his own safety first…he helps people, and tries to step in as able. He checks in on things with Lois, who has just gotten her father’s approval in dating Clark. Jimmy’s mother is doing better…even as we see that Perry and Alice are having their own issues, still reeling from the death of Jerry. And of course, Luthor being Luthor. When Lex contacts Lois, Clark steps in, demanding an interview…which he’s granted. Luthor’s convinced to tell how he’s deprived Superman of his powers…and since he’s telling some reporter, he’s not breaking Mxyzptlk’s One Rule to Not Tell Superman. Of course, Luthor has long since discarded the notion of Clark and Superman being one and the same…but that doesn’t change that Clark is Superman, and Mxy’s powers are magic based and thus bind the rule even without Mxy’s conscious direction, so Luthor telling Clark means he’s broken the rule…and Superman is re-powered. The imp shows up, gives Superman a freebie of sorts (providing a Rule to the game and how Superman can send him away, and then getting Superman to fulfill it) and actually leaving. Luthor’s great victory is wiped away, and the man is dying. Meanwhile, Lois has thought about Clark’s earlier proposal…and says yes. She WILL marry him.

While I did not read this in my initial time into comics, it was still one I read relatively early-on, prior to The Death of Superman. It was cool to see the actual engagement, as well as to have another chapter of the story with the red-border covers, which helped "place" this time-wise/continuity-wise for me at the time. Now, re-reading this, it’s actually sort of hard to believe, and seems such a long time ago, in Clark and Lois ONLY here just getting ENGAGED. Though the engagement aspect went on for a number of years–over 60 issues–they’ve been married so long that I find it natural and preferable, and this was the kick-off, if you will, of that long-lasting aspect of the characters.

Story-wise, this is definitely "classic" Superman for me, for my favorite version of the character, during my favorite period of the continuity. This came at the beginning, served as part of my "foundation" in Superman stuff, as a Superman fan, witnessing the actual development and forward-movement of the character and supporting cast. I think part of that also came from (and I’m using modern thoughts to "project" on my past self) feeling like there was room for surprise and growth beyond done-in-one issues and self-contained every-story-must-stand-alone-and-be-a-graphic-novel-in-serialized-form comics. Clark is the character, Superman is what he does, how he presents to the world when he’s in action. We see his relationship here with Lois–not one of hero worship on her part, or some single-minded buffoon or mere story-trope–but as real humans. She is interested in Clark–the person–and not chasing after some guy in a cape. She wants to marry Clark, and has no idea that he IS Superman. He’s just a man she’s friends with, has come to know and love, and it’s genuine.

This being an expanded, extra-sized issue is definitely a good thing, allowing nearly double the usual length, and thus a lot more story in a single issue…and though the engagement happens here, it’s organic, a rather small part of the overall issue, and is far from actually being the FOCUS of the issue, story-wise. It’s just a darned good Superman comic, at least to me and in recognizing the nostalgia for me.

Visually, it’s an interesting issue, with numerous artist contributing. On one hand, I’d figure that’s partly to allow an extra-sized issue to be produced in the same amount of time as a regular-sized issue while holding to schedules and avoiding fill-ins. It also allows more artists to be part of a key issue in Superman’s history. That said, while I vaguely noticed some unevenness in the art, I was much more engaged (no pun intended) with the story itself, and it wasn’t until sitting down to type up this post that I consciously noted (re-realized) that there were so many artists involved. The art all worked together and was not jarring to me in style or otherwise (perhaps thanks to the single colorist). For an anniversary issue without drastically different variant covers or such, I absolutely welcome the "jam" nature, with a lot of artists "being part of it," and will gladly overlook the uneven nature of that. All the better when the art works with the story and doesn’t distract me.

All in all, this is definitely one of the more "iconic" ISSUES for me, and a key issue in the history of the character. Despite that, I’ve found it in a number of bargain bins over the years; the copy I actually read for this revisiting is from a 25-cent bin…in which there were multiple copies, both of this first print and the later print, and I even convinced a friend to get one to read. Definitely an issue worth reading and having, even out of context and without the entire Krisis of the Krimson Kryptonite story. As a conclusion, it’s fitting, and makes for a good end to that while moving the overall Superman mythos forward and opening stuff to coming stories.

Highly recommended!

