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TMNT Forever? [Movie Review: Turtles Forever]

Though I largely lost track of the TMNT animated series the last several years, I’ve tuned in here or there to see where things are. I’d thought the series was nothing but re-runs at this point, and with the sale of the TMNT to Nickelodeon, hadn’t expected anything new to be aired. Thankfully, I was wrong, as this ‘Turtles Forever’ tv movie aired this morning.

The purple dragons find themselves under attack as they seek to rip off some high-tech equipment. Splinter finds his soap opera interrupted by news of four green individuals caught on camera–apparently turtles. However, his sons are all home and haven’t been out. Cue Hun, responding to the Dragons’ having captured the Turtles. Sure enough, four Ninja Turtles have been captured…but they’re not any Hun has ever seen before. Determining they’re of no worth, he orders them killed…but that’s when the “real” (2003) turtles burst in.

After a fight, the two teams of teenage turtles size each other up. One group–pudgey and goofy, the other taller, leaner, and more serious. Before long, the time-tossed turtles from 1987 are introduced to Splinter–who, notably, looks much different. The Technodrome is brought in, as is the bumbling Shredder, Krang, and even the robotic foot soldiers. Bebop and Rocksteady make their requisite appearance.

Realizing that there are other-dimensional versions of the turtles he knows, Bumbling Shredder (1987) uses the Technodrome tech to locate this dimension’s Shredder–not in the USA, Not on Earth, but significantly further away–and beams him into the Technodrome. This dimension’s Shredder, however, is not the human Oroku Saki, but an evil Utrom Ch’rell. The Ch’rell Shredder wakes, makes short work of Bumbling Shredder, Krang, & Co., and implements a new plan–retrofitting the Technodrome with Utrom upgrades, transforming it into a far deadlier, more effective “ultimate weapon” than any previously seen.

The two groups of turtles survive an attack by a mutated Hun (remember the pink mutagen that changed someone into whatever creature they were last in contact with?), and with a dimensional-portal-stick find themselves back in the 1987 world–reversing the groups’ disorientation. The 2003 turtles meet the Hamato Yoshi Splinter, who offers a calm, serious, yet compassionate air to the time-tossed teens.

When the turtles check back in with their home (2003) dimension, they see Ch’rell’s upgraded Technodrome causing loads of destruction, withstanding the best the Military can throw at it…and they realize the box of anti-Technodrome gadgest they have isn’t gonna cut it.

Upon returning to rescue Splinter (2003), the turtles are all captured, held to particular points in a massive chamber, their essense to play a role in locating “Turtle-Prime,” the SOURCE of Ninja Turtles in the Multiverse. (And reminding me a great deal of Alexander Luthor’s tower from DC’s Infinite Crisis).

The Ch’rell Shredder shares what he’s learned, displaying images of virtually every other incarnation of the turtles out there–The 1990s movies, various incarnations from Mirage, and Archie, the newspaper strip, the 2007 movie, and so on. All are branches coming from the source being sought–destroy the source, and all the others will cease to exist. (Destroy a branch and others will continue to flourish).

Before the turtles can be completely dismantled by the device, Karai beams them away, saving their lives, as the Technodrome fades away to this Prime dimension. Another encounter with Hun as the world turns to black and white and then whites out of existence leads the turtles to modify their dimensional stick and they, too, fade out to the Prime dimension.

Arrival there introduces black and white turtles–the ORIGINAL Mirage TMNT. Accurately, the “source” of every other incarnation of the turtles.

The three groups team up to face the threat Ch’rell now poses to the multiverse.

As the story draws to a close, the other turtles return “home,” and the Prime-turtles are left to reflect on what they’ve just been a part of. Finally, they leave with Leonardo’s narration seeing them out. “We are the Teenage Mutant Ninja TUrtles. We strike hard, and fade away…into the night.”

