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Constantine: The Hellblazer #1 [Review]

constantinethehellblazer001Going Down

Writers: Ming Doyle, James Tynion IV
Artist: Riley Rossmo
Colorist: Ivan Plascensia
Cover: Riley Rossmo
Letterer: Tom Napolitano
Group Editor: Brian Cunningham
Assistant Editor: Amedeo Turturro
Editor: Andy Khouri
Published by: DC Comics
Cover Date: August 2015
Cover Price: $2.99

I was planning on skipping this. I don’t much care for a watered-down version of the Vertigo/Mature Readers take on the title character, gave up on Justice League Dark early-on for not “starring” Constantine, and generally figured there’s more “history” for the New 52 Constantine than I really care to spend money playing catch-up on. But…this is a #1. New creative team (far as I’m aware), and it’s “only” $2.99. So I figured I’d check it out, give it an issue or so to show me what it’ll be…might as well for the price.

We open on a naked Constantine in a store, using his abilities to “con” a fresh set of clothes out of the employee. When John’s ghost-friends cause a stir, he ultimately finds himself in the company of a female demon who he finds is arranging to have a “soul farm,” so he winds up working the situation to a fairly predictable conclusion through his usual means.

Of course, that “usual” is based on my knowledge of the character from the past, from the original Hellblazer title (that was part of the initial Vertigo line and long anchored the imprint until a couple years ago) moreso than I know of the “mainstream” New 52/DC version.

The art for this issue was a bit off-putting for me when I opened the issue…particularly as I wasn’t even sure the character on the first page was actually John Constantine or not. Granted, I’m not used to seeing the character in the Birthday Suit, and some of the blame probably could be placed on the writing as well, the issue opening as it did. Once things move along a few pages, the art grew on me a bit, to where I’ll accept it much as any other Constantine or Hellblazer artist. Though, with only this single issue, I cannot say I’m likely to count Rossmo among my favorite who’ve worked on the character. However, I can definitely say that I enjoyed a 10-panel double-page spread with a sideways layout…it was different, engaging, effective in conveying so much in that part of the story, and really stood out to me for not just being more of the same.

The story was pretty good overall, and other than the obfuscated colorful language, this really felt like it could be a Vertigo issue. Though we do get left with a cliffhanger, and join the story “in progress” in and of itself the issue does give a “complete” story: We’re introduced to Constantine, his ghost entourage, and see a bit of his personality and nature by his actions, obvious intent, narration, and characters’ commentary. We’re introduced to a particular threat/situation, see his reaction to it, and get a resolution. Then we’re given a question that (ideally) hooks us into coming back for the next issue. Or in short: this is an effective first issue, doing what I would expect of a first issue.

While a first issue is not much to go on, the fact that this issue is devoid of superheroes/superheroics (only a passing mention that they even exist) is a welcome thing. My hope with this title is that it’ll be DC‘s way to have their cake and eat it, too: a solo title featuring John Constantine, BEING John Constantine, without the superheroes’ interaction…just Constantine doing his thing in his own world of sorts. But he’s part of the “main universe,” too, and thus remains available for stories that would call for his brand of involvement. I enjoy seeing him dealing with the superhero crowd…but when I pick up a book starring him, I’m not doing so for superhero stuff.

This title’s “subtitle” of The Hellblazer seems tacked-on and like some afterthought given its size and rather obviously being “just” a font rather than a focused part of the title logo. That strikes me as being a sort of appeasement, like saying “Ok, ok, we get it, y’all want a monthly comic with Hellblazer in the title!” (Granted, I understand the title Hellblazer was only ever initially used because Hellraiser was not available).

As a first issue and not knowing how dark the title may go, how long it’ll last, whether it will cross over directly with and mingle with the superhero stuff…taken by itself I think this is as close as we’re gonna get to a return to the classic Hellblazer book. As a fan of that series, I do recommend giving this a shot. I suspect readers of the recently-ended Constantine will appreciate this as well. And overall–in this day and age of seemingly EVERYTHING being $3.99+, this is a $2.99 book for the moment, so I’d recommend getting this even just to “support” the price point if you’re a single-issue buyer.

I’ll probably be back for the second issue and go from there. For my $2.99 this time, the issue was definitely worth the purchase and read, and my buying any more issues at all will be due to this fact, as I’d had every intention of outright ignoring anything DC put out for the foreseeable future.

Batman Beyond (2015) #1 [Review]

batmanbeyond(2015)001Brave New Worlds, part 1

Writer: Dan Jurgens
Artist: Bernard Chang
Colors: Marcelo Maiolo
Letters: Dave Sharpe
Cover: Chang with Maiolo
Editors: Dan Didio & David Pina
Published by: DC Comics
Cover Date: August 2015
Cover Price: $2.99

I truly had no intention of buying any DC stuff in June, let alone trying any of the nearly-half-as-many-as-the-New-52-launch-not-even-four-years-ago new titles. Yet, despite not yet reading most of New 52 Futures End, I had stuff spoiled for me, namely the death of Terry McGinnis and that Tim Drake was the new Batman Beyond…and given it’s Tim Drake, from the present shunted out of his time into the future (not the Tim Drake seen in Batman Beyond: Return of the Joker that progressed to the time in a linear fashion), I was interested.