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General Mills Presents: Justice League (2017) #3 [Review]

general_mills_2017_justice_league_0003Truth Hurts

Writer: Ivan Cohen
Penciller: June Brigman
Inker: Roy Richardson
Colorist: Jeremy Lawson
Letterer: Wes Abbott
Cover Artist: Dan Panosian
Assistant Editor: Brittany Holzherr
Editor: Steve Buccellato
Group Editor: Marie Javins
Design Director: Larry Berry

I like these semi-yearly promotions, with DC Comics in cereal. However, this has been THE worst one yet, from two prior Justice League sets and last year’s Batman v Superman: it took an absurd 19 or so boxes of cereal for me to get ONE copy of this 3rd issue. (Meanwhile, I have 9 of #4!) And contrary to the first two issues by what I would consider "name creators" that I recognize, this issue is the worst of the three so far. Or perhaps "worst" is a "strong word," but this is the most generic of the three so far, and comes off worse for comparison to the first two issues.

This one focuses on Wonder Woman where the previous two focused on Superman and Batman, respectively. The Justice League arrives at the site of a volcano that’s about to erupt. The team splits up to approach the situation in their own ways to try to minimize destruction. Aquaman winds up unleashing an underground stream, dousing the League. Then everyone turns on each other, apparently selfish and irritable and downright mean. Wonder Woman–Diana–reflects on an incident from her childhood where she was hurt by stuff her friends had said about her and fled to another island, where she faced the wrath of a minotaur. Based on that experience, she applies the lesson to the present and ultimately the group discovers that something in the water had affected them all, and they resolve the conflicts by admitting the truths that were brought to the surface, and are able to deal with the volcano, preventing any loss of life, though there’s plenty of property damage. Finally, Diana proclaims that real friendship can survive any revelation, and the Justice League are the truest friends of all.

Again, this is the most generic of the issues for this promotion, and comes off that way both story-wise and perhaps even moreso, visually. The story reeks of the "very special episode" and such…perhaps I’m also annoyed and more sensitive to it given the number of duplicates of the other issues I amassed just trying to get this one. But I didn’t feel like the other two issues were nearly as "preachy" on the "special message," though I had noticed a "message" to each of those as well.

The art here is ok–not horrible, but far from wonderful. The characters and designs are recognizable but seem a bit inconsistent, and lacking the "big name" or "recognized" creators, this comes off all the more as what it is–a generic freebie from a box of cereal that happens to have "current" versions of costumes with characters that aren’t given room for much depth (a one-off single-issue story with numerous characters and an attempt to "focus" on Wonder Woman).

That I went through the hassle I did, accumulated a year’s worth (or more) of cereal goes to show my personal OCD and such (and marks me as an ideal "target" for this sort of promotion!). Though the numbering of these–#s 1 through 4–makes for a "complete mini-series" of sorts, if you’re NOT interested in having all four, I would not worry about trying to get this issue unless you want the specific focus on Wonder Woman (a focus that is more of a "gets more pages" than being a Wonder Woman STORY).

Ultimately, for a "free" comic from a box of cereal, this isn’t horrible, but is far from wonderful. I found myself recalling the likes of The Untold Legend of the Batman, which I believe had a "cereal edition" in the mid-1980s. Those were reprints of an actual in-continuity story…I think I’d almost rather see something like that (re)-attempted…or at least, I think something like this (offering miniature editions of comics in cereal) would be ripe for promoting some of DC‘s actual #1 issues to try to hook readers.

I certainly would not begin to consider this issue "worth" a standard cover price, and not worth the boxes of cereal I bought to acquire it…though at least the variety and quantity means I’m not going to have to buy cereal again for a long time, as I will actually (eventually) use it all.

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The ’90s Revisited: Action Comics #659

90s_revisited
action_comics_0659Krisis of the Krimson Kryptonite Part Three: Breakout!

Writer: Roger Stern
Artists: Bob McLeod & Brett Breeding
Letterer: Bill Oakley
Colorist: Glenn Whitmore
Associate Editor: Jon Peterson
Editor: Mike Carlin
Cover by: Bob McLeod & Brett Breeding
Published by: DC Comics
Cover Date: November 1990
Cover Price: $0.75

I was a little bit correct and a little bit off in my assessment of Starman #28‘s place in this story…as reading this would definitely feel like something HAD been missed if that wasn’t read first. Yet, there’s context and footnote to explain the high-level "essential" stuff so you get what you "need" from this. Roger Stern was the writer on that, and is on this, so there’s some definite organic tie-in stuff, with the necessary retread for this era in which comics were not designed and destined for a "graphic novel" or collected edition.

