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Filed under: The '90s Revisited | Tagged: archie, Archie Adventure Series, Comic Reviews, Ninja Turtles, Return of the Shredder, TMNT, TMNT Adventures | Leave a comment »
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Full Post at TMNT Revisited |
Filed under: The '90s Revisited | Tagged: archie, Archie Adventure Series, Comic Reviews, Ninja Turtles, Return of the Shredder, TMNT, TMNT Adventures | Leave a comment »
Written by: Dan Jurgens
Art by: Moritat, Dan Jurgens, Norm Rapmund, Will Conrad, Steve Lightle, Stephen Thopson, Mark Irwin, Ron Frenz, Scott Hanna, Brett Booth, Norm Rapmund
Colors by: John Kalisz
Letters by: Taylor Esposito
Cover by: Jurgens, Rapmund & Hi-FI
Editor: Joe Cavalieri
Asst. Editor: David Pina
Group Editor: Matt Idelson
Published by: DC Comics
Cover Price: $3.99
[———- Please note: I will spoil this issue’s ending below, denoted by a further note. ———-]
I wasn’t going to cover any of these Futures End one-shots as a singular/full review, but then, that was partially due to the fact that all these others have just been the month’s iteration of an ongoing monthly book. But to the best of my knowledge, Booster Gold has not had an ongoing series since that final issue that tied into Flashpoint pre-New 52; and I haven’t a clue where he wound up via Justice League International and whatnot.
But knowing his creator–Dan Jurgens–was the writer on this issue in that way alone made it a no-brainer for me to pick this up, once I’d given in on getting ANY of these one-shots. I wasn’t sure what to expect of the issue and hadn’t seen anything for it in promotional stuff outside of the title itself. So seeing the cover was a thrill–this is definitely one of my favorite covers of the month. I’ve always loved the blue-and-gold contrast…the pairing of Booster and the Ted Kord Blue Beetle as well as simply the contrast of the two colors against each other. That makes for a striking cover. It’s also great to see the same title logo used as the last ongoing series…it lends an extra bit of recent-nostalgic familiarity to this.
As this isn’t just the month’s “five years later” glimpse of an ongoing character/series, we actually get a look at a Booster bouncing through time/dimensions trying to remember a mission, as we see Booster imprisoned, being interrogated for something…and eventually see that rather than some disjointed story there’s more going on than it seemed initially…and certainly gives me a “selling point” to catch up on and keep up with Futures End.
I was initially put off looking at the issue’s credits seeing a number of artists credited with ranges of pages…couldn’t one person (say, Dan Jurgens himself) do the entire issue? But I almost immediately realized then that hey…multiple worlds/dimensions…different artists lend some variance to the worlds, and contrary to my initial snap-judgment, I quite enjoyed that element here.
Booster himself looked familiar, yet there was something a bit different to the character that I couldn’t place…I vaguely recalled that he’d had a “new” costume in the New 52, so I wasn’t sure where this fit. Thankfully, that actually worked with the story.
After all these years, I really enjoy seeing Jurgens work on the character–particularly the story, but the art as well. There’s also that Booster Gold is one where time-travel is an intrinsic part of the character himself…which adds to the logic of this issue’s existence. Even if the character does not have an ongoing and may or may not (for my ignorance) be a regular part of any ensemble cast of an ongoing book–for anything involving time travel, I’d expect him to be a part of it in some form.
[——————————— Spoilers below ———————————]
By the end of this issue it became apparent that this was not a matter of Booster being imprisoned and the bouncing-through-time-and-worlds-and-dimensions being merely a mind-thing with someone screwing with him to convince him to give up a secret. We’re actually dealing with the New 52 Booster Gold as well as another version…and it seems to me that this other version is either THE pre-52 version or darned close to it. I don’t know where DC officially stands anymore on stuff, but this “hint” that the DC Universe *I* grew up on is still out there is a welcome treat, whether isolated to this title, this issue alone, or something bigger.
[——————————— Spoilers above ———————————]
All in all, like the Swamp Thing issue and the Supergirl issue, I ultimately found this to be an issue independently interesting and engaging (particularly by the ending and the “new view” of the earlier pages it generated for me), and very well worthwhile to have bought and read.
The “hope,” the potential weightiness of this single, short issue’s story…the possibility that I’ve just read a new Dan Jurgens story involving “my” Booster Gold…the attractive cover, the sturdiness of the physical cover…this all lends to the issue justifying itself and the $3.99 cover price (at least in this modern age of lesser-quality physical products for the price). Very definitely one of THE best issues of the month, and one I’d certainly recommend–whether the 3D edition or the standard cover edition.
