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Resumption of X: Purchase #3

While I shared this in my "Weekly Haul" post for February 10th, I realized it deffffinitely fit this series and should be called out as its own thing! Especially with utilizing a number of comic shops to track down as many of these issues as I can as "recent back issues" or roughly-cover-price back issues!

At Comic Heaven, I was able to snag 7 recent back issues–Marauders, Excalibur, and Hellions issues–as well as a couple of "priced back issues" bagged and boarded in the official back issue bins for about 25 cents above cover price (which to me covers the bag-and-board!)

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Though apparently I did overlap on Marauders #17…oops! I guess that could be worse, and I’m not too concerned in the grand scheme…especially considering how much I’m spending lately to try to catch up on 16-18 months’ worth of an entire family of modern titles in very short order!

While I can largely go with publication order for the first six issues of the initial wave of titles, I’m honestly not quite sure what issues of which series take place after or during X of Swords–with stuff like (I believe) New Mutants having only a single issue in the mix, while other titles may’ve had 3 or more issues in the crossover.

I suppose I’ll get that figured out eventually…part of me is eager to dive into post-X of Swords reading while part of me wants to fly through/catch up TO the event from the beginning before going forward.

If nothing else, I imagine i’ll at least be following Chris Sheehan and the issue order he takes for his X-Lapsed podcast covering every. single. issue. of Dawn of X (and then some!).

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Resumption of X: Purchase #2

In tandem with an order placed with Midtown Comics, I placed an order with Lonestar Comics (mycomicshop.com) for a number of other Dawn of X/Reign of X issues.

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Three issues of Wolverine, including the first! And six issues of Excalibur…though I didn’t realize the one issue was a 2nd print. Sort of annoyed with myself but could be worse I guess. Also some double-dipping where i’d been "forced" to buy variants or 2nd print for X of Swords issues just to get ’em at all.

I get particularly annoyed with variants and covers that don’t look like their marketing and such…and not at all keen on "settling" for 2nd or later prints, especially when the firsts should be around overall!

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Five issues of Marauders, and four of X-Men. I don’t think I’d realized any of the actual X-Men issues had tied in with the Empyre thing…I thought it was an Empyre: X-Men mini-series separately. Or maybe there was that as well as these. I dunno…I’ll figure it out eventually!

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Finally, the first seven issues of X-Factor. Definitely a big chunk, but very cool to be able to get the whole series thus far. (At least, I think it’s the entire series thus far!)

I definitely like the logo on this one as well. It keeps the Dawn of X style but is a definite callback to the classic original series.

25 issues and another expensive chunk down…but issues being at cover price or under was again a definite advantage here!

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X-Men Legends #1 [Review]

xmen_legends_001The Burning Blood Part One: Shattered Crystal, Scattered Dreams

Writer: Fabian Nicieza
Penciler: Brett Booth
Inker: Adelso Corona
Colorist: Guru-EFX
Letterer: VC’s Joe Caramagna
Assistant Editor: Lauren Amaro
Editor: Mark Basso
X-Men Senior Editor: Jordan D. White
Cover Date: April 2021
Cover Price: $4.99

Possibly my earliest conscious memories of X-Men comics are the X-Cutioner’s Song event/crossover issues polybagged with a trading card…because a friend was collecting that crossover. It didn’t mean anything to me at the time, personally…though I wasn’t too far behind getting in thanks to the then-new XTAS, and Fatal Attractions event/crossover. There’s still the nostalgia for me for those ranges of issues as such. Two of the earliest issues I can remember owning for myself are Uncanny X-Men #300, and X-Men #24. I do NOT remember "Adam X" nor much of anything about a "third Summers brother" at the time despite whatever issues I was reading…anything I DID know or think surely came from trading cards and/or Wizard Magazine. When Brubaker got to tackle the definitive answer to the question of that brother in 2005’s Deadly Genesis it also didn’t mean too terribly much to me for not being all that invested in there being or who was "the third Summers brother."

