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Archie #606 [Review]

Yesterday Today Tomorrow / Career Weak / Unflappable

Scripts: Michael Uslan, Angelo Decesare, Craig Boldman
Pencils: Stan Goldberg
Inking: Bob Smith
Lettering: Jack Morelli
Coloring: Glenn Whitmore
Managing Editor: Mike Pellerito
Editor/Editor-in-Chief: Victor Gorelick
Cover: Dan Parent
Published by: Archie Comics

Archie is one of those comics that seems to stick to a status quo far moreso than any other comics I can think of offhand–even more than super-heroes such as Superman or Batman, which can seem to at least take a year or two to deviate from status quo now and again.

I picked up Archie #600 not solely because of being a legitimate milestone (no reboots, restarts, disassemblings, etc en route), but because it was the first of a 6-issue story. Unlike the digests the publisher puts on regulalry, this wasn’t just some “theme” for a bunch of gag shorts and whatnot–it was six issues of full-issue-length ongoing story featuring the Archie mainstays. Archie of course, Betty, Veronica, their families, Jughead, Reggie, Moose, Midge, Pop Tate, Principal Weatherbee, and the other usuals. We’re familiar with them, we know who they are and what they’re about, and they can carry full-length stories.

This issue bills itself as an Epilogue, as a “Part 7,” whereas the Archie Marries Veronica/Archie Marries Betty/Will You Marry Me? story was for six issues billed as __ of 6. So rather than jump off as intended with #605, I picked this up, because I thoroughly enjoyed the 6-issue arc, I figured one more issue of follow-up couldn’t hurt.

Boy, was I wrong on that. This issue returns to the multiple stories per issue, with the stories more gag-oriented and predictable than being solid character-drivin stories.

The main feature is the follow-up to Will You Marry Me, as the guys give Archie a hard time for his notion of having seen a future where he married each of the girls, and sees him booking a date with each for the same night, and the fallout from that when the girls bump into each other on their way to meet up with Archie. The next short sees a bunch of gags as Archie supposedly embraces different potential careers, to the distress of his parents. Being a diver, or a painter, a mechanic, or a zoologist are all things that would be interesting to see Archie embrace–I’d gladly read a series of issues where each one sees the kid attempt to get into these career paths–but they have no real depth as given here with just a page or two per idea. And the final short sees Archie going ga-ga over a new girl, and tries to do everything he can to annoy Veronica so that she’ll break their date, freeing him to go with the new girl guilt-free.

The art isn’t bad in this issue–it’s “standard Archie,” the visual style we’re all used to for the various characters…no complaint there. It’s the lack of serious, deep story combined with a cover that led me to expect another issue like the previous six that makes this issue quite a stinker. If you’ve been following this title solely for the “big story,” there’s no need to get this issue–it adds NOTHING to the previous six issues. If you prefer your Archie with short gag-driven stories, though…this one’s for you, and you can freely ignore the huge “Part 7” displayed on the cover. As for me, I’ll wait for the next longform “special” arc.

Story: 3/10
Art: 7/10
Overall: 4/10

Tales of the TMNT #67 [Review]

Full review posted to comixtreme.com.

Story: 3.5/5
Art: 4/5
Overall: 3.5/5

Blackest Night: JSA #3 [Review]

Full review posted to comixtreme.com.

Story: 3/5
Art: 4/5
Overall: 3.5/5

Deadpool Corps ad with Oath

As long-promised, the upcoming Deadpool Corps do indeed have their own oath.

With this week’s Deadpool #20, and presumably other Marvel comics, we have this ad, for the 5-issue weekly March 2010 mini-series Prelude to Deadpool Corps.

It’s a rare occasion when an ad actually truly interests me…rarer still for it to get me excited about an upcoming project. In this case, I saw the ad, and immediately sent a text to several comic-reading friends who I knew would also appreciate the oath.

And if you haven’t bought a Marvel this week, here’s the ad (cuz hey, Prelude #1 comes out next Wednesday–March 3rd)!

Black Lantern Green Arrow #30 [Review]

Lying to Myself

Writer: J.T. Krul
Pencils: Diogenes Neves
Inks: Ruy Jose, Vicente Cifuentes
Colors: Chuck Pires
Letters: Sal Cipriano
Cover: Greg Horn
Editor: Adam Schlagman
Published by: DC Comics

This is yet another issue where we get to see one of the Nekron/Black-Ring-posessed heroes fighting against what their outward body has become. In this case, Green Arrow as a Black Lantern, trapped inside his own body, watching it do and say horrible stuff to those he loves. While Ollie recalls key parts of his life and how certain people were there for him, how much they mean to him…his body is busy trying to kill those people, while he hopes they will have the strength to take him down.

I don’t think I was are of Krul before Blackest Night. What I’ve read of his throughout this event, though, leaves me quite interested in what he has to offer in general. In this case, I enjoyed the one-shot nature of this issue, as its context fills one in on the things they need to know about the character, while presenting some of those “deep” moments as a Black Lantern does horrible stuff to someone with strong emotional ties to the deceased (even if Ollie is something else, not dead but not alive, while possessed by one of the Black Rings). The moments touched on throughout this issue are both familiar and unfamiliar. It was particularly touching to see that a moment I remember being so moving to me back in 1994’s Zero Hour was a key moment to the character even here, 15 years later.