Filed under: 2014, Booster Gold, DC, Futures End (event), New 52, The | Tagged: Booster Gold, Brett Booth, Comic Reviews, Dan Jurgens, David Pina, DC, DC Comics, futures end, Hi-Fi, Joe Cavalieri, John Kalisz, Mark Irwin, Matt Idelson, Moritat, multiverse, New 52, Norm Rapmund, Pre-52, Pressure Point, Ron Frenz, Scott Hanna, Stephen Thopson, Steve Lightle, Taylor Esposito, Will Conrad | 3 Comments »
Writer: Robert Venditti
Artist: Doug Braithwaite
Colorist: Laura Martin
Letterer: Dave Sharpe
Cover Artists: Doug Braithwaite, Tom Fowler, Trevor Hairsine, and Clayton Henry
Assistant Editor: Josh Johns
Editor: Warren Simons
Published by: Valiant
Cover Price: $3.99
I can say from the start that this did not end with quite the grandiose hugeness I was expecting. For an 18-issue (now 19 including the upcoming Aftermath issue) thing, I don’t know what I was hoping for exactly, but this wasn’t it.
But then, I wasn’t buying this because it was Armor Hunters. I wasn’t following the story because of it being “an event” or the “latest event” or anything like that. I wasn’t following it because of chromium covers or variant covers. I wasn’t following it BECAUSE of any of the marketing or checklists or whatever. I was buying this because it was Valiant, and from May 2012’s relaunch to present, I’ve been “all-in” on Valiant.
That said, I found this issue to be a solid one, wrapping up this particular “core chapter” in the ongoing story that is Valiant continuity as a whole.
The art is very good as usual…I really had no complaints there. The style works and fits the story, and I was never taken out of things because of some visual quirk or stylistic twinge or otherwise anything distracting about the “meta” nature of anything with the art. The characters all looked good, the action was easy to follow, everything seemed consistent with what I’ve seen before. The art thus was good in the best way: only consciously “noticeable” because I’m choosing to comment on it in the capacity of this review. In the reading, it simply “was.” Nothing stand-out distractingly “great” but nothing distractingly bad–it allowed the story to take the stage.
Through the issue, we see Aric armor up again with the X-O suit, and reconnect with Bloodshot and the Unity team, as all come back together and the immediate threat of the team of “Armor Hunters” themselves is brought to a close.
The story is relatively simple on the surface for the issue–a lot of fighting as the hunters are laid low while the Earth-heroes take their own share of physical punishment for the trouble. But we also get some interesting elements for moving forward, and I feel like a key “promise” was indeed fulfilled–and satisfyingly so. While I don’t recall now if it was in some preview or interview or such (it may have been outside the “normal, organic” nature of following the comics themselves withOUT having comic news sites or such involved) but in my mind I’ve had the notion that we’d learn more about Aric’s armor in particular, and then as an event we’d have some lasting elements to carry on beyond.
We’ve learned that the armor is one of many, that they exert a parasitic influence over the “host” (that they’re a “host” rather than simply a being that is wearing the armor says plenty), that it’s not some one-shot thing of the armor being able to heal the host, and so on.
We have the lasting impact of Mexico City’s destruction–a city does not just get wiped off the map and get forgotten. That will be a long-term lasting thing in the Valiant continuity, setting it apart from the “real world” where we as readers know Mexico City has NOT actually been destroyed during an alien attack.
We also have the impact of things on Aric with the armor now totally bonded with him, and the limitation that he now lives with–he’s in control of the armor and it won’t just take him over, won’t heal him automatically. He now can WILL the armor to heal him…but in so doing, he cedes that much more control TO the armor, such that if he takes enough physical damage in need of the armor’s brand of healing, eventually he WILL be lost to the armor.
We also have a new relationship between Aric and MERO…as well as the first explanation I can consciously recall of the title X-O Manowar being given beyond some arbitrary X-O class armor also known as manowar armor…as an “Executive Officer” titled “Manowar,” Aric sort of has a “superhero name” now, yet not…but the title is given to him, as a thing, rather than merely being a description of the armor that he happens to wear.
While an 18 or 19 part “epic” is a bit grandiose for such a small family of titles as Valiant puts out, and rather large for ANY “event” or “crossover” as an independent thing…it totally makes sense as it has played out. The core story’s been in this 4-issue mini-series. Given the ties to the X-O Manowar title itself, we’ve gotten Aric’s story here and background on Malgam and the Armor Hunters in that title. Something of this scale would certainly affect the world as a whole, hence Unity’s involvement. Bloodshot’s recruitment fits and as one of the main/big players in the Valiant Universe his action should not be relegated to off-panel “mentions.” And as Generation Zero steps out into the world in general it’s logical that they–and the remnants of the Renegades–would become involved in disaster relief efforts.
Granted that’s a much larger-scale view than “just” this fourth issue, but having read everything, this is “just” a part of that.
Context is vital, and while there’s no gigantic singular event in this issue that in and of itself will HERE change the Valiant universe, if you’ve been following the whole thing or just this mini, or X-O Manowar, this is definitely an issue to get, not to be arbitrarily skipped for some random reason. It’s good and worthwhile, and a solid issue in itself. Of course, if you have not been following anything associated with this, it would thus be a rather strange-ish point to attempt to jump into stuff, and I wouldn’t recommend it as a jumping-on point. (Yet every issue is bound to be SOMEONE’s first).
