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The ’00s Revisited: Superman #164

superman_0164Tales From the Bizarro World

Writer: Jeph Loeb
Pencils: Ed McGuinness, Carlo Barberi
Inks: Cam Smith, Juan Vlasco
Jimmy Olsen’s Pal: Joe Casey
Letters: Richard Starkings
Color: Tanya + Richard Horie
Assistant Editor: Tom Palmer Jr.
Editor: Eddie Berganza
Published by: DC Comics
Cover Date: January 2001
Cover Price: $2.25

This issue opens with Jimmy Olsen getting into some trouble, requiring rescue by…well, Superman would be great, but he’s saved by Bizarro #1 instead! While Jimmy deals with the wackiness that his life quickly becomes with Bizarro’s presence, we see Superman and Lois met by Batman, who confirms that there’s no way for them to prove Luthor’s not who and what he claims to be…they can’t throw any last-second interruptions into Luthor’s bid for the presidency. Later, we find Superman watching numerous news reports of the unfolding election night, and J’onn offers a moment of levity against Superman’s rising stress. Meanwhile, Jimmy again finds himself in need of rescuing…this time, an unfamiliar Supergirl shows up. Though the two share a bit of a connection, that’s quickly interrupted by Bizarro. A slugfest ensues, ultimately stopped by Superman…whose presence is a bit unsettling to Jimmy. Finally, we end with the question: is Lex Luthor about to be the President-Elect?

I certainly never appreciated this issue when it came out, back in November of 2000. And I actually recall feeling like I missed an issue somewhere, between this and the one that came the following week. Now, of course, it feels quite appropriate, and I dug it out for a re-read specifically for the timing here…November 2016.

The art is solid enough, though a bit cartooney…as is McGuinness‘ style. I didn’t care for it much back then, and don’t find it entirely appropriate here…but it works, and the art has certainly grown on me…if only for the nostalgia-effect. This issue came out sixteen years ago, and I remember this issue and this period of Superman comics when I was getting the issues brand-new each week.

The story works quite well for me here, and I rather appreciate the glimpse into Jimmy’s side of things. It also gives the reader an entry-point that made this work pretty well as an isolated read, recalling solely that Luthor was running for president, and that this takes place within a couple issues of the Emperor Joker stuff. Which of course explains the new-ness of Bizarro to Jimmy; and this also seems to take place around a major change in the then-current Supergirl title…a lot of changes coming together in one issue.

It’s eerie how appropriate the story is at present, given the nature of the 2016 US Presidential Election. And I think it’s safe to guess that pretty much everyone sees "a Luthor" in the race.

Given all he knows about Luthor, Superman still trusts "the people" and "the system" to see that Luthor can’t possibly actually be elected President. And despite the obvious in terms of relating to someone of his position and powers and all that (to say nothing simply of being a fictional character!)…I find it quite relatable seeing Superman’s reactions in this issue. Then there’s knowing how it all goes, and even ultimately turns out in issues succeeding this one.

This worked far better than I would have expected as an isolated one-off. It’s by no means a jumping-on point in an ongoing sense…but I would say is one of the better issues to just sit and read. You have Superman himself as well as primary supporting characters, and this draws on subplots that’ve built up and also sets things for issues to come. Common as the comparison’s become…it’s like watching an episode of an old tv series one remembers, and enjoying the episode as itself, recalling enough to get by but not necessarily being fully immersed in the ongoing story anymore.

If you’d find this in a bargain bin, it’s well worth getting, particularly 25 to 50 cents. Above $1 I’d avoid it for casual readers…fans of Superman in general, McGuinness‘ visuals or this period of the character might be more interested.

According to Valiant, the Comics Industry Isn’t Built for Comics to Have Only 1 Cover Per Issue

I’m rather dismayed at information I was given–by an industry professional–over the weekend.

I rail against variant covers, as probably any reader of this blog knows. But now I have it from a major figure of a fairly major publisher that apparently, the industry is NOT BUILT FOR NON VARIANTS.

Saturday, I read an article on Bleeding Cool about Valiant‘s latest stunt–a game of collect-and-clip-coupons-to-mail-away-for-a-super-special-limited-edition isue–and I tweeted a comment referencing the Valiant language of the stunt being a "tribute" to the 1990s coupon promotions:

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Not long after, to my surprise, I received a response:

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I followed up, as that answer does not sit well with me AT ALL:

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I continued:

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And I received these followups:

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I am not, myself a publisher; I am not involved in that part of comics. All I know is as a fan, a customer, someone who BUYS comics, and has been REPEATEDLY "burned" by the use of variants and stunts involving the intentional screwing-over of longtime fans in interest of a short burst.