The entire art team did a great job on this issue, really capturing a surreal tone that really enhanced the story. The effect of having what’s at the forefront of Ollie’s perception in normal color, while other things that were going on around his body but not part of the memories he was going through inside lent a great effect to things. The visuals in general were very good here. I’m not familiar offhand with Neves‘ art, but this issue felt familiar, and I think Neves‘ style is similar to Ivan Reis‘; at least, this didn’t feel like something that was all that different from the core Blackest Night series.

Though I haven’t read an issue of Green Arrow since before Infinite Crisis, I didn’t feel lost reading this. There may be subtle stuff I’m not picking up on that’ll mean more to others who have followed the ongoing stuff. But on the whole, this seems quite accessible to those following Blackest Night in general, or who know at least the broad strokes of Green Arrow’s place in the DCU.

The cover is a nice homage to that silver age Neal Adams cover; here, reversing the image, with Ollie “charging” a ring and Hal shattering the lantern, mid-oath. It speaks volumes on its own, conveying a sense of history for those familiar with the history, but still serves as a fairly symbolic image of this issue in itself.

While I’ve been down on a couple other recent issues with this sort of theme/set-up (Blackest Night: Wonder Woman #2, Adventure Comics #7, etc), this one actually works for me in a way those other issues did not. Perhaps it’s because of the way this ends, differently than I expected it to; or that I have more interest and “history” with Green Arrow than I do Wonder Woman…perhaps it’s simply my lack of context with this Green Arrow series, and so enjoying this “random” issue.

Accessible for newer readers, and presumably deeper meaning for longtime readers. This issue is very much rooted within Blackest Night…other than remembered past events for characters, this issue doesn’t seem tied to previous issues, and this issue leads back to Blackest Night itself (as opposed to the characters walking through a Blackest Night tie-in to go back to the normal/continuing story next issue virtually unscathed).

Recommended.

Story: 7.5/10
Art: 8/10
Overall: 8/10

Blackest Night #7 [Review]

Full review posted to comixtreme.com.

Story: 4/5
Art: 4.5/5
Overall: 4.5/5

My thoughts on ‘Justice League: Crisis on Two Earths’

Due to the length of what I wrote, I split this piece into 3 posts. Each is my thoughts on a different part of this DVD release.

part 1: What Came Before

part 2: The Movie Itself

part 3: The Extras

My thoughts on ‘Justice League: Crisis on Two Earths’ part 3: The Extras

A “bonus” feature (as far as I can tell, included with the barebones DVD, the special edition DVD, and the BluRay) is an animated short starring The Spectre.

This is a bit of an unusual piece to me–I’ve really only known the character as the primal/cosmic/universal force-of-naturehe’s been for the last 10 1/2 years. This short focuses on the character with Jim Corrigan as his “host,” where Corrigan grounds the Spirit of Vengeance a bit.

This short delves into some dark, disturbing territory…whether intentionally going there or taking advantage of less restriction due to being packaged with a PG-13 animated film, I’m not sure.

Not being particularly familiar with a down-to-Earth Spectre, I found it to be less interesting than I’d prefer in and of itself…but it’s still fairly interesting being exposed to this version of the character.

There’s also a preview of the next DC Universe project…Batman: Under the Red Hood, which is based on the 2003/2004 Under the Hood arc in the Batman comics.

While I have never bought into the “Return of Jason Todd” and everything that’s been done with that character for more than half a decade…as an animated project, it looks like this one has potential…at the least, this preview/”First Look” sold me on the concept. A large part of that, I think, is that it looks like the film will include material taken from A Death in the Family, which will more closely tie the Under the Hood story to that prior one, making it work as a unified whole in the film where it still has not for me as a comic story that essentially undid a key story in the Batman history.

Finally, there’s a short documentary that looks at the recent history of DC Comics, with brief interviews with the likes of Paul Levitz, Dan DiDio, Geoff Johns, Brad Meltzer, and others discussing Identity Crisis, Infinite Crisis, and Final Crisis, and a lot about how the stories were crafted and made to build toward one another. The interviewees also discussed what got them into comics, and their influences…and in general, made for a very enjoyable piece.

Of course, it was also interesting to see several of their roles/titles, given changes announced last week for the organization at DC.

I’m a sucker for such documentaries/interview pieces…I enjoyed the Death of Superman retrospective, the Green Lantern/Blackest Night piece on the Green Lantern: First Flight release, and of course this one.

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My thoughts on Justice League: Crisis on Two Earths
part 1: What Came Before
part 2: The Movie Itself

My thoughts on ‘Justice League: Crisis on Two Earths’ part 2: The Movie Itself

Now we have the second Justice League movie. Though it is the second under the Justice League header, it’s really no sequel to New Frontier. This one is based on some classic Justice League stories known to me under their contemporary heading of Crisis on Multiple Earths.  These comics–as I understand my comics history–were largely regular team-ups between the Justice League and the Justice Society…then situated on different Earths in DC‘s multiverse.

