• February 2026
    S M T W T F S
    1234567
    891011121314
    15161718192021
    22232425262728
  • On Facebook

  • Archives

  • Categories

  • Comic Blog Elite

    Comic Blogs - BlogCatalog Blog Directory

Avengers vs. X-Men #1 [Review]


Full review posted to cxPulp.com
.

Story: 4/5
Art: 3.5/5
Overall: 4/5

Captain America #1 [Review]


Full review posted to cxPulp.com
.

Story: 2.5/5
Art: 4/5
Overall: 3/5

Criminal: The Last of the Innocent #1 [Review]

The Last of the Innocent part 1

By: Ed Brubaker and Sean Phillips
With: Val Staples
Published by: Icon/Marvel

I’d pretty much forgotten the existence of this title. It seems to be a series of mini-series, each serving as a particular character or story arc. I’ve never disliked an issue I’ve read, but one of the best things about Criminal is the same thing that’s kept me from getting invested: the stories are full. Read just one issue, and there’s a full enough story there that it’s almost hard to believe the thing continues.

This issue follows Riley as he journeys back to his hometown to see his father before a risky surgery, and reconnecting with old friends and old memories. Of course, the trip nicely coincides with an itch to get away from debt he owes to some legbreakers and provides a chance to grab some quick cash to pay them off.

The story itself is very down to earth and realistic. No superpowers, no superheroics, no supervillains, no world-conquering invading armies, no wars or proclaimed crises of any kind. The characters are all believable if not stereotypical, and there’s some great allusion that serves to add even more depth to these characters and at one point left me actually laughing at picturing the alluded-to character acting in this way.

The art is simple yet detailed. It doesn’t try to be photorealistic, and simply depicts the characters. And the flashbacks being done in an even simpler style of old comic strips (in the vein of Archie, most recognizably to me) adds to the sense of layering and allusion.

The end of the issue is both ending–stopped here, it leaves plenty to the imagination. But it also–since it DOES promise more–piques the curiosity and leaves me wondering what comes next, especially for a book called Criminal, from Brubaker.

There may be some stuff here that I’m simply not getting, references or characters from some previous story. But if there is, I don’t see it, and I’d say it’s non-essential. I picked this up cold, and enjoyed it for itself. This is a brand new story, a brand new #1, and a great jumping-on point. All you need to know, I’d say, is that this is a creator-owned property from Brubaker and artist Sean Phillips, about very realistic people in a realistic world, if a bit noir-ish, and that the title Criminal fits the content.

Highly recommended.

Story: 8/10
Art: 8/10
Whole: 8/10

Captain America: Reborn #6 [Review]

By: Ed Brubaker, Bryan Hitch and Butch Guice
Colors: Paul Mounts
Leters: VC’s Joe Caramagna
Designer: Rian Hughes
Covers: Hitch and Mounts; John Cassaday and Laura Martin; Joe Quesada, Danny Miki and Richard Isanove
Assoc. Editor: Lauren Sankovitch
Editor: Tom Brevoort

Before I read a single page of this issue, I was impressed by a stark difference I’m entirely unused to. This issue–at least, for the version of the cover that I bought, keeping with the visual style of the covers I’ve chosen since issue #1–sports not only a wrap-around cover, but a gatefold as well. That is, we have a 3-“panel” cover that folds out to the width of 3 comic covers, as a single, large image. Meanwhile, the latest Justice League of America issue from DC features HALF of a two-panel image as each of two different editions of the same exact issue. I dislike variants, but have a much easier time tolerating them when each is at least its own complete image. And the “build-an-image” motif where covers connect to form a larger image is cool, so long as it is multiple different issues–whether consecutive issues of a series/mini-series, or of a crossover/story arc.

Picking up where the previous issue left off, this issue finds Steve Rogers in his Captain America uniform, his body in control of the Red Skull’s consciousness, ready to murder his old partner Bucky, now the current Captain America. Meanwhile, a number of friends/allies fight for not only the rescue of Steve but also of those who have become entwined with the Red Skull and his machinations. Steve battles for control of his body, and unsurprisingly (especially given the title of this series) Steve wins out, the Skull is dispatched, and Steve is left–stable and no longer being bounced throughout his own history–in the present, to deal with a world in which he’s been absent and missed the Secret Invasion and most of Osborne’s Dark Reign.

