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Ruining a couple comics and falling victim to a Valiant variant

ImageSaturday night, I had an experience I hadn’t had in quite awhile: I managed to spill something on a comic.

I honestly can’t remember the last time that happened–I’m not OVERLY “careful” anymore about comics–but I’m not going to intentionally set one in standing liquid, or use ’em as a coaster or anything like that. But I knocked a (virtually empty) pop can off its perch and it landed upside-down on my copy of Archer & Armstrong #9. I quickly grabbed the can off, and attempted to gather up the comics to get them away–which resulted in my (stupidly) stacking X #0 on top of A&A, and not realizing it until the damage to both issues had been done.

While I don’t “collect” for profit/”value” I do like my comics to be in good condition–and I’m certainly not gonna want damp/formerly-damp paper to be stacked in with other (dry) paper–so I determined I was going to consider this a costly lesson, and replace the two issues. When I went to the closest comic shop (Comic Heaven in Willoughby, OH), they had several copies of the A&A issue left and one copy of X, so I grabbed one of each, grabbed a another “sale” hardcover (see post later this week on sale acquisitions), paid, and walked out.

When I got home, I realized to my great dismay, that I’d grabbed the VARIANT cover for A&A…which honestly just totally ticks me off. I’m NOT used to grabbing the singles “off the shelf,” and my standard “pull list” includes a request for the “standard/regular” covers of everything, so I thought nothing of just grabbing a copy of the issue, having identified the series from the logo–which was the main part of the cover that was visible. Functionally this was to be a simple replacement of something I’d already bought a copy of the other day, already read, so there was no “need” to examine the cover.

I am so incredibly sick and tired of variant covers, though. And now, even the “equal ratio” variants–50/50–have become troublesome because they’re not separated out (no reason to, it’s the same issue, no “special version” of a cover, etc) so nothing calls attention to it being a variant without looking at the UPC box to find its designation.

So at this point, to get the cover that I actually want–the REGULAR cover!!!–I’m going to have paid $11.97 for ONE COMIC that stays in my collection. I can accept the $7.98 because I’m the clumsy guy that knocked a can of pop onto my original copy. But to pay that $7.98 ON TOP OF the copy I ruined just bugs the crap outta me.

Perhaps “making a mountain of a molehill” or some such, but this has me once more/yet AGAIN contemplating a radical shift to collected volumes. At least then I’m (so far/to my knowledge) not going to be dealing with near-constant variants for each volume. And the collected volumes often have the art from the variants included anyway, so I can still see the art in-person.

Typically, I quite enjoy Valiant, and have been sticking with ’em in part BECAUSE they’re Valiant. But between their ridiculous “clustering” of titles and so many variants…it’s enough to leave me contemplating dropping the line and waiting just for the collected volumes, despite the otherwise quality stories/art.

Image

Harbinger #9 [Review]

harbinger009Writer: Joshua Dysart
Art: Pere Perez
Color Art: Ian Hannin
Covers: Mico Suayan and Khari Evans
Lettering: Rob Steen
Associate Editor: Jody LeHeup
Executive Editor: Warren Simons
Published by: Valiant Entertainment
Cover Price: $3.99

Nine (ten if you count the recent #0) issues in, and this title’s getting rather complex, juggling a number of characters. While it does so, this seems a fairly Faith-centric issue, focusing more on her than the other characters…which to me, really is the way to go; allowing character development and for the reader to get to know the character better, while keeping the entire, overall story progressing.

After being temporarily depowered and falling from a dangerous height, Faith comes to and discovers her friends/teammates have been captured by Project Rising Spirit (we as readers witness the kids’ capture). Interspersed, we get flashbacks to how Faith got into comics, a tragedy in her early life, as well as some added details that flesh out her off-panel time several issues ago…and the issue ends on a key moment for Faith and Peter as Project Rising Spirit prepares to move out with their mission accomplished.

Visually, this is yet another strong issue. I honestly don’t recall as of this typing whether Perez has been on every issue thus far, but the look of this issue solidly fits with earlier issues, and seems entirely consistent with my memory of earlier and most-recent issues. The visual style has a certain simplicity to it–it’s not overly or distractingly-detailed…but it has a certain authenticity that makes the characters all seem that much more real: they’re not virtual clones of one another…the faces and bodies are distinct and varied, as the characters actually are.

