• March 2026
    S M T W T F S
    1234567
    891011121314
    15161718192021
    22232425262728
    293031  
  • On Facebook

  • Archives

  • Categories

  • Comic Blog Elite

    Comic Blogs - BlogCatalog Blog Directory

Constantine: The Hellblazer #1 [Review]

constantinethehellblazer001Going Down

Writers: Ming Doyle, James Tynion IV
Artist: Riley Rossmo
Colorist: Ivan Plascensia
Cover: Riley Rossmo
Letterer: Tom Napolitano
Group Editor: Brian Cunningham
Assistant Editor: Amedeo Turturro
Editor: Andy Khouri
Published by: DC Comics
Cover Date: August 2015
Cover Price: $2.99

I was planning on skipping this. I don’t much care for a watered-down version of the Vertigo/Mature Readers take on the title character, gave up on Justice League Dark early-on for not “starring” Constantine, and generally figured there’s more “history” for the New 52 Constantine than I really care to spend money playing catch-up on. But…this is a #1. New creative team (far as I’m aware), and it’s “only” $2.99. So I figured I’d check it out, give it an issue or so to show me what it’ll be…might as well for the price.

We open on a naked Constantine in a store, using his abilities to “con” a fresh set of clothes out of the employee. When John’s ghost-friends cause a stir, he ultimately finds himself in the company of a female demon who he finds is arranging to have a “soul farm,” so he winds up working the situation to a fairly predictable conclusion through his usual means.

Of course, that “usual” is based on my knowledge of the character from the past, from the original Hellblazer title (that was part of the initial Vertigo line and long anchored the imprint until a couple years ago) moreso than I know of the “mainstream” New 52/DC version.

The art for this issue was a bit off-putting for me when I opened the issue…particularly as I wasn’t even sure the character on the first page was actually John Constantine or not. Granted, I’m not used to seeing the character in the Birthday Suit, and some of the blame probably could be placed on the writing as well, the issue opening as it did. Once things move along a few pages, the art grew on me a bit, to where I’ll accept it much as any other Constantine or Hellblazer artist. Though, with only this single issue, I cannot say I’m likely to count Rossmo among my favorite who’ve worked on the character. However, I can definitely say that I enjoyed a 10-panel double-page spread with a sideways layout…it was different, engaging, effective in conveying so much in that part of the story, and really stood out to me for not just being more of the same.

The story was pretty good overall, and other than the obfuscated colorful language, this really felt like it could be a Vertigo issue. Though we do get left with a cliffhanger, and join the story “in progress” in and of itself the issue does give a “complete” story: We’re introduced to Constantine, his ghost entourage, and see a bit of his personality and nature by his actions, obvious intent, narration, and characters’ commentary. We’re introduced to a particular threat/situation, see his reaction to it, and get a resolution. Then we’re given a question that (ideally) hooks us into coming back for the next issue. Or in short: this is an effective first issue, doing what I would expect of a first issue.

While a first issue is not much to go on, the fact that this issue is devoid of superheroes/superheroics (only a passing mention that they even exist) is a welcome thing. My hope with this title is that it’ll be DC‘s way to have their cake and eat it, too: a solo title featuring John Constantine, BEING John Constantine, without the superheroes’ interaction…just Constantine doing his thing in his own world of sorts. But he’s part of the “main universe,” too, and thus remains available for stories that would call for his brand of involvement. I enjoy seeing him dealing with the superhero crowd…but when I pick up a book starring him, I’m not doing so for superhero stuff.

This title’s “subtitle” of The Hellblazer seems tacked-on and like some afterthought given its size and rather obviously being “just” a font rather than a focused part of the title logo. That strikes me as being a sort of appeasement, like saying “Ok, ok, we get it, y’all want a monthly comic with Hellblazer in the title!” (Granted, I understand the title Hellblazer was only ever initially used because Hellraiser was not available).

As a first issue and not knowing how dark the title may go, how long it’ll last, whether it will cross over directly with and mingle with the superhero stuff…taken by itself I think this is as close as we’re gonna get to a return to the classic Hellblazer book. As a fan of that series, I do recommend giving this a shot. I suspect readers of the recently-ended Constantine will appreciate this as well. And overall–in this day and age of seemingly EVERYTHING being $3.99+, this is a $2.99 book for the moment, so I’d recommend getting this even just to “support” the price point if you’re a single-issue buyer.