Add to that that this is "only" $2.99 cover price (and I feel like I haven’t seen a $2.99 comic in AGES!), I figured I’d check it out….AND show SUPPORT for the price-point!

We open on some Jokerz, and a fight with Batman…excuse to show off the time period a bit, the Bat-suit’s abilities, the Alfred AI (think Iron Man’s Jarvis in the Marvel Cinematic Universe), and that the character now is a man out of time. The Jokerz were stealing a device that would reveal Gotham to Brother Eye, which would allow the city to be targeted and destroyed. Batman goes to the closest thing he now has to "home" and interacts with a new supporting cast–Nora and Matt. Matt is Terry’s younger brother, who appears likely to have some definite "issues" with Tim, and Nora took Matt in after the Brother Eye attacks. Tim then heads out to see if there’s more left of the world than Gotham, and winds up fighting a Brother Eye cyborg Superman, and then meets an old ally who is in the present through linear progression.

The story works…and definitely does well for me AS a first issue. We’re given a good structure for an introductory issue: shown a dangerous, criminal act in progress (one that actually threatens the entire city), we see the hero in-costume enter the situation and defeat them, saving the city. We see the man behind the mask, we’re introduced to a couple of major supporting-cast characters, and exposition gives us some background on recent goings-on and status quo details. We’re given a larger, more dangerous situation for the hero with some story threads tying back to the big story that led to this title existing, and then we’re introduced to another likely supporting character with a cliffhanger to leave us wondering how this character will factor into things. We see the title character, we see him in action as well as downtime, meet supporting characters and touch on the general status quo, elements to play into the larger arc (if not series in general) are seeded, and we’re given cause to come back for the next issue.

I applaud Jurgens‘ work here, and would like to say that I’ll definitely be back for the next issue…but I’m honestly not sure about that, and I’ll detail why below.

The art is very good–the issue’s a treat to look at; character designs are good, the flow of action is easy to follow, and it does what the art should without calling attention to itself AS art.

Probably my biggest problem was the double-half-page candy bar ad breaking this up…it was annoying and distracting, and very unwelcome in an age where I’m not mentally trained to "expect" such ads. I pointedly ignored it as best I could but it was a case of "the more you try to ignore it, the more you notice it."

I should want to come back for the next issue on price point combined with Jurgens‘ writing combined with the nostalgia factor for the classic Batman Beyond cartoon combined with this being actual DC Universe combined with THIS Batman Beyond being Tim Drake, a key character I have grown up with in comics since his very introduction. If any of those reasons are of interest to you, I certainly recommend this.

But on a personal level I’m not really interested in contemporary New 52 DC stuff (which this is, even if the branding/label has been dropped), and I’m reading between the lines on things that shunting Tim Drake into the future is a means to remove him from "present-day" continuity where his presence has been quite problematic for the established timeline and would run counter to the use of Damian as Robin (Dick is presumed dead and now works as a spy, Jason is off doing his own thing as Red Hood, and now there’s no longer a Robin/Red-Robin running around to muddy up Damian’s claim to the title).

If Batman Beyond remains a self-contained title and all, I may try keeping up with it for a bit just for the Dan Jurgens and Tim Drake factor. That will be an issue by issue basis and be heavily influenced by its ship-week and however many other issues I’m picking up and how interested I am "in the moment."

Convergence #8 [Review]

convergence008Last Stand

Writers: Jeff King and Scott Lobdell
Pencils: Stephen Segovia, Carlo Pagulayan, Eduardo Pansica, Ethan Van Sciver
Inks: Jason Paz, Scott Hanna, Trevor Scott, Stephen Segovia, Ethan Van Sciver
Colros: Peter Stiegerwald
Letters: Travis Lanham
Cover: Andy Kubert, Brad Anderson
Special Thanks: Geoff Johns, Beth Sotelo, Mark Roslan
Asst. Editor: Brittany Holzherr
Editor: Marie Javins
Published by: DC Comics
Cover Date: July 2015

[Please note that I WILL be “spoiling” this issue in this review. If you have not read it yourself and/or do not wish to know how the issue–and Convergence itself in general–conclude, you’ll want to stop reading; though I have about 2 1/2 paragraphs before I truly get to “spoiler” territory.]

I think I left off about six weeks ago–I’m pretty sure I jumped off after #2, never picking up #3 of this series. And though my enthusiasm quickly, almost totally tapered off…I again found myself curious about how this would wrap up, particularly given recent rumors at certain comic sites, and wanting to see/experience it for myself instead of just reading about it.

Of course, that was not truly worth the $4.99 cover price (at this point, that means I’ve bought THREE $4.99 issues and only one $3.99 issue of Convergence proper, which is absolutely disgusting to me). The cover also is quite generic and basic, not impressing me at all.