I wasn’t sure what to expect of this when I first discovered it. A friend posted a link to the wikipedia page on my facebook, and I researched a bit from there, ultimately recording the movie and watching it this evening. A blending of the old and new/current cartoons was interesting as a concept, but I figured it would be some goofy, hokey thing that wouldn’t really be much more than “fanservice” or such.

However, goofy as it was at points, I really greatly enjoyed this. The movie REALLY accentuates the differences in the turtles’ incarnations. The “classic” 1987 turtles are goofy, hokey, and not very serious on the whole. The 2003 turtles are far more serious (though Mikey remains a bit of a goofball–but not nearly on the level of all the ’87 turtles). And of course, both incarnations are significantly “lighter” than the original 1984 Mirage turtles.

As far as I could tell, the voices of the 2003 turtles are the same as the long-running series. None of the voices for the classic turtles seemed at all familiar–which was disappointing, though I’d’ve been shocked if they could reassemble those regulars 20ish years later. Still, the attitudes of the characters showed through.

I did feel that the Splinters, as well as April and Casey (2003) got shortchanged…though I could’ve done with a little less than the brief bit we got with the 1987 April. I must admit it was sorta cool seeing Bebop and Rocksteady again, though they, too, were really shown to be the goofy caricatures they were.

Though brief overall, the Prime-turtles were rather cool to see–and it may just be my own prior comparisons of the incarnations that made it stand out for me–but they seemed all the more dangerous and deadly appearing alongside the colorized counterparts.

The movie ending with these turtles first striking the pose on a building that should be familiar to anyone who’s seen the covers to the original TMNT #1, TMNT #50, and so on. Then the thing closed out with Leo’s narration from the ending of that original TMNT #1…

Which truly brought things full-circle. Even though mere glimpses were provided of the numerous versions of the turtles through the years, that technically means they were included here. And so this capped off–“series finale”-style–the animated series that’s been running since 2003, as well as referencing/capping off the 1980s-1990s series, and everything that’s come before in the extended multiverse of TMNT.

I loved the references to past elements of the series. The classic lines were all there. Familiar nuances to voices were present despite different voiceactors–from Bumbling Shredder’s frustration to Krang’s gurgling/burping. The visual styles were consistent at least with what I remember of both series. The Prime turtles seemed a bit off, but the visual cues were absolutely unmistakeable.

This whole thing reminded me a bit of that Batman: The Animated Series episode with the kids relaying their different versions of the Batman, that included the various visual styles of the silver-age Batman, Miller’s Dark Knight, and so on.

All in all, it’s hard to capture every last detail or every last thought and such from the movie. Suffice to say that there are a number of other specific touches that pushed all the right geek-buttons for me.

I sincerely hope this gets released on DVD, whoever puts it out (provided it’s not vastly over-priced for being only about 75 minutes of content).

One of the commercials indicates it’ll be airing again over the next 3 weeks, so if you have not had a chance to see it, and you’re a fan of (particularly) either of the animated series, this is incredibly worthwhile.

‘The Death of Superman’ was 17 years ago

It’s been 17 years since the death of Superman. I was a couple weeks shy of my 12th birthday at the time. The story’s little more than a footnote in the character’s existence now, despite how all-consuming the event was when it was still new and ongoing.

Like weary boxers who have gone the distance, the combatants collide in one last, explosive effort. In the years to come a few witnesses will tell of the power of these final punches…that they could literally FEEL the shockwaves. Others will remember the enormous crater that resulted from the sheer force of the blows. But most will remember this sad day–

–as the day the proudest, most noble man they ever knew–finally fell. FOr those who loved him–one who would call him husband–one who would be his pal–

–or those who would call him son–this is the darkest day they could ever imagine. They raised him to be a hero…to know the value of sacrifice. To know the value of life.

And for those who served with Superman in the protection of all life–comes the shock of failure. The weight of being too late to help. For a city to live, a man had given his all and more.

Lois: Please hang on! The paramedics will be here any second! PLEASE!
Superman: Doomsday…is he…is he…
Lois: You stopped him! You saved us all! Now relax until–

But it’s too late. For this is the day–

–that a Superman died.

