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Putting the Con in Convention for This Introvert

There’s a local, annual convention in Mentor, OH that’s been going seven years now, hosted by the “mall comic shop,” Comics and Friends. I’ve been going for at least four of those years now, and this year it was moved to a new, larger location–it outgrew the lobby of the mall’s movie theater that it’s been held in prior to this year.

It’s seemed like a solid event, with plenty of dealer turnout and foot traffic and such…all the more evident by the fact that it’s been an annual thing, ongoing, and OUTGREW its original location.

Unfortunately, for ME, that’s kind of a negative as I’m an introvert, to say nothing of issues I simply have with this type of show–the local one-day “dealer hall” things.

weekend_haul_june03to05m

Admission was $5–very definitely a reasonable price and one I absolutely do NOT begrudge them!

Instead of being held in the lobby of the movie theater, it was held a few minutes away at a hotel where there were several rooms available for use, to house everyone.

Now, I’m speaking as a total introvert–tight spaces, loads of people, me by myself–that’s a situation I usually try to avoid; so even though I walked into it willingly, my “social anxiety” flared almost immediately. So I was not impressed with the space. When there’s no room to get past others looking at books on a shelf to look at them myself, I’m not a happy camper. Even less so when I realized the shelves and shelves of $5 or 6/$20 are all skinny-as-heck Marvel paperbacks, and the thicker volumes and volumes with classic material older than the last 8 years were price-as-marked…which while in some cases was better than half-off, was still isolated to primarily Marvel stuff of little interest to me (especially having had to “budget” ahead of time, with cash). I’d be interested in some series, but not random/isolated volumes or jumping in with 2-3 and my budget’s shot, even at half-off.

Then moving further through the space, realizing that most dealers had golden/silver age books where even the crummy-condition stock seemed to be at least in the $5+ range, or else stuff from very recently (like the last 2-3 years) was not very appealing. I’m going to be hunting down the New 52 Action Comics run and Superman run (probably also Batman/Superman and Superman/Wonder Woman, cuz hey, OCD) but one dealer had stuff at $2/issue…but isolated issues from Action 2-14 or so. Hardly a run to put MUCH dent into what I’m missing…and the crush of people was a bit much.

Other dealers were set up with boxes of bargain-books–some “half-off,” others fixed pricing–$5 paperbacks, $10 hardbacks; one had $3 paperbacks/$5 hardbacks that I saw–but the space was so cramped/crowded that it was hard to access the boxes–with constant flow of people trying to pass, and my trying to observe some basic courtesy and etiquette and NOT just wade in while someone else is going through a box, etc.

And it quickly became apparent that by far, the absolute VAST MAJORITY of the bargain books were old Marvel Premiere Edition hardcovers, and random non-sequential volumes of the skinny-as-heck Marvel Now books and such that just do NOT interest me in the SLIGHTEST.

While one booth had some DC Comics Presents (but not #1 or any of the Annuals) and another had some slightly-pre-Crisis Action Comics, nothing really stood out to me as worth my while and cash “in the moment.”

I finally–at the far back of the place–found a box of half-off books that (shockingly) actually included DC books, and found the Flash: Terminal Velocity tpb. The dealer rounded down, giving it to me for $6…and after paying, thanking him, and heading away, decided on the spot to cut my “losses” and get the heck out. $5 admission plus $6 meant I functionally paid $11 for an out-of-print, cover-price-$13 Flash tpb of a story I’ve been unable to find the singles for and been interested in reading–so while the experience was extremely underwhelming, it was (in the end) mostly worth my while.

YET–very disappointing on principle to walk in to a convention and wind up walking out with only a single, lone paperback when I’d had visions of a whole stack of comics or a handful of bargain paperbacks, etc.

weekend_haul_june03to05p

To “make up for” my disappointment there, a few hours later I drove across town (some 45 minutes directly out of my way) to visit a Half-Price Books location I haven’t been to in a number of months–possibly as recently as February but maybe not since last year.

And hit the jackpot.

Two Superman books that’ve been on my radar. Yeah, For Tomorrow gets a bum rap, but I’ve wanted to “upgrade” to the single-volume edition from the crappy 2-volume set (just as I did with Batman: Hush a number of years back!). For $4.99 I grabbed Godfall–I’ve been thinking it was a 4-issue book but it seems to be 6, and I’ve meant to get it for a number of years.

Justice for $15 was a real treat to find, and I wasn’t going to pass it up for that price.

I’ve been looking for the Teen Titans Earth One in hardcover (only finding the paperback when I’ve found it at all), so getting it for half-price was great.

And then to add insult to an exploding budget-remnant, they had 2 of the 4 volumes I’ve been missing for years of Naoki Urasawa‘s Monster.

I actually had to pass on a couple other books I’d eyed…deciding the out of print/”rarer” books trumped several dollars’ savings that I can still get on the books I left.

One bookstore, one “every-day” kinda place that I could just choose to visit “whenever,” and I found this stack of books…but a once-a-year convention, an actual rarity tied to a specific date planned in advance, I wind up with ONE book.

