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All-Star Superman #6 [Review]

Quick Rating: Very Good
Story Title: Funeral in Smallville

Superman deals with the appearance of doppelgangers, and a certain loss…

allstarsuperman006Writer: Grant Morrison
Pencils: Frank Quitely
Digitally Inked & Colored: Jamie Grant
Letters: Phil Balsman
Editorial Assists: Brandon Montclare
Editor: Bob Schreck
Cover Art: Quitely
Publisher: DC Comics

This particular issue doesn’t seem to have the ongoing continuity thread of the earlier issues (as far as Supes being sun-poisoned and dying). It certainly holds up on the "presents a self-contained/issue story" end, though.

Superman/Clark hangs out with his parents, and while it’d be second nature to him to deal with the harvest using his powers, Pa insists on hiring help to get it done the old-fashioned way. This "help" proves to be more than they let on, leading to a rather cliched super-battle that somehow doesn’t come off in THAT bad a way.

Morrison‘s writing here is good, and while the cover pretty much gives away what happens, it’s easy to be occupied with the action, until what happens does. In that way, we see a Superman that is seemingly much younger than the "main continuity" version, as well as almost more realistic. The story itself is nothing new, but it’s the specific presentation that makes it worthwhile: in THIS continuity, for THIS Superman; and in a way it seems to draw from several versions of the character, providing a sort of "merged" handling of the elder Kent. Morrison seems to enjoy dipping toes into a number of swimming pools, giving us glimpses of different ideas or ways to take certain characters: before I’d even read the identity of one future character, I recognized the symbol from that story from 1998 (seems that was a million years ago, doesn’t it?).

Quitely‘s art is good, and just works well with the writing; the style (at least for the moment, coming down off a cold) reminds me of Tim Sale‘s style, particularly from Superman: For All Seasons. (To some degree, the story itself almost seems like it could be fit with that, though it’s been years since I last read it).

As infrequent as this book is, it’s not a favorite exactly, but it’s certainly enjoyable, and well-done. This is the Superman to introduce people to who aren’t terribly familiar with the character and uninterested in a monthly commitment; it gets at some core elements popularly known with the character, without relying heavily on or being expected to use heavy continuity. If you pick up no other Superman book, this would be the one that’s worth getting.

Ratings:

Story: 4/5
Art: 4/5
Overall: 4/5

All-Star Superman #5 [Review]

Quick Rating: Good
Story Title: The Gospel According to Lex Luthor

Clark Kent interviews an imprisoned Lex Luthor…

allstarsuperman005Writer: Grant Morrison
Pencils: Frank Quitely
Digitally Inked & Colored: Jamie Grant
Letters: Phil Balsman
Asst. Editor: Brandon Montclare
Editor: Bob Schreck
Cover Art: Frank Quitely
Publisher: DC Comics

Superman doesn’t show up in this issue. Instead, this is a more character-centric piece looking in on the "All-Star Universe" Lex Luthor, as interviewed by–and interacting with–Clark Kent (who, of course, is actually Superman, but Luthor doesn’t know this.)

Visually, this issue seems–without my having the prior 4 open before me–on-par with those issues. Quitely‘s art seems to capture at once a simplicity often lost to comics, while managing to convey a subtle complexity. That’s not to say this is the most detailed art, nor is it the most simplistic–it’s an interesting blend of both, and for a standalone-continuity incarnation of Superman and the supporting cast, I think it works very nicely.

The story here–Clark Kent interviewing Lex Luthor, encountering The Parasite, and Luthor apparently keeping Kent alive (under his "protection") within the prison)–is, as in previous issues, reminiscent of a silver-age sensibility. However, there’s a complexity going on in Morrison‘s writing that shows those silver-age things in contemporary light. In short, the story can look and feel a bit silver-age, but that’s like a side-effect from a story that is still well-written.

As with the previous issue, this issue includes something between a cameo and a full-blown appearance of an established (in the regular DC Universe) villain, but in a way that isn’t quite the same-old, same-old. The appearance makes good sense given the setting, and provides a bit of impetus in moving the story forward–and perhaps (possibly) setting some stuff up for down the road (especially if we’re to believe Luthor to be quite the smart cookie).

If Superman interests you but you don’t want to get bogged down in years of continuity; or you’re just a fan of Quitely or Morrison, this issue should be a pleaser. The story focus is on the characters, and Superman doesn’t appear in-costume. While disappointing to some, I’m sure…it works for me, given the story.