The story itself is relatively basic, and I certainly lack context of the past few issues. A group of heroes has gathered, to make their last stand. Someone named Deimos has just been killed by Hal/Parallax resulting in the planet becoming unstable, and its destruction threatens the Multiverse itself. A few remaining time-travelers (specifically Booster Gold, his sister, and Waverider) show up…and their solution is to bring Brainiac back. In turn, Brainiac’s solution is to absorb the temporal energy that’s been unleashed and return the heroes home, while having himself restored and the Multiverse fixed. Part of fixing the Multiverse is preventing its total collapse in the “first” Crisis. And fix stuff they do, and all the worlds are restored, the many many worlds of a Multiverse.

I mention that the story is relatively basic, and that’s in the “heroes are gathered, a last-ditch solution arrives, is executed, and we get page after page of “moments” to end the current series/event while not truly capping things off” sense.

Essentially, it seems that in a way, this means that Crisis on Infinite Earths is given a different ending, in which the final five Earths, at least, do not collapse into one single Earth, and generally that anything and everything that has ever happened in a DC comic has a place in the multiverse and is still out there somehow.

[The way I choose to interpret it is that we’re seeing the creation of a divergent branch OF the multiverse with worlds where Crisis on Infinite Earths, Zero Hour, Flashpoint, Infinite Crisis, etc. all happened or will happen existing amidst worlds in which none of those happened, and so on.]

The issue’s art is a mixed thing, with a bunch of pencilers and inkers involved. Fortunately, though seeming much like a “jam piece,” dealing with multiple versions of characters and various Earths and all that, I didn’t honestly consciously “notice” that overly much…I noticed some differences here and there but mentally wrote them off as nature of the story.

While the series didn’t hold me week to week, knowing now how it ends, I do expect I’ll still be interested in a collected volume–I half considered that it’d “only” be 5 issues to fill in my “gap,” but with DC‘s rather reasonable pricing, that $20 for 5 issues will probably be 2/3 or more the price of the inevitable hardcover of all 9 issues, so I expect to try to “hold out” for that.

Unless you’re like me and just want to get the immediate gratification of “experiencing” (reading) this issue and its place in DC History right now, or have already kept up ith the rest of the series…you’re better off waiting, I think.

This isn’t the worst ending of an event, but I wouldn’t consider it great, either as it seems to throw wide the doors on things than it does close them on even this story in itself. It does set up the new Earth 2 for the ongoing “primary”/focal part of the DC Multiverse (formerly The New 52) and leaves the entirety of DC history open such that it seems “possible” that anything/everything that’s ever been at DC is now “available” to be used in DC comics in general. Whether this ultimately proves to be good or bad, I don’t know.

I can’t say I’m thrilled with the issue in and of itself…but I am glad to have gotten to read this immediately, and be given some small “hope” of interesting self-contained stuff down the line. For the immediate present, though, this serves as a jump-off for me.

Convergence: Adventures of Superman #2 [Review]

convergence_adventuresofsuperman002Writer: Marv Wolfman
Penciller: Roberto Viacava
Inker: Andy Owens
Letterer: Rob Leigh
Colorist: Sotocolor
Cover: Mikel Janin
Assistant Editors: Brittany Holzherr, Michael Kraiger
Editor: Marie Javins
Published by: DC Comics
Cover Date: July 2015
Cover Price: $3.99

I bought this primarily because I’d bought the first issue, and it just seems too weird to me to buy only HALF a story. Plus…this is Superman, and Supergirl, and moreso, it’s Adventures of Superman, back for a shiny moment.

We open on the Phantom Zone villains beating on Superman, while Supergirl tries to save him. In the “real world” Lucius is able to contact the Super-duo and prepares to bring them back. Superman forces Supergirl to go but remains behind until she uses one of Lucius’ devices to bring Superman back through, destroying the portal before the PZ villains can come through. Then the two join up with Kamandi to fight the gorilla invasion and ultimately realize they have to take the fight beyond the city to actually make a difference.

Frankly, I found this issue to be boring. I don’t much care for the over-use of the Phantom Zone, the re-use of the villains (nor their redesign to match Man of Steel (the 2014 film) rather than classic pre-Crisis costumes), and something just seemed “off” about Superman in particular here, like he was more caricature than anything else. Supergirl seemed overly obsessed with the notion that Superman MUST Live and concern over her own pending fate to a degree that she, too, felt fairly two-dimensional. The characters, their environment, etc. continue to fall into the appearance of “based on ____” rather than BEING the same characters I’d remember or know from the past and so significantly lack any sense of true importance.

That this issue has a to-be-continued note (into Convergence #6, which I believe was out LAST week) was a surprise as I’d thought these were to be self-contained two-parters…so rather than any real attempt at an ending or any finality, and having dropped the main Convergence title due to feeling it was irrelevant to my weekly reading experience…I now find that to not be the case, which is annoying and puts me off more than a little bit.