Continue reading

The Weekly Haul – Week of June 01, 2016

Another week and another huge stack of books! Yet for the size of the stack, not a bad haul at all!

weekly_haul_week_of_20160601a

First off, four full-sized brand-new non-promo-priced* DC books, the first four of the ___: Rebirth books. (* promo-priced to me is $1 or less or less than general cover price).

And while a cover-comparison proves my memory a bit wrong…the cover of the Bebop & Rocksteady issue reminds me quite a bit of some of the old Archie TMNT minis.

weekly_haul_week_of_20160601b

Delving into the bargain bins…these five issues of The Solution SHOULD mean I have a complete run–it clears out my list I had of missing issues, though being OCD as I am, I will be seeking out another copy of #16–it’s a “flip book” with Ultraverse Premiere and I aim to have that series functionally as its own thing in my filing.

weekly_haul_week_of_20160601c

I snagged another Shadowman #0 with the chromium cover, and two “late” issues that were on my list. I have a “thing” with X-Men #41, and I’m presently on a Zero Hour kick so a random #0 issue of R.E.B.E.L.S. doesn’t hurt on the nostalgia–this was my jumping-on point for an otherwise long-running series, having been aware of L.E.G.I.O.N. and jumping in with the start of the re-branded story.

weekly_haul_week_of_20160601d

I’m now missing only 15 issues from having Action Comics #s 542-904. My aim is to work backward from the Byrne reboot on both Superman and Action–probably in small-ish chunks. But with this, I don’t think it’ll be at all absurd to aim for a run from #500-on (diminished as I will have to hunt down the bulk of the New 52 run).

weekly_haul_week_of_20160601e

I almost passed on it, but knew I’d regret it if I did–picked up a bunch of Aquaman from the Peter David series.

weekly_haul_week_of_20160601f

Of the first 50 issues, only 8 shy of the full run!

While I am not looking specifically for ’90s books…it’s clearly apparent to me that I am absolutely a ’90s guy when it comes to comics!

Superman/Wonder Woman #29 [Review]

supermanwonderwoman0029The Final Days of Superman part 7: Fire Line

Story and Words: Peter J. Tomasi
Artist: Jorge Jimenez
Colors: Alejandro Sanchez
Letters: Rob Leigh
Cover: Karl Kerschl
Assistant Editor: Andrew Marino
Group Editor: Eddie Berganza
Published by: DC Comics
Cover Date: July 2016
Cover Price: $3.99

This is it–the penultimate chapter of The Final Days of Superman, and of the New 52 Superman’s story, period, it would seem, at least as he’s been given to readers since September 2011.

We have Solar Flare Superman facing New 52 Superman, Batman, and Wonder Woman. Meanwhile, Convergence/pre-Flashpoint Superman gets his wife and son to the fortress he’s kept secret from them, and he and his Lois have a ‘discussion’ over the matter. While Batman gets New 52 Lois away from Solar Flare, New 52 Superman and New 52 Wonder Woman do a number on Solar Flare Superman, before the Flare entity gains the upper hand. Learning of the ongoing battle, Supergirl leaves the DEO only partially-powered to join the fray, and we leave off with New 52 Superman in the clutches of Solar Flare.

Which is all a slightly obtuse, quasi-intentional way of expanding on the fact that not much of anything really HAPPENS here, except some pieces are moved around the board, marking time for the concluding chapter yet to come as we head into Rebirth itself as well next week…and to emphasize the fact that we have three different Supermen in play in this issue alone, as well as two Loises who don’t even meet.

Story-wise, this isn’t BAD at all–that’s not what I’m saying. But we basically have a big fight scene punctuated by accounting for several “subplots” (as much as such things actually exist in 2016 DC comics). Being well aware of this being chapter 7 of 8, and of what’s about to happen, and expecting it to unfold in the final chapter of this story and spill into the big Rebirth issue next week, I can’t truly fault the writing for not being able to DO much in this issue except move pieces around the board.

Visually I’m not enamored…while everyone’s quite recognizable, the linework just makes everyone look a bit “off” to me…and that is something firmly accentuated with the addition of color effects, to say nothing of just not caring for–or being used to–a Superman in any sort of armor, whatever its backstory/reason/necessity (or lack thereof). I also don’t care for the layouts…though they vary page to page, many pages seem to have too-big panels with too few words…and whether that’s art expanding to fill a lack of script or a script allowing an expansion of art, I’m not sure…but it makes $3.99 feel that much more expensive for the quick read this issue is as a whole (particularly compared against comics read this week from 1996, 20 years ago, purchased for 20 cents each!).

Finally, the cover isn’t all that appealing…I’ve not gone back to check out later printings of earlier chapters, though I saw a couple in passing and this one seems to fit those. The cover copy “Burning Love!” seems ill-placed as well, and the entire image is a bit misleading as Supergirl is not involved in the core action of this issue.

All in all…this issue is for those following the entirety of The Final Days of Superman, or completing a run of this particular title. If you’re just looking for the apparent death of the New 52 Superman, that should be next week; and if you’re not already following stuff, this chapter does not give enough to justify itself in and of itself for anyone to try to “jump in” just for this particular issue as any sort of “random” purchase.

Free Comic Book Day Haul 2016

Free Comic Book Day is no fun alone.