I’ll probably be back for the second issue and go from there. For my $2.99 this time, the issue was definitely worth the purchase and read, and my buying any more issues at all will be due to this fact, as I’d had every intention of outright ignoring anything DC put out for the foreseeable future.

Batman Beyond (2015) #1 [Review]

batmanbeyond(2015)001Brave New Worlds, part 1

Writer: Dan Jurgens
Artist: Bernard Chang
Colors: Marcelo Maiolo
Letters: Dave Sharpe
Cover: Chang with Maiolo
Editors: Dan Didio & David Pina
Published by: DC Comics
Cover Date: August 2015
Cover Price: $2.99

I truly had no intention of buying any DC stuff in June, let alone trying any of the nearly-half-as-many-as-the-New-52-launch-not-even-four-years-ago new titles. Yet, despite not yet reading most of New 52 Futures End, I had stuff spoiled for me, namely the death of Terry McGinnis and that Tim Drake was the new Batman Beyond…and given it’s Tim Drake, from the present shunted out of his time into the future (not the Tim Drake seen in Batman Beyond: Return of the Joker that progressed to the time in a linear fashion), I was interested.

Add to that that this is "only" $2.99 cover price (and I feel like I haven’t seen a $2.99 comic in AGES!), I figured I’d check it out….AND show SUPPORT for the price-point!

We open on some Jokerz, and a fight with Batman…excuse to show off the time period a bit, the Bat-suit’s abilities, the Alfred AI (think Iron Man’s Jarvis in the Marvel Cinematic Universe), and that the character now is a man out of time. The Jokerz were stealing a device that would reveal Gotham to Brother Eye, which would allow the city to be targeted and destroyed. Batman goes to the closest thing he now has to "home" and interacts with a new supporting cast–Nora and Matt. Matt is Terry’s younger brother, who appears likely to have some definite "issues" with Tim, and Nora took Matt in after the Brother Eye attacks. Tim then heads out to see if there’s more left of the world than Gotham, and winds up fighting a Brother Eye cyborg Superman, and then meets an old ally who is in the present through linear progression.

The story works…and definitely does well for me AS a first issue. We’re given a good structure for an introductory issue: shown a dangerous, criminal act in progress (one that actually threatens the entire city), we see the hero in-costume enter the situation and defeat them, saving the city. We see the man behind the mask, we’re introduced to a couple of major supporting-cast characters, and exposition gives us some background on recent goings-on and status quo details. We’re given a larger, more dangerous situation for the hero with some story threads tying back to the big story that led to this title existing, and then we’re introduced to another likely supporting character with a cliffhanger to leave us wondering how this character will factor into things. We see the title character, we see him in action as well as downtime, meet supporting characters and touch on the general status quo, elements to play into the larger arc (if not series in general) are seeded, and we’re given cause to come back for the next issue.

I applaud Jurgens‘ work here, and would like to say that I’ll definitely be back for the next issue…but I’m honestly not sure about that, and I’ll detail why below.

The art is very good–the issue’s a treat to look at; character designs are good, the flow of action is easy to follow, and it does what the art should without calling attention to itself AS art.

Probably my biggest problem was the double-half-page candy bar ad breaking this up…it was annoying and distracting, and very unwelcome in an age where I’m not mentally trained to "expect" such ads. I pointedly ignored it as best I could but it was a case of "the more you try to ignore it, the more you notice it."

I should want to come back for the next issue on price point combined with Jurgens‘ writing combined with the nostalgia factor for the classic Batman Beyond cartoon combined with this being actual DC Universe combined with THIS Batman Beyond being Tim Drake, a key character I have grown up with in comics since his very introduction. If any of those reasons are of interest to you, I certainly recommend this.

But on a personal level I’m not really interested in contemporary New 52 DC stuff (which this is, even if the branding/label has been dropped), and I’m reading between the lines on things that shunting Tim Drake into the future is a means to remove him from "present-day" continuity where his presence has been quite problematic for the established timeline and would run counter to the use of Damian as Robin (Dick is presumed dead and now works as a spy, Jason is off doing his own thing as Red Hood, and now there’s no longer a Robin/Red-Robin running around to muddy up Damian’s claim to the title).

If Batman Beyond remains a self-contained title and all, I may try keeping up with it for a bit just for the Dan Jurgens and Tim Drake factor. That will be an issue by issue basis and be heavily influenced by its ship-week and however many other issues I’m picking up and how interested I am "in the moment."