Anyway…X-Men Legends #1:

We open on Erik the Red directing his minions–the Crystal Claws–to attack Providence Hospital in Anchorage, Alaska. After much destruction and death, they find the people they’re after: Philip and Deborah Summers. The scene then shifts to find Cyclops and Havok–Scott and Alex Summers–back to back opposing a different wave of these Crystal Claw folks. Once victorious, they seek out Xavier for answers, given his relationship with a certain Shi’Ar. Before they get any, the brothers are called to Alaska where they learn of their grandparents’ kidnapping and ransom. The scene changes again to some flashbacky stuff of the childhood of a character calling himself Adam. He’s meditating in a field and when confronted, gets to show off his abilities with throwing weapons by killing a snake. Cable shows up and talks before giving Adam’s location to the Summers Brothers. While Adam deals with more memories, he finds himself set upon by Hepzibah and Raza of the Starjammers. Their fight is interrupted by Cyclops and Havok, and Adam fights them as well. When the three find themselves at a questionable stalemate, a ship decloaks to reveal Corsair–father of Cyclops and Havok. While he notes the confusion on their faces, Corsair reveals that he knows more than they do, and fires his weapon at them. To Be Continued…

There’s something refreshing and yet challenging about this issue. It’s refreshing to have an issue that has so much packed into it…rather than the decompressed, semi-cinematic, un-captioned, un-narrated, dialogue-less nature of too many modern comics. It’s refreshing to have a first issue start out right into action, rather than being all setup for the next five issues or so, as a mere 1/6th of a singular story. It’s refreshing to have editor’s notes and footnotes. And it’s darned refreshing to this fan of ’90s comics and ’90s X-Men to see Cyclops, Havok, and Xavier in their early-’90s look, not to mention an adult/older Cable, and various other touches that feel very reminiscent of the ’90s. It’s a bit challenging, however, coming 26-27 years after the comics it’s meant to fit around, and though familiar with the general time-frame, I’m not steeped enough in conscious memory of 1994 continuity, "Adam X," and the finer details of that. I don’t feel like I knew Erik the Red prior to Uncanny X-Men #350 in 1998 or so, and I’ve never been a huge fan of the Shi’Ar and such. I’ve also been conditioned especially over the past 20+ years to the decompressed format of modern comics, so found it a bit jarring to have so much going on in this single issue, jumping all over the place. For a new-in-2021-comic, it feels very out of place and a bit choppy/clunky.

The art team manages to capture a ’90s feel in addition to simply depicting the consistency of a ’90s-era "house style" of the characters’ costumes and such. It’s by no means a perfect fit, as it is still a comic actually published in 2021 with seemingly contemporary art, carrying with it a modern aesthetic I can’t quite put to words. The visuals are clearly intended to evoke the colorful, dynamic, over-the-top-ish frenetic action that I, at least, tend to associate by reputation with ’90s comics. This isn’t Jim Lee art by any means, but I liked it and found it rather enjoyable, particularly in the moment as I read this issue. At the minimum, the visual style helps the issue to show us this is a ’90s-era-style story, rather than just telling us the fact.

Nicieza‘s name was a huge selling point for me–he was one of the main X-writers when I first got into the X-Men in 1993 or so. Getting a new story from him that’s meant to fit right into existing continuity and that is not further-ballooning out modern elements was extremely appealing to me. I mentioned earlier that this issue felt very out of place and choppy/clunky. That’s in the context of being a comic published in 2021, based on modern 2021 comics tropes, generalities, and conditioning over much of the past several decades to the fairly strict, rigid decompression of every 6 issues being a single story, rather than having multiple core stories and numerous plot threads woven across 6 issues. The Summers brothers’ interactions; the quick shift to Xavier for information, the convenience of plot elements falling into place within pages…it worked for me.