We get a bit of that essential retread to start this issue, "Superman" confronting Luthor and getting the Red Kryptonite from him. We then move to Superman himself and Hamilton as they test out a suit of armor and things don’t go as well as either of them would like. Starman tries to be helpful, but is unable to cheer Superman at all. Meanwhile, Killgrave (a mad scientist/mad genius) launches his plan to bait Superman, take out the hero, and escape. Starman does super feats while Clark goes about life. When Killgrave springs his trap, Starman takes him on as Superman, to shocking effect before the real Superman shows up in his armor. Facing Killgrave, our hero gets lucky with a failsafe in the armor allowing him to bluff the villain. Killgrave attempts to escape, and the powerless Superman leaps back into action to attempt to stop him…but fails, and Starman has to save Superman rather than pursue the fleeing villain…which bums Superman out all the more. Mixed in there, Mxyzptlk uses Red-K dust in Luthor’s office to reveal that the Superman flying around is an imposter, which cheers Luthor a fair bit.

I enjoyed reading this issue…it originally came out toward the end of my first "run" with comics, when I was still getting to know this version of Superman and was really too young to "get" a lot of it, where I appreciate stuff a lot more now as an adult.

This definitely reads as a middle chapter, but does so in a good way…fleshing out the notion of a Superman without powers trying to find a way to "stay in the game" while conveying the danger and frustration he faces. It also touches on subplot stuff to remind us of the larger tapestry of the Superman saga and keeps things grounded and interesting. As a middle chapter, though, there’s only so much this can do, though it’s interesting to have Superman try the armor and lose it in the same issue. With contemporary standards getting, having, and using the armor would be a several issue thing in itself, with loads of variant covers and hype over the "new costume" for him and numerous artists’ interpretations of it and so on.

The art is quite good and very much to my liking. Though the story is good, I do think the quality art lent itself significantly to my simple enjoyment of this issue.

All in all, another good chapter of this arc, and another issue I’d recommend if you find it in a bargain bin.

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Action Comics #976 [Review]

action_comics_0976Superman: Reborn Part 2

Writer: Dan Jurgens
Pencils: Doug Mahnke
Inks: Jaime Mendoza, Christian Alamy, Trevor Scott
Colors: Wil Quintana
Letters: Rob Leigh
Cover: Patrick Gleason & John Kalisz
Associate Editor: Paul Kaminski
Editor: Mike Cotton
Group Editor: Eddie Berganza
Special Thanks To: Peter J. Tomasi & Patrick Gleason
Published by: DC Comics
Cover Date: Late May 2017
Cover Price: $2.99

[ SPOILER WARNING! This issue WILL BE SPOILED below… ]

I suppose I shouldn’t be entirely surprised, yet I still managed to be: after three issues building toward something HUGE…this felt very anti-climactic. Rather than coming off as "organic," to me–at least on this initial read-through–it came off as rather forced and after-the-fact than an organic, planned development.

[ I really will be spoiling this below, so consider this your final warning…spoilers after this line are preceded by plenty of SPOILER WARNING to absolve me of feeling guilty for discussing the issue in detail plainly. ]

We open on Mxy going off on Superman…or at least A Superman. In Mxy’s pocket-existence where Jon’s being held, A Superman and Lois have arrived. Jon recognizes them…they fail to recognize him. While Mxy revels in the chaos, even taunting this Superman, Jon realizes with horror that the woman he believes to be his mother doesn’t even remember him. While two spheres of blue energy approach Jon, Mxy opts to leave, warning of someone far beyond even himself as the cause of everything. That he–Mxy–was merely taking advantage of a situation already present. Channeling power from the blue ‘ghosts’, Jon manages to oppose Mxy, who offers him one last chance to leave this existence. Jon refuses, and Mxy leaves. As the reality crumbles, the blue energy merges with the New 52 Superman and Lois, restoring their memories of Jon and their lives together…and all reality re-knits, merging what we knew from pre-Flashpoint and the New 52 into one continuity, with Superman simply…Superman. But married to Lois, and with their son–Jon–as Superboy. Somewhere else, Mr. Oz looks on and marvels at the situation, at the love shared between Lois, Clark, and Jon, and how it unites realities. And finally, a hint that there’s someone–and/or someTHING–else out there still influencing things.