Secret Wars – Week of June 3, 2015

I actually enjoyed reading the Secret Wars comics I bought this week…so much so that I spent more time reading and less time even considering reviewing. And given general “life gets in the way” time-constraints (and lack of patience, if I’m totally honest) I decided instead of writing up single-issue reviews, I’d just touch base on the issues I bought this week and thoughts I had. Not exactly reviews, not exactly something else. Just my rundown of my trip into Battleworld.

Secret Wars #3

secretwars(2015)003I continue to be surprised (pleasantly) at this series. I’m less and less appreciative of the full-page text/chapter breaks (seems like a waste of pagespace to me), but I’m finding the core story here to be a lot more accessible than I expected, given the writer. Given we basically already know the outcome, and have for months before this even started, it’s still a good ride going through. As this third issue in the series, there is a shift and I sort of feel like we’ve had 3 distinct “situations” presented with the first issue giving us the end of the 616 and 1610 Earths, the second immersing us in this current Battleworld Earth, and now we begin to see some cracks and the drawn-back curtain on how this world was came to be and its background. I definitely look forward to the next issue, and whatever tie-ins I do or don’t get, I’m pretty sure I’m “all in” for this core book.

X-Tinction Agenda #1

secretwars_xtinctionagenda001The cover alone for this issue would have sold it for me. Having a classic cover-dress absolutely punched my nostalgia button–corner box with the character headshots; the bold, blocky title logo, the overly dramatic image, and even the “ACTION-PACKED FIRST ISSUE” blurb…totally something out of the early 1990s. Topping that off, the simple fact that this is an X-book. I’ve yet to read the original X-Tinction Agenda story, but I know OF it. And this issue provides some interesting (to me) character sets as well as the situation casting certain characters into a “villains” type of role…while keeping them sympathetic to me as a reader. Despite that, I’m not overly invested in these versions of the characters, and the cliffhanger doesn’t mean much to me except as “generic” potential foreshadowing. Given my enjoyment of classic ’90s X-Men stuff, chances are good that I’ll stick with this series for its duration.

Amazing Spider-Man: Renew Your Vows #1

secretwars_amazingspiderman001Given the better part of the last decade has had me with near-zero interest in the One More Day/postOne More Day take on Spider-Man, getting a fresh take on a MARRIED Peter Parker (who HAS A KID, to boot!) is something I really could not NOT support. And thankfully, despite some wariness on my part at Slott writing the book (what I’ve read of his work on Spider-Man over the past view years has had mixed reactions on my part)…I quite enjoyed the issue. Some page layouts were a bit weird and distracting as I tried to determine the exact flow of panels, but the art itself was great. The story gives a nice mix of Peter in action and interacting with his family, as well as setting up the world he and MJ live in, and providing an interesting spin on the character as things are set up for the rest of this series. I definitely look forward to the next issue (for better or worse, this is a double-ship month so I only have a couple weeks) and will see how things are shaping up from there as to whether I keep up with the series to its conclusion.

Future Imperfect #1

secretwars_futureimperfect001This is another Secret Wars tie-in based on a story I’m quite AWARE OF but have yet to actually read. I didn’t REALLY have any particular interest in it…but then I saw that it IS a Peter David book, so on his name alone, I decided to check this out. And overall, I’m glad that I did. I had no particular pre-conceived notions getting into this, so it just unfolded, and even gave an interesting twist where I thought I saw something developing but then got something else that felt like it should have been equally obvious. I also enjoyed the art overall in itself, if not all the character designs. Despite that, this is one that as a story doesn’t hit any real nostalgia buttons for me, and given the large quantity of books each week may fall off for me as I simply don’t have the “budget” to get every last tie-in title that’s on my radar. Still…having the original creator (David) getting to revisit something like this with a fresh series is something I welcome, and am glad to see out there. It also leaves me much more interested in actually reading the original, just to “experience” that for myself after all these years.

Years of Future Past #1

secretwars_yearsoffuturepast001The original Days of Future Past story in X-Men was probably the first major story that I spent awhile trying to track down just to read. I was aware of its existence, knew what issues it had been in…but did not have actual, physical access to it to read the thing. I was introduced via the ’90s cartoon, then eventually found a paperback children’s novelization, and finally at some point found the two-issue “mini tpb” to read it (years ahead of collected volumes and digital or even eBay negating such troubles). This is an oversized issue at $4.99 instead of $3.99, and that almost put me off from getting it, but since it even FELT oversized, I decided to suck it up and buy the thing…I’m giving as many of the #1s a shot as I can, figuring shops will have a better handle on ordering for the second issues, and at least I won’t miss out on a surprise #1 taking off in popularity. This had some interesting enough bits, but overall this didn’t exactly grab me…I appreciate it being drawn from the Days of Future Past-era stuff but doesn’t actually hold the tight significance of that original story for me.