I’m not familiar with the art aside from the previous issue of this mini, and can’t say I’m overly enthused by it…though it’s not bad or put-offish in itself. I think the primary issue I have with the visuals is that this LOOKS too “modern” for the characters involved. The cover has some interesting contrasts in colors, particularly Superman and Supergirl against the Gorillas…but the whole thing just has a certain “flat” look that I don’t particularly care for.

While I’d consciously choose to like this issue if I could, I just don’t like it, despite appreciating Wolfman‘s past with comics and that he’s handled these characters as well as post-Crisis versions before and those hold a key point of nostalgia for me.

Along with the main story there’s a Martian Manhunter short that makes this issue thicker…but as I have zero interest in the character in this context, of a reinvention or such and have an active disinterest in DC‘s “mini relaunch” in a couple weeks, I couldn’t bring myself to truly READ the thing, and skimmed it instead. It adds nothing to this issue for me, and despite knowing it’s technically new/original content it just seems out of place and just like any other “preview” I am more than used to actively ignoring. Given what it is–that it’s supposed to promote the upcoming Martian Manhunter book I’m surprised there’s no blurb or any kind of indication on the cover…if it’s a “selling point” that there are 8ish bonus pages of original content promoting the June lineup in the various Convergence issues this month I would think they should be on the cover.

In and of itself this seems quite skippable in general, particularly if you’re not keeping up with Convergence. Nothing about this issue really seems essential, fun, or important…and for the cover price, you’re better off passing on this unless you feel compelled to get it for the same nostalgic factors that hooked me, or because you really want the Martian Manhunter content because you plan to check that book out.

Convergence – Batman: Shadow of the Bat #2 [Review]

convergence_batmanshadowofthebat002Home is the Sailor

Words: Larry Hama
Pencils: Rick Leonardi
Inks: Dan Green
Colors: Elmer Santos
Lettering: Steve Wands
Cover: Philip Tan, Elmer Santos
Assistant Editors: Holzherr & Kraiger
Editor: Marie Javins
Published by: DC Comics
Cover Date: July 2015
Cover Price: $3.99

Batman and Azbats…er…Azrael, vs. Wetworks, for the fate of the city? Yeah, but I don’t even know WHICH city they’re in from this. The previous issue was several weeks ago and this one lacks anything to bring one up to speed. Sure, it’s ONLY the 2nd issue of two, but…really? So the Batmen fight Wetworks while befriending a woman and her son as the notion of getting the Wetworks team to slow down long enough for a teamup to be proposed, to endeavor to save BOTH cities. And while both cities are still around at the end of the issue, there’s no truly definitive ending.

We get the "conclusion" of a story that is NOT a conclusion. At best it’s the first act in a larger arc…but there’s no To Be Continued note, no "continued in Convergence #7," no "for the final fate of BOTH CITIES, check out Convergence #8 on sale in TWO WEEKS!" note, just some ridiculous, cliché stopping point because we’re out of pages.

And I really feel like I should have gone with my initial instinct and left this thing on the shelf. But in a fairly rare instance of it happening, the cover sold me, just by its weird coloring, and the title logo…and the strength of the previous issue’s cover (which I liked SO MUCH that I made it my phone’s lock screen, so have been seeing it several times a day for the past month or so).

I was further sold, again, by Hama‘s name on the cover…though sadly, that (and the interior credits) are the only place I have anything to truly suggest to me that Hama‘s even involved. Nothing about this "feels" like some kind of GI Joe thing, nothing reminds me of 1993-ish Wolverine, and nothing about this otherwise screams "I’m by Larry Hama!" to me.

I blame that not on Hama, but on the lack of room for anything to truly develop. And having soured CONSIDERABLY on Convergence in general since its start, having allowed myself some general enjoyment of Marvel’s version of stuff in Secret Wars, this just pales all the more as an issue.

This felt paced to be the opening of a larger story, and if this were a six-issue arc, it would seem on track to be a good story overall, having spent the first issue (re)introducing us to Zero Hour-era Batman and Azrael and setting up the Wetworks fight; this issue gave us the actual fight and leaves us with the two groups seeming about to team up; leaving several issues to show them interacting and preparing a plan; putting the plan into action and the plan going awry; an issue to refocus or have some significant change to the Batmen at least, and lead into some cataclysmic or miraculous event for one/both of the cities and a possible lead-back into some core event series.

So in a way, this is like a 6-issue mini getting canned after only 2 issues; or checking out a couple episodes of some tv show, being somewhat interested, but then told "oh, no, they just never put any more episodes out" or some such.

I’m irked at the length (technically, the lack thereof); irked at the Deathstroke "preview," that I don’t care about especially for not caring about the title or character, I’m irked at the $3.99 cover price vs. $2.99; and I’m irked that I bought this thing at all as a single issue.

This totally feels like it’s something destined for bargain bins; whether dollar bins or cheaper I don’t know. The entirety of Convergence does, for that matter. I’d bought the Superman #2 issue last week and now this; I’m wrestling with OCD on the STEEL issue as well as the handful of other #2s still pending. Consciously I know I should wait for the bargain bin appearances, but there’s part of me that just HAS TO "experience" what’s happening real-time with some of these ‘key’ issues, that is not content to just sit back and get it second-hand.