The art on this book is high quality stuff. While it’s not perfect or anything, It really brings a lot to the story, enhancing the story and never particularly distracting from the reading experience. There are a couple of “iconic” full-page shots that were a little distracting as a result (in a good way, though). Despite the distraction–of noting the enormity of the moments depicted–they were a couple of my favorite moments of the entire issue. One shows Steve and Bucky rushing into battle side-by-side…two Captain Americas existing side-by-side. The other is Steve leaping into the fray, shield raised, the sunlight glinting off it, as many of the characters realize that THEIR Captain America is back.

While I tend to enjoy Brubaker‘s writing, this issue seemed so anticlimactic as to lack any real enjoyment for me. The enjoyment I found was in the art, in those images mentioned above. It doesn’t help that there wasn’t much to “wonder” about in this series. The title itself gave away the ending: Captain America would be reborn…and as we’d pretty much JUST wrapped up an 18-month mega-arc introducing a NEW Captain America into things (Bucky’s transformation from enemy agent to Shield-bearer)…it was pretty darned obvious. This issue in particular was spoiled by the fact that its first “epilogue” shipped some 4-5 weeks ago. Why that couldn’t have simply been held is beyond me–but it gave us an issue of Steve obviously back, obviously no longer bouncing through time, obviously alive, and Bucky alive as well. All that was left was the exact, specific details as to how things would wrap up.

If you’ve been following the series so far, it’s worthwhile to snag this issue to wrap up and such. Otherwise, wait for the collected edition–which will HOPEFULLY contain not only this 6-issue mini, but BOTH epilogues: Who Will Wield the Shield? and Who Will Not Wield the Shield?

Story: 5/10
Art: 8/10
Overall: 6.5/10

Captain America: Reborn #4 [Review]

By: Ed Brubaker, Bryan Hitch and Butch Guice
Colors: Paul Mounts
Letters: VC’s Joe Caramagna
Covers: Hitch, Guice and Mounts; John Cassaday and Laura Martin, Joe Kubert and Laura Martin
Assoc. Editor: Jeanine Schaefer and Sankovitch
Editor: Tom Brevoort
Publisher: Marvel Comics

I’m not 100% certain I bought/read issue 3 of this, offhand. Even if I not only read issue 3 but also reviewed it, I don’t at present recall issue 3. Despite that, it’s almost an irrelevant point as this issue finds Cap still bouncing through time, the Skull and crew still getting things assembled, and Cap’s allies still playing catch-up.

Skull and crew arrive in Latveria at invitation of Doctor Doom. Doom fixes their time device, while Cap’s allies are finding out what happened with Sharon and how she–and her blod–hold the key to what’s going on with Cap.

As Doom’s device is activated, things come to a bit of a head as a body is present, though all may not be quite as promising as it appears.

The art’s easily the best part of this story. Hitch draws a great Doctor Doom, and I found myself enjoying the visuals even as the story sped through its own pages. Brubaker’s done a great job overall with the Captain America saga. This series seems just a bit much, though, and something feels a bit “off” from what I enjoyed in reading the first omnibus and the 1.5-year saga following up on Steve’s death and Bucky’s installation as the new Cap.

If you’re specifically a fan of Brubaker’s work you’ll probably enjoy this; ditto if you’re a fan of Hitch’s art. If you’ve been following this mini thus far, probably worth finishing out the story. Otherwise, you’re probably just as well holding off for a collected volume.

Plus, with a collected volume…you won’t have two different titles for the same story (three, if we count the fact that this essentially IS the Captain America title right now, outright replacing the main title for its duration).

Story: 5.5
Art: 9
Overall: 7

Captain America: Reborn #2 [Review]

By: Ed Brubaker, Bryan Hitch and Butch Guice
Colors: Paul Mounts
Letters: VC’s Joe Caramagna
Covers: Hitch, Guice and Mounts; John Cassaday and Laura Martin, Tim Sale and Dave Stewart
Assoc. Editor: Jeanine Schaefer and Sankovitch
Editor: Tom Brevoort
Publisher: Marvel Comics

Well, I’m glad I picked the cover I did for the first issue…it seems that that was indeed the “standard” cover, meaning if I follow through with this entire series, I won’t be left feeling like one of my covers is out-of-place with the others.