I feel like this was telegraphed a mile off, so to speak. New 52 Superman and the "real" Superman would merge, their realities fused/merged into one, to simply BE Superman, supposedly no more "divide" and smooth over stuff.

It doesn’t really work for me, as far as the in-story stuff goes. I could even have probably "bought" the notion of Mxy re-setting stuff somehow, though usually his machinations are undone when he disappears. Just continuing to merely "hint" at something else out there is getting old, and I’m ready to just be TO whatever ‘event’ that will be, and get beyond it. To just have A single DC Universe, even if it’s actually a multiverse, and either the New 52 completely wiped away or officially merged and just have a set UNIVERSE that is what it is and get on with stuff.

Visually, parts of this issue were quite "off" for my preferences, but not bad. I really like the "new costume" for Superman, essentially being the classic costume minus the trunks, and a modified (solid) belt (instead of the dots of red thing that’s been going on awhile). We seemed to have pre-Flashpoint Lois and Clark turned into energy and merged with the New 52 versions…but then a sort of switch up with the new costume, and it seems that Jon’s been given additional power (I had it in my head that he couldn’t fly, and he seems to be, here).

This resolution and issue as a whole seems to be an attempt to bring stuff together and "unify" fans of either Superman by making it so that both are one and the same–that New 52 Superman was always part of THE Superman, and the pre-Flashpoint Superman we had from Convergence, Superman: Lois and Clark, and the past ten months of Rebirth was not himself whole, but is now, with the merging of the new. This combined with stuff from last November’s Superman Annual would seem to have stuff in line for that, to firmly establish Superman is Superman and now whole, PERIOD.

I guess time will tell.

There’s still plenty of dancing around the fine details…even with the double-pager showing stuff from "both" continuities, it’s hard to tell–for me, at least–exactly what’s what, or supposed to be what–and what’s just looking different because of the artist’s rendition.

While I’ll grant that the "new costume" deserved its full-page "reveal" and the double-page spread of the "new history" deserved the room, I’m also a bit disappointed at how quick a read this was.

My feelings on this issue are certainly victim to the "hype machine," and to wanting to see some overt reference to Superman Red/Superman Blue, to SOMEthing more with the notion, at least, of Red and Blue, and some overt explaining of things. Instead, a lot seems to have been left to the visuals, to whatever the reader wants to interpret. Maybe it’s stuff to be explored in coming issues–but to consider this a conclusion seems to understate things, and though I certainly appreciate NOT having stories stretched out, I think Superman Reborn certainly deserves to be at least another chapter or two, to really lay things out and concretely state what’s what and when and all that.

Superman Reborn started strong, with a lot of epic possibility and potential. Sadly, it–at least for me–ends far short of what I’d hoped for, underwhelming me despite itself. I trust that stuff will play out in coming weeks and months, with further details and ramifications touched on…and hopefully this mainly just means that we’re NOT locked into "the graphic novel" of exactly X issues to a story with hard stop/starts. Perhaps this is just a "main event" and the full details WILL be revealed here and there–organically–as things continue.

I had to go to two different shops to find a copy of this issue, and got the last copy at the second shop…so I’m pretty sure that a number of people have been grabbing this issue even if they hadn’t been getting previous issues. Perhaps the nostalgia, more likely the hype–particularly from sites like Bleeding Cool–and jumping on for whatever this one issue would hold, regardless of continuity. Story-wise, art-wise, it’s a solid enough issue (note my feelings of its failings above) well worth getting if you’re already following either/both titles or this particular story.

But it’s not worth the "hype," at least on one read-through and thinking on it. That said, I won’t be surprised to have my feelings on it changed by further thought, analysis, and points of view…this post simply being my initial thoughts/reaction to the issue on a single read-through.

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The ’90s Revisited: Starman #28

90s_revisited

starman_0028Krisis of the Krimson Kryptonite Part Two/A: The End of a Legend?

Writer: Roger Stern
Penciler: Dave Hoover
Inker: Scott Hanna
Letterer: Bob Pinaha
Colorist: Tom McCraw
Editor: Katie Main
Cover: Dave Hoover
Published by: DC Comics
Cover Date: November 1990
Cover Price: $1.00

I honestly miss THIS kind of crossover/tie-in. Granted, we’re talking over 26 years separating this from being new, but having a random one-issue tie-in to a multi-issue thing in another family of books with a shared creator seems a long-lost thing in many ways. Granted, there’s a slight bit of return to that more recently, especially in the case of DC, but even stuff like Superman: Reborn doesn’t quite have the same feel that this sort of issue did and does.