Suffice it to say, I went to one shop that was nearby for the weekend, picked several issues, bought a collected volume I’ve been intending to purchase for a couple weeks now, and got out.

fcbd2016haul

Free Comic Book Day’s good for when schedules work with friends–a group thing, a social thing.

Of the books, really the only one I “went in looking for,” or was particularly aware of ahead of time, was the ROM #0 issue. But I’d actually already “accounted for” that so it was not going to be a problem.

It just seemed a shame to NOT go out for FCBD, as I don’t think I’ve actually missed any of ’em yet.

Reunification of the Bookshelves Spring 2016

Over the weekend, I finally finished re-sorting/re-arranging the bookshelves. Having a more "concentrated" space as well as the largest number of "dedicated" shelves available, I was able to do stuff a bit differently this time through.

0000_all

I also grouped things a bit differently, and while I pointedly had the shelves themselves spaced the same on each bookcase (3 of one model, two of another), I have a configuration that works fro me, though I can see this "system" going at least slightly awry fairly quickly. Still, the collection’s been a constant evolution anyway.

Follow on below for a shelf-by-shelf "tour" of the entire graphic novel portion of my comics collection.

0001_tmnt_usagi

The TMNT stuff, as well as the newer Dark Horse Usagi Yojimbo Saga volumes. There’s basically just enough room to add the fifth Usagi Yojimbo volume or the second TMNT by IDW volume, but not both. However, I expect acquiring and adding the second TMNT volume will be the final nudge at purging the other IDW floppies from this shelf–I stopped buying those at all when the first volume was solicited, as it is a far superior way of getting the series. Then on top of that, they’ve now got triple-sized paperbacks coming out for only 1.5 times the price of the skinnier ones. Go figure.

0002_superman01

The first Superman  shelf. I start the shelf with some of the various/general collections that span the years without necessarily being chronological/ordered collections or runs of books…at least for what I own. Then the Chronicles volumes, the Showcase, and the Superman vs. _______ volumes. Some of the other Silver/Bronze age stuff, and then the post-CoIE "continuity" run begins.

0003_superman02

The second Superman shelf continues the post-CoIE continuity stuff. I have the Death and Return of Superman Omnibus "out of order" as a divider of sorts, following it with more generalized Superman stuff, including Superman/Batman collections. The New 52-era stuff is here, because I only own the two volumes.

0004_dc_general

There’s some slight "overflow" of Superman-related stuff into general DCU. I start with some general DC Universe stuff, then go roughly alphabetical by "property" (grouping Deathstroke with Teen Titans for obvious reasons).

0005_dc_general_room_to_expand

There’s a slight bit of "overflow" of "general DC" onto the final shelf of this bookcase…and I decided to use the entire shelf in that regard-as the DC stuff expands, I’ll "wrap" stuff through to this shelf, hopefully avoiding the need to completely redo the bookcase anytime soon simply to fit more DC books!

0006_batman01

Batman tops the second bookcase with his first shelf. Given its quasi-non-continuity nature, I stuck my numerous editions of Dark Knight Returns at the start of the shelf, then shift to general Batman collections before the major "continuity" run of stuff.

0007_batman02_room_to_expand

On the second Batman shelf I have more general stuff again that–for me–works better here than at the start of the Batman placement, and into related Batman stuff. I then finish the partial shelf with Omnibus volumes as bookends, with the Robin bust bank as extra decoration. This also allows plenty of space for the Batman collection to expand without much issue, as the bust can be relocated and the Omnibii can as well.

0008_dc_events_and_prose_novels

I decided to separate out the main "event" books. While I have the Crisis on Infinite Earths paperback with the general DC stuff, I have the Deluxe Edition oversized hardcover here to begin the run of major DC events. For lack of better placement but similar nature, I put my various prose novels of DC stuff here as well…most of them adapting the various events, and generally being a good fit in this space.

0009_green_lantern_green_arrow

Rounding out the nearly two bookcases’ worth of DC material is the green stuff…Green Arrow and Green Lantern. The vast majority of this is the Geoff Johns-helmed Green Lantern era, with a handful of other stuff. I never got around to getting the complete run of Blackest Night collected volumes…but I’m happy with what I do have, and have not felt any great need to track those down. With both Blackest Night and Brightest Day being firmly entrenched in the Green Lantern side of things, they’re here rather than with the "general DC events" books.

0010_starlin_thanos_warlock

Topping the Marvel books, I’ve separated out the Thanos and Warlock Infinity stuff, heavy emphasis on the works of Jim Starlin. As these only make up a partial shelf, this is a prime spot to accentuate the books with two incredibly cool banks that have obvious relevance.

0011_xmen01

I’ve got the X-Men books is roughly chronological order, with the Essentials on up to the individual story volumes.

0012_xmen02

The second X-Men shelf continues things up to roughly present-ish stuff.

0013_mixed_x_books

I then have a third shelf of "X-Men related" stuff…dominated by Wolverine and X-Factor. While I originally didn’t care for yet another "trade dress" on the Essentials, I’ve come around to actually preferring this latest, where emphasis is now on the character/title and not the word Essential; it allows the books to look a lot better grouped with similar volumes for a series and not stick out as being alphabetically out of place.