I continue to be baffled as to why this couldn’t just be issue #602 of Captain America (or better yet, #53 or whatever without the renumbering). After all, while we have a different artist in Hitch on the visuals, the story is still Brubaker’s, and honestly looks and feels like any other issue of Captain America. If it’s about the chance at a #1 in the face of combining all previous runs to make the fat ol’ #600…then surely part of the trade dress for this story could have displayed a “part #1” or “part #2” while having the actual issue number in small print.

As said…this story is very much a Brubaker issue of Captain America. Amidst some Lost-styled time-hop scenes of Stever Rogers reliving scenes of his earliest days as Captain America (and his transformation from scrawny kid TO Captain America) we learn a little bit about the time-flashing that likely foreshadows something significant for later in the story. We also see the present as the current Captain America–formerly Bucky–and the Black Widow face Norman Osborne’s “evil” (or is that “dark?”) Avengers and see that Norman’s now got a stake in things as he issues an ultimatum to act as the issue’s cliffhanger.

It seems almost a given to me that Brubaker’s writing is high quality and in top form here–whatever “event” this is billed as, and whatever elements may or may not have been “forced,” he makes the story work in and of itself in its own sandbox that we’ve seen since his run started…while incorporating obvious and relevant elements from the larger Marvel Universe as a whole.

Hitch and Guice provide excellent visuals that capture the tone of the story very well. Though the art may not match up 100% with what the bulk of the Cap series has had, it certainly fits very well with it…having its own style without being a departure from what longer-time readers are likely familiar with. In itself, no complaints from me on the art.

Taken as a whole, this issue was pretty good. I was actually intending NOT to buy this issue due to the price tag and figuring on waiting for the collected edition if anything–but with Marvel’s pricing of late, it’s probably cheaper this way, and I have the feeling this pulled-out-into-itself mini-series will greatly inform whether or not I return to the monthly Cap book this fall.

If Cap’s your thing, this is well recommended. Otherwise…you would probably be more satisfied waiting for a complete arc to read.

Story: 7/10
Art: 8/10
Whole: 7/10

Captain America: Reborn #1 [Review]

By: Ed Brubaker, Bryan Hitch and Butch Guice
Colors: Paul Mounts
Letters: VC’s Joe Caramagna
Covers: Hitch, Guice and Mounts; John Cassaday and Laura Martin, Alex Ross, Joe Quesada, Danny Miki and Richard Isanove
Assoc. Editor: Jeanine Schaefer
Editor: Tom Brevoort
Publisher: Marvel Comics

After the reveal in Cap #600 that the gun we thought had killed Steve was something other than a simple gun, this issue picks the story up and moves forward. We see what appears to be a flashback to Steve’s time in World War II, though we quickly discover there’s a bit more to the scenes than just flashbacks. In the present, we see the other players of the story gather, and discover the nature of Steve’s flashbacks–which also seems to set up what is to come later in the story. We also discover through terminology and visuals that it would be really quite simple to set “Lost” square into the Marvel Universe.

As returns go, the story seems to be plausible enough in terms of comic book returns. I’ve enjoyed just about everything I’ve read from Brubaker the last couple years, be it Captain America, Criminal, Incognito, and what-have-you. I recently read through the Captain America by Ed Brubaker Omnibus, which gave me a great appreciation for the story he’s told the last few years in the main Cap book (it’s that reading that also convinced me that I think it far, far too soon be seeing Steve brought back). However, as stories go, this seems upper-middle-of-the-road to me, mainly because my first thought at a couple of scenes was of Lost (and reinforced when I saw comments pop up on Twitter on that subject).

The art is good stuff, and seems to fit the tone established across Brubaker’s tenure on the main Cap book–high quality, and nothing jarring me out of the story for any particular visual issue. It’s not spectacular, but it is good–and I really have zero complaint on the art…at least on the interior. I do have a bit of an issue with the variants, but that’s a usual complaint from me–I don’t like ’em.