~ Excerpt (Dan Jurgens, Superman #75. November 19, 1992)

Plastic Ring quest #3

Another week, two more rings.

This week’s rings were the blue and violet (or Star Sapphire). They came with Adventure Comics and Outsiders.

Amusingly enough, if you put ’em together, they look more blue and pink, almost as if they are something for kids.

With these rings, we’re left only missing the Green and Red rings…those are due next week, I believe.

Expectations of the Stack: November 18, 2009

Forgot about this tentative feature last week. I may stick with this being more of an occasonal/whenever-I-feel-like-it piece rather than a definite weekly thing. This week looks to be another rather large week, mostly for the addition of a couple Blackest Night tie-ins in titles I don’t normally buy, as well as two one-shots. Without further ado…

DR HORRIBLE ONE SHOT
This one should be cool, simply because it’s Dr. Horrible. And of course, that it’s got creative talent from the actual Dr. Horrible’s Sing-Along Blog…I fully expect it to be accurate and faithful to the show. Offhand, I believe this is a prologue of sorts, which should be all the more interesting and offer a bit of insight into the characters.

ADVENTURE COMICS #4
Well…it’s Blackest Night, and it’ll come with a ring. Almost ashamed to say I don’t much care beyond that. I recall the last issue had something indicating its story would continue after the Blackest Night tie-in, so there’s some story interruption. This is a title I’ve been buying anyway, so like Booster Gold…I was getting it whether it tied in or not.

FLASH REBIRTH #5 (OF 6)
Gotta love how both of this year’s Rebirth/Reborn series started out at 5 issues and were expanded to 6… Still, I’m on-board to see how it turns out, and hoping that the story’ll get better.

OUTSIDERS #24
No idea, honestly, what to expect from this one. Like Doom Patrol, I have absolutely no idea where things stand with the characters and their status quo. But it’s Blackest Night, so…yeah.

SUPERMAN BATMAN #66
Ditto. I think Solomon Grundy’s involved. I suppose I’ll find out on reading. Blackest Night…I can’t remember if this one comes with a ring or not…Blackest Night…

DEADPOOL MERC WITH A MOUTH #5
Deadpool. ‘Nuff said.

TMNT #1 FULL COLOR ONE SHOT
This should be cool. I’ve got the old FIRST graphic novel/TPBs that put color to the early TMNT issues, but this–as a single issue–should be quite interesting coming in color. Also will–I think–be the first issue to come out from Mirage since the TMNT were sold, so kinda fitting, in a way.

Due to personal finances and this being (for me) a huge week, these other three will probably wait til the weekend or next week to get picked up:

SUPERGIRL #47
Because this is part of the ongoing Superman family story, keepin’ with it for now, though really, really hoping the story gets better/more interesting/more engaging. Also hoping we don’t have yet ANOTHER apparent character death.

INVINCIBLE #68
Not expecting much of this one…overall enjoying the title the last half year or so, and figure I’ll keep with it.

MICKEY MOUSE & FRIENDS #297
Can’t remember if this is the first or second issue coming out from Boom…nor whether or not I picked up the previous issue if this is the second. It’s great that the Disney titles are getting such a quick return to the shelves…but I can’t afford to keep with ’em all. Honestly, the variant covers for this will likely decide it for me…if I like a cover, get it. If only one’s available and there are 2 or more covers, I’ll pass.

The Weekly Shipping list @ Comixtreme (for November 18, 2009)

The weekly shipping list, as provided by Diamond, has been posted over at Comixtreme.com.

Tops on my list offhand is the Dr. Horrible one-shot from Dark Horse.  I read some short story last year from Dark Horse Myspace Comics or whatever it was called that had the good doctor and his nemesis in it.  But I’m pretty sure this will be the first full-length comic featuring the character(s).

Oh, and there’s this little thing called Blackest Night, that has a couple more chapters out in Adventure Comics #4 and Outsiders #24…along with 2 more of those awesome plastic rings.