If this was a modern issue, I’d expect a multi-page sequence of a mysterious ship approaching a planet that turns out to be Earth followed by multiple pages of attack and double-page spread(s) of the devastation left behind and a cliffhanger of two people with the surname SUMMERS being found. Instead, that’s just several pages’ prologue. In that regard, this issue could pretty easily–by modern standards–be broken out into 3-4 issues. At 30 pages of story in a $4.99 comic…it (grudgingly) actually seems worth its price compared to most same-length/same-priced comics.

This felt like a much longer read than I expected, and I enjoyed the details and captions and such…it’s not that the reader is spoon-fed, but the reader gets to read a story–they don’t have to participate, they don’t have to nitpick and think-deeply and pick stuff apart from subtle visual clues that lack any sort of dialogue or caption reference for key parts of the story…and the only "homework" the reader would need to do–if so chosen–is follow the editor’s notes to check back to X-Men #39 (immediately prior to Legion Quest and the Age of Apocalypse) and a Captain Marvel (Genis-Vell, I presume) issue. There are no "infopages" nor "infographics" interrupting the flow of the story, and really what you see is what you get.

This is by no means a perfect issue, and it is $4.99. But it’s an issue that I was looking forward to for awhile, based primarily on the concept and the cover; and that $4.99 gets you 30 pages of story rather than merely 20ish for $3.99; an extra 50% of story for only an extra 25% of price. The cover sports the "classic" bold, blocky 3-D-ish X-MEN logo certainly associated with the ’90s comics (and then some!) with "Legends" and "#1" worked into it…much the way the ’90s Superman comics fit "Action Comics" and "The Man of Steel" in against "Superman." The cover image of the main/standard/non-variant cover (pictured above) strongly evokes the ’90s to me and lent itself strongly to my sense of nostalgia and thus interest in checking this out…as a series, and certainly as a first issue.

Given that this is a story by a prior writer, meant to fit into a point of continuity nearly half the property’s existence in the past, this certainly won’t be for "everyone," nor will it appeal to everyone. It absolutely appeals to someone like me that grew up with the ’90s X-Men and looks fondly upon that period of the property. While likely a curiosity to readers brought in by Hickman‘s House of X Powers of X, Dawn of X/Reign of X/X of Swords and such…this is absolutely non-essential to what I understand of the current books, and more a chance for older, lapsed readers to get something new. Or for newer readers to get a taste of something out of the past that is actually new.

I’m certainly not keen on a comic’s being $4.99, but I definitely feel I got my money’s worth out of this issue and am really looking forward to #2 and beyond. Honestly, a telling point should be that I so thoroughly enjoyed this issue that it prompted this review at all, marking my first review of a "current issue" in maybe a year or more!

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The Weekly Haul: Week of February 17, 2021

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Another week, another haul…

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The Last Ronin #2 finally came out. I’m not sure anymore off the top of my head how long this series is. 3 issues? 5? 6? But it’s been nearly 4 months since the first issue shipped–that one came out October 28th! So this thing’s not monthly, not bi-monthly…it’s not even quarterly. Seems more Doomsday Clock in schedule.

I’ve been looking forward to X-Men Legends for a fair bit; very cool to actually have it out now! I definitely like the idea of having an X-title like this that brings back older/classic creators to tell new stories set in various prior points of continuity!

This latest Iron Fist mini-series is by Larry Hama which was the selling point for me on the first issue. I enjoyed it well enough, so here’s issue #2!

Where I’d basically given up on King‘s Batman/Catwoman series after it being a no-show for most of 2020 (where I believe it was originally expected for late-2019!) it was the cover of this third issue that I think re-“sold” me on the series. I do look forward to getting this read and see how things are shaping up…though we’ll also see if I hold the patience for its story being all over the place without much in the way of transitions.

The Walking Dead Deluxe continues to be an enjoyable series, and I’m continuing to be glad to get the series in this format and re-read stuff. 9 issues already? Seems like it just started. But I’m definitely not complaining for now!

Then Marauders #18 and Cable #8 are the week’s new X-issues. I’ve read the latter 2/3rds of X of Swords but haven’t pressed further yet…I’m torn between flying on ahead of it and THEN backtracking, or continue playing catch-up from the beginning of Dawn of X first.