On the whole, this is not a bad start to this mini–but the cover price combined with its place (presumably) within the ongoing Captain America story…I don’t plan to pick up later issues, and will await the collected volume(s). If out-of-title event minis–or Brubaker–or just Cap–are your thing, you’ll probably enjoy this. I do expect this is going to read a LOT better as a collected single story, though.

Story: 7/10
Art: 8/10
Whole: 7/10

Captain America #600 [Review]

One Year After

Writer: Ed Brubaker
Art: Butch Guice, Howard Chaykin, Rafael Albuquerque, David Aja, Mitch Breitweiser
Colors: Frank D’Armata, Edgar Delgado, Matt Hollingsworth, Mitch Breitweiser
Letters: VC’s Joe Caramagna, Chris Eliopoulos
Assoc. Editor: Jeanine Schaefer
Editor: Tom Brevoort
Cover: Steve Epting (variant by Alex Ross)
Publisher: Marvel Comics
Other features and bonus materials: Credits below review

The best thing I can say about this issue, and the “core” story is that in terms of the continuity itself, it’s pretty good. Brubaker and the artists deliver a story that fits well within the ongoing narrative…however, any “surprise” or “wonder” to where things were going were totally blasted away by Marvel’s hype-machine…a hype-machine that suggested this would be the best thing since sliced bread (or Captain America #25, anyway).

Guess what?

It’s not THAT good. It fails to live up to the hype.

The story centers on the one-year in-story anniversary of Steve Rogers’ death. The various characters–particularly Bucky as the new Captain America, Sharon Carter, Falcon, and the rest of the (whatever adjective) Avengers as they recognize the date and deal with it in their own way. Sharon makes a startling discovery that seems to be the key to what will come in the Reborn mini.

WHile there are numerous extras in the art credits for this story, the art still came across quite well, and the changes in art did not seem all that glaring to me–if anything, they managed to fit the story itself for the most part. The writing continues to be the strong stuff one expects from Brubaker, and delivers in that way.

However, it seems that one must now follow the story from this issue into a 5-issue mini-series to get “the whole story,” to say nothing of 1. this title apparently will be on hiatus for the duration of the mini and 2. this is the second big-number “anniversary issue” in the last several months–with all the #1s and a couple #50s and whatnot in the last decade or so…the point kinda loses its impact.

The bonus materials were decent, but not wonderful. I enjoyed the Origin segment for the art styling and its brief overview of Steve Rogers’ origin. The In Memoriam segment was also pretty good, giving a look at characters from Cap’s past that haven’t really had a huge place in the present stories. I vaguely recall at least one of the characters from the last Cap series I’d followed (the one that ran from 1998 or so until 2001/early 2002). The other segments were decent but nothing spectacular or memorable. I did not read the reprint part–something about it just wouldn’t draw me in, and I couldn’t bring myself to force a reading of it. However, it looks to be an early Cap vs. Red Skull story, presumably to add some context to the characters’ history given the Skull’s prominence in this series/saga.

All in all, the issue is (barely) worth its cover price…it took long enough to read to at least “justify” the $2 higher price over a standard issue. It did not measure up to the hype, though…and unless you’ve been following Brubaker’s saga for awhile, I wouldn’t really recommend this issue. I assume you’ll have all you need to “get” the story if you simply know that Steve Rogers died, and then pick up with whatever the story is in Captain America Reborn.

(Core) Story: 7/10
Art (core story): 8/10
Whole (including issue’s extras): 5.5/10


Origin
By: Alex Ross, Paul Dini, Todd Klein (first published in Captain America: Red, White and Blue; September 2002)

In Memorium
Script: Roger Stern
Art: Kalman Andrasofszky
Color Art: Marte Gracia
Letters: VC’s Joe Caramagna, Chris Eliopoulos

The Persistence of Memoriabilia
Script: Mark Waid
Art: Dale Eaglesham
Color Art: Paul Mounts
Letters: VC’s Joe Caramagna, Chris Eliopoulos