0014_marvel_digets_comics_reference

As the smaller paperbacks and digest-sized volumes would get lost in the shelf with the full-size volumes, I separated them out here. Due to their smaller size making them physically lighter, they’re actually grouped on top of a bookcase. I ran out of actual bookends, so fit the "comics reference" books here as well for the moment.

0015_annihilation_and_avengers

The first shelf on this bookcase is Annihilation and Avengers volumes…including the Heroes Reborn volumes. I have the Avengers stuff in a rough quasi-continuity order rather than any strict title-order. Since I have both the run of X-Men: The Complete Onslaught Epic and the singular Onslaught Omnibus, I decided with so many other thick and/or hardcover volumes, the Omnibus was a better fit here than with its paperback counterparts; and works as a split with the story impacting both the X-Men family of characters as well as the Avengers family of characters.

0016_captain_america_daredevil_fantastic_four

Following the Avengers books, I go mostly alphabetical by property for the rest of the Marvel books. I would have sworn I had the two volumes of Captain America: Fighting Chance but turns out I only have the Operation: Rebirth "classic" volume…which is a bit disappointing. There’s another large Captain America paperback I was picturing that I thought I had, but obviously do not. At least with everything back together, I have a better idea once again. I left space on this shelf for the Captain America: Man Without a Country paperback and the third volume of the Black Panther by Priest series.

0017_hulk_to_thunderbolts

Continuing the Marvel run from Hulk to Thunderbolts.

0018_spiderman_thor

Since neither would fit well, I separated out the Spider-Man books (included Spider-Woman as a Spider- book) and Thor. There’s some space left over on this shelf that will allow for some expansion of the Marvel stuff without any major rearranging.

0019_ultimate_universe

The Ultimate Marvel stuff now has a shelf to itself, with the gem of the collection being the near-complete Ultimate Spider-Man run…I just need to track down volume 8 to complete it! I have a handful of miscellaneous other Ultimate books in a loose-ish order, but I’ve actually mentally lost track of all the quasi-reboots and said the heck with it. Perhaps it displays my own ignorance of the books if there’s any glaring out-of-order elements.

0020_aliens

Though it’s a lot of "shelf real estate" to "give up," the Aliens and related get a shelf entirely to themselves, along with some Aliens toys.

0021_hellblazer

I have a near-complete Hellblazer library…I believe the entire 300-issue series has now been collected, and is represented in this run of volumes. I’m pretty sure the only thing under the Hellblazer heading that I’m missing is a Vertigo Resurrected collecting a mini-series set in the future. I also tossed Swamp Thing, Starman, and Watchmen here primarily for space and singularity. I hope to expand my Swamp Thing library in the next couple years, knowing that all the Alan Moore stuff is available, as well as a couple other major runs of the titles.

0022_misc_series

I managed to cram several "series" collections onto another shelf. The pre-Vertigo entirety of Astro City (unless I’m forgetting a volume); then complete runs of Preacher and Sandman in older editions (my parents gave me this 10-volume Sandman run between my birthday and Christmas in 2001!) Though I’ve loaned out several volumes, I otherwise have the complete run of the Walking Dead "serialized paperbacks." Volume 5 was THE newest one when I "discovered" the series…we’re now 20 ADDITIONAL volumes into the run. Kinda hard to believe! Finally, there was (for the moment) just enough room to squeeze the four Serenity hardcovers in.

0023_disney_kids_gijoe_starwars_transformers

This shelf is a mix of Disney Ducks stuff, into Archie and similar physically-sized volumes, then GI Joe, Star Trek/Star Wars, and finally Transformers.

0024_indie01

Breaking from the vertical grouping/progression I mostly followed, I have two shelves where I intermingled "indie stuff" that basically makes up "everything else," and where no particular series truly separates itself from "the bunch" for now. I primarily alphabetized by series title, and order within that for the few that have multiple volumes.

0025_indie02

Knowing that there are now six of these Savage Dragon Archives volumes, if I do wind up getting the rest, I will likely end up splitting those off somewhere. For now, they’re just the "brightest light" in the bunch offhand.

0026_end_misc_valiant

The final graphic novels shelf wound up with several miscellaneous volumes that don’t really fit anywhere else…and Valiant. I’d originally "intended" to keep "classic Valiant" elsewhere, as I don’t really have a problem with it, but as stuff was grouped and sorted and arranged, it came down to just clustering Valiant as a whole together. I am still extremely unhappy with current Valiant over last year’s stunt with Legends of the Geomancer, which stopped me in my tracks on the collected volumes. As it appears that the Book of Death hardcover does NOT have that mini included, I’ve basically written off Valiant in general, and may wind up purging these from the collection at some point–Time will tell!

0027_misc_related

Separate from the main collection, I have a shelf of "coffee-table" style books and such that are primarily comics-related. Most of these I’ve acquired in the past year or two, though the Great American Comic Book volume I think was a Christmas present during college, and the Buffy volume is simply far too tall to fit on a standard shelf with anything else that makes sense, so gets grouped here.