Overall Thoughts on the week

Considering I’ve been largely away from Marvel for most of the past couple years, with most weeks not even buying anything they put out, it’s been quite an anomaly the last several weeks actually having Marvel in my purchase stack. This week brought out the sticker shock…with a cluster of THREE Star Wars books, and buying FIVE Secret Wars tie-ins, as well as a couple random issues AND my usual pull-list issues. Even so, while I may be “iffy” on tie-ins on a case-by-case basis, five or so weeks in and I’m still enjoying Secret Wars and still looking forward to more!

The Weekly Haul – Week of June 3rd, 2015

Secret Wars is in FULL FORCE this week, having so very quickly ramped up in quantity, frequency, etc. Marvel is truly hitting a bunch of nostalgia points with me, which is exactly what they were going for, I know…but they’ve successfully re-targeted me as an audience, if only for the duration of Secret Wars itself (though moreso the tie-ins).

weekly_haul_20150603a

I have yet to get around to actually READING the original Hulk: Future Imperfect or X-Men: The X-Tinction Agenda stories, but those are classics I’ve long been aware of and actually own (in some form) somewhere in my collection…but haven’t read. X-Men: Days of Future Past was one of THE stories in my youth, and one of the earliest hard-sought reading experiences for me to track down (I had to settle for a children’s novelization of the story before I ever got to read the actual comics!).

And of course, a married Spider-Man? After all my grousing through the years about Brand New Day and all that? An actual Amazing Spider-Man comic with Spidey, Peter, MJ, a baby, etc.? You’d darned well better believe I picked THIS one up.

weekly_haul_20150603b

On a frustrating note…there are five Star Wars titles that I’m aware of at the moment. WHY an entire 60% of that load had to fall into ONE WEEK is absolutely BEYOND me. A tangible effect, though, is that because of these, I SKIPPED Secret Wars stuff I otherwise would have bought.

I actually read Grayson #1 in the Young Gotham Sampler, and enjoyed it; if the vol. 1 that just came out/is due out were a PAPERBACK I think I’d be all over it. As-is, as a hardcover, it’s gonna wait. And while I’d had spoilers for the end of New 52: Futures End and the Batman Beyond stuff, I still opted to check this one out for myself…ESPECIALLY once I noticed the $2.99 price point (yeah, TWO-ninety-nine, NOT the virtually-standard-now THREE-ninety-nine)!

weekly_haul_20150603c

And finally on the tail end, my actual PULL LIST stuff: TMNT & Valiant. While good when I actually read ’em, I’m (dishearteningly so) amazed at how much DAMAGE has been done to my feelings toward their stuff in general of late due to the Legends of the Geomancer crap. (Damage that I think has contributed to my embracing Marvel for a bit with stuff I’m truly enjoying and looking forward to.)

I knew going into the shop this week that it was gonna be huge and expensive…I didn’t even step PAST the new issues rack this week. No quarter-bin temptations, no random back issues, etc. Just the new books, paid, and got the heck out.

Inferno (2015) #1 [Review]

secretwars_inferno001Writer: Dennis Hopeless
Art: Javier Garron
Colors: Chris Sotomayor
Letters: VC’s Joe Sabino
Cover: Javier Garro and Romulo Fajardo, Jr.
Assistant Editor: Xander Jarowey
Editor: Katie Kubert
Published by: Marvel Comics
Cover Date: July 2015
Cover Price: $3.99

I have yet to read the original Inferno saga. I remember and recognize its logo from comics I first saw in a friend’s collection, though now know it more personally through comics in my own collection, issues I’ve seen in passing in back issue and bargain bins, and know of it historically through prior revisitations and references as well as the “after-effects” it left on the X-Men-universe. But as a sucker for classic X-stories (with added appeal of late for lack of great X-stuff to get into), I was quite interested in this, if only to “check it out.” I wouldn’t necessarily choose Inferno–it’s hardly at the top of my list of favorite X-stories–but this issue was yet a mostly enjoyable read for me.