Filed under: 2012, 2014, Armor Wars, Armor Wars (event), Valiant | Tagged: Armor Hunters Robert Venditti, Bloodshot, Clayton Henry, Comic Reviews, comics, Dave Sharpe, Doug Braithwaite, Josh Johns, Laura Martin, Livewire, Malgam, Ninjak, Tom Fowler, Trevor Hairsine, Unity, Valiant, Warren Simons, X-O Manowar | 1 Comment »
Story: Greg Pak & Charles Soule
Art: Ken Lashley, Szymon Kudranski, Cory Smith, Dave Bullock, Jack Herbert, Ian Churchill, Aaron Kuder, Vicente Cifuentes, Norm Rapmund
Colors: Wil Quintana
Letters: Taylor Esposito
Cover: Guillem March & Tomeu Morey
Assistant Editor: Anthony Marques
Group Editor: Eddie Berganza
Published by: DC Comics
Cover Price: $4.99
[———- Please note: I will spoil this issue’s ending below, denoted by a further note. ———-]
This issue is late. I believe it was originally solicited/scheduled for at least a month ago, sometime in August. I’m not certain of course, but I’m guessing that also accounts for so many involved on the art team for the issue. With all the one-shots I’ve been reading this month on the Futures End stuff, in some ways I’d even forgotten about this story for several weeks, only last week realizing “Hey…Doomed #2 never DID come out, did it?!?”
This issue sees the “last stand” of Earth and its heroes against Brainiac. With Superman having given himself over to Doomsday, his “essence” is basically a passenger along for the ride, or in the mind or such, where Brainiac reaches out, showing how much better things would be with Brainiac free to do his thing, why he should be allowed to, etc. Perhaps most pressing is that if Doomsday–Superman–“Superdoom”–destroys Brainiac, it’ll mean the destruction of all human life on Earth, as the stolen minds will be done for and not returned to their bodies.
While showing Superman visions of what could be, Brainiac continues taking down the last remnants of Earth’s heroes–having apparently utilized Superman somehow to “find” them and get through their defenses. He also reveals his core, true motivation to things, which on one hand could be sympathetic but for the notion of “the good of the many outweigh the good of the few” and all that. Lois plays a key part in things, and ultimately the minds–and thus lives–of all on Earth rest with Superman and a gambit to take down Brainiac before he can remake the universe itself.
Visually, this issue is a jumble. A lot of artists involved, but that can be forgiven as they seem to be utilized for the visions of what-could-be and such. I’ve never been a fan of the “Superdoom” look and have found it ridiculous–still do–so that lends a visual weirdness to stuff for me anyway on top of numerous artists. That said, having made it through all the tie-ins and such to this point–all those styles and renditions of involved characters–I can’t complain too much here. The issue is what it is, and whether utilized to show alternate realities or that’s just a fortuitous element given so many involved, I’ll take it at face value. The only point that I REALLY consciously noticed a huge difference was a sequence that reminded me of Darwyn Cooke‘s art.
Story-wise I’m left with a fair bit of frustration at the sheer length of this “event” and such. It seems that SO MUCH was made of the “Doomsday virus” and Superman fighting it/becoming a Doomsday and so on–that Brainiac’s involvement feels like a bait-and-switch. Like this whole thing could have been done in just a couple issues–perhaps Doomed #1, a single month’s slot of tie-ins, then this #2.
Then there’s the fact that this issue itself doesn’t even definitively end but rather kicks down the door onto something else.
[——————————— Spoilers below ———————————]
In “trying to find a place for” Brainiac, Superdoom–powered by all that Brainiac had sought–pushes Brainiac’s ship into a black hole of sorts, ready to sacrifice himself as well to see that Brainiac’s threat to the universe is over. But in this we see shards of something broken, and in those shards, we see what look to me like glimpses of the pre-52 DC Universe…particularly recognizeable to me are Nightwing and his classic first costume (circa 1989) and of course, Superman himself with the “trunks.”
Like this week’s Futures End: Booster Gold issue, this sees to show that in some fashion or another, the DC Universe that *I* grew up on is still out there somehow, and perhaps something involving Brainiac would be a key to–if not bringing it “back,” then at least accessing it.
[——————————— Spoilers above ———————————]
Despite the enormity of what we see on the last pae of the issue, I still don’t feel this story warranted all the chapters it carried, and that this could have been handled in just a handful of issues. Chances are, with the likes of Bleeding Cool and other online spoilers, this issue will wind up being fairly signifiant in the long run and thus in that regard probably worth seeking out, I wouldn’t particularly recommend it in and of itself unless you’ve been following the story in general.