All in all, a massive collection far beyond anything I’d ever imagined growing up…or even within a couple years of college. Where once I’d dreamed of a generic personal library made up of all sorts of books (not just graphic novels), I now have enough of both to truly have the personal library and then some.

In doing all this sorting/organizing/arranging, I also yanked another couple shelves’ worth of books that were either duplicate, older editions to which I’ve gotten the newer, or generally decided I don’t need/want in the collection anymore for whatever reason.

This leaves me–still–with needing to get the actual comics collection sorted, but there should be time for that later after stuff in the personal life settles a bit.

Darkwing Duck (2016) #1 [Review]

darkwingduck(2016)001Orange is the New Purple part 1

Storytellers: Aaron Sparrow and James Silvani
Colors: Andrew Dalhouse
Letters: Andworld Design
Assistant Editor: R. Janice Orlando
Editor: Jesse Post
Published by: Joe Books Ltd
Cover Date: April 2016
Cover Price: $2.99

It’s been a few years, but here I am covering a first issue of Darkwing Duck once again. And as with that time, this time finds an issue whose story title is a play off another. Here we have Orange is the New Purple, where back then it was The Duck Knight Returns. As best I can follow, this continues the bulk of the story from that previous series, itself picking up and continuing from the classic (now 25-years-old) animated series of the same name. I don’t truly “get” comic book politics, and was disappointed at the time when Disney‘s purchase of Marvel seemed to spell the end of Boom‘s license and its run on the Disney books. Now, we have another publisher running with the title, but it is not Marvel.

That aside, this works quite well as a first issue.

We open on a parade that is quickly crashed by DW rogue Megavolt, whose attack is quickly dampened by Darkwing. We move on to see DW in his civilian guise, interacting with family and neighbors; while there’s an attack on the transport carrying Megavolt to prison. Later, Darkwing interacts with SHUSH, though things don’t go overly well there with a new assignment. Back at home, DW is flabbergasted at learning that he has not been invited to cut the ribbon at the opening of the new super-max prison that is primarily populated by individuals HE put there. And still later, crashing that particular party, the villain of the piece is (unsurprisingly) revealed and sets the situation to a cliffhanger worthy of any episode of the classic tv series.

As first issues go, this is definitely a solid one. The most noticeable thing for me is the art, which gives us characters that look like they stepped right off the tv screen (albeit with improved, more robust coloring than the cartoon could maintain). This is not some reinterpretations of the characters’ looks; it’s no “new take” or some artist looking to put their stamp on the appearance: it’s just clear, solid work that carries the absolute look and feel of Darkwing Duck and leaves no doubt of what this book is.

The story itself does a great job of things, serving the main points I’d expect FROM a first issue. We’re introduced to the title character; we meet supporting cast members, and associated characters; we see the hero in action, and we get a good taste of where we’re going from this issue. Though this issue is not a singular, complete, contained story, it gets things set up while providing enough in and of itself to satisfy on the single issue level…at least for me. Given how short and formulaic some of the tv episodes could seem, I welcome the longer story that this sets up while still getting the various elements we’d have in a single episode.

This issue feels like a mix of things…it’s a new series, a new first issue, and suitable for younger readers though it hits home for me as an adult reader and long-time fan of the property. It feels like a continuation of the cartoon, and a continuation of the previous comic series that ended several years ago. Of course, part of the latter is that we have some of the same creatives carried over, itself a sort of continuity that I hope is nothing but good.

I enjoyed this issue, and expect I’ll be adding it to my pull list at least for awhile…and might even try to track down the super-sized collected edition ostensibly collecting the previous series if only for a convenient availability of a re-read of that.

If you’re a fan of Darkwing Duck, this is very definitely a comic for you. Maybe best of all…despite never ever having heard of this publisher prior to learning of the collected volume and now this series, they do what it seems most publishers are utterly incapable of: offering a full-sized, full-length comic for “only” $2.99. Like with DC‘s promise of the upcoming price drop back to all-$2.99s, this is as good a price point as one is really going to find in this day and age, and will certainly hold me a lot longer than $3.99 would!

Highly recommended!

Aliens: Defiance #1 [Review]

aliensdefiance0001Episode One: Derelict

Script: Brian Wood
Art: Tristan Jones
Colors: Dan Jackson
Lettering: Nate Piekos of Blambot
Cover: Massimon Carnevale
Publisher: Mike Richardson
Editor: Spencer Cushing
Designer: Cindy Calcerez-Sprague
Digital Art Technitian: Conley Smith
Published by: Dark Horse Comics
Cover Date: April 2016
Cover Price: $3.99

My earliest exposure to Aliens was the final battle with the Queen at the end of the 1986 film, that I saw accidentally, wandering out one time to where Dad had fallen asleep watching it or whatever preceded it. Several years later, I came across and read the novelization of Alien3, which led to me seeing that film (my first-ever R-rated film sought out!), and in turn led to “backtracking” to the others. I also recall at some point realizing I had read the novelization of the first film at some point without ever realizing when I read it that it had anything to do with any movie. I also came across the novels that expanded the Aliens universe, and which I eventually came to learn were themselves based on comics. It would be a few more years before I ever got around to getting to read those original comics–particularly the first ‘trilogy’. While I’ve “lapsed” over the years, the last few years I have been quite interested to learn of any Aliens comic series, and occasionally lament that it’s not a truly ongoing property (while realizing that it works better with finite stories). As a gamer, I’m pretty lax, and have not played the recent game with Ripley’s daughter, though I’ve been told a fair bit of the story (sadly, not consciously retained). But hey…comics, right?