Starman arrives in Metropolis, and after "wow"ing some citizens who happened to be looking up in the sky, finds his way to Professor Hamilton’s place, where he’s greeted by the professor. Superman soon arrives–much to Starman’s surprise–as he arrives via freight elevator rather than flying in using his own powers. Superman relates to him what’s been going on, and enlists his help. It seems Starman was able to re-charge Superman and his powers once before, so it stands to reason perhaps he’d be able to do so again. Along with some special equipment Hamilton rigs up, the heroes get down to business…though unfortunately, they’re met with failure. A couple other ideas come out, including Starman standing in briefly for Superman, able to pull off appearances to convince the populace–and specifically Luthor himself–that Superman has NOT actually lost his powers. However, Superman is determined to get back into action one way or another, as he can’t just count on Starman as some full-time/permanent stand-in. Meanwhile, Starman subplots are present, but don’t detract from the reading experience, coming into this on the Superman story.

I don’t know the non-Starman/non-Superman-related characters in this book, but that doesn’t take away from my enjoyment of this issue. I read this specifically because of being a tie-in to Krisis of the Krimson Kryptonite, crossing the Superman family of titles. I associate Roger Stern with his Superman work, and "assume" it was his also working on this book that brought it into the story, as he could easily work things together. And, at this point in the early-’90s, there seemed to be a lot more room for random character crossovers without it being some huge deal. I don’t need (nor for the moment particularly WANT) much focusing on Starman’s supporting cast…I want (and got) an issue of him dealing with the Superman-centric stuff…and yet, with the snippets dealing with the rest of his supporting cast, one can tell that Starman is, himself, not a Superman supporting cast member, and that he’s got his own separate existence apart from meeting up with Superman here.

It’s also a shame to consider a character like this is now so far removed time-wise as to functionally not even need to have existed as far as contemporary characters/stories go.

While this feels like an extension of the story (and rightfully so!) it also feels like its own thing. The story seems like an organic stretch, with the two heroes aware of each other, having interacted in the past and all that, so of course Superman would reach out to another ally, even if it’s not someone he interacts with as regularly as say, Lois or Jimmy. This does not feel like a "forced" or "token" crossover, but one that is driven by story rather than agenda or sales (though I doubt there’d have been much concern with probably boosting Starman with a key Superman tie-in).

Visually, this isn’t bad. I like the art overall, though at times Superman at least felt a little "off," with some nuances separating this from the previous couple of chapters of the story…further marking this as its own thing.

I like the cover…the red and orange makes it both distinctive and yet fits well with the rest of the arc. It’s also very attention-grabbing in the imagery, playing off classic silver/bronze age stuff. Hamilton runs toward a Starman standing over a struggling Superman exclaiming that he needs to stop–he’s killing Superman. Of course, as we find actually reading the issue, the scene is contextualized with Starman using his power to try to recharge Superman, with Superman trying to tough it out until Hamilton calls things to an end.

I’m pretty sure this is not ESSENTIAL to the Krisis of the Krimson Kryptonite story, but it sure fits, and for the cover alone came off as something I very definitely wanted to have, to read as part of the story. The chapter numbering–Two/A–puts me in mind a bit of the Supergirl and Aquaman tie-ins to the 1998 Millennium Giants story that ended the Electric Superman year.

If you can get this issue along with the Superman ones, I definitely recommend it. And despite not having read this story as a whole (or mostly whole) in quite a number of years, I continue to enjoy it, and have actually had to hold myself back slightly from just flying through the reading, as I take time to write up each chapter after it’s read, before going on to the next.

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General Mills Presents: Justice League (2017) #2 [Review]

general_mills_2017_justice_league_0002Dark Reflections

Writer: Fabian Nicieza
Penciller: Rick Leonardi
Inkers: Bob Wiacek and Scott Hanna
Colorist: Rex Lokus
Letterer: Comicraft
Cover Artist: Scott Koblish
Cover Colorist: Val Staples
Assistant Editor: Brittany Holzherr
Editor: Steve Buccellato
Group Editor: Marie Javins
Design Director: Larry Berry

This is the "second" issue of four being made available to the public "blindly" via insertion into specially-marked boxes of General Mills cereal. Though the issues ARE numbered, the first issue and this one do not seem to draw on each other or lead into the other with any singular story, so the numbers are–I’m pretty confident in saying–there to stimulate collectors’ OCD to collect ’em all.