Though the multiverse has long since perished and recently been reborn, those stories still hold quite a bit of weight.

And so we have this movie, in which a Luthor crosses from his Earth to that of “our Earth”–that is, the Earth in which we find the DC super-heroes–and reveals this multiverse. He convinces the Justice League to help him on his world, to “free” it from the evil that terrorizes it. Whereas on our Earth, the most powrful beings are heroes, on Luthor’s Earth, they’re villains.

There’s a LOT to like about this movie.  The animation is nice and clean–plenty of detail for what it is, without being overly detailed or trying to be some sort of “animated live-action.” The visual style doesn’t seem to imitate silver age comics that I’m aware of, nor does it exactly imitate contemporary comics. There’s something to it that reminds me very much of the Batman, Superman, and Justice League animated series–probably in part that Bruce Timm is heavily involved in this movie as he was with those series.

I was initially disappointed that we had more new voices for familiar characters…but as the movie kicked into gear, I didn’t really even think about it, other than to note that the characters all sounded perfectly fine and no one seemed out of place…I heard the characters, and not the actors…which for me is an important thing for any animated project.

To me, The Flash had several of the greatest moments–a comment about Luthor’s state when they meet him; a Star Wars reference, and a nice play on things when rushing out of the Crime Syndicate’s place after his teammates. Owlman had a great Harrison Ford moment, which I’m not sure was intentional, though it almost seems it had to have been. And toward the end, Wonder Woman’s “spoils of war” is just about my favorite silver age reference ever–legitimizing a concept I always saw as ludicrous.

The “meat” of the movie was solid stuff, as well. Granted, with a team movie, there’s not a lot of room for character development, especially in the relatively limited timespan for these animated movies. The only thing that really felt forced to me involved a romantic interest for the Martian Manhunter (even if there was a bit of payoff in his final comment on the matter).

This isn’t a character study on any single character…it’s an action/adventure pitting many familiar characters against many similar/opposite characters. There seems to be plenty drawn from the original 1960s comics…and yet, a strong dose of contemporary story-telling.

These DC Universe dvd movies just keep getting better and better, and though I haven’t yet digested this one long enough to decide if it surpasses the previous ones…it certainly keeps up with the best of ’em.

_____________________
My thoughts on Justice League: Crisis on Two Earths
part 1: What Came Before
part 3: The Extras

My thoughts on ‘Justice League: Crisis on Two Earths’ part 1: What Came Before

While in many ways, an animated/movie adaptation of ‘The Death of Superman REALLY gets to my core as a comic person–it was largely that story that fully submerged me long-term into the world of comics, and so it has a special place in my memories–that first movie from DC Universe is probably my least-favorite. To this day, several years after-the-fact, I tend to hold that its only redeeming quality is the retrospective documentary on the Death of Superman in the comics. (It doesn’t help that they LATER released a special edition, while subsequent movies have had simultaneous “bare bones” dvd release and a Special Edition release).

Batman: Gotham Knight was an interesting piece, giving a taste of Batman with the anime style…I actually enjoyed it for the most part, and while that is not a style I’d care for long-term for Batman, it definitely worked.

Justice League: A New Frontier became an instant favorite for me. There was something to its story–and perhaps the fact that I had not read the comics first (and yet, had had them repeatedly recommended to me). I read a one-shot DC put out around the time of the movie’s release and enjoyed it, and shortly after bought the TPBs of the comics, and greatly enjoyed those, such that as a whole, the New Frontier is a definite DC classic to me.

A combination of things led to my NOT picking up the Wonder Woman movie, though I Netflixed it, enjoyed it, and numerous times now would have bought it, if any stores would stock the “Special Edition” WITH the stupid cardboard box/slipcase thing. (Petty, sure…but that’s a story for another time).

Green Lantern: First Flight sorta crept up on me, but with Blackest Night then just barely kicked off, I was on a Green Lantern high, and was very excited for the movie. Though it was kinda strange in its depiction of Abin Sur and others, in and of itself I recall really enjoying it–especially the use of Sinestro, AND his Sinestro Corps costume…as well as the way it was left open for “sequels.” That it came with an exclusive Hal Jordan DC Infinite Heroes figure (well, if one bought the boxed version at Best Buy, anyway) was an added bonus. I’ll also always remember buying a new DVD player the same day in order to watch the movie, as the old DVD player my roommate and I had been using refused to recognize the new disc.

A little over two months later we got Superman/Batman: Public Enemies, and in anticipation of that one, I re-read the original comics, and thus both enjoyed and yet nitpicked it a bit more than I may have otherwise. I particularly enjoyed the voice casting, getting the “original” actors from the Batman: The Animated Series and Superman: The Animated Series to voice Superman, Batman, and Luthor. That the art was so similar to the original made it even more of a treat.

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My thoughts on Justice League: Crisis on Two Earths
part 2: The Movie Itself
part 3: The Extras