Several years after the demons took over the city, we find the Colossus willingly submits to doing Cyclops’ bidding in exchange for being allowed to–one day per year–take a squad of X-Men into the Inferno to attempt to free his sister from the demons’ grasp. After a particularly costly such encounter, the losses are driven home all the more, and Colossus finds himself nearly cut off, faced with one final rescue attempt that does not go nearly as he had hoped.

The story itself is good, taking the core concept of the classic story and giving it a different ending, pulling a “present” timeline out of that change. I’m not consciously familiar with the art team, but there’s a definite air of familiarity to me with the visuals, reminding me (I think) of Chris Bachalo‘s work…though that’s not entirely a positive. The art is not horrible or anything but it’s not exactly to my liking. Stylistically, it fits the story pretty well, and much of its simplicity works for getting across what’s going on. It could certainly be a lot worse, a lot more jarring, so I’m good with it as-is.

Where The Infinity Gauntlet had originally been its own title, and the 2099 line was basically a bunch of books with the 2099 tacked onto something (Spider-Man, Punisher, X-Men, etc) and so works with the current Secret Wars as Secret Wars 2099, Inferno works a little less so as a standalone to me. The logo is familiar and simple but on the cover seems to just be floating. Perhaps it’s the lack of a Secret Wars or Battleworld logo stretched across the top, but this mostly looks like a Bachalo-esque image with the logo elements pasted onto it.

In and of itself, this was a good issue and I’m definitely interested to see what happens in the next issue. I liked the stand-alone nature of this book: consciously I know it’s part of Secret Wars, one of the realms in that world, but on the whole this could just be an introductory issue of some parallel reality with the X-Men characters…and that works in a good way.

Perhaps not entirely worth $3.99, but getting an older, more classic-ish X-story back in the forefront is good enough for me. And given the seemingly arbitrary pricing model of Marvel‘s collected editions, I’m definitely ok with buying this as singles. Recommended particularly to fans of the original story, or early-’90s/pre-’90s X-stuff.

Secret Wars Journal #1 [Review]

secretwars_journal001The Arrowhead; We Worship What We Don’t Understand

Writers: Pru Shen; Matthew Rosenberg
Artists: Ramo Bachs; Luca Pizzari
Color Artists: Jean-Francois Beaulieu; Rain Beredo
Letterer: VC’s Cory Petit
Cover Artist: Kevin Wada
Editor: Jake Thomas
Published by: Marvel Comics
Cover Date: July 2015
Cover Price: $3.99

I think I thought and "assumed" that this was to be some broad, "down-to-earth" sort of title, like the "man on the street" view of Battleworld, since I’m pretty sure not every last inhabitant is a version of one of the previous multiverse’s "named" super-powered characters. What I got was two short stories (much like Battlworld #1), one of which trailed off into a "follow this character into a full title" note.

The stories are short and basic; Kate Bishop sneaks into Doom’s castle to steal an orb, and winds up having to take the "noble" road to see her thieving partners have a chance to escape. The second story follows some mutants as they seek to end Khonsu as their god, that they might know freedom.

In and of themselves, the stories aren’t bad…they just did not come off as very interesting to me. The first one really felt like some sort of prologue or such, particularly for having a blurb to follow the main character into the pages of another Secret Wars tie-in series. The second has an ending, but was tainted from the start by the end of the first, and ultimately feels like just some random one-off. As "moments" within Battleworld’s existince, sure, that’s fine, it’s nice to have stuff that isn’t necessarily part of the driving force behind a singular "core event series story" and all that.

But…?

But I wasn’t expecting half-issue-length stuff, I either hadn’t read at all or didn’t particularly mentally "register" what this title was…I saw THAT it was coming out, so planned on picking it up, as a tie-in to an event whose start really worked for me, more than I’d even figured at the time.

I’m not all that familiar with the visual team. I’m not all that thrilled with it on the whole–it’s ok, it fits the stories, but nothing about it is consciously memorable for me (this goes for the cover as well). You could certainly do a lot worse, but this is also a good bit of distance away from my favorite comic art. It works for the issue, but–especially for one such as me–the art is by no means a "selling point."