Ratings:

Story: 3.5/5
Art: 3.5/5
Overall: 3.5/5

All-Star Superman #4 [Review]

Quick Rating: Very Good
Title: The Superman/Olsen War!

On this particular day in the life of Jimmy Olsen, the kid’s got his hands full with an evil Superman and a plan to save the world…question is, what will it cost him?

allstarsuperman004Writer: Grant Morrison
Pencils: Frank Quitely
Digitally Inked & Colored by: Jamie Grant
Letters: Phil Balsman
Asst. Editor: Brandon Montclare
Editor: Bob Schreck
Cover Art: Frank Quitely and Jamie Grant
Publisher: DC Comics

I hardly even remember the previous issue, offhand. Thankfully, due to the nature of this series, one doesn’t really have to remember that issue to "get" and enjoy THIS one.

Jimmy Olsen here is working on a series of "For a Day" columns, in which he takes on certain jobs for a day, following them with a column about his experiences. The focal role he takes on in this issue is as Director of "P.R.O.J.E.C.T."

Of course, Jimmy being Jimmy, trouble ensues, resulting in the summoning of Superman to the scene, to bail everyone outta said trouble…though this, predictably, only leads to more trouble–and ultimately, a certain ‘friction’ between Superman and Jimmy.

The conflict becomes physical, and as the issue’s story-title suggests, we get to see Superman and Jimmy really go at it–while providing a semi-unique interpretation of yet another character, working it into the "All-Star" version of things in such a way that doesn’t interrupt status quo, and is left open to return later.

This issue is yet another example of how both Morrison and Quitely present a Superman comic that greatly differs from the current/ongoing main titles…and yet "gets" a certain essential aspect of the characters, telling stories that are possibly more fun and entertaining than those main titles. This may not be THE Superman that everyone seeks…but this version of Superman should be recognizable by anyone.

The art is clear and distinct–conveying exactly what needs to be conveyed. The visuals may not be "photorealistic," but they don’t need to be–they have a style all their own, that works very well for this issue–and the series as a whole.

While I am personally a fan of "continuity," this issue is argument in itself showing what can be done outside the bounds of "continuity."

Long-time Superman fan or newer reader, this issue–and the earlier issues of the series, as well–are very much worth picking up. If you don’t care for the main Superman books, this series is far enough removed that you needn’t worry about some infinite crossover or anything. Being approximately bi-monthly, the series puts less strain on the wallet, and each issue having a self-contained story, while carrying certain threads from one to another makes for a rewarding, satisfying reading experience.

Ratings:

Story: 4.5/5
Art: 4/5
Overall: 4.5/5

A casual ‘review’ of All-Star Superman

allstarsupermanblurayMonths ago—would’ve been around the release of Superman/Batman: Apocalypse—I was rather surprised to learn that the next feature from the DC/Warner Premiere line of direct-to-home-media features would be All-Star Superman. I just didn’t see it.

The title? That was just an imprint DC was trying. Why not give it some other title to reflect the story a bit more? And being such a niche title years in the past that isn’t really affecting continuity anywhere….

But then, that’s actually the beauty of the thing. A self-contained epic. Nothing came before. Nothing comes after. Just a single, closed arc.

allstarsupermanpageoneI loved the opening. One of the things that jumped out at me initially when I’d read the first issue of the comic series back in late 2004 was the way it took just a handful of panels to sum up all you need to know about Superman’s past.

Doomed planet. Desperate Scientists. Last Hope. Kindly couple.

It was the embodiment of something I’d read during my undergrad years when I was working on a paper; essentially about the way certain elements of key figures in our popular culture are the same through whatever reimaginings.

This film takes that opening—even maintaining the still-shots on the screen, without animation, perfectly (in my mind) capturing that simple opening of the comic…all the more for not feeling the need TO animate the sequence.

allstarsuperman001The rest of the film follows much of the comics’ path, though in far less detail. A lot of time is spent on Lois’ stint as Superwoman. We’re then moved along into Samson and Atlas’ appearance and challenges, to the Kryptonian astronauts, and ultimately back to Luthor for the big finale.