And of course, loads of other great (and not so great) comics.  Click on the logo or link above and check ’em out for yourself!

The Rest of the Stack: Action Comics, Red Robin, and Radical

I’m finding that I’m more and more dissatisfied with the Superman books. While I’ve not entirely enjoyed the stories (the writing’s been good, though), the art on the various books have really put me off. As such, I haven’t paid much attention to details, as I just try to enjoy what I can of the stories.

This past week’s Action Comics issue presents Flamebird and Nightwing in new costumes, it seems–the duo having given up the “Iron Man meets Sandman” getups for a more super-heroic look. The next sleeper they’re tracking has also been revealed, AND we see Chris age yet again, providing a fairly worrisome cliffhanger.

Though I’m interested in what happens, and find the stories to be well-written (if not likeably-illustrated)…my interest on the whole continues to decline.

Also, while this week’s Booster Gold issue brought Blue Beetle into the main story (foregoing the backup/”Second Feature” status of BB) quite effectively, I doubt this title will do that anywhere near as effectively with Captain Atom, whose “Second Feature” story seems to have brought him into the current status quo.

I have particularly mixed feelings on the Red Robin title–the sole Bat-title I’m continuing with at present. This latest issue has some nice imagery (the cover resembles that Jim Lee cover of Batman on the Gargoyle, overlooking the city, giving Tim Drake a similar “iconic” image).

Yost continues to add a bit of depth to the League of Assassins, and seems to be telling a very capable tale of Tim Drake and his journey to find Bruce Wayne. I also appreciated the acknowledgement of the Blackest Night: Batman mini and Tim’s “break” to go back to Gotham and having faced the Black Lanterns.

Unfortunately–for the title, if a single reader matters–I’ve been losing interest overall. With rumours out there that Bruce will be brought back as early as Summer 2010, I’m hesitant to “invest” in this title not knowing if it can survive long-term…but I’m banking on payoff in the form of this being where any “Return of Bruce Wayne” story might kick off.

Both Action Comics and Red Robin faced stiff competition this week, with 3 Blackest Night issues out, and two Deadpool-related issues. I’m rather disappointed to say that Action Comics actually earned the “Bottom of the Stack” status this week–though I chose to buy it, the issue went straight to the bottom when I was sorting comics by order I planned to read. (Booster Gold #26 was top of the stack).

The fact that both these titles went to the bottom in deference to the Blackest Night and Deadpool issues out of hand rather than winding up there by necessity of SOMETHING being at the bottom gives me something to think about in terms of buying vs. not-buying.

On another note, Radical Comics had a preview book out this week. My local comic shop was giving it away “free” with any $5 purchase. I nearly didn’t grab it, but figured I was already buying at least $5 in product, so might as well take a look-see.

This book is basically a bunch of double-page ads for various upcoming titles Radical is putting out. The art has its merit with all of these, putting a great foot forward. Each title has a premise given with the art as well as the creative/writing talent behind ’em. Most of these seem pretty interesting in concept…but I’m not willing to–at $2.99 or more per issue–invest in these mini-series.

I find that for the most part (Blackest Night stuff being an exception offhand) I have near-zero interest these days in any mini-series. The projects put forth in this preview all read like something I’d be MOST interested in reading in their “graphic novel” or “collected volume” format. That way, even if there’ll be ongoing/serialized minis, I’d be assured a more full story.

On the other hand, an anthology with a few pages of each of these stories per “issue” might be something I’d be interested in giving a try. As-is, I get the impression that Radical‘s output is largely to “sell” the concepts as movies moreso than any ongoing story universe, which adds to my disinterest in any single-issues they might put out, at least while I have no real track record to follow by way of their past output.

Booster Gold #26 [Review]

Full review posted to comixtreme.com.