All in all, I suppose it’s not the worst $3.99 I’ve spent. But especially in comparison to more specific stuff–Inferno, Infinity Gauntlet, and other stuff coming up like X-Men ’92, Years of Future Past, and so on–this is a fairly disappointing issue, and if I had to choose right now for certain one way or the other if I’d get the remainder of the series, I’d err on the side of caution and give it a pass. As-is, we’ll see what kind of week it is when #2 arrives, whether or not I continue with the series.

Secret Wars 2099 #1 [Review]

secretwars_2099001Writer: Peter David
Artist: Will Sliney
Colorists: Antonio Fabela & Andres Mossa
Letterer: VC’s Joe Caramagna
Cover Artist: Dave Rapoza
Editor: Devin Lewis
Senior Editor: Nick Lowe
Published by: Marvel Comics
Cover Date: July 2015
Cover Price: $3.99

I haven’t read a 2099 book in years. Sadly, it may have been well over a decade, and closer to two. But I’ve been on a major Spider-Man 2099 kick lately with toys and really loving the classic Spidey 2099 costume, having avoided the recent series primarily for the $3.99 cover price (though there were other ‘standard’ Marvel factors for me). But throwing in with a bunch of the Secret Wars stuff, this seemed well worth checking out, so I grabbed it.

The story of the issue gets around a bit, as we begin with getting to see the 2099 Black Widow in civilian guise get called away from flirtation to action, then we meet the other current ‘Avengers’ (a female Captain America, a new Hawkeye, a new Iron Man, and Hercules, as well as Black Widow). They face off against some teched-up thugs, while interpersonal stuff comes out about the characters, and after the fight with the villais we’re given more insight into who the new characters are as well as what’s exacerbated stuff with Hercules. We meet the team’s advocate in Alchemax, as well as the current Vision, and learn of a pending threat to the team.

Even as this story is relatively simple and generic, if not a bit blatant in showing us various personality bits with the various characters and how this tea has come to be, it still works well. There’s a definite feeling for me of an "older" comic with these elements, and knowing this is Peter David back on 2099 stuff is a definite treat, perhaps contributing to my enjoying this…to my wanting to enjoy this.

I’m less familiar with the art team, but I do like the visuals on the whole. I don’t care for the cover art overall…except for Iron Man, whose armor looks fantastic to me on the cover. I actually like it throughout the issue, but particularly on the cover.

As this is new stuff, pushing the 2099 universe forward a bit or in a different direction (but no mention or reference to Doom having taken over, etc), it’s not exactly a beginning…yet it doesn’t entirely feel like just some continuation, either.

I was curious about this…curious enough to check it out. This was not a bad issue, and I’m interested on the whole in learning more of these characters…but with all the many Secret Wars tie-ins, some of these will ultimately competed with each other. I’m more willing to check out *A* first issue than to stick with an entire (mini) series. I’m not choosing from this issue to not continue, but this isn’t quite enough for me to say I absolutely will get the next issue.

If you’re a 2099 fan, you’ll definitely want to get this; ditto (I imagine) if you’d followed the recent Spidey 2099 series…or if you’re just a fan of Peter David‘s work. And of course, if you’re an Avengers fan this could almost be titled Avengers 2099, except its timing is such that it gets the Secret Wars branding foremost, and may prove to take on the entirety of the 2099 stuff, with just this first issue so focused on the Avengers team.

Recommended, definitely one of the more interesting of the tie-ins so far.

Lake Effect Comic Con Haul 2015

This weekend was the (I believe 6th) annual Lake Effect Comic Con in Mentor, OH at the Great Lakes Mall (specifically the Atlas Cinema). This is a local one-day show, primarily a "dealer’s room," but also an Artists’ Alley, and a small slate of events–a couple panels, a costume/cosplay contest, etc. The event is organized by the owner of Comics and Friends, a comic shop in the mall (that I find it hard to believe has been there so long now!)

I’ve been to at least 4 of these now, with varying degrees of luck finding stuff I’m looking for. One year I found a bunch of X-Men and Valiant stuff; another year I happened across an X-Men omnibus for 60% off cover minutes after walking in and bought it and walked out before I could spend more money. I believe it was last year I scored several action figures I’d been looking for.

I went in hoping to find a discounted Thanos vs. Hulk paperback or X-O Manowar deluxe hardcover vol. 1 and barring those, perhaps a Thanos Mighty Mugg or perhaps the Hulkbuster Iron Man Marvel Select, or maybe some cool quarter-bin issues or Power Rangers blind-box mystery vinyls, etc. Sadly, the only real bargain bins I saw were Comic Heaven and I have access to that store anytime I’m (frequently) in the area.