Speaking OF Dawn of X, vol. 13 is here, and it looks like the books are nearing their end: solicitation suggests that volume 16 will be the lead-in to X of Swords, and I’m somewhat assuming that will get an omnibus or otherwise standalone volume(s). Then again, maybe vols. 17-20 will BE X of Swords? I’m definitely double-dipping because as I’ve said pretty much all along: I really want to support this “anthology” format, and as much as I grouse about other stuff, this is something I can proactively “put my money where my mouth is” or whatever saying rather than simply “not buying” something.

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While I was getting photos for this post, Sarah-cat decided to waltz in seeking attention. Here she is with several X issues (that will actually get their own post eventually).

Next week’s gonna be another big week…though with a couple minis concluding at least.

We’ll see how stuff goes.

Also of personal note for myself…with this post–Friday, February 19–it’s been 4 weeks of 5-days/week posts, plus a 4-day week before that. I can’t remember the last time I managed such a run on this blog, nor how long this’ll keep up with personal stuff. (Something I keep saying time and again).

Here’s to the end of another week and hopefully a good weekend to come all around!

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Resumption of X: Purchase #1

A couple weeks back, I took the plunge and bought a bunch of X-issues from the X of Swords crossover. I suppose for this post series, that’d make it the "Resumption of X: Purchase #0".

I ended up deciding to start looking at exactly how hard it would really be to dive in and "catch up" on the single issues for the current iterations of the X-titles; the Dawn of X or Reign of X or whatever.

Just out of curiosity as to just HOW MANY printings there’d been for the first issues of the initial series and recalling numerous reprints with House of X/Powers of X and such…I found that several of the first print, regular cover issues were available for slightly under cover price at Midtown Comics…so I decided to put in an order.

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I’d already had X-Men #1…after the two HoXPoX minis, I bought the single issue before throwing in the towel over pricing and info pages and all that…as well as stuff being so drastically different from "my" X-titles.

Here are four more of the #1s from that initial wave of books–X-Force #1, New Mutants #1, Excalibur #1, and Fallen Angels #1.

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Of the "first wave" of #1s that I recently (re)read via Marvel Unlimited, by far my favorite was Marauders #1. I’d already pretty much decided that I was at least interested in tracking down that first issue in print and possibly the rest of the series for the heckuvit.

Here are seven issues of the series–more than a third of its run so far–which put me closer than any of the other titles to a full run to present.

11 issues…while cover price or slightly under, definitely showed me that this "Resumption of X" or catching up won’t be cheap. But seeking "retail therapy" lately this has been a good focus. And while I’m NOT much of a "thrill of the hunt" kinda guy, there’s a bit of excitement at diving fully into a line of comics and being able to "score" first issues and such at cover price rather than inflated prices and hunting for any but excess variants.

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Cable #150 [Review]

cable_0150_lenticularThe Newer Mutants (Chapter 1)

Writer: Ed Brisson
Artist: Jon Malin
Colorist: Jesus Aburtov
Letterer: VC’s Travis Lanham
Cover Artists: Jon Malin, Federico Blee (Lenticular Cover Artists: Rob Liefeld and Jesus Aburtov (based on New Mutants #87 by Rob Liefeld and Todd McFarlane)
Graphic Designers: Jay Bowen, Anthony Gambino
Assistant Editor: Chris Robinson
Associate Editor: Mark Basso
Editor: Mark Paniccia
Published by: Marvel Comics
Cover Date: December 2017
Cover Price: $3.99

I "sampled" the ResurrXion stuff back in the spring, though between the pricing, frequency, "art," quantity of variants, quantity of titles involved, etc. I opted not to follow the various series. I did apparently buy Cable  #1 as I saw it recently while going through other recent-ish stuff for something, but haven’t yet read that, and otherwise figure it’s been at least a couple years since I’ve bought anything with Cable on the cover, though I’d followed the beginning of his post-Messiah CompleX series, and the final several years of his ’90s series into the first couple issues of Soldier X back in the day. I even sampled a couple issues of Cable & Deadpool at the beginning and end of the run (oops…Cable gets no "credit" for that series, as Marvel tossed it entirely into Deadpool‘s…um…pool).