I’m actually (overall) glad I went and hand got it–despite that hefty $5 cover price–for the feelings elicited by that last page, for capping things off, and giving me an “out” to drop back to spending far less each month.
Except that this issue–and event–leads directly to an aftermath issue in October’s Action Comics, at minimum. The story isn’t over. And rather than a definitive conclusion, an actual “bookend” to things…we’re simply propelled on to “The next thing.”
Superman: Doomed will probably make for a nice, thick hardcover collection, similarly thick paperback eventually…and really, that’s gonna be the way to go. If you haven’t followed stuff so far, just wait for the collected volume. If it’s priced around $30 for this entire thing, that will be quite a bargain compared to the price paid for the single issues involved, and will put the entire story between two covers instead of the umpteen ones across five-some months for the single issues.
Filed under: 2014, New 52, The, Superman Doomed, Superman Doomed (event) | Tagged: Aaron Kuder, Anthony Marques, Brainiac, charles soule, Comic Reviews, comics, Cory Smith, Dave Bullock, DC, DC Comics, DC Universe, Doomed, Doomsday, Eddie Berganza, Greg Pak, Guillem March, Ian Churchill, Jack Herbert, Ken Lashley, multiverse, New 52, Norm Rapmund, reviews, Superman, Szymon Kudranski, Taylor Esposito, Tomeu Morey, VIcente Cifuentes, Wil Quintana | 1 Comment »
FUTURES END: SUPERMAN/WONDER WOMAN #1
This issue caught me a bit by surprise, as apparently it’s the 2nd of a 2-parter, continued from the Wonder Woman issue. Not what I expected, and not something I was thrilled with, but hey…it is what it is. I read it anyway, even though I might’ve waited to track the first chapter down. But I wasn’t in the mood for that game, and since I feel like I’m always going on about how it isn’t horrible to “figure things out” in context, no reason not to put that to the test. Sure enough, I was able to figure out quite a bit just by reading alone…it helped that the nature of these stories is that there’s been a time gap anyway, so I’m already mentally wired for not having “the full story.” That said, this was one of the better issues in terms of story and felt like it really could have been setting things up for a new status quo in the ongoing if this wasn’t just a five-years-later deal. As I’m already following Soule’s run on this book anyway, it’s good–to me–to have this issue in there as well.
FUTURES END: BATMAN/SUPERMAN #1
I expected an actual fight between Superman and Batman in this issue. What I got instead was a Batman-centric story, where the confrontation happened sometime in the five-year-gap and left Batman in bad shape for where this issue picks up. Not following the ongoing series, I don’t know where this fits…whether it’s dropping any hints or particularly drawing from that. This issue also felt rather familiar in terms of Batman suiting up against Alfred’s advisement and putting himself in a situation where his body’s ready to fail him and he’s doing irreparable damage to himself, etc. I picked this one up on a whim…I had not planned ahead of time to get it, and it unfortunately proved more disappointment than not: I should have left this one on the shelf.
FUTURES END: SUPERGIRL #1
Of the various DC titles, this is the one that I’m probably most torn on. I liked stuff last year enough that I went backward several months on the title and kept up with it for several months after, though I did eventually let it go. This issue plays off from last year’s introduction of the Cyborg Superman, bringing us a Kara who is now herself a cyborg…though it quickly becomes apparent that the Cyborg exerted a certain amount of influence over her that takes old friends to bypass and get her back into her right mind. While certainly not an “ending” story, this one definitely felt like–if not the start of a new chapter–certainly the ending of one. There are plenty of questions about what happened in the Five Year Gap, and I’m all the more interested in Kara’s story simply for the various places her story can go, and hoping that it would never turn out like this. I’m also left quite curious about her relationship with other characters, particularly Captain Comet and whether that’s just a possible development or if it’s been dealt with in the Red Daughter of Krypton arc or such.
FUTURES END: JUSTICE LEAGUE #1
This is the concluding/second chapter of the two-parter begun in Justice League United. On the whole it’s this massive battle between the heroes and former hero Captain Atom, who is determined to break free of Mars no matter the cost–to the heroes, to himself, to the planet itself. And of course, the heroes have to gang up to stop him, while also dealing with the other freed villains. While in some ways the cost to the characters is higher than it might be in a regular ongoing story, it doesn’t feel all that permanent. More like the end of an arc leading to a new creative team and/or new status quo on one or more books. All in all the issue isn’t particularly memorable for me except in seeing Captain Atom play Dr. Manhattan on Mars (the latter actually based on the former). I got my 2nd chapter of 2 that I intended, though on the whole nothing particularly special to this for me.