My Bulletin Board
By: Joe Simon

Red Skull’s Deadly Revenge
By: Stan Lee and Al Avison (first published in Captain America Comics #16; July 1942)

Cover Gallery
Special Thanks To: Philipp Lenssen (coverbrowser.com, comics.org)

Misc. Credits
Designer, Bonus Material: Spring Hoteling
Production, Bonus Material: Jerry Kalinowski
Editor in Chief: Joe Quesada
Publisher: Dan Buckley
Executive Producer: Alan Fine

Chiming in on Captain America

So, Marvel–or the comics news sites, or some combo therein–managed to hook me.  Last week while I was at my primary local comic shop, I asked if I could be put down for a copy of Captain America #600.

I had picked up the first couple issues of Brubaker’s run when they came out, and didn’t find it to my liking at the time.  I returned with issue #25, and stayed on til #45 (18-part Death of Captain America epic, and the first three “Bucky issues.”  Decided to bail on the book to wait for the trades (and lookie here, I only lasted the equivilent of a single arc and I’m coming back).

I don’t know what the “big news” will be next Monday–whether it’ll be a Return or actual Rebirth of Steve Rogers.

But to be honest, I sincerely hope the news does not involve “the” (nor “a”) return of Steve Rogers. At least not yet.  I just last week finished reading the Captain America Omnibus (1-25 plus a couple specials), and adding that to what I read in singles from 25-45…it’s just far too soon in my mind for them to be bringing Steve back. With 25 issues of build to get to the death, and another 18 issues to get Bucky officially into the costume…I can’t honestly believe they’d (Marvel) force Steve’s return when Bucky’s only actually BEEN in the costume for 9 issues.

I think back to the 1990s and changes wrought–remember the bone-claws Wolverine?  That particular change stuck for a full SIX YEARS (real-world time). So much so that I think that version of Wolverine was actually starting to get a bit of notice outside of standard comic book readers (I have zero stats to back that up, though).  (But when one looks at stuff like the Ultraverse crossovers, the Overpower card game, possibly video games, etc…)

I hope that Bucky stays in the costume for at least a few more years.  Even then, at this point I think I’d find Steve much more interesting in a General Hawk sorta way–circa the latter issues of the first Devil’s Due G.I. Joe series.

But hey…time’ll tell. Right?

Captain America #45 [Review]

Time’s Arrow – Part 3 of 3

Writer: Ed Brubaker
Pencilers: Luke Ross with Butch Guice
Inkers: Rick Magyar, Mark Pennington and Butch Guice
Colors: Frank D’Armata
Letterer: VC’s Joe Caramagna
Production Irene Lee
Assoc. Editor: Jeanine Schaefer
Editor: Tom Brevoort
Cover: Steve Epting
Publisher: Marvel Comics

Bucky (well, Captain America) continues his battle with Batroc and a mysterious assailant with ties to the past. By the time all’s said ‘n done, Cap finds himself facing an even bigger threat than he’d initially thought.

No real complaint on the art here for me. Art duties are shared a fair bit according to the credits, but nothing on-page took me out of the story or got me to pause and think about having seen different art–which is credit to the team for keeping a consistent enough style to not jar me outta the experience. (Which is not to say one can’t find the differences).

The story’s solid as usual for the title, and we’re really seeing all the more a tonal shift from the “super-hero” stuff to the spy/espionage stuff. The costume, shield, and title of the series are Captain America…but with a diferent man under the mask and different relationships with supporting cast, this is beginning to feel like a much different character and title.

There’s a fairly decent ending to this issue, closing out this 3-parter; but we’re still left with a to-be-continued note, as this story “cliffhangers” into the next.

As 3-parters go, this is not a bad initial post-Steve, Bucky-actually-IS-Cap-now story. However, having been brought on-board with the Death of Cap back in #25 and following that and checking this out, I get the feeling that this is going to read much better in collected format, and so plan to discontinue purchasing the monthly issues and wait for the collected volumes to follow this. Brubaker’s story is fairly deep, layered, and well-done…but I’m ready to break from his single issues and wait for full stories.

Story: 7/10
Art: 8/10
Whole: 7.5/10