As long as you’re not feeling that way, I’d say this issue is totally skippable and inconsequential…to whatever the main story has gotten to and in general. There’s no #3 and no new #1 for Batman: Shadow of the Bat that I am aware of; no new pending title debuting starring Jean-Paul Valley, any incarnation of Azrael, or a Zero Hour era Batman, so…if the cover doesn’t suck you in or some other sentimentality grab you, wait for the bargain bins or an attractive collected volume that includes this.

Art, Pagecount, and Price in Comics

I’d picked up the first several issues of the new Marvel Star Wars and Darth Vader comics, and while I enjoyed them “well enough,” the “new & shiny” has worn off and I’m back to the fact the things are $3.99 and not feeling as “worth it” to me. (the rapid expansion of the “line” is a contributing factor as well).

darth_vader_03a

I recently caught up on some of my reading and quickly realized how FAST I was blowing through the issues. I flipped back through and realized how there was a definite LACK OF words on many pages.

darth_vader_03b  darth_vader_03e

I love the art, and the fact it has a nicely “cinematic” look is certainly appealing–VISUALLY–but AS it does a great job, I can see it, appreciate it, but I blow right through, taking stuff in like quick single frames of a movie.

darth_vader_03c

I don’t even notice much in the way of “visual sound effects” (possibly the tradeoff for not “covering up” the art) so there’s even less to slow the eye from passing quickly over stuff, taking it in and continuing on; seeing and ‘hearing’ stuff in the back of the mind.

darth_vader_03d

Granted, for the purposes of this post I’m only providing photos of some of the pages-other pages do have a lot more in the way of dialogue/word balloons–but the fact that so many of the pages go so quick is highly problematic for me as we ONLY get 20 pages of story for the $3.99 cover price.

darth_vader_03f

[Above pages all from Darth Vader #3; below are from #4]

While I certainly like and enjoy good art in comics–for me, bad art can taint a story, but good art merely adds to a story. I buy comics for the story…without a story that interests me, I don’t care how beautiful the art “in general” is.

darth_vader_04a

Particularly when I re-read comics from the ’90s and earlier I notice just how “wordy” they seem compared to a lot of modern comics. Caption boxes, plenty of dialogue, even some labels and occasional editorial notes.

Moreso with pre-’90s comics I notice the more consistent “standard” panel layouts where panels seemed primarily contained to boxes…sure, the layouts might not be as dynamic as present-day, but having more distinct panels (in my mind and memory as I type this post) seems to mean “more” panels on a page.

darth_vader_04c

Particularly when there’s a lot of quick action in-story, just like I’m not going to hit pause or switch to some half-speed mode watching tv or a movie I don’t feel any need or desire to pause in moving through an issue to look closely at every little detail that might be present or marvel at the sheer quality of the detail, etc.

darth_vader_04b  darth_vader_04d

If you’ve read my blog at any length you certainly know that I have a problem with $3.99 as a price point for comics (especially for Marvel and DC, while I’m more lenient on other publishers). Only 20 pages for my $3.99 gets quite annoying; and $3.99 when I can breeze right through an issue in 5-6 minutes would mean I’m paying the equivalent of $40/hr for entertainment. That’d be like spending $60-$80 to watch a movie!

I can buy a prose novel–a STORY–for $8 and carry the thing around reading for those 5-10 minutes at a time here and there for WEEKS before finishing it.

Not all comics are quite so quick a read (and they are certainly of varying quality)…and as said earlier, I really like the art on these issues; it’s just that I don’t find the art alone to be enough to justify the cost in and of itself.

I was already figuring I’d cut my losses and drop the Star Wars books/avoid newer ones–I can pick single issues up later from bargain bins or I can buy the collected volumes or I’ll outright forget ’em and life will simply go on.

The page count and lack of story PER ISSUE just doesn’t work for me.

Convergence: Booster Gold #1 [Review]

convergence_boostergold001Ride the Wave

Writer: Dan Jurgens
Penciller: Alvaro Martinez
Inker: Raul Fernandez
Letterer: Corey Breen
Colorist: Chris Sotomaor
Cover: Dan Jurgens, Danny Miki, Hi-Fi
Assistant Editor: Brittany Holzherr
Editor: Marie Javins
Published by: DC Comics
Cover Date: June 2015
Cover Price: $3.99

I was all set to just pass entirely on Convergence this past week. But after how thrilled I was to get my Blue Beetle Showcase volume recently, and seeing the familiar "classic" Booster Gold AND Blue Beetle logos on issues this week…I wound up buying ’em. And I was especially sold on this issue seeing Jurgens‘ name there.