I think it’s a bunch of crap that the industry "is not set up for that" [doing only 1 cover per issue].

THAT ALONE shows me the short-sightedness and HUGE PROBLEM with the comics industry. For a publisher to feel that they CANNOT POSSIBLY go with ONLY ONE COVER for a SINGLE iSSUE of a serialized comic book?!?

Does that mean that the material is NOT QUALITY, and can ONLY sell well enough to BE published by forcing people to buy MULTIPLE COPIES of an issue? (Why not just double or TRIPLE the price, and insert an extra full-page image and 3 more ads in the back?)

"Trying 1 cover with Mirage" suggests (to me) a lack of commitment. It’s not like that’s a top-tier primary character from the publisher…so it’s not going to sell as well ANYWAY as, say, a more recognized property like X-O Manowar. So it’s tried with one issue (or 4 or 5, the entire mini-series?) of one series. That’s hardly lengthy enough to get the idea out there that quality stands on itself instead of just not selling as many copies as a bigger title that IS using variants.

IF variants were truly limited solely to A/B 50/50 1:1 individually-orderable status, I still don’t like them, but those sorts I can sort of overlook. But it’s the ratioed variants that cause me the most frustration; the 1:10 and 1:25 and 1:50, with the worst offenses getting up into 1:100, 1:500, 1:1000 levels, to list a few (and without getting into specific Marvel numbers/hoops I’ve seen referenced, say, by Brian Hibbs in his Tilting at Windmills columns)

But both Valiant and Boom! have earned my ire (and specific avoidance + loss of existing purchasing in protest) over the variants and ratio-based shenanigans.

I just have a really hard time getting my head around the notion that the industry is so ****ed up that supposedly it can’t support comics being published and standing as themselves, without Every. Single. ISSUE. having at least one variant!

I guess I’ll be "interested" to "see" what "initiative" is being done for X-O Manowar, though at this point, it being Valiant, the publisher that is going back to making people clip coupons out of an issue and pay to mail those and shipping expenses to receive some "special edition" issue, and the publisher that sought to force longtime, loyal customers into being Valiant salespeople if they wanted to keep up with the "full story" of the comics universe…I can’t say I’m expecting all that much.

Given I’ve seen numerous comic shops with multiple longboxes full of nothing but "variants"–an ENTIRE IN-STORE CATEGORY–obviously (to me, experientially) that means it’s NOT LIKE they’re ALL SELLING. SOME people MAY "like them," but not enough people to buy them all!

And *I* think that if publishers would just give the darned things A REST and STOP IT for several months, take the "hit" of "lower profits" for the short-term, it might avoid as much likelihood of a bomb-out like the ’90s.

That the entire viability of a publisher is predicated on variants, as if it’s an unconscionable loss to not use variants on every issue, makes me an official subscriber to the notion of the industry being in trouble.

But hey, that must mean that I am just old. That I am not the target audience. Comics are no longer for me if I’m not willing to change and embrace the trend(s), right?

Well, dear publishers (not just Valiant), where IS the mythical "new audience," the huge influx of "new readers" and such? When comics are among the worst value in entertainment, frustrating the people who overlook that week in and week out is (to me) not the best of plans.

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Unplanned Books-A-Million Clearance Purchases 11/3

Thursday evening, I found myself at a Books-A-Million for the first time in quite awhile. Where I’d figured maybe I would find a cheap book or a comic frame…I didn’t expect to find a giant stack of books that had my interest for the price.

I eventually pared a stack of about a dozen books down to three:

weeklyhaul_11022016_b_1103bam

I got all three books for the price of 5 standard Marvel issues and a True Believers issue.

I was disappointed that Captain America and the Falcon by Priest that I found in the clearance section was not actually on (discounted) sale. And while they had a bunch of the Secret Wars (2015) skinny volumes for $4.97 apiece, they weren’t the greatest condition nor interest to me. I absolutely would have gotten the Age of Apocalypse one if that’d been there for that price, though!

The Wolverine volume is Wolverine; and collects a few issues from the latter part of The Essential Wolverine vol. 5 and the earlier issues from The Essential Wolverine vol. 6…but in full color. I quite like the Essentials line, but for this period of the title, the black and white/graytone effect gets very muddy and doesn’t work nearly as well, so getting this run in this format is very cool. All the moreso for the price!