FUTURES END: BATMAN AND ROBIN #1
I don’t know much about this Heretic character nor do I much care. I was expecting something more Damian-centric, be it memorial or I don’t know what. Instead this is just some teaser issue with a possible future-Robin, who (from this issue alone) I know nothing about and haven’t a clue why I need to care (nor how Batman’s gotten along this long in his apparent condition over Damian…which is not to suggest anyone should merely “get over” such a hurt or loss just because it’s been 5 years. That the focus of the issue is Batman’s pursuit of the true identity of this Heretic, that he does indeed get his DNA sample…it’s infuriating to me (as this is a one-shot) that we as readers do not get let in on whatever the truth is…and this made me feel like the issue was a waste. Apparently I expected at least some sort of cliffhanger-like ending stating who the Heretic was…or even was NOT. If this were a continuing issue, I’d be totally fine with what I got as it’d be likely to pick up next issue. As-is…I’m directed into the Robin Rises stuff, and I’m not going there in single issues.
FUTURES END: GREEN LANTERN: NEW GUARDIANS #1
I grew up with Kyle Rayner as Green Lantern. I get that I’ve hardly read anything with the character in years, and don’t know much about the status quo of the character for the last 30 or so issues’ time (and several GL crossover/”house events”). But from solicitation text and the cover, I sure expected more Kyle than I got. This was another passing-of-the-torch sort of issue, though I’m actually only GUESSING that this White Lantern was Kyle, based on the cover: nothing in the issue itself that I noticed confirmed or pointed out that this was Kyle, and at one point some name-dropping made me actually think perhaps this was Hal. Along with Batman and Robin this was definitely–for me–a stinker of a book and one I really would have been better off not getting. This is also the only one of the books this month with these 3D covers where the logo was given the treatment rather than just the image the logo and such is placed upon.
OVERALL THOUGHTS ON WEEK 3
Outside of the Supergirl issue, this week was pretty much a stinker for me, despite being one of the higher ones in terms of my expectation and such. Supergirl was definitely my favorite of the bunch, both the cover itself as well as the story. It may have been a circular logic sort of thing, but I didn’t even get around to reading these for a few days…and it was really only the Supergirl issue that pulled at me…the others I mostly read this week because I didn’t want to have NOT read them before the week four books would be out. Some of this is probably also blame to be lain at the feet of the price, and sticker shock this month, as virtually every one of these DC books has been a $3.99 book I would not normally get…and is on top of a bunch of other stuff, both regular and new.
Off the top of my head I’m most looking forward to the Booster Gold issue. Other than that, probably Red Lanterns and Superman…we’ll see what else may or may not grab my attention for the final week of the month…
Filed under: 2014, DC, Futures End (event), New 52, The | Tagged: Batman, Batman and Robin, Comic Reviews, Cyborg, Cyborg Superman, DC Comics, futures end, Green Lantern, Heretic, Justice League, New 52, New Guardians, Robin, Supergirl, Superman, Wonder Woman | Leave a comment »
Writer: Paul Allor
Artist: Dan Duncan
Colorist: Ronda Pattison
Letterer: Shawn Lee
Editor: Bobby Curnow
Cover: David Petersen
Published by: IDW
Cover Price: $3.99
I didn’t pay attention to the issue’s credits when I started reading, but there was something familiar to the visuals. As it should be–with art by IDW‘s first regular TMNT artist, Dan Duncan. While Duncan‘s art grew on me after a bit, it did seem a bit clunky here, not being as used to it. Still, it worked quite well for the issue.
I feel like I hardly remember details from previous issues (just the general sense of the story, having read them in month-apart segments), but just knowing the turtles have been time-hopping was enough for me for this issue’s story. We find the turtles some years in the future, in what used to be Manhattan. The brothers are surprised at the lack of alarm to their appearance walking in open daylight…until they learn the entire island is hostile territory for mutant turtles of the ninja variety. Escaping to the sewers they find a potentially paradox-inducing ally, as well as a new fight in this time…but this one is of their choosing, rather than allowing Renet to simply send them home. And by the end of the story, one of the turtles is left wondering about the present in light of the future they’d just witnessed.
Even without the 2014 Annual or the previous 3 issues of this series, I quite enjoyed this issue. There’s a definite history not only of time travel in general with the turtles, but with future versions of the turtles themselves. Fondly recalling the various “future turtles” stories in the old TMNT Adventures series from Archie, I was drawn in all the more and looking at details here than I might have otherwise been. One panel alone suggests that the world’s been divided up between the Foot, Krang, and Baxter Stockman (apparently recognized as a Fly).
The only real drawback to this series–and this might just be the immediacy of this issue–is that off the top of my head, I can’t think of anything all that poignant from the previous issues to carry back into the main continuity, while this issue has some key stuff that would be great to see carried over. In a way, I’d even say this issue could (in tandem with the Annual) be read by itself, just knowing that the turtles had bounced around through several time periods before landing here.
As this is definitely a side story, I’m glad it didn’t interrupt the “flow” of the main series. But given this is the concluding issue of a 4-part mini series, unless you’re following this one specifically or single issues in general, I’d say you’re about as well off waiting for the collected volume as trying to track down the previous issues. At the same time, if you read the 2014 Annual, you should be able to dive into this issue without much problem, even without the first 3.