Long complaining of Marvel‘s pricing, variants, stunts, rebooting of numbering, renumbering, event-into-event-into-event churn, etc, I’ve also long avoided most of their "newer" output–certainly over the last half-decade. But there comes a point where "curiosity" gets the better of me, or "nostalgia," or perhaps just "morbid curiosity," and I check out an issue or few. Plus, I can only complain so much while never actually purchasing something–I can grouse about stuff all I want, but I feel I have to occasionally have some hands-on experience, not just 100% taking "everyone else’s word" on stuff.

So I’ve got Cable #150. After all the hubbub on the "lenticular covers," I opted to go for that version…after all, it was available in-person, at cover price, and said cover price being the "regular" $3.99, I figured at least I’m getting a "fancy cover" for the price. Alas, though the cover has the slick, plastic-y feel (and sound!) of DC‘s lenticulars, I really don’t like this at all. It’s supposed to have both the New Mutants #87 cover from 1990 or so with the 2017 re-iteration of the image. But try as I might, I can’t get a clear, non-fuzzy view of either that doesn’t have distinct bleed-in of the alternate image. If it wasn’t for the non-lenticular version presented as the first page, I wouldn’t really even know what the "newer" image truly looks like! And honestly, the best the cover has looked to my eye is the scan I did for the image above…so not even "just" to the naked, human eye as far as looking at the cover in-person!

Simply as an image, I like the thing. I really dig the nostalgia–we go from Cable’s first appearance in a #87 to his own series at #150…full circle and all that. While I like the Liefeld re-do of the original, it works well as the cover, and I’m glad the interior is a different artist. Malin does a good job of giving a clean, sleek design to the characters while capturing the classic look–including Cable’s ridiculously huge gun, a staple of the ’90s. On one hand, I’m quite glad to see the character simply looking like himself; on the other, I’d swear he’s been through more changes and was looking much older. Of course, there’s also flashback stuff to this, so, whatever.

Overall, there doesn’t feel like there’s much story to this issue. Cable’s with Longshot, investigating the death of an External named Candra. Confirming the death (which shouldn’t be able to happen, as she was supposed to be immortal), they proceed to meet up with old Cable-ally Shatterstar, and the group then goes to confront the last remaining External: Selene. The confrontation proves less than ideal, with Selene thinking Cable & Co. are there to kill her, not question her…and ultimately we’re left with a bit of a revelation that screams "retcon" to me, while leaving us as readers none the wiser, really, and stuck waiting for another issue.

I’m not familiar with Brisson offhand, but this isn’t bad. Strictly in and of itself, I enjoyed this issue…just not the fact it’s (as "always") simply 1/6th of a constrained story arc. I get a sense of the nostalgia being gone for with this, but don’t really feel like there’s much context to stuff…while I expect things’ll be clarified in later issues, this feels more like the first chunk of pages of a singular lengthier story, and not a full story in itself. I shouldn’t be surprised–that’s basically standard practice these days, for the last decade or more. There is a brief ~3 page segment with the character’s "origin," rather broad and boiled down, but hitting a few key points (far from all, and basically touching on none of the development(s) since 1993). I don’t know that anything Marvel would publish on that front for this would satisfy me, though…especially as none of the origin was "new" to me. I’m clearly not the target audience for it, though!

As usual for a Marvel issue of late…the Marvel brand itself is damaged as far as my feelings towards ’em on so many points, and while by no means a bad issue, this issue is not enough to leave me interested in planning on getting the next issue…and Marvel‘s pricing doesn’t leave me all that expectant of being highly inclined to even bother with the collected edition once it comes out.