The Avengers: Scarlet Witch fits thematically with my Avengers: Quicksilver volume. And I’ve been interested in reading Powers: Who Killed Retro Girl for awhile, especially since getting/watching the first season of the tv show last year (though I’ve yet to be able to see the second/final season).

It’s amazing, though, to consider just how highly-priced most Marvel volumes are, such that I virtually never buy any at "full price," because that price is just not worth it to me; while DC has had a number of volumes that I’m willing to pay full price for (even though I’d prefer cheaper means!)

The Weekly Haul – Week of November 2nd, 2016

This was an interesting week’s worth of issues, as I went in planning on (probably) getting three issues…but then not getting the third, and getting two others I had not had any intention of getting.

weeklyhaul_11022016_a

Shade: The Changing Girl is weird and out there and I’m still trying to get my head around it. I’m not sure what I had expected, but this wasn’t it. Though I acquired the first issue at least a couple weeks ago, I only just got around to actually reading it the other day, so I was relatively fresh-ish diving into the second issue. I liked this issue better than the first, as it’s at least a continuation of something I read already, recently, rather than being something trippy that I had no context for.

I absolutely loved this week’s issue of Superman, even sharing that love with several friends. The issue was great, and continues to reinforce my current love of the Super-books in a way I haven’t had in roughly a decade.

I was going to go ahead and get the Catwoman: Election Night special…and the "variant" at that (with the Penguin on the cover…since the bulk of the issue, I believe, is the Catwoman story, with Prez "merely" as a 12-page "backup" thing). But then I decided…no. I don’t think I even got Catwoman #1 at the launch of the New 52, I haven’t read the character’s book since prior to 2011, so what do I care about it now? There’s not even any rumor of the character getting a solo in the near future (that I am aware of), so there’s no "connection" or "hook" for me, ultimately. And I never did check out the Prez series at the start of DC You, so I wouldn’t even have any context there, either.

So, browsing other recent comics, I spotted both issues-so-far of Surgeon X, and figured ok, they’re both there, I’m getting a bigger "sample" than just one single issue, and I’ve had more of a taste for trying new series lately, with Moonshine and Reborn in the past month.

Of course, I’m unable to tell for certain from the issue itself if it’s the first print or the second print…I’m assuming that–with nothing saying "Second Print[ing]" that what I have IS the first print. Unfortunately, while plenty of news sites and blogs run with stories OF something getting an extra printing, they do not spell out whether or not the image they’re using is of the first print THAT sold out…or of the pending/then-upcoming second print. And in the world with a sea of variants and rarely any indication other than research-based knowledge of an image being the indicator OF which printing something is…

Ads to Make Me Geek Out A Bit

I normally dislike or avoid ads as best I can…but I’m a LOT more "forgiving" of them in-print. Though both Marvel and DC seem to cram their comics full of ads, such that sometimes it seems every-other page is an ad or a double-page ad spread.

But this week, one ad in particular made me geek out, two others significantly impressed me, and another re-made a point to me of just why I so strongly "prefer" the standard/main/basic/A/most-non-variant cover an issue carries. These in just two comics! 


DC Universe: Rebirth – The Deluxe Edition

geeking_out_ads_rebirth_deluxe

I’ve been vaguely aware that this was coming up, but seeing the ad for it really made me geek out. DC Universe: Rebirth is easily one of the most KEY issues of my lifetime, and certainly of the last few years, for me. I started out grudgingly deciding I’d get the issue and wound up getting multiple copies to "support" the thing, a digital copy for immediacy, and a couple of the other prints for the squarebound format… but the issue is what truly, fully SOLD me on Rebirth and prompted me to go all-out on the initiative and dive in as I have…to say nothing of simply giving me a Superman experience driving me to the comic shop every single week for the latest on the character, after most of a decade of blah stuff.


DC Collectibles: Batman the Animated Series – The Batwing

geeking_out_ads_btas_batwing

The "regular size" figures in this Batman the Animated Series line are too expensive for me…as I’m absolutely certain this Batwing toy is. But darnit, this thing looks really freaking cool, and if I had the space and money to throw presumably $100+ at it, I’d love to have it.

As-is, this is a fantastic ad, showing the toy, describing it with context as to its scale (more than three feet long and just over two feet wide and holds two action figures!). Adding the classic quote from the Tim Burton Batman film that was heavily influential on this series (particularly the theme music!) was an added touch.

Then there’s the way it melds the new/current DC logo with the classic tv series logo…


Action Comics #967 – Men of Steel

geeking_out_ads_action_men