There are slight  nods to other parts of the series—I spotted Bizarro on some sort of chessboard in the Fortress, for example. And we’re given a brief scene in which Clark visits his father’s grave (though that issue when we saw the death of Jonathan was one of the most powerful issues of this series, to me, particularly in retrospect). We also did not get the Jimmy/Doomsday story. allstarsuperman006

The animation itself wasn’t anything spectacular. Watching the blu-ray didn’t make any kind of noticable difference to me. It wasn’t bad, mind you. I did like the “compromise” on the visual style. Quitely’s got a unique visual style that I often like but just as often take issue with, but I didn’t think it was a style I wanted to see mimicked for animation. (To the opposite, I greatly enjoy Ed McGuiness’ visual style used in animation, as on the first Superman/Batman dvd).

Certain touches of Quitely’s art was clearly adapted for this feature, but it was “softened” somehow, for lack of better phrasing offhand. A lot of lines were removed, so that none of the characters appeared lumpy. This made for a sorta different-looking Superman, who seemed a bit older than I’d usually picture, but not in a bad way.

allstarsuperman003The take on Lois was quite good…no complaints there. I was rather interested in how this Lois somehow visually put me in mind of “Bones,” though that comparison may simply be my limited exposure to Bones.

Other than the simplistic fact that we don’t have Tim Daly, Clancy Brown, or Dana Delany, I have no complaints with the voiceacting. In this case, I don’t think I was familiar with any of the voices involved, except perhaps Ed Asner (Perry White). This unfamiliarity allowed me to simply enjoy this for the story and characters, without distraction of visualizing actors behind the characters.

The story overall really felt like it was almost multiple “episodes” made into an overall whole. Coming from having read the comics, and seeing this as an adaptation of the comics, I didn’t mind the way things sort of jump from one to the next—though I was specifically looking for that, having been slightly “spoiled” by comments made on twitter and facebook prior to my watching this—with people expressing frustration at the story jumping and being disjointed.

I can see that, but as said…I took it in stride, and it didn’t bother me, if only for my knowing about it.

mcduffiecreditUnfortunately, especially as excited as I was to pick this up and watch it, news came through online this afternoon that writer Dwayne McDuffie died. I hadn’t even realized that he wrote the  script for this until today. It did seem sorta strange to not see a dedication to him in the end credits…but of course, his passing was so sudden and unexpected.

The package for this film isn’t anything wonderful. The cover image is rather iconic, though, and certainly gets to the heart of the overall story. I’m not at all impressed at the “extras.” I do enjoy the “teaser” shorts for whatever the next film in the line will be (in this case, Green Lantern: Emerald Knights). The Grant Morrison thing wasn’t all that thrilling—it seemed almost “phoned in,” so to speak. Never have been much a fan of commentaries, and this soon after watching, I’m not at all ready to re-watch with the commentary on, so can’t speak to that. If commentaries are you thing…well, there’s that.

I picked up the Target version, which includes a couple episodes of Superman: The Animated Series. One episode was one I’d just watched from the actual Superman: The Animated Series dvd set in the last couple days; and I’m not interested in the other, as I assume that comes later, and plan to watch the series in order.

All in all, HIGHLY disappointed in the “extras,” given how many extra shorts and features and such have been jam-packed into other recent releases—the discrepency between the “special edition” dvd and blu-ray editions with those is what mainly motivated me to go for the blu-ray this time, when I really should have simply stuck to the DVD.

I’d recommend a purchase for the die-hard fans that’ll watch this a few times. For the casual viewer, I recommend a rental. I think if I was going to give this a hard ‘n fast rating, it’s got a good 6.5 or 7 of 10 from me, primarily penalized by the (lack of) extras.

All-Star Superman #1 [Review]

Quick Rating: Good!
Title: …Faster…

Superman saves a group of scientists, Luthor puts his plan to kill Superman in motion, and of course, some Daily Planet drama…

allstarsuperman001Writer: Grant Morrison
Pencils: Frank Quitely
Inks: Jamie Grant
Colors: Jamie Grant
Letters: Phil Balsman
Asst. Editor: Brandon Montclare
Editor: Bob Schreck
Cover Art: Frank Quitely
Publisher: DC Comics

I was prepared to be rubbed the wrong way by this title. I’d heard mixed things about it, and Morrison‘s been a bit of hit-or-miss with me. I also wasn’t sure what I’d think of a story going back to basics on the character, especially when it would seem that meant going back to more of a "silver age" sensibility and such, particularly in the Superman/Lois relationship.