Though this brings in some ’90s elements and looks like a familiar-ish iteration of Cable himself, this issue by itself does not stand out as anything overly special, either as part of Marvel Legacy or as a 150th issue. With the screwy numbering and not really being a standalone issue, I’d say wait for the collected edition if anything, if this didn’t already draw you in on nostalgia, number, or cover image(s) alone.

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The Weekly Haul – Week of October 18, 2017

A game I’ve been looking forward to for awhile now finally arrived! Betrayal at Baldur’s Gate. This is basically an adaptation of the Betrayal at House on the Hill, with Dungeons & Dragons elements. Given I quite enjoy both, this was a definite one for me to pick up!

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Of course, the next challenge is getting to actually play the game.

On to this week’s comics

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Hard to believe it’s been over a year and a half now of the "weekly" Superman stuff again, and not liking the "skip weeks" because those are weeks without a new issue of Superman or Action Comics.

Also hard to believe that just between #s 225 and 227, I’ve acquired Savage Dragon 1-101 and assorted mini-series, specials, one-shots, etc.

Quite enjoying the Metal books, story and foil covers! Since the things would be $3.99 anyway, why not have some fun with the foil and such? If ever there was a series that "deserved" the metallic/foil covers, it’s this!

Sadly, the Marvel Legacy stuff is virtually dead on arrival for me. Yet, much as I did this past spring, I’m doing a small sampling to at least (grudgingly) give things a chance. I’m down enough on contemporary Marvel stuff, but if I flat-out never buy anything from them, well, I hardly have room to complain then, right? And at least with these, along with the jacked-up pricing, we get "fancy covers." Unfortunately, these are utterly craptastic quality covers compared to DC‘s. Looking basically head-on, they’re blurry with glare, and neither image truly comes through clearly! More on that matter in another post (or posts) later sometime.

Rounding out the week, trying a randomish Image #1 in Maestros. No clue what it’s supposed to be about, but figured I’d check it out. Wonder Woman/Conan‘s here because I got the 1st issue, and don’t want to have to "hunt" this later. Ditto on Dead of Winter. And I very definitely want to support Alterna and their "newsprint comics," even to being happy to buy an issue multiple times, as even 2 copies of an issue are still cheaper than any one single issue of a Marvel series.

All in all an interesting week with a mix of stuff. Though it definitely pales next to an order I’m expecting by the weekend (that I’ll almost certainly document here once it arrives).

The ’90s Revisited: X-Men Series 1, Cards 19-27

Well, it’s been a couple weeks longer than intended since revisiting these X-Men cards…but here we are, with the next "page" of 9 cards!

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With the exception of Kylun, I’m "familiar" with all of these characters, though some a bit more than others.

Let’s get into these and see what thoughts the cards bring up for me!

019a

This is definitely Cable as I remember him. Huge arms and muscles, giant guns, the scars and glowy-eye thing going on…and for this image, look! Even a random chain thrown in! Totally "the ’90s" visually–or at least, a PART of the ’90s.

019b

Well…this card is certainly "dated." Nathan Summers. Son of Cyclops. But back in ’92, he was just some new-ish unknown, not yet tied tightly into the X-Men mythos and all that. And since this card was published, we’ve learned a whole lot about his origins, the "bionic limbs," etc. Though there was a recent-ish run of Cable and X-Force or such, I’d say by and large his time with X-Force or the New Mutants is more a footnote in the character’s history these days.

020a

This image of Archangel is rather iconic. It’s typical Jim Lee for sure, and I’m pretty sure it was used as the cover for at least one comic, if only one that was highlighting card art in much large scale! Though I was aware of Archangel, this particular version of the character was a bit before my time…this (to me) still carries clear shades of the ’80s; it wasn’t terribly long into my time following these characters that the metal wings disappeared and Warren had actual wings again.

020b

To a certain degree, I don’t think I originally associated Archangel with Angel, as an "original X-Man." It’s sorta interesting to see the changes the character has gone through…as well as the "diluting" of his status as "Death," with seemingly so many other characters having held the role as well.