But one dealer had a bunch of old toys, mostly loose, as well as several classic board games…and Munchkin.

munchkin_box_front_classic

I’ve been putting the newer Munchkin Legends in my cart at Target and then jettisoning the thing before I check out for over a year, and often considering some of the expansions elsewhere when I come across them (and not getting those for lack of having the core/original game).

Finding this "classic edition" for only $12 was a great find, and means I can at least play the game itself.

munchkin_box_back_classic

I came across this Minimates Enterprise (with Captain Kirk) and picked it up, put it back, picked it up again, put it back, walked away, and then back to actually get it. Despite being a Star Trek fan, until now I’ve never actually had an Enterprise, and for the price (and the branding), I decided this is worthwhile and will definitely get some shelf space.

star_trek_tos_enterprise_kirk_minimates

There’s also the coolness factor for me that it’s the Original Series and not based on the new movies version. While I like the new movies, I like the "classic" stuff and it seems there’s much more available than for the new films.

electric_tale_of_pikachu_4pack

And I was recently remembering the classic/original Pokemon stuff, and finding the complete original mini-series for only $3 was well worthwhile.

With these three items, I figured I had spent enough and didn’t need to go looking for more to spend money on just for the sake of spending money; and since I hadn’t really seen anything particularly eye-catching or promising…that was that.

I was in and out in under a half-hour, spending only about what I’d usually spend in a typical weekly comic shop run, so I did well, and walked out with half my "budget" still in-pocket, which itself can now go to this week’s new comics.

The Infinity Gauntlet (2015) #1 [Review]

secretwars_infinitygauntlet001Story: Gerry Duggan & Dustin Weaver
Artist: Dustin Weaver
Script: Gerry DUggan
Letterer: Comicraft’s Albert Deschesne
Cover Artist: Dustin Weaver
Production Designer: Idette Winecoor
Assistant Editor: Devin Lewis
Editor: Nick Lowe
Published by: Marvel Comics
Cover Date: July 2015
Cover Price: $3.99

Particularly given my "Thanos kick" this year, and the nostalgia for me of the original The Infinity Gauntlet series from 1991 (and its followups and the evolution/devolution of Thanos across the 24 years since), this one–as a first issue, at least–was a no-brainer for me on picking up.

I was put off a bit by the Novas on the cover, which I mistakenly saw as a couple generic Novas and the new "Kid Nova" character that replaced the one I knew growing up. Turns out from the interior that I actually would like to see these Novas. I’m also rather put off by what has become an extremely nitpicky sticking-point: the Infinity Gauntlet itself, as I’m most familiar with it, as it was in the ’90s was a left-handed device. Not a right-handed piece, despite recent (the last few years and the Marvel Cinematic Universe) having it as a right-hand thing. I’m not passionate enough on the point to research when the chance actually happened or if it was intentional…I just don’t like it and it bugs me.

The interior, the story of the issue follows a young girl and her family surviving in a dystopian environment. The matriarch of the family disappeared ages earlier, choosing to attempt to protect the world and thus her family by fighting an alien threat before it could hit home. The fact it did leads most of the family to assume the woman’s death, and it’s a point of contention between several characters. While a bit of "hope" is found despite horrific developments, the end of the issue indicates things are about to get much worse.

That this is titled The Infinity Gauntlet and does not "star" Thanos is a huge disappointment for me. I also don’t like that the comics are now following the cinematic universe in referring to Infinity STONES rather than Infinity GEMS. I appreciate this is a different take on stuff, and that we’ll likely HAVE a quest to assemble the Gauntlet by series’ end, but as a first issue I am not overly thrilled.

Visually, this is a solid enough issue, though something about it–for something I went into expecting superheroics and such–seems just a bit "off" for a super-hero comic, and thus my reading experience. There is a slight Runaways vibe for me flipping back through the issue, though, so it’s not entirely out of place for me.

While I am not a fan of losing content in favor of huge one or two page "splash" sequences, this issue’s double-paged title sequence worked very well for me, generic as it is. Basically just the title, credits, and representations of the six Infinity objects (Stones/Gems/whatever) on a starfield. But having that amidst the story itself, as actual story pages instead of a textual title page opening the issue, and being two pages instead of one…reminds me of the title pages of the original 1991 series, and I just enjoy its presence.