But I sat down to read this issue, and my # 1 complaint is that it’s like being allowed to watch just the first 15 minutes of a movie. You get the introduction of the characters, a bit of conflict, the set-up for the main plot, and a bit of a cliff-hanger when you have to turn it off and do something else, and wait another month for another dose.

The story certainly delivers on the back-to-basics, as we have a Superman unencumbered by marriage or other official romantic ties; a bumbling Clark Kent racing in at the last second to everyone’s wonderment at his whereabouts. Lex Luthor is an evil scientist under government watch (apparently he’s been allowed out of prison to use his genius to better mankind (or the government) so long as he doesn’t keep trying to kill Superman).

And in four panels on the first page, the character’s origin is summed up, which is cool as a refresher, and pretty much necessary only to remind readers (such as those who haven’t touched a Superman comic ever, or in the last 20 years or such) of the origin, since it’s arguable that just about everyone knows the basics of the origin: Doomed planet Krypton, parents launch a rocket into space, where the baby is found by a couple and raised on earth.

I don’t know that this is Morrison‘s most novel approach to a character, but something about it definite works. We get a status quo more reminiscent of the pre-Crisis Superman stuff, but the tone is definitely modern, including an interesting take on the nature of Superman’s powers.

This issue has a lot of little details and little moments, and I’d love to talk about them all, but that’s impossible for a review such as this. Suffice to say that if you’ve never really cared for Superman–either he was too powerful, too god-like and un-relatable or to the other extreme, was too human, not powerful enough…this take falls somewhere in the middle.

Quitely‘s art is also very good, conveying a sort of not-quite arrogance about Superman, but a playful, carefree attitude as he goes about doing his business of saving others. The facial expressions of the characters carry a lot of story, and the artist’s style in general works well here.

Other than the opening page, nothing’s said of the origins of the character-we’re plunged right into the midst of the story, everyone knows who Superman is, Clark’s already a reporter for the Planet, and so on–which is rather refreshing. It’s like being a kid again, being given a random Superman comic that just happens to start a multi-part story. (And this one has nothing to do with crises or multiple earths, united villains, countdowns to anything, etc.)

Well-worth checking out!

Ratings:

Story: 4/5
Art: 4/5
Overall: 4/5

All-Star Superman #3 [Review]

Quick Rating: Great
Title: Sweet Dreams, Superwoman…

Having been given Superman’s powers for a day, Lois makes the most of it–inserting herself firmly into a lifestyle she’s been stuck watching from the outside for far too long…

allstarsuperman003Writer: Grant Morrison
Pencils: Frank Quitely
Digitally Inked & Colored by: Jamie Grant
Letters: Phil Balsman
Asst. Editor: Brandon Montclare
Editor: Bob Schreck
Cover Art: Frank Quitely and Jamie Grant
Publisher: DC Comics

Several days ago, I watched the first new episode of House in three weeks. It’s a show that I enjoy, and so waiting several times the usual time between installments wasn’t my choice, but watching the episode made me realize that sure, had a couple weeks without the show–but that just made it that much better when the new episode came out. And that’s what this title feels like. It’s that show that you enjoy, but there’s quite awhile between issues…but when you get each issue it’s well worth the time in-between…and you can look back and be a bit surprised at how fast that time’s passed. This is already issue 3, and it feels like the series just started a couple months ago.

You don’t really need to know much coming into this issue. Morrison gives you what you need contextually as you go along. Having read the first couple issues, one will pick up a few subtle bits that enhance the story.

The story here–Superman giving Lois a serum that will grant her all of his super-powers for a day (a gift for her birthday, no less)–is at once silly and farfetched. But darned if it doesn’t actually work. This reminds me quite a bit of the type of story found in some of the old silver age Superman books, and yet it’s got a lot more depth and well…story to it.

We’re introduced to Samson and Atlas here–a couple of "rivals" to Superman–and get the feeling that this is by no means the first time they’ve crossed paths. This is only the third issue of this series, of this "take" on the character…and yet this sense of history adds to a feeling this version of Superman very certainly differs from the regular DCU character but has just as rich a background and all that.

Quitely‘s art is impressive, to be sure–there’s just a "feeling" he conveys throughout the issue. The imagery is on the surface a bit simplistic–certainly nothing hyper-detailed. And yet there’s enough detail to see the annoyance in Superman’s face or the excitement or playfulness in Lois’. The style lends itself to the story very well, having a sort of simplicity of older stories in appearance, but an attitude rooted in the present.