Though set amidst Convergence itself, this issue basically sees the pre-Flashpoint Booster and co. meet up with the New 52 Booster as they try to piece together what’s going on. We learn a few things about the timeline (such as the fact that Booster is Rip’s father in one timeline does not guarantee it’d be so in another) as well as that while pre-Flashpoint Booster has thought he was bouncing through time, he was actually being bounced through the various domed cities. Though the group manages to get to the surface they find themselves caught up fighting Superboy and the Legion of Super-Heroes before the older Booster is pulled away, to be greeted by a familiar city…and ally.

Despite the fight with the Legion keeping this "grounded" in the realm of "just another Convergence tie-in," overall this issue felt a lot more like its own independent thing. Still very much a part of Convergence, but with the time-travel stuff and the recent (post-52 Weekly Series) status quo for Booster this stands apart. The Futures End month Booster Gold issue last year also stood alone a bit and seemed to indicate there was something more going on with multiple timelines’ Boosters…and this picks up where that left off, thematically.

It’s a bit of a tease, and likely not in a good way, being able to follow "my" Booster Gold this way. But it definitely gives the appearance of a long game and Big Stuff to throw Booster into the mix with his own issues like these despite having no solo ongoing book since Flashpoint.

The story’s good, and plays quite well with established continuities–at least for me–and far more than any of the other Convergence issues or tie-ins, I actually"feel" like I’m getting a momentary continuation or revisitation with "my" Booster rather than a glimpse of characters purported to be the ones I knew that somehow seem more like they’re "based on" than actually being those characters.

I’m not overly familiar with the art team, but the art on this issue is quite solid and looks really good overall. Some of the colors seem a bit dark and heavy, but overall this looks like what my memory says could be an issue of the last Booster Gold ongoing, and with Jurgens continuing to write the character…it feels a lot more "true" to me.

Whatever Convergence as a whole holds, I would be quite comfortable with considering the New 52 Futures End: Booster Gold issue and this mini to be a direct continuation of the 2007 Booster Gold series…and that alone makes this well worthwhile.

If you want something that isn’t just another fight book or loosely based on characters from a scant handful of previous continuities, this is one issue that seems like it’ll actually "matter." Even if I pick up no further Convergence tie-ins, I’ll definitely be back for the next issue of this.

Convergence – Week of April 8th, 2015

Convergence–the two-month “event” that covers for the absence of the “regular” DC books while the editorial offices are transferred from the East coast to the West–is officially in full swing with this week’s release of the #1 issue of the core mini and nearly a dozen #1s for tie-in 2-issue minis.

convergence001_wraparound_full

I’m not at all impressed with the cover, particularly as it appears just as an issue…but I give DC credit that this is a wraparound cover rather than having the two-panel image be an “interlocking” variant.

Rather than try to cover stuff singly, I decided–for this week, at least–to just do one huge post for the Convergence stuff I bought this week. We’ll see how coming weeks go, in this regard.

Convergence #1

convergence001Somehow, I was expecting a LOT more out of this, especially for the price. $4.99 is an awfully steep price for ANY single-issue–surpassing my hated $3.99 by a full additional 25%–and not delivering a whole lot for the cost. There are 30 story pages but also 4 “backmatter” context-pages detailing some of the “cities” in the issue.

While on some level I “know” that much of the issue involves characters fresh outta Earth 2: World’s End and presumably events of New 52: Futures End…there’s not one note anywhere in THIS issue that caught my attention referencing that. “See Earth 2: World’s End for the grisly details” or “See final few issues of Futures End” or whatever. So these are just characters that show up, and I can wonder what makes THEM so special that they get so much page-time? 

Having the “singular event” of Telos “broadcasting” himself to EVERYONE makes for a good rally-point for the first issues of the various tie-ins…something to tie them all together even if every other detail of the story has nothing to do with it…it roots them in the time-frame.

I was excited and looking forward to this issue, but sorely let-down by what I got. If the entire series was $4.99 I’d CERTAINLY pass…but it DOES drop to $3.99 after this. I’ll “grudgingly” pick up the next issue…but if it feels too much like this first one, I may let it go and wait for a (relatively) cheaper collected volume.

Convergence: Superman #1

convergence_superman001Despite HUGE changes around Infinite Crisis and beyond, I still clung to the notion that the Superman that existed up to the dawn of the New 52 was still somehow at least somewhat “my” Superman. As such, I was looking forward to this chance to revisit the character. 

Finding Superman powerless and in Gotham City was a bit of a surprise, as was learning that the whole city has been “trapped” in a dome for over a year (how “convenient” that Clark, Lois, AND Jimmy were all in Gotham at the time!). Clark’s played secret vigilante, unable to suppress the need to help others. Luckily for him, reaching the “end of the line” conveniently coincides with Telos dropping the domes and his powers returning just in time to repel a hail of bullets.

We learn that Lois is pregnant (presumably something that was able to happen due to Superman’s powers being gone), which seems to be one of the “final steps” that seem to be allowed in anything for Superman–once he has a kid it’s like that’s “it” for his story…so something as brief and temporary as this is–of course–the perfect time to “allow” such a development.