I’m not entirely certain what to make of this, but I’m interested in seeing where things go. Rather than just a reimagining of Thanos or the Infinity Gauntlet conflict, this seems like it actually could be the start of something new and truly ongoing, and well worth my having checked this out. I do expect to pick up the next issue, and really hope to enjoy this series in general.

Ultimate End #1 [Review]

secretwars_ultimateend001Writer: Brian Michael Bendis
Penciler: Mark Bagley
Inker: Scott Hanna
Colorist: Justin Ponsor
Letterer: VC’s Cory Petit
Production Design: Manny Mederos
Cover: Mark Bagley
Assistant Editors: Chris Robinson, Emily Shaw
Editor: Mark Paniccia
Published by: Marvel Comics
Cover Date: July 2015
Cover Price: $3.99

Despite missing the first two issues (to this day 14-some years later I’ve had to rely on reprints for my personal collection) I had jumped into the Ultimate universe basically at its start, with Ultimate Spider-Man #3, and I believe I finally got to read the first two issues initially in a Mighty Marvel Must-Have edition. As such, seeing as how–after several false-starts on the “end” of the Ultimate universe–the ending is finally here, I couldn’t pass this up. And like I started with Ultimate Spider-Man with the single issues, so, too, I found it fitting to follow the single-issues here as well.

This triggers plenty of nostalgia for me from the cover, which utilizes the original trade dress of the Ultimate books–the two solid-color bars down either side of the cover with a skinnier image between. The Ultimate End logo looks familiar, though I think the font is slightly “off” from some of the other Ultimate _______ logos; and of course we have the Battleworld banner across the top and the Secret Wars stamp marking this as part of the overall Secret Wars 2015 event, specifically the Battleworld class of tie-ins. I had noticed an alternate cover with the Miles Morales Spider-Man costume, that looked like the original Ultimate Spider-Man #1 cover that I almost chose over the standard cover. However, never having acquired an original USM #1, I stuck to my guns on getting just the standard/main non-variant cover for this.

We open on (a) Spider-Man tangling with a Serpent Squad, putting him into interaction with Cloak, Dagger, and a Spider-Woman. We then shift to a huge gathering of heroes that seems made up of a mix and combination of “616” characters and “Ultimate” characters. Spidey joins in as everyone is debating the fault and situation itself they all find themselves in, before the party is further crashed by Thors.

Simply opening the book and reading, I was actually expecting the Miles Morales Spider-Man, so was surprised to see a classic-costumed Spidey. Further, this seems to be a Peter Parker Spidey, suggesting he’s either the 616 Spider-Man or another. The issue has a prologue and then jumps to “3 weeks ago,” and references a white portal/other world, so as a cursory read-through I’m not certain on the timing and how much the characters know of where they are and if that was pre-incursion or what; I have not kept up on any Marvel the last several years until Secret Wars #0 and 1. So what may be totally obvious to readers following along was not to me.

Still, knowing the basic premise, that didn’t bother me much…I recognized the various characters overall. Whether this was actually Battleworld as I assumed or a flashback to the universes still being separate isn’t a huge deal to me. Story-wise this worked well enough and had a familiar “feel” stylistically. The art of course is familiar, and Bagley‘s work is just as good now as I recall from when I was following the Ultimate Spider-Man series with his art.

This is only the first issue of–I believe–five, so there’s by no means a complete story here. We’re introduced to stuff, mostly, with a little bit of background/flashback given; this is clearly a first chapter of a larger singular story within the Secret Wars/Battleworld stuff. As I expected that going in and did NOT expect some one-off single-issue tale, I’m fine with that; I also went into this with the expectation that I’d enjoy it and that barring some huge disappointment or negative factor, I wasn’t going to bail on the series just from whatever this single issue held.

I enjoyed the issue overall–story and art, and appreciated the mix of nostalgia and new. I do look forward to the next issue and want to see where things go. I bought this because of my own history with the Ultimate books; though I suspect this may be one of the more “key” tie-ins to the overall Secret Wars as it deals specifically with ending the Ultimate Universe. (After all, Secret Wars is kicked off by the Ultimate and 616 Universes as the final two in existence, merging).

This seems like a very strong issue for a tie-in reading experience, and well worth getting if you’re following Secret Wars. It also seems likely to be a good story overall for putting the lid on the Ultimate Universe, fairly friendly even to readers like me who haven’t really read any of the Ultimate books for years. You could certainly do a lot worse than this issue!