So here I am…brand new long-form Aliens story kicking off, its cover putting me a bit in mind of a/the video game, and intrigued at what I BELIEVE to be at least a 12-issue saga–perhaps the longest single Aliens story I’ve been a part of as a fan (not getting into the comics until about a decade ago). I know Brian Wood‘s name from some prior stuff I’ve read/sampled–Northlanders, DMZ, The Massive–and been aware of his name on stuff like Star Wars more recently…so that’s a welcome factor for a new Aliens series. Icing on the cake is art by Tristan Jones, who I became aware of with his work on the Tales of the TMNT title from original TMNT publisher Mirage a few years back, and have loved seeing his work on various other projects since…and whose visual style seems a perfect fit to me for the Aliens property.

This issue is a first issue, giving us basically a brief paragraph of context/setup before we’re launched into the thick of things. We meet Zula Hendricks, a private involved in a mission to a derelict spacecraft. She and her fellow marines encounter Xenomorphs, and the situation does not go well. She and a synthetic survive, though she quickly learns that the synthetic is acting against programming, and her own world is changing as a result.

The story is good, for what it is. Which is not meant to be a negative statement…but this is only the first chapter of a multi-issue arc, that I believe is a year-long, so this is hardly going to be a full story in and of itself, nor is it giving everything away. And a single issue isn’t really enough space to re-introduce readers to a property, introduce new characters and detail their history, recent past, and present while also showing the scope of the property and of space and the horrors of the Xenomorphs. But we do get a fair bit packed into this, with Zula’s introduction and some flashbacks, a cameo of Amanda Ripley (which I believe thusly situates this time-wise somewhere between the first and second films), the synthetic Davis, some context for Zula and her place in things, and the final-page reveal of what seems to be the “mission” of this particular series…piquing my interest such that I almost wish this was a weekly series, because waiting another month for the next tidbit seems far too long. It’s not a cliffhanger in and of itself, but more a concept that promises a lot of great stuff, and I want to see it developed and played out, and be along for the ride.

Jones’ visuals are a great fit for this story, providing a great overall feel for this issue. His style is–as said above–very well suited for this property, and gives a gritty, dark, creepy look to the Xenomorphs and their brand of violence. The humans/humanoids come across as I would expect, while exuding whatever it is that just FEELS like they’re in an Aliens story. The linework and layouts are impressive, giving a sort of cinematic flow to the issue…and I’m pleased at the lack of full or double-page spreads, which often feel like cheats and wastes of space when they’re the bulk of an issue. Only one page is a single/full-page image, and that’s the ending of the issue, where after all those pages crammed full of panels, it provides a stark contrast, and really drives home the importance of the “moment” that it conveys.

The cover is also a fantastic piece of art, and for me quite iconic and recognizeable. It’s also all the more impressive to me as it’s the only cover image I’ve seen for this, allowing it to stand as itself and not be just one in a sea of variant covers diluting the thing. While there may be a variant or two out there specific to someone, I don’t believe there are any alternate covers from Dark Horse in and of itself as a push.

Plenty of questions are opened up here, and the apparent premise of this series now holds a great deal of potential. I look forward to learning more of Zula as well as Davis, and seeing what sort of interactions the two have. I’m interested in how their ‘mission’ will play out, and play into the larger scope of the Aliens universe. While we get the cameo of Amanda Ripley, I believe her story is told in the videogame, and more of an “Easter egg” tossed in for fans as well as being an indicator of the time this is set in. I look forward to seeing and learning more about the Aliens, and seeing these characters grow in their own knowledge and understanding of same.

It will be interesting to see how this is paced, overall as a series…but I almost wish this was already a completed work. As a first issue, this works well overall. I don’t know that this is something that in and of itself right now as a singular issue will pull anyone “new” into Aliens or be necessarily the greatest introduction to the property…but whether long-time fan of the Aliens comics or just now checking them out being familiar with the films and/or video game, I think this is a great start into the comics side of things.

I’m not particularly enamored with the cover price, but will suck it up, given this is Aliens . I’m definitely on board for this series, and definitely recommend checking it out if you’ve any interest already in the property.

The Weekly Haul – Week of April 13, 2016 (side haul)

Due to some real life stuff going on this week, I didn’t make it to the usual shop today…but did stop off to check on last month’s Superman/Wonder Woman issue (as I belatedly acquired and read out-of-order Superman #50 and Action Comics #50).

Unfortunately, they did not have that issue…but they did have the “free” edition of the Captain America 75th Anniversary magazine, the DC Previews for Rebirth, and I decided to pick up a couple other issues.

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If I’m going to wind up getting caught up on Superman, might as well “keep up” for a couple months here before Rebirth. And figured I’d try the first issue of Xena…never actually watched the show, but figured this is a #1, I’ll give it a shot.