This issue focuses on Batman, though it guest-stars the rest of the Justice League.

Batman arrives home after a "typical" night out. After talking with Alfred and having a flashback to his youth where his parents were still around, Bruce catches a glimpse of a reflection in the mirror that is most certainly not him looking back! Turns out that Mirror Master (one of Flash’s Rogues) has expanded his reach (with the unintentional assistance of Flash himself) to vex the entire Justice League. Using mirrors as gateways, interdimensional counterparts of our heroes are brought through, and the heroes square off with them. While everyone tangles with their mirrored counterparts, Batman (through recalling an incident from his youth) develops a plan to deal with this threat and stop Mirror Master.

Nicieza and Leonardi are a couple more names that I’m definitely familiar with, though I’m far moreso with the former than latter. I’m honestly impressed at the way this issue–and this round of GM Justice League as a whole–has the talent and appearances of something much bigger and less generic than "just" cereal-box comics. At the same time, unfortunately (by seeming necessity) these ARE rather smaller and more generic than non-cereal counterparts.

The story itself is fairly basic, drawing on some basic tropes of comics in general…particularly the lead-in with Batman having just gotten back from a night out, talking about the off-panel adventure, remembering something from his childhood while his parents were alive, and that conveniently being relevant to the current story at hand. Yet, while that may come off as a negative…it fits perfectly into what these comics can and might be–someone’s first. These days, it’s not hard to imagine that there are countless staunch fans of even "obscure" comic book characters…yet said fans may never have actually experienced a comic book! So while these are overdone, overly-familiar things to me as a nearly-30-years comics reader, they may well be someone’s first exposure and be at least some small part of their journey into comics.

The story elements overall do not particularly contradict what I know of the characters, and particularly Batman in this case, though this definitely comes detached from the nuances of recent continuity that I’m familiar with. My biggest eye-opener is the notion of the characters nonchalantly hauling the moon out of its orbit with zero repercussions to the Earth. Perfect for a comic like this, maybe, but epic event-level stuff in general continuity.

Visually, if the pages were "regular" sized and I didn’t see a cover, I wouldn’t really know this was "just" some cereal-box comic…it has "established talent," and does not look like some generic thing. The art is quite good in and of itself, though as with a lot of comic book art, its primary drawback is simply in not being by one of a handful of my favorite comic artists. Once again, these characters look like they’re right out of early-2017 full-size DC comics, down to Batman’s current gold-outlined black bat symbol. Superman’s look is about to be out of date, but fits well into the past ten or so months’ worth of DC Rebirth.

As with the first issue, this was an ok read with good art. It’s a cereal comic and certainly worth reading, but it in no way affects continuity nor particularly draws from it. You might appreciate this more if you’re NOT up on current comics, as you may be less likely to do hard comparisons. I wouldn’t go out of the way to hunt this down, but if you like the cereal and it’s in the box, definitely give it a read-through!

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Winston World and the Weekend Haul: Weekend of March 17-19

winston_world_weekend_haul_blogtrailer1While this weekend was Wizard World in Cleveland, I never had any intention of attending that. I’d attended a Wizard World convention in Columbus a few years back, and decided that it’s not a convention "brand" I care to deal with (long story’s another post someday; short story is that it’s too expensive for too little comic-content, and it seems unlikely that the brand can possibly ever get back to the Chicago edition of the con I attended in 2007).

Fortunately, Carol & John’s opted to hold a sale for those #NotAtComicCon: Winston World!

Along with that, Half-Price Books had a week of coupons beginning last Monday, with two days of 20% off your most expensive item; two days of 30%; two days of 40%, and culminating in the final day’s 50% off your most expensive item. While 20% didn’t mean much to me, I jumped in, taking advantage at the 30% and snagged a few things, as I showed off in last week’s Weekly Haul post for Wednesday and Thursday.

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My primary interest in the Winston World stuff was the 75%-off graphic novel bins. There’d been several books I’d had my eye on that weren’t quite justifiable to me even at 50% off (and/or just didn’t have room in the "budget" weeks I was there) that would certainly be more than worthwhile at 75% off!