As a two-issue thing, it seems TOO short to be HALFWAY through the story already. That also makes it too short for so much space given to Telos’ bit. While I appreciate and am glad that’s there, I’d be glad for a PANEL of it, tying this to the core story but otherwise let this stand alone OR “assume” that someone has read Convergence #1 (or put the full speech FROM Convergence #1 into the backmatter for those truly curious).

And speaking of the backmatter–the recapping of stuff made me doubt myself, that perhaps this was Superman and Lois shortly after the wedding (circa 1997)…yet there was reference to stuff from the early 2000s as well, making for a very selective over-brief recap of only huge moments.

All in all I’ll be interested enough in the next issue, but I can’t quite “recommend” this in and of itself…either you’re interested in what I believe is immediately-pre-Flashpoint Superman or you’re not. 

Convergence: Batman and Robin #1

convergence_batmanandrobin001This issue picks up on a Gotham City where Batman’s back from being presumed dead/lost in time–it’s Bruce-Batman and Damian-Robin, sometime after Dick’s tenure as the Caped Crusader. Ivy’s largely responsible for the citizens of the city surviving–her control over plans has allowed for quality production of food–and the Penguin wants to threaten that. 

Batman and Robin arrive to spoil his plans, and encounter a Red Hood. Damian is jealous of how Batman seems toward his former Robin, which leads to some definite tension and an eventual having-it-out within the present Bat-family…right before the dome closing them in drops and they hear Telos’ message.

As with the Superman issue, I was glad we had the unifying moment of Telos’ message…but even moreso than in the Superman issue, it felt to me like it took up way too much space in this issue for this only being a two-issue story.

The backmatter was less than impressive to me, though it was more informative than the Superman one–I’m far more familiar with Superman than “later Batman” stuff. I have never liked the Red Hood character, and 11-some years later still have not “embraced” the returned-to-life Jason Todd…and probably never will. Having had a couple days to mull over the reading experience, I’m pretty sure I’ll only pick up #2 because of having bought #1…not for any particular interest in where this issue goes from here.

Given that pre-Flashpoint Batman essentially continued straight into the New 52, this is more like an alternate take splitting off briefly from a specific point more than it is revisiting something that’s been lost…and I do wish I’d chosen to go with the Batgirl issue instead to get Red Robin.

Overall Thoughts This Week

Even though I’m tentatively “buying into” this Convergence thing, the price of the books is a big issue for me. With 2013’s Villains Month and last year’s Futures End month, for my $3.99 and whatever-length story, I was getting that fancy cardboard stock and 3-D image cover…and the issues largely stood alone as functional one-shots. With Convergence, everything is $3.99, and I’m not even getting a slightly better quality coverstock, no fancy image technology…and this is a TWO-MONTH thing. Whatever I buy a #1 of, I’ll likely want to then get the #2…and if something would get my attention with a #2 I’d want to backtrack and also get #1.

Additionally, along with any of the issues I’d pick up, there’s the WEEKLY main/core series itself, so that’s already ONE “slot” taken up for anything extra I would buy. With the higher price point, 2 issues (the main title and a single tie-in) would almost match my buying all 3 weeklies for the last 26 weeks previous…and matching the quantity will be a significant bump beyond.

And since I’m already thinking quite a bit about possibly snagging whatever collected edition format is presented for Convergence as a whole (I’m guessing a hardcover for the core series and 4-8 paperbacks for the tie-ins) I’m already going to be rather heavily “double-dipping,” which is not very appealing to me for this. But…I’m eager enough to revisit some stuff and to read some of these that I don’t want to “just wait” and not read them at all…especially if there are some “surprise” things.

If I’m going to “double dip,” I’ll grudgingly do so on the main series and a handful of tie-ins…but I’m finding myself a LOT more “conservative” on other random books as a result. At the $3.99 “premium price” I am not going to buy half the event just to pay top dollar for collected volumes. Since I don’t even know what titles will be collected how (for example, will we have one or two volumes apiece for a Convergence: Crisis on Infinite Earths, Convergence: Zero Hour, Convergence: Pre-Flashpoint? Or will we get the series collected by “family” with Superman books clustered, Batman books clustered, etc.?)

Given my gripes and concerns…probably the largest reason I find myself looking forward to anything more is the simple notion of getting a couple months of Superman, Superman: Man of Steel, Adventures of Superman, and Action Comics again. There’s also stuff like Shadow of the Bat, which I believe the original ongoing was the first actual continuity Bat-book I got in on at its start, back in 1992 or so. And that I recently listened to the GraphicAudio adaptation of Crisis on Infinite Earths, and this strikes me as a sort of 30-year successor to that story.