I’d forgotten the notion of the wings exerting any control over him…probably because that was largely done away with by the time I got into things.

021a

I definitely like this costume, or at least this rendition of it. Yet I’m not certain if I’ve actually read any "new" issues with this version of the character. Offhand I primarily know the character from the cartoon in the ’90s, and for his role with Generation X.

021b

I also did not recall the character being an X-villain, though I do vaguely recall the character’s appearance in Giant-Size X-Men #1. Also seems like a "given" to me his relation to Black Tom Cassidy.

022a

I’ve never been overly keen on any of Kitty’s codenames…to me, the "default" name to the character is her name–Kitty Pryde. I first "met" the character from the animated Pryde of the X-Men, which was itself my first/earliest exposure to the X-Men, several years before my conscious getting into the characters.

022b

This card seems suitably generic and basis…hardly any "contradition" to the last 25+ years, except I’m not sure she’s a teenager anymore (or if she is, she’s incredibly mature for one..!)

023a

Ok, I’d guess here’s a character that may have Once Been A Big Deal, but I wouldn’t have been able to place offhand…though given the theme of these cards and ranking my familiarity with properties, my first guess WOULD have been Excalibur for this character, had I not seen the back of the card already!

023b

Though that sounds distinctly ’90s, it fits the ’80s as well. Nothing really to say except I’m not familiar with the character, and this doesn’t exactly prompt any interest in me…though perhaps part of that is that I don’t know that the character has appeared or had any significance, period, for over two decades…

024a

Typical-ish Jean…another character that I’ve "always" known by her own name more than any codename. And appearing here both very familiar and yet looking a bit more muscled and "older" than a number of other characters. Yet perhaps still a bit on the "young side" for me at my present age.

024b

I was rather oblivious to the whole Scott (Cyclops)/Jean thing at first, their interest in each other being a bit of a "surprise" to me when it manifested in the cartoon; ditto the "triangle" aspect with Wolverine. It’s been interesting to see the various takes on the character over the years, and learn more about her past from before I got into the comics. This also reminds me how much I’d like to have this "original" Jean back, in place of the "teen Jean" taking over in contemporary Marvel comics.

025a

Colossus is a mixed sort of character for me…one I feel like I’ve known quite a bit about, and yet still a bit of a "stranger" to read about. He was largely a "side" character to me at first, with one of my earliest comics with him being Uncanny X-Men #304 when he "defected" to Magneto.

025b

Another early memory for me of Colossus is the cartoon series, coming shortly after the end of the Cold War and whatnot, early in my developing any sort of consciousness for history or world events. Though not mentioned here, one of my favorite portrayals of the character is his friendship with Wolverine and Nightcrawler. I believe he was "stuck" in his "metal form" at the time when I got into the X-stuff; though that obviously didn’t last.

026a

I’m pretty sure I first came across Warpath in X-Force, probably the crossover with Spider-Man where they fought the Juggernaut and Black Tom.

026b

Though I’ve long known Warpath’s relationship to the X-Men via Thunderbird, I often mixed the two names. Seems rather cliché in a way to realize how many active members of the team "started out" as "villains" or at least antagonists. These cards also seem to lowball weights, as it seems almost impossible for characters to be so light given muscle mass and such at least!

027a

I’m not sure when I first found this character. This particular image doesn’t strike me as overly iconic, though the costume basically screams X-Factor to me. I probably did discover the character in that title.

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Another "early memory" I have of Polaris is–I think–a reprint of Giant-Size X-Men, perhaps in Classic X-Men/X-Men Classic. I feel like even now, too much of my thoughts on the character center on her being/not-being the daughter of Magneto, or her relationship to Havok.


I guess while familiar with more of these characters, I don’t necessarily have a LOT to say about them…at least not the way I’d want to in a post like this.

Here’s my first post in this series, covering cards #s 1-9

And my second post, covering cards #s 10-18

New Pop Vinyl ’90s X-Characters

I’ve recently gone against my better judgment and bought a couple of Marvel characters in their Pop! vinyl format.