Story-wise it’s painfully obvious (particularly with recent house ads and other “meta” information (online news/interviews/etc that are not part of the story itself) that this issue is continuing to put pieces in place for the upcoming Harbinger Wars crossover/arc/event with Bloodshot. While I don’t much care for the feeling of “let’s get THIS over with so we can get to What We’ve Been Promised,” it still resonates with me a bit, as it’s that much more obvious how these titles are beginning to fit together as part of the shared universe.

While we don’t have much in the way of development for the other characters–we mainly just see what fate’s befallen them–we get quite a bit with Faith…and it makes her a much more interesting character. It’d be easy to “assume” stuff with her, but having the actual details keeps her grounded and relatable…on the surface, one might see her as some cliché, yet it seems to me that much of what she is even so far in this book comes from her making conscious choices, not mindlessly following the clichés.

Though there are plenty of positives for the other Valiant titles…more and more I find myself with Harbinger at the top of the list for the nice art and the complex, realistic (as much as they can be: that’s a given) story and characters. If you’re only going to follow one Valiant title, I’d be inclined to make it Harbinger.

X-O Manowar #10 [Review]

xomanowar010Prelude to Planet Death Part Two of Two

Writer: Robert Venditti
Art: Trevor Hairsine
Colorist: Brian Reber
Letterer: Dave Lanphear
Cover Artistis: Trevor Hairsine and Cary Nord
Assistant Editor: Josh Johns
Executive Editor: Warren Simons
Published by: Valiant Entertainment
Cover Price: $3.99

We open this issue on a flashback, to young Aric and Gafti training in a field, ending with a show of brotherhood and declaration that someday they’ll be known the fiercest Visigoths to ever swing a sword. We then shift back to the present, where Aric faces Vine commander Trill holding forth the tortured, barely-alive body of his old friend. After some strong words back and forth, Aric engages Trill in battle, while the Vine invasion begins. One battle ended, Aric gives up the X-O armor that it might heal Gafti as it did him–only the pain leaves Gafti in another state of mind entirely…one that could cost an entire planet its life.

Even before anything visual sets in, I noticed the paper quality of this issue is significantly better than some of the earlier issues of the series–while at least a couple of the issues seemed positively (forgive the term) floppy…this feels like a very sturdy paper stock…which is a lot more befitting of a $3.99 single-issue!

Visually, this is quite a solid issue–even with all the action, I was able to follow along without really having to disengage from the story to exert any concerted effort on interpreting the art. The “changing of the guard” where the armor bonds with Gafti–and the resultant look of the armor is striking yet subtle. No real problem for me with the issue’s art.

The story itself is fairly simplistic on the surface–an Earthman fighting a commander of the Vine, then Earthman vs. Earthman with alien armor, then Earthman vs. more aliens.

But–if you’ve been reading the series, Aric and Gafti have a deeper history than the two-page flashback in this issue, and that history is felt as the characters interact here; ditto the history between Trill and Aric. This issue truly grows from what we’ve read throughout this entire series so far–it’s all led here, and this into the next major arc.

While I would like to see X-O a bit more “grounded” and relatable; with a “standard” supporting cast and all that…it’s an instinctual desire, I think; and AS I think on it, I also recognize that this is a very personal sort of story–of Aric and just a handful of people around him. We’re seeing and aware of more than just Aric’s point of view, yet for the most part, this series on the whole has stuck rather firmly to Aric and those immediate “contacts” in his life as well as the “ghosts” of his memories.

I’ve toyed with dropping the Valiant books from my monthly pulls solely due to pricing and a kneejerk backlash against the $3.99 price point from all publishers…but then I remind myself that even with the Valiant “cluster” of multiple books in one week with other weeks devoid of all Valiant…I’m actually reading the early part of a shared universe contained in only 5 books per month, with any doubling up being a one-shot special issue, rather than 3-6 titles that then ship a second issue the same month.

Valiant Beer – a Darque Brew

While I tend to collect a lot of things–comics, books, toys–typically it’s mass-market stuff. But tonight I acquired what seems to me to be a very unique object:

An unopened bottle of Valiant “Darque Brew” beer from the 1990s.

Valiant Beer (Darque Brew)
It even still has the original card and shipping container from Acclaim.