Convergence #0 [Review]

convergence000The God Machine

Writers: Dan Jurgens & Jeff King
Art: Ethan Van Sciver
Colors: Marcelo Maiolo
Letters: Travis Lanham
Cover: Van Sciver with Maiolo
Editors: Dan Didio and David Pina
Published by: DC Comics
Cover Date: April 2015
Cover Price: $4.99

This issue is an appalling $4.99, for “only” 30 story pages. Yea, that beats the heck outta 20 pages or so for a $3.99 book, but that’s STILL $5! The cover seems to be the shinier/glossy higher-quality (physically) stock, so at least there’s that, too. There are several pages of backmatter, basically showing off a bunch of different “cities” that will be part of this event, and a tidbit about them, along with a classic (-ish) cover image to go with them…some of the covers more relevant than others. This certainly is not as hefty as an Annual or other special issue. At $4.99 weekly, this would be an absolute no-go for me. However, a bit of internet digging yields the notion that this is an oversized issue as a prologue, and next week’s #1 is oversized as well kicking things off, but then will drop down to the $3.99 for fewer pages.

The story of the issue is basically filling in a “gap” of time from the end of Superman: Doomed, where Superman found himself elsewhere/elsewhen, but then found himself back in regular space/time with no memory of what he experienced. Turns out that what he experienced was meeting numerous incarnations of Brainiac and seeing a number of versions of Metropolis, domed cities on a strange/alien world and railing against the notion of the people within being held prisoner…while learning from the Brainiacs that the main entity has apparently grabbed these cities from just before their timelines would have been destroyed and preserving them.

While it felt (and in my summary above probably sounds) extremely “basic,” it works as a prologue. I’d read Doomed last year, so this sorta adds a little bit to that. It also sets things up for Convergence as an event over the coming weeks.

I can’t help but think that Jurgens’ involvement on the writing side is why certain scenes and versions of Brainiac got shown as they did. I’m not familiar with King though the name is familiar (further internet digging suggests this is his comics-writing debut though he’s worked on tv stuff like White Collar that I’m familiar with). Given the co-writing credit, and not having read other comics stuff by him, too early to tell if I like King’s work or not. I suppose if I continue with this series I’ll be finding out as it looks like he’s got the reins for the main run of the series.

I’ve long enjoyed Van Sciver‘s art, going back a good decade-plus now with his Green Lantern work. While there’s a bit of a “feel” to me in this issue that’s “off” just a bit, I really enjoyed most of the art in this issue. I think the “off” stuff is a combination of things, including Superman’s armor looking strange to me compared to the classic (non-armor) suit. Despite that, I was thoroughly struck by the depiction of the classic Death of Superman scene, and really dug the bearded Superman look by issue’s end–if you look closely, he starts the issue clean-shaven but sports a short beard by the end.

While I was certainly glad to see the classic, “true” (to me) Superman and Doomsday in that one scene, I was quite disappointed to not “meet” any of the non-New 52 Supermen in this issue. I was desperately hoping to get at least a “live” glimpse of “my” Superman. But this proved equal parts Superman: Doomed and Convergence : Prologue…either way a Superman story.

I do not relish the notion of EIGHTY $4 issues (on top of the main Convergence mini)…and though this issue has me chomping at the bit for more non-New 52 DC stuff, I’m truly torn on buying into this as single issues, or waiting for the inevitable collected volumes. Given my “giving in” on Villains Month in 2013 and Futures End Month last year…I may just say the heck with it and see what grabs my attention with the covers of #1s, what most rings that nostalgia bell for me and makes me think “ok, that’s freakin’ cool and I really wanna read that!”

Though this sets stuff up, I haven’t a clue how essential it’s actually gonna be in the long run. However, it’s served its purpose in grabbing my attention (against better judgment). Now having #0–and as such essentially the first issue of the series–I’ll probably grab the big #1.

If you’ve no interest in Superman, or only intend to pick up select 2-issue minis due to favorite characters and such and don’t care or intend to follow the core Convergence story, I’d skip this. If you’re considering the series, dipping in…and can stomach the $5 price…Convergence has technically started with this.

The Weekly Haul – Week of March 18, 2015

While not the largest week, this was certainly a largER week than I’d “prefer” these days for new comics.

weekly_haul_20150318a

I believe there are only two issues left of the Solar series to finish out…and only a couple more weeks on the DC Weeklies.

I “recognized” Secret Identities from enjoying the first issue last month, and with a handful of other #1s was itching to try something “new” for the sake of something “new.” I opted for Red One over Chrononauts (which was going to be my first choice) or even both.

There were a bunch of covers for Chrononauts…which, to me, means they have no need of me to support the title because frankly, they expect people out there to buy multiple copies, which will MORE THAN cover me purchasing #1. (Or by extension, #2 or #3 or #4….).

I flat-out did not buy to try the first issue of what was otherwise an interesting enough concept and title because I refuse to support some random title sporting so MANY VARIANT COVERS. I was going to buy it, until I noticed all the variants.

I’m also on the hunt for Warlord of Mars #0, and checked a couple comic shops for DC Comics Presents #31 and Nightwing (1990s) #30 with no luck, my interest in the latter two up thanks to listening to a podcast this morning; the WoM issue thanks to listening last week to an interview with writer Matt Brady.

I’ll likely resort to eBay or such this weekend on that one once I’ve checked a final shop.