I phrase it this way, because I loathe the bobble-head format. I means that otherwise-solid, otherwise-sturdy, otherwise-quality figures are rendered EXTREMELY fragile and breakable in a way that is NOT repairable with simply a bit of glue or such. And since they’re gonna be "just on display" and not "played with" the way an action figure would…I do NOT get the "appeal" or "reasoning" from Funko TO do the figures this way–it actually killed my interest in the line for awhile and has (and continues) to leave be extremely DISINTERESTED in their Marvel range of characters.

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But there’s a certain nostalgia factor for me that overrode that. First, in coming across Archangel after a friend had shown her figure off some weeks back.

Then over the weekend, I came across Cable in this classic ’90s getup and realized he’d look really cool "with" Archangel. Of course, now the added frustration of ’90s Cyclops and ’90s Xavier being long "out of print" and far too ridiculously-priced to try to acquire, along with an even-MORE-ridiculously-priced Wolverine.

But at least I have these two!

They add "character" to my X-shelf for now, and will likely remain such a presence for awhile!

Continue reading

Age of Apocalypse Revisited: X-Man #4

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xman004The Art of War

Writer: Jeph Loeb
Pencils: Steve Skroce
Inks: Bud LaRosa
Colors: Mike Thomas, Digital Chameleon
Letters: Richard Starkings, Comicraft
Cover: Skroce, LaRosa
Editors: Lisa Patrick, Bob Harras
Published by: Marvel Comics
Cover Date: June 1995
Cover Price: $1.95

Clearly, Apocalypse has no problem "shooting the messenger," and thus–it’s safe to say no one should look forward to being the bearer of bad news. Fortunately, the Shadow King is capable of surviving this particular wrath of the mutant master, who delivers the news that Domino has failed to remove the telepath she was sent to deal with. We then cut back to Nate battling Sinister over the death of Forge. Sinister killed Forge to remove what he saw as a detrimental attachment, and now faces the rage of his most powerful creation. Talking Nate down, Sinister reveals the young mutant’s origins, though still finds himself subject to Nate’s wrath. After bidding his remaining friends farewell, Nate heads to Apocalypse’s stronghold, where he bumps into would-be allies…faces from Sinister’s revelation. However, he keeps to himself, determined to chart his own course, to take out Apocalypse himself.

The cover is rather generic yet spoiler-y…showing an enraged Nate victorious over Sinister. It’s also relatively patriotic (to the US) with a general white background, red 3-D to the white and blue-ish logo, as well as the blues of Nate’s getup and Sinister’s blue and red. Generic as the image is, I do like it…enough that I’m talking about it here where I’ve not made a point of discussing EVERY cover of this Age of Apocalypse event.

The interiors work quite well, also. There’s something that seems a bit simplistic about the way Nate looks in certain panels, but aside from simply noticing and thinking that, the art team does a very good job with this issue. Nothing jumped out at me as atrocious or distractingly weird, and I never had to pause to ask myself what exactly just happened or try to piece it together contextually. As such, the art certainly did its job at the minimum, and since I enjoyed it overall, I must say that the art exceeded expectations.

This is a good "next chapter" to Nate’s story, following the events of #3…but there’s not much sense of things being tied up here outside of Sinister’s apparent fate. The wording there was a bit awkward…obviously going for the dramatic effect. But, being a nitpicker in wording, I found myself a bit distracted by the phrasing on Sinister’s final page. While the other Age of Apocalypse series are functionally mini-series…Nate’s four issues are more functionally a single arc. The X-Man title actually carried on after the Age of Apocalypse business, and ran about 75 issues if I recall correctly. So this "final issue" within the event is fairly well suited as simply a "next chapter" rather than having a conclusion…just that from issue 4 to 5 one pretty much has to read X-Men: Omega.

All in all, this is another good issue that gets Nate to where his story can converge with the others into a single, epic issue in X-Men: Omega.