All told, I enjoyed the issue, and to me, that’s the main thing.
Filed under: 2014, IDW Publishing, Teenage Mutant Ninja Turtles (IDW), Turtles in Time | Tagged: Bobby Curnow, Comic Reviews, Dan Duncan, David Petersen, IDW, IDW Publishing, Ninja Turtles, Paul Allor, reviews, Ronda Pattison, Shawn Lee, TMNT, Turtles in Time | Leave a comment »
It’s interesting (to me, at least) to look back and consider how many full reviews I’ve written of IDW‘s Teenage Mutant Ninja Turtles series to date.
Offhand, I believe we’ve had:
That’s 68 issues of new story content in this current continuity…which certainly is not bad for “only” 3 years (averages to about 23 issues per year, or roughly 2 per month).
Of these 68-ish so far, I’ve reviewed 28 of them…not quite half.
So presented below are links to all of my IDW-specific TMNT reviews as of the start of September 2014.
Main Series:
Heroes Micro-Series:
Villains Micro-Series:
Misc:
Filed under: NON-REVIEW CONTENT | Tagged: Comic Reviews, comics, IDW, IDW Publishing, Ninja Turtles, reviews, Teenage Mutant Ninja Turtles, TMNT | Leave a comment »
Story & Layouts: Dan Jurgens
Finished Art: Brett Breeding
Lettering: Bill Oakley
Color Guides: Greg Wright
Color Separations by: Android Images
Published by: DC Comics
Cover Price: $14.95
It’s been a bit over 20 years since this story first debuted, back in the spring of 1994. I remember the excitement I had for its premiere, and the orangey front cover of the first issue is rather “iconic” to me–extremely distinctive and always grabs my attention.
While this took Superman–and Doomsday–from actual continuity at the time, it’s a primarily stand-alone series that gave fans a rematch between Superman and Doomsday, as well as an origin to the monster. Its events drew directly from continuity and impacted ongoing continuity in such a way that it could just as easily have been part of the ongoing “regular” comics story-wise, though its epic nature was well-suited to a separate series.
While I read an old collected edition this time through, the series was originally published as three prestige-format volumes priced at $4.95 apiece (and this was in 1994!). The format, of course, put each at the size of a small graphic novel, and the collected work is as thick as any contemporary 6-issue volume.
While the rest of the Superman creative teams were also involved in the whole Death/Return of Superman saga, this volume being a Jurgens/Breeding work and feeling so very familiar in this read-through suggests to me that this is where I primarily came to associate Jurgens with Doomsday, and this has pretty much the best-looking renditions of the character (in my mind) to this day. (I certainly prefer this version by far to anything in the contemporary New 52 with the character).
Though the story works as a whole–Superman hunts Doomsday and the two fight once more–the story is fairly nuanced, and nicely balanced across the three parts.
The first volume is a hunt–as Superman recognizes the impact of lingering fear from having died at the beast’s previous attack and the need to face his fear. While he seeks a way to find Doomsday, we see the creature’s arrival and impact on Apokalips…taking down Darkseid, the Cyborg’s return, and Superman catching up. As a first chapter it’d be rather short to have the two actually meet, and we see Doomsday sent off before Superman can confront him.
The second volume sees Superman (and Waverider) dealing with things on Apocalypse–taking down the Cyborg, as well as Superman learning the origin of the creature. The origin takes up a goodly part of the chapter, and provides a (fictionally) plausible background for the creature from inception to its emergence in the Death of Superman story.
The third and final volume sees Superman actually face the creature in battle, with an entire planet at stake, with a new costume for the occasion. (Said costume is rather cool in itself to me for the nostalgia factor, but reeks of ’90s belts and pouches. I look at it as a chance for the costume to be done but not have to be kept in-continuity.) The creature is defeated, and status quo restored, making this not exactly timeless, but free of absolutely fitting between specific issues of the ongoing Superman titles of the time.
Another nostalgic factor to me for this volume is the fact that it contains an “introduction” (something long lost in the contemporary age of collected volumes) by Jurgens, discussing the story’s genesis and including some early design sketches of Doomsday.
I believe this series was reprinted in the Superman/Doomsday Omnibus that came out awhile back (and which is presently out of print last I’d checked) but have seen the singles for this in bargain bins. I would certainly enjoy a nice “deluxe hardcover” treatment for this, or even combine it with the later The Doomsday Wars which was done in the same length and format detailing a later confrontation with Doomsday, Superman, and (I believe) the Morrison-era JLA.
All in all, definitely one of the “greats” from my childhood, a favorite volume, and it certainly holds up to this day. Re-reading this was far more enjoyable than any of the Superman: Doomed chapters the last several months, and felt like a far better spending of time.
Though best read in context/knowledge of the general Death/Return of Superman stuff, this can be read by itself pretty well. In and of itself it’s a complete story, that does not REQUIRE previous reading, nor does it drive one into future reading.