And then the Cyborg issue caught my attention with Captain Marvel on the cover (The Big Red Cheese will always be CM in my book, whatever they choose to “officially” call him, particularly in the/post New 52!). For “only” $3, I can handle a random one-off issue. I’d considered catching up on The Coming of the Supermen, but I just so entirely do NOT enjoy the Fourth World/New Gods stuff that I’m not even interested in reading it anytime soon.

I’d also forgotten about Justice League vs. Teen Titans being out this week, so snagged that…including the no-longer-Best-Buy-exclusive figurine pack. More expensive than I remembered these being in the past, but kinda paying for the figurine that comes with it.

The “regular”/”main” haul should come tomorrow…or Friday. Time’ll tell!

Some Negativity in the Form of Questions

I don’t like being negative, nor causing random (negative) ripples or fights on the internet; I don’t like flame wars, I don’t like raining on others’ parade, etc. (That’s part of why I have this blog–I can simply put MY thoughts “out there,” but I’m not inserting them into discussion forums or other places in some consciously disruptive fashion). But for now I want to vent a bit, with several questions that have arisen and that I’ve wound up with photos to illustrate said questions (in the course of prepping photos for other blog posts).

Who in their right mind is going to buy multiple copies of a reference book like The Overstreet Comic Book Price Guide?!?

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I mean, I am long used to their having multiple covers, but those usually seem (to me, in my memory) to be singular covers, just different artists and even focus on different publishers in subject-matter of the cover. Pick your favorite, so you’re not locked into a cover you despise, for a book you may be utilizing frequently for a year or more. That I can be ok with.

What I’m not ok with is something like this, where on a freaking REFERENCE BOOK they’re taking a singular image and splitting it in half. Not even doing a wrap-around cover type thing, or some insert, or whatever. If you want the WHOLE of the SINGLE IMAGE, you have to have TWO COPIES of the exact-same, not-supposed-to-be-“collectible”-itself book.

And of course, I’m pretty sure they already do multiple editions, with the volume available in hardback and paperback. I myself several years ago bought a year-or-two-old edition to have for reference of a bunch of ’90s stuff–not for the so-called “prices” or “values” listed, but as a resource to determine relatively authoritatively exactly how long various series lasted. (How many issues were there of X-O Manowar vol. 1? Instead of trying to corroborate stuff online and do a lot of Googling, just flip to the listing in Overstreet and see what the final issue listed is.)

Needless to say, I won’t even be tempted to pick up this year’s edition as a replacement or “update,” and I’d be truly curious at the effect of this “diptych” cover stunt on sales (probably not much, since I’m just one person, and grumpy at that, and it seems very few people feel so strongly on stuff as I do).

Why must there be umpteen to half a hundred variant covers rather than some sort of “art-gallery” special issue to “celebrate” a series/issue/milestone?

Valiant is just digging its hole even deeper…this totally, completely turns me OFF to even the contemplation of randomly buying X-O Manowar #50 as a new issue!

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Are there REALLY so many Valiant collectors that will truly be interested in and hunt down FIFTY COPIES of the same exact issue JUST for some covers? IF you want to celebrate the character, let other artists “weigh in on” the character, you want “bonus sales” without commissioning/contracting a whole extra story to publish…

What ever happened to the “art gallery” issues? Publish some 50-page “issue” that’s nothing but cover images (with or without cover text/logos) as something like X-O Manowar: A Celebration of 50 Issues or such. Sell it as a poster book. something.

How many people are totally turned off anymore to the constant glut of VARIANT covers? I would honestly be willing to argue that the last several years and present are far worse in terms of “variant covers” than the “Collector’s Age” of the 1990s ever was with variant/”enhanced edition” comics, with the “newsstand” and “direct market” covers.

Yet another thing that will leave me willing to not even buy new issues, but go and be fairly content to drop twice the cost of a “new” issue on a random late-Bronze-Age comic from a back-issue bin.

Why do book designs have to be ruined by “branding” on something that has had dozens to hundreds of books published in its course of existence?

While I might otherwise have some interest in purchasing new Dragonlance or Forgotten Realms books; Elminster specific volumes or something with Drizzt…I flat out refuse to buy any such mass-market paperback with that ugly D&D “swish” on the spine.

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Frankly, I don’t “get” it–does anyone specifically read Dragonlance or  Forgotten Realms books because they’re a sub-brand of D&D/Dungeons & Dragons? Speaking for myself–I sure do not. I’m interested in either property for the property itself, and I truly feel like these are marred by that “swish” on the spine.

I can appreciate the “branding,” of wanting to promote D&D over an individual setting, but I absolutely do not have to like it. Nor, in that regard, do I have to buy any of the newer editions thus marred by the branding.

What, exactly, is the POINT of the extra half-inch or whatever to have “oversized” mass-market paperbacks???

I absolutely loathe the things and refuse to buy them…and they can even put me “off” from a whole series of books if I’m not “chomping at the bit” TO read them.