Story: 4.5/5
Art: 4.5/5
Overall: 4.5/5

Deadpool #17 [Review]

Want You to Want Me Part Three: The Revolution Will Be Televised

Writer: Daniel Way
Penciller: Paco Medina
Inker: Juan Vlasco
Colorist: Marte Gracia
Letterer: VC’s Joe Sabino
Assistant Editor: Jody Leheup
Editor: Axel Alonso
Cover: Jason Pearson
Publisher: Marvel Comics

It’s hard to believe this is only the third issue of Deadpool that I’ve bought new of this series. Since picking up #15 to “try” at a friend’s persistent urging/recommendation, I’ve gone back and bought issues 12-14, the Secret Invasion trade, the Deadpool/Thunderbolts trade, a Suicide Kings hardcover, Merc With a Mouth 1-3 (and 4 “new”), as well as Deadpool #900 and Deadpool Team-Up #899. (And of course, also picked up this week’s Amazing Spider-Man #611 just because it had Deadpool in it).

As the above paragraph probably suggests…I’m hooked. I’m a total sucker for anything Deadpool right now. Of course…that’s for good reason The character’s at the top of his game under the various creative teams right now. And over-exposed or exploited as the character may be, I’m thoroughly enjoying such a concentrated dose of the character at present.

This issue picks up on Deadpool seeking to prove himself to Cyclops, that he can cut it s an X-man. Cyclops is handling a sensitive political situation, and Deadpool doesn’t exactly help. His involvement leads Cyclops to send Domino after the Merc…and a misunderstnding with her overhearing Cyclops talking to Wolverine keeps them from hanging onto Wade once they have him. We’re also given a sort of wacky take on H.A.M.M.E.R. and its agents that fits perfectly with Deadpool. The ending sets up the concluding chapter of this arc on a fairly generic cliffhanger.

The art’s good stuff here, and I continue to really enjoy Medina’s work. This contrasts with the cover art, which–while amusing enough–isn’t all that appealing. Still, I’m thankful for the interior being to my liking.

I like that this title is fairly well self-contained; despite the large number of other Deadpool comics and appearances going on at present, this story isn’t forced to acknowledge all of that; its story is its own entity.

This isn’t a great jumping-on point, really (but certainly is not the worst, thanks to the “Previously Page” that Marvel actually does very well with). As a whole, this really feels like the “main” Deadpool book, allowing the other books their status as “secondary” or “side” titles. This seems the book you’ll want to give a look at if you’re interested in Deadpool’s place in interaction with the current Marvel Universe’s ongoing continuity (Dark Reign and all that).

All in all, another solid issue, and I’m ready for the next.

Story: 7.5/10
Art: 8.5/10
Whole: 8/10

Green Lantern Corps #42 [Review]

Hungry Heart

Story & Words: Peter J. Tomasi
Penciller: Patrick Gleason
Inkers: Rebecca Buchman, Tom Nguyen
Colorists: Randy Mayor, Gabe Eltaeb
Letterer: Steve Wands
Editor: Adam Schlagman
Cover: Gleason, Buchman & Mayor and Buchman (variant by Greg Horn)
Publisher: DC Comics

This issue is mostly battle scenes, as we see the Green Lanterns (with help from the Indigo Tribe) defending Oa from the Black Lanterns. Killowog faces the Black Lanterns of recruits who try to stir up his guilt for failing to keep them alive. And the Black Lanterns reach 100% power…and prepare to Devour WILL. With things looking bleak, Kyle seizes on an idea that might just buy the defenders an edge–and sets his plan into motion. Unfortunately, an Alpha Lantern’s interference sends things in a less than desireable direction.

The ending of this issue was pretty much what I expected as the story progressed–from the moment the Alpha Lantern showed up, I had a sinking feeling…and the heroic action that resulted left me all the more sunk. The final page, seeing the body and the ring’s declaration that its Green Lantern was deceased and flying off…totally heart-breaking. Especially given WHO it was.