Filed under: The '90s Revisited | Tagged: 1990s, Android Images, Bill Oakley, Brett Breeding, Comic Reviews, Dan Jurgens, DC, DC Comics, Doomsday, Greg Wright, Hunter, Prey, Superman | Leave a comment »
Story: Kevin Eastman, Bobby Curnow, Tom Waltz
Script: Tom Waltz
Art: Cory Smith
Colors: Ronda Pattison
Letters: Shawn Lee
Editor: Bobby Curnow
Cover: Cory Smith
Published by: IDW
Cover Price: $3.99
This is easily one of my favorite issues of the series so far…yet it’s not exactly one that would stand alone entirely as an introduction to the book. The fact that it deals deeply in established continuity, bridging the previous arc(s) and leading into the next is a huge strength for the issue.
When I first saw this cover (I get the “A” covers as a matter of principle) I almost grinned. Shredder and Krang facing each other as if an uneasy alliance or entering an alliance, with the under-construction Deathsta…er…Technodrome in the background? This could easily be a poster, and one I would frame and hang if I had it. So to say that the cover caught my attention in and of itself is an apt bit to note in an age of generic interchangeable covers and variants.
The interior art is similarly eye-catching, which makes sense–Cory Smith provides the interiors as well as the “A” cover. The characters’ appearances all look very good, fit established appearances from other artists, and on the whole I just can’t find anything disconcerting or off-putting that drew me out of the story or any negative reaction. I’m not typically an art-focused reader, but to put it simply: I really enjoyed the visuals to this issue.
The story opens on Shredder and Krang and immediately had me curious what they’d be up to in this issue, and half-wondering if it’d be a “talky” issue. We then shift to see what Alopex is up to, with Kitsune, and see that there’s definitely something building there. The story returns to Shredder and Krang’s conference, which doesn’t get either very far before violence breaks out and it becomes quickly apparent that the two will be at odds with each other even while having a common foe in the turtles.
This was indeed a bit of a “talky” issue…though moreso, it was Shredder vs. Krang (with a bit of Shredder’s goons vs. Krang’s goons thrown in for good measure). From the characters’ exchange I’ve realized I definitely–as I’ve somewhat suspected for awhile–missed an issue of the Utrom Empire series somehow. I found myself rather engaged throughout the issue, enjoying it immensely and wishing it wasn’t quickly drawing to a conclusion.
That the story credits three creators is something that I think has made this series extremely enjoyable for me: Eastman as original co-creator of the property, and three years in Curnow and Waltz have certainly established themselves. As a team they’re providing stories and character moments and concepts that have made IDW‘s TMNT continuity possibly the most well-rounded and pretty much my favorite of the myriad TMNT continuities out there.
There’s a definite nostalgia factor for me with Alopex–I’d initially thought she’d be a stand-in for the Ninjara character that appeared in the ’90s TMNT Adventures series…though that could yet be, just (like everything else with IDW‘s continuity) developing a bit slower and with more detail as we go along. I also far prefer this version of Krang to any other version, much as I prefer the comics Cobra Commander to the GI Joe cartoons’ version(s) of the character.
Koya and Bludgeon also remind me of TMNT Adventures characters–Koya of a character whose name I don’t recall offhand, and Bludgeon of the time-travelling shark Armaggon…whether or not these current characters have any bases visually or otherwise on the classic characters doesn’t much matter as I simply enjoyed seeing these, and have the freedom to “hope” there’s some sort of tie.
While I wouldn’t really recommend using this issue as a cold jumping-on point, it’s a strong done-in-one “interlude” that carries itself while bridging arcs and reminding readers of what’s come before that presumably will come into play in the next arc. If you’re a fan of Shredder and/or Krang this isn’t a bad issue, either, even if you’ve been away for an arc or few.
(However, if you’re looking for the turtles themselves? They don’t appear in this issue’s story. And I’m more than fine with that–the conflict with Shredder and Krang was so engaging that as I read, I was hoping this’d be the case so as to not steal page-time away from the villains.)
As much as ANY comic is these days, this is definitely worth its cover price for the read, particularly as an ongoing reader of the series/continuity. Highly recommended.
Filed under: 2014, IDW Publishing, Teenage Mutant Ninja Turtles (IDW) | Tagged: Bobby Curnow, Comic Reviews, Cory Smith, IDW, IDW Publishing, Kevin Eastman, Krang, Ninja Turtles, Ronda Pattison, Shawn Lee, shredder, Teenage Mutant Ninja Turtles, TMNT, Tom Waltz | 2 Comments »
Writer: Robert Venditti
Penciler: Diego Bernard
Inker: Alisson Rodrigues
Colorist: Brian Reber
Letterer: Dave Sharpe
Cover Artists: Clayton Crain and Trevor Hairsine
Assistant Editor: Josh Johns
Executive Editor: Warren Simons
Published by: Valiant
Cover Price: $3.99 ($5.99 Chromium Cover)
I’m not often a fan of the main character not being in a book, and for those solely reading this title, that could be a problem this issue. While this IS an issue of X-O Manowar, there’s no appearance or mention of Aric in this issue. Of course, technically, “X-O Manowar” is the armor’s designation whether Aric’s in it or not, but that puts us pretty close to “splitting hairs” territory for the moment. However, as one reading both this and the Armor Hunters mini (the whole ‘event’ for that matter), I have no problem with it, and at worst would liken it to a Marvel event where an ongoing book suddenly becomes “background detail” for a separate “event book.”