Putting the story and art together, we have yet another very strong issue of this new title.

You don’t need to have read #s 1 or 2 to "get" and enjoy this issue. Though elements are beginning to build a bit, you get an entire story here in this one issue. You get a timeless episode in the life of a Superman that isn’t silver age, isn’t modern-day mainstream DCU, but that takes the best of both and shows him in this title.

If you’ve never cared for the character or didn’t "get" the character, or just felt put off by the continuity and other such…this is the title for you. Superman doesn’t get much better than this.

Ratings:

Story: 4.5/5
Art: 4/5
Overall: 4/5

All-Star Superman #2 [Review]

Quick Rating: Good
Title: Superman’s Forbidden Room

Wondering what the punchline is, Lois plays along with Superman’s sudden claim to being Clark Kent, as he takes her for a visit to his Fortress of Solitude.

allstarsuperman002Writer: Grant Morrison
Pencils: Frank Quitely
Digitally Inked & Colored by: Jamie Grant
Letters: Phil Balsman
Asst. Editor: Brandon Montclare
Editor: Bob Schreck
Cover Art: Frank Quitely and Jamie Grant
Publisher: DC Comics

Some time has passed since the end of the previous issue, where we left Superman telling Lois that he had something to tell her. This issue opens with her taking the revelation of Superman and Clark being one-and-the-same in stride. In fact, after spending years trying to prove that fact, and constantly being proven wrong, Lois assumes there’s some punch line she’s not quite getting–that Superman’s playing some trick on her, so she determines to cautiously play along. When he gives her free reign over his fortress except for one specific room, she grows suspicious, and wonders at what other changes Superman’s visit to the sun (last issue) may have had on him.

Quitely‘s art here is top-notch. Certainly a change in style from other interpretations of Superman recently–this is no Jim Lee, Dan Jurgens, or John Byrne art. This Superman is not all rippling/bulging muscles, nor is he some scrawny guy in a costume. He’s just a normal, average-looking man in a costume with super-powers. For lack of better phrasing, I’d describe it as a "simpler" tone. The art is focused on serving the story, conveying the visual imagery to go along with the story, rather than trying to be so detailed as to speak for the text. The only sequence that I’d take issue with is a rather graphic–"PG-13" level, perhaps–sequence as Lois reflects on things as she showers and changes.

Morrison again leaves us with a quality Superman story that combines a bit of the "silver age" feel of the characters with contemporary sensibilities. The new key to the Fortress is just one randomly amusing part to the issue. The opening page re-casts the feel of a movie, and the issue’s credits are given in movie style layout, further lending the feel of this being some Superman movie (or at the least, tv show).

While I would not be thrilled with this being the only available ongoing interpretation of Superman, this second issue certainly continues the quality of the first issue, and leaves no doubt that this is truly an "All-Star" book. If you don’t care about–or are actively avoiding–Infinite Crisis; if you have never read Superman before this series; if you don’t care about years-deep continuity, and so on…this is certainly the book for you.

This is only the second issue–the first should still be fairly easy to track down. I’d highly recommend checking this series out. You can even get away with just reading this issue without the previous–a subplot carries over, but this issue stands well by itself. Definitely recommended-reading!

Ratings:

Story: 4/5
Art: 4/5
Overall: 4/5

Young Justice #1 [Review]


Full review posted to cxPulp.com

Story: 3.5/5
Art: 4/5
Overall: 4/5

52 Week #52 [Review]

Quick Rating: Very Good
Story Title: A Year in the Life

Booster and Rip Hunter vs. an evolved Mr. Mind for the fate of the multiverse!

52week52Writer: Geoff Johns, Grant Morrison, Greg Rucka, Mark Waid
Art Breakdowns: Keith Giffen
Pencils: Mike McKone, Justiniano, Eddy Barrows, Chris Batista, Pat Olliffe, and Darick Robertson
Inks: Andy Lanning, Walden Wong, Rodney Ramos, Drew Geraci, Darick Robertson
Colors: Alex Sinclair, David Baron and Hi-Fi
Letters: Ken Lopez
Asst. Editor: Harvey Richards
Assoc. Editor Jeanine Schaefer
Editor: Michael Siglain
Special Thanks to: Stephen Wacker
Cover Art: J.G. Jones & Alex Sinclair
Publisher: DC Comics

This issue is almost stand-alone, in a way. It tells the story of Booster, Rip, & Co. as they battle Mr. Mind, who has evolved and emerged, ready to feed on the multiverse created at the end of Infinite Crisis…a task they’ve apparently been working at for awhile. We’re shown some decent detail as to the nature of the multiverse and its origins, and while I’ve not been following any of the One Year Later books that have mentioned it in any way, it seems a good explanation of things to me, for now.