The action in this issue was so fast-paced that I hardly noticed the art. Where I did notice it, it didn’t seem all that bad. Gleason’s art seems much more well-suited for the alien characters; and even the cartooney aspect that usually bothers me so much didn’t really show through in this issue. The story was basically a straight-forward battle sequence followed by a fairly typical “heroic death” sequence. While significant in and of itself, it’s nothing special, and is rather formulaic in execution.

On the whole, a mostly average issue tending toward the better side for me as one who generally has not liked the visual style of the title’s artist. While the death at the end sucks, it fits in with the story, and provided me the biggest “Oh, crap!” moment since the end of Blackest Night #1. I must also applaud all involved for not letting this slip beforehand–I had no idea this was going to be the issue’s end when I bought the issue.

As usual, I certainly recommend this to anyone following the title anyway or Blackest Night as a whole.

Story: 7.5/10
Art: 6/10
Whole: 6.5/10

Amazing Spider-Man #611 [Review]

This Man, This [Expletive Deleted]

Writer: Joe Kelly
Artist: Eric Canete
Colorist: Andres Mossa
Letterer: VC’s Joe Caramagna
Asst. Editor: Tom Brennan
Editor: Stephen Wacker
Exec. Editor: Tom Brevoort
Publisher: Marvel Comics

I never expected to be reviewing–much less BUYING–an issue of this title given the current status quo. I’m one of those who has zero interest in the current Spider-Man post-One-More-Day. That I bought this issue at all is high praise to the draw of Deadpool. And, as I’d hoped…this felt more like a Deadpool title than Spider-Man.

The issue opens with Deadpool amidst a bunch of mostly recognizeable Marvel Women taking a phone call about a new job. Of course, this plays out in typical Deadpool-fashion and manages to reference/poke fun at a couple notable points of Spider-Man comics the last couple years. Even the “Previously Page” is given some hokiness, breaking the “fourth wall” having the Marvel EIC and other editors give the situation-so-far. We then quickly move into seeing Spider-Man in action against Lady Stilt-Man and all the ridiculousness one can imagine. Deadpool steps in and he and Spidey fight (though the fight devolves to juvenile “yo mamma” trade-offs). Finally, Deadpool attains his goal, and the scene shifts to show us the real purpose of Deadpool taking on Spidey, with a fairly major character now lying dead, as this title heads into something called “The Gauntlet.”

I’m not familiar with the artist…and honestly, this issue did absolute zero to make me want to get familiar. The style is rather stylistic…but really does not at all fit what I’d expect of something with Deadpool (or Spider-Man, for that matter). If I wasn’t 1. so stoked about Deadpool as written by Joe Kelly and/or 2. never bothered to look inside the issue before purchase, due to knowledge of Deadpool’s presence and the “regular” cover being the one I wanted*…I’d recommend against this for anyone but those already following and enjoying the title.

(* see how I’ll use the asterisk to note something? Sort like Deadpool and his “voices.” I specifically avoided a recent issue of Hulk that had Deadpool in it, due to the fact that the cover I wanted turned out to be a 1:200 or so ratioed-variant. I’d’ve avoided this issue had it been the same set-up.)

Where this issue succeeds is in feeling like a Deadpool story guest-starring Spider-Man. As I have zero interest in Spidey’s current status quo, this issue worked very well by not dealing with it in any focal manner. I recognize background characters–Madame Web, and Mattie in particular–and see how they provide a sort of “framing sequence” that marks this as a sort of “prologue” to The Gauntlet.

Where this issue fails is in establishing anything to bring me back next issue. This felt like a one-off, and though I’m mildly intrigued by what was set up here…I’m still not at all interested in actually investing in the next arc.

Deadpool fan? This is well worth picking up, if you don’t mind the art. Regular reader of The Amazing Spider-Man? This’ll probably be right up your alley and have more significance for you than me (not having touched a Spider-Man comic in close to two years).

Final thought: The cover is great. And yet realy has nothing to do with the issue. This is the sort of image that would make a great ad in that regard…and I daresay I’d buy a poster if they made one of this image.

Story: 7/10
Art: 3/10
Whole: 5/10