I’d said about Armor Hunters #1 that it felt like an issue of this title, and this issue feels like it could be a standalone Armor Hunters issue–even a #1 for an ongoing or such. This issue shows us the “origin” of Malgam and Reebo’s involvement with the Armor Hunters. We find them in a bar seeking their next job, where they stumble across one no one else will touch. Reasoning that if they take on what no one else would they could quickly make a name for themselves, they take it on. Of course, things don’t go at all as they’d planned, and they find themselves in the fight of their lives–for their lives–against a lone Armor…a fight that leads THEM to being the ones in the position of crazy-story-tellers others would mock.
As said, this issue feels to me like it could easily have been a #1 issue of some ongoing Armor Hunters series: we’re introduced to a couple characters, given some context of what they’re about, presented with a challenge, and given an epilogue after that chellenge that leads into What Comes Next. In that regard this would have been a very good first issue, leaving me interested in reading the next in order TO find out what comes next.
As such, as a 26th issue of an ongoing series, it would be easy to say this is misplaced. But for my own background, that’s about all I’ll give on that.
The art for this issue is consistent, clear, and easy to follow. I actually enjoyed the visuals–credit to the entire art team–and never found myself distracted or taken out of the “reading experience” due to anything funky with the art. While Malgam looks different–younger and not yet in a partial/beat-up armor–Reebo is quite recognizable and while the name isn’t as familiar to me yet his appearance IS. Suffice it, then, to say that I liked the art and found no particular fault in it this issue.
The story is quite good, offering us an origin story of Reebo and Malgam AS Armor Hunters, showing their first encounter with an Armor and their introduction to the Armor Hunters group. Since I’m “all-in” with the Armor Hunters event, I have little particular interest in what title contains what story elements in general as long as it has some sort of relation to the overall AH saga. But then, even if one is attempting solely to read X-O Manowar, given that Armor Hunters comes out of this title and holds significant bearing on this title, I see no great problem with this story falling in this issue. While this contextualizes the Armor Hunters mini, I also do not figure it’s any far cry to suspect this will play into later events within X-O Manowar itself, despite Aric not even appearing in this issue.
Though the cover usually doesn’t hold much bearing on my buying an issue when it’s part of something I’m getting “anyway” or that’s on my pull-list…this has gotta be one of my favorite covers of this series, and quite iconic to me of the Armor Hunters event in general. There’s just something to this imagery–of the planet about to blow, the armor racing away, its wearer obviously not happy–that just totally fits for me. That this is a larger than usual image (being a wrap-around cover and all) adds to the whole, and is a nice ‘bonus’ for holding the standard $3.99 cover price. (The chromium edition cover is $2 more at $5.99).
While I’d had no real intention of buying any of the chromium editions after my disappointment in the chromium edition of Armor Hunters #1, I’d forgotten that I’d requested ’em with my local comic shop, so this is the 3rd of the 6 for me, so while the chromium aspect does not–for me–hold up to the quality and appearance of chromium covers from the 1990s, I’m gaining a grudging appreciation for these, in and of themselves.
I really enjoyed this issue on the whole, and while I’ll admit there’s something to be said for its freshness and simply being “the latest chapter,” I think I can safely say it’s one of my favorite issues of the series so far, and another great part of this Armor Hunters epic.
Readers seeking to avoid Armor Hunters will likely have a reasonable disappointment in this issue, while those picking this up BECAUSE of Armor Hunters should find this to be a great piece of the overall picture. While having read earlier X-O Manowar stuff and certainly Armor Hunters #1 will lend further context and significance to this issue, one really does not have to have read any previous issues of X-O Manowar to jump in with this issue if one has read Armor Hunters #1.
I’m very much looking forward to what we get in the next issue, as well as further tie-ins to the overall Armor Hunters event, thanks to this issue!
Filed under: 2012, 2014, Armor Wars (event), Valiant, X-O Manowar | Tagged: Alisson Rodrigues, Armor Hunters, Brian Reber, chromium cover, Clayton Crain, Comic Reviews, Dave Sharpe, Diego Bernard, Josh Johns, Robert Venditti, Tall Tales, Trevor Hairsine, Valiant, Valiant Comics, Valiant Entertainment, Warren Simons, X-O Manowar | 1 Comment »