While one of the main books I was interested in was no longer there, I did find the three above that I couldn’t quite talk myself into passing up for the price. (Namely, each was cheaper than 3 current Marvel single issues!)

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The Ultimate Comics: Divided We Fall, United We Stand was still there, so I snagged it. Then I started poking through back issues, and snagged the Peter David Supergirl #1, which puts me one issue closer to a complete run on that.

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The 50% off back issues brought the cost of these issues to around or under half the cost of a current DC issue, so I snagged the three Superman Specials and the actual Superman issue that had Superman meeting Destiny for the first time (and reprinted in the DC Retroactive – Superman: The ’80s).

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I also picked up several Batman issues post-Death in the Family/pre-Lonely Place of Dying that I’m missing (or pretty certain I’m missing). A bit more expensive than I’d’ve preferred, but they’re issues I don’t tend to see in quarter-bins, and for 50% off, it brought them into the price-realm of "no worse than buying a current comic." And kept me well under $10 an issue!

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For convenience’s sake, snagged most of the The Day of the Krypton Man arc, likely to join with Krisis of the Krimson Kryptonite as nostalgia reading in the near future. Unfortunately, they did not have the second Adventures of Superman issue (Chapter V) but I was pretty sure I’d be able to snag that without much problem later.

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Along with the Winston World/St. Patrick’s Day edition of the shop’s sticker that was being given away with any purchase, I also opted to buy one of the regular ones. I haven’t decided yet where to actually stick them, but I’ll try to remember to post a photo here or on Facebook once I do!

All in all, I got out for around the cost of 12 current Marvel issues!

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I then ducked into Half-Price Books to use a 40% coupon. Despite the spine damage (which I’m hoping I can at least somewhat repair with some glue) I opted to snag the Five Years Later Omnibus, as I can’t imagine finding a copy anywhere near this price elsewhere/when. This completes my "set" of New 52 "event-Omnibus" volumes (already having the #0 issues volume from 2012’s "event" and the 2013 Villains volume).

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A friend visited over the weekend, and while we were out and about, we stopped in at a vintage toys store in the Cleveland area–Big Fun Toys. Loads of great toys new and old to see, plenty of classic games and books, too. While I have my eye on some figures that were in a display case and thus more expensive…I picked up these four TMNT figures at the excellent price of $3 each or 4/$10! I was going to get three, but on learning of the 4/$10, I went back to the bin and grabbed the Fugitoid figure! I’d had a Fugitoid back in the day, but it disappeared over the years, so this one will (for now) serve as replacement. Genghis Frog, Groundchuck, and Scumbug are new-to-me characters that I’d never owned.

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At HPB again, using the second day’s 40% coupon, I snagged the Dungeons & Dragons boardgame Tyrants of the Underdark. Way above my price range at full price…but far more reasonable at 40% off! Not quite as cool as a couple of the other D&D games, but still a worthy addition to the games shelf!

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Sunday, I drove out to a third HPB location, hoping to snag a hardcover I’d seen some weeks back. Unfortunately, it was no longer there…someone apparently was more determined than me to get it, taking advantage either of opportunity, the week’s coupons, or both.

On my way back, I swung by Comic Heaven and found that Adventures of Superman issue I wanted! Also snagged some card boxes to use for shelf displays, having found them to be excellent, cheap "risers"!

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I stopped back into the closest HPB, determined to go ahead and use the 50% off coupon. I hadn’t seen/"left" anything at the one I bought the D&D game at, so went back into this thinking of getting the Batman: A Celebration of 75 Years that I’d been eyeing. While it would have made for an excellent purchase…I figured it’s a sort of "anthology" volume, I’ve no clue my likelihood of getting other _____: A Celebration of __ Years editions beyond the Superman and Lois Lane ones I already have, and it seemed a shame to use 50%-off on such a low-priced item that’s well worth its marked price.

So, since they still had it, I opted for the "set" of Impulse #s 1-89 plus Annuals 1 & 2.

With the coupon, they became 25-cent books…these 91 comics cost me the same as what SIX current Marvel issues would.

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All in all, a VERY expensive weekend (compared to usual). But, no money out of pocket solely for the privilege of walking around and then giving dealers cash for product. No significant lines, no major miles or gas costs, no lodging, etc. Yet the weekend’s "haul" is certainly on-par with a solid convention’s haul…but without the general hassles OF a convention.

Now I’m really counting on the upcoming "new comics day" being a small one!

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