This issue employs quite the artisitic team, and while it might seem like some scramble to get extra pages in this issue, the story itself provides great contextualization and use of the multiple artists. I enjoyed the shifts in art…and the overall visual tone of this issue was on par with–if not surpassing–the usual…a fine finish that I hold no complaint with.

Story-wise, one can go a couple directions. Plenty of action, though with a fair amount of time-travel and looks to different points of plans that were set in motion previously, this issue lacked a concrete feel of being set in the final week, feeling instead like a special issue chronicling an "untold tale" of a "lost week" or some such. On the other hand, with the other core storylines having wrapped up the last couple months, this was the biggest "loose thread," and a LOT was crammed in, even with 40 pages, detailing its conclusion.

All in all, we get a number of cool moments–and an obvious if unexpected reunion of sorts–with events either tying back to the first issue of this series, or evoking some SERIOUS deja vu. It answers some questions, while leaving other newer questions (no pun intended), and provides what I consider some good, solid comic-book closure. That is, the stories conclude…but the door is in no way slammed shut on things.

Obviously, if you’ve followed the series all that far, there’s no reason NOT to get this issue (those extra pages? Same cover price, even!). And heck, even if you haven’t followed this series all that closely…there’s stuff in this issue that looks like it’ll have some solid repercussions in the months to come throughout the DCU (as well as some explanation given to the nature of the apparent multiverse that’s been brought back), so wouldn’t be a bad issue to nab as a single, even if some smaller moments/subtleties are lost for not having read the series as a whole.

A solid ending to a solid series…

Ratings:

Story: 4/5
Art: 4/5
Overall: 4/5

52 Week #48 [Review]

Quick Rating: Very Good
Story Title: Asked and Answered

The race to find Kate Kane and rescue her is on!

52week48Writers: Geoff Johns, Grant Morrison, Greg Rucka, Mark Waid
Art Breakdowns: Keith Giffen
Art: Darick Robertson
Pencils – Origin: Nicola Scott
Inker – Origin: Doug Hazlewood
Colors: David Baron, (Origin – Alex Sinclair)
Letters: Jared K. Fletcher
Asst. Editor: Harvey Richards
Assoc. Editor: Jeanine Schaefer
Editor: Michael Siglain
Cover Art: J.G. Jones & Alex Sinclair
Publisher: DC Comics

This issue opens with several days’ worth of action, in a rather cool way: multiple characters across multiple panels across multiple days, asking one key question to kick the main story into motion. The bulk of the issue centers on Nightwing, Montoya & co. as they seek out Mannheim and Batwoman, to foil the plans of Intergang and their crime bible. There’s a lot of action as we see the characters fighting increasingly-high-level underlings, working their way up to Mannheim himself and a dark ceremony that promises to unleash hell-on-Earth, starting with Gotham City.

The ending of the fight has a bit of surprise and bucks the norm a bit–a welcome feat in contemporary comics.

To a degree, there’s little be said about the writing. It’s good. It’s solid. It’s consistent. Same as it’s been. The story flows, and we get to see characters acting in-character and reflecting (particularly in Montoya’s case) growth from the past 11 months.

The art this week–by Darick Robertson–fit really well. There’s a sort of thick darkness about it that sets the tone without being overly bold nor overly light. No complaints here in that department.

The origin backup stars the Birds of Prey, and like the other backups, condenses years of history into just a couple pages of the bare-bones basics. Par for the course, really…gave me a clearer vision of the history, and not atrocious to look at so fills its duty; nothing stand-out astonishing or anything, though.

48 issues in…if you’re not on-board, I doubt I’ll be able to convince you; and if you’ve stuck it out this far even disliking it, you might as well finish.

I found this to be another solid issue of what’s really come to be a favorite series.

Ratings:

Story: 4/5
Art: 4/5
Overall: 4/5