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I’m trying to track down the hardcover edition of The President’s Shadow, having only just recently finally finished The Fifth Assassin. I’ve been getting Meltzer‘s books in hardcover since/including The Zero Game back in 2004 or so, so I don’t have much interest in the MMPB (I’ll get the e-book first, honestly). But even if I was interested in the MMPB, seeing it on the shelf like this, next two a couple of the earlier books simply reminds me that even if I switched to paperback, it’s impossible for me to have a complete set of his books that actually go together on the shelf, without at least a couple of the more recent/”middle” ones sticking out like glowingly-red sore thumbs, having been released in the “oversized” format.

And despite that, now they’re back to the “regular” paperback size…so there doesn’t even seem to be any commitment to one or the other, thus there isn’t even consistency to the books, whatever format, regardless of my liking them or not.

In a time when buying a movie shortly after initial release costs a premium and it seems fairly routine for prices to drop within a few months until it’s on the bargain racks within a year…does Disney truly sell more keeping the higher price, or would people who’d buy it at a lower price continue–like me–to pass on stuff?

Loosely, conceptually, I’m very interested in this Descendants property. I love “legacy” characters, seeing a universe expanded on, digging deeper into stuff I’ve already enjoyed…and thus, I was originally looking forward to the home-media release of Descendants last year or whenever it was.

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But the thing was not “on sale” for the “week of release” if I noticed it then, and I have been unwilling to pay the whopping $18 for a 90-minute “tv movie” that I know darned well is gonna be cheesey and hokey and more of a “guilty pleasure” than much else.

And month after month after month, I have never seen the thing on sale such that I’d be willing to purchase it. I think it might have once been “on sale” for $16.99, but $17 vs $18 is negligible for me compared to $15 or $13 or even $10. $15 would be seriously pushing its luck, $13 a bit more reasonable, and at this point, $10 ($9.99) would be ideal.

And this is at Target and Walmart, to say nothing of other retailers and such.

To me, the $17.99 is an odd price–more expensive than the $10-15 many movies cost, but not quite the “premium” $19.99+ units. Yet, this definitely is not something I would ever pay $20 for…and negligible as it may be if one’s got the money available to spend on something like this, I’m not paying the extra $3 just on principle, beyond the $15 or $14.99 I’d otherwise have been willing to pay.

And with this stuff outta the way, back to the usual content, most likely.

I continue to “find my comic book joy” in 1990s 25-cent issues, and increasingly in the notion of actually hunting down late Bronze Age comics. Contemporary comics–at $3.99 and increasingly $4.99; characters and properties being driven into holes into which I’m uninterested or unwilling to follow; variant covers in general…as publishers strive for some mythical “new readers” audience and increased month-over-month year-over-year and other buzzwords sales in a modern market…they just keep putting me off entirely to their product(s).

Chasing Back Issues: Guy Gardner: Warrior #29

There was a time that I figured I’d never be one to dig through back issue bins and multiple shops just looking for a random issue. Years of great quarter-bin finds and other bargain-bin acquisitions had somewhat numbed me to the notion of paying more than $1 for any given ’90s comic, having come to see most as merely 25-cent fodder.

More recently, I’ve specifically sought out an issue of Adventure Comics because of an ad for it in an issue of The New Adventures of Superboy. I bought a DC Comics Presents Annual due to some talk of the series on a podcast. I’ve sought out "random" issues of a couple other titles due to podcast discussions on them. I tracked down Green Lantern #81 for never having seen it in a quarter bin and wanting to finally read it. And so on.

And really, it’s been awakening this suppressed "joy" of the search (and finding) of certain issues. Thus far, it’s been more success than not, and really is very enjoyable to go into a week with a specific issue of a specific series in mind, and with a single trip through a handful of shops I frequent, find that issue. No ordering online and paying shipping and waiting; just finding the issue, being quite agreeable to the asking price (and it’s right there on the issue, no taking it to a counter and someone looks it up in a "price guide" NOW THAT someone is actually interested in purchasing it).

And in a post on his blog, covering the issue, Chris really piqued my interest in a Guy Gardner: Warrior issue the other day. If I already have the issue somewhere, I don’t recall it, and being intrigued, I went into a nearby shop over the weekend not truly expecting them to have the issue.

They had about half a dozen issues from the entire run…including this one, #29, that I was specifically interested in. And while I was thinking I’d prefer the newsstand cover, finding the "deluxe" "collector’s edition" for under $4 was quite pleasing.

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The price was all the more agreeable as it’s only 55 cents more than the cover price…and even adding in TAX, I only paid $3.75 for the issue.

To put that into perspective: I had a specific issue of a specific series in mind, that was published more than two decades ago, with a typical-’90s "enhanced cover," and I was able to walk into a comic shop and buy it–bag and board included–with tax–for 25 cents LESS THAN a modern 20-page Marvel or DC comic.

Instead of "just" "the latest issue" of something, I specifically sought this out, wanting it…and that wanting it, knowing it would NOT "just" be available at any/all comic shops on a rack prominently displayed…well, that just adds to the satisfaction of the purchase.

Yeah, I may still hold to EXTREMELY RARE exceptions to not paying more than $10 for any given comic, period…but I’m certainly more thoroughly enjoying back issue hunting than I would have thought, and continue to find myself enjoying back issues much more than most any new comics Marvel or DC are currently publishing.