Shadowman #1 [Review]


Full review posted to cxPulp.com
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Story: 4/5
Art: 4.5/5
Overall: 4.5/5

X-O Manowar #6 [Review]


Full review posted to cxPulp.com
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Story: 4/5
Art: 4/5
Overall: 4/5

Harbinger #5 [Review]


Full review posted to cxPulp.com
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Story: 3.5/5
Art: 3.5/5
Overall: 4/5

Archer & Armstrong #3 [Review]


Full review posted to cxPulp.com
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Story: 4/5
Art: 4/5
Overall: 4/5

Bloodshot #4 [Review]


Full review posted to cxPulp.com
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Story: 4/5
Art: 4/5
Overall: 4/5

Bloodshot (1990s) #0 [Review]

Family Blood

Writer/Penciller: Kevin Vanhook
Inker: Dick Giordano
Colorist: Jade Moede
Cover: Joe Quesada, Dick Giordano, John Cebollero
Letterer: Jade Moede
Editor: Jorge Gonzalez
Published by: Valiant
Cover Date: March 1994
Cover Price: $3.50

We open on a flashback to the 1860s, on the man who would be known as the Eternal Warrior as he laments his inability to prevent the Mafia from gaining a foothold in the United States. The story then shifts to 1991, as we meet Angelo Mortalli–the man who has been tasked by the Mob to take down the Eternal Warrior. The two come together, and Mortalli believes he’s killed his target–not realizing the man’s nature. Not long after he’s framed for several murders that turn his family against him, and realizing he wouldn’t last on his own, turns himself in. Unfortunately for Mortalli, he becomes the subject of an experiment, as microscopic robots–nanites–are injected into him. When he’s released by a Geomancer, he has no memory of who he once was, but he’s become an ultimate survivor, proficient in all sorts of weaponry.

As I first read this issue, I wasn’t sure who the narrating character was; but I was pretty sure this was not the Shadow Man, nor Ninjak. As I sat down to write this review, it actually occurred to me this might be the Eternal Warrior–a character I know virtually nothing about, but by that name he sounds immortal and thus it would be reasonable to assume that his longevity lends to narrating this story. Having made that connection, I did a quick bit of research and confirmed it: I assumed correctly.

The story is pretty straightforward, introducing us to the various characters pretty quickly, setting up the situation, and moving us through the main points. We get a little bit of backstory as well as the ongoing insight of the Eternal Warrior’s narrative/knowledge of what happened, and we get to see bits of Mortalli’s life as a part of the mob and what he’s like as a person…which seems a stark contrast to the vigilante he would become as Bloodshot.

The art is pretty good–nothing negative, really, to say about it; it fits the story quite well and conveys what’s going on, making things easy to follow, and the issue as a whole flows quite nicely. I’m unfamiliar with Vanhook‘s art offhand, and it reminds me a bit of Barry Windsor-Smith, and the visual style of the entire art team has a look that–for me–screams “1990s!” This is not a bad thing, just an observation…and something that I think helped my enjoyment of the issue, as it looks and feels like the early/mid-1990s comic that it is.

I’m pretty sure this is the first-ever issue of “classic” Bloodshot that I’ve read–though I bought #1 when it came out, that was the dumb collector in me in the early-1990s, bought for the fancy cover and on the chance it’d be come THE “hot, new book.” I don’t recall buying this issue when it came out, though I’ve acquired several copies through the years out of bargain bins, specifically for the shiny cover and my having a thing for these chromium covers.

As something I don’t believe I’ve ever paid more than fifty cents for (so even with multiple copies, I’ve yet to pay a total of the 1994 cover price), this was an excellent issue. It’s given me the origin of Bloodshot (as expected, assuming going in that this was like the X-O Manowar #0 issue that did the same for that character), which–while it takes the mystery away–will likely inform my reading of the early issues of the series.

I approached this as a one-shot; just a lone single-issue I could read, to “sample” Bloodshot after all these years…but I found myself quickly drawn into the story, and by the end of the issue, I am very interested to get into the series proper and experience this original version of Bloodshot.

This is my first-read issue of Bloodshot (1992) but it’s my fourth Bloodshot comic overall–having already read the first three issues of the 2012 series. I can’t help but wonder how much the two inform each other–how much detail in the new series is actually drawn from the original, and how now reading the originals will affect my enjoyment of the new material.

As back-issue bargain bin comics go, if you can find this in a quarter, fifty-cent, or dollar bin, it’s a solid read and well worth picking up. Just beware it igniting an interest in the character and this series that might lead you to hunting a bunch of other issues to read more.

Story: 7/10
Art: 7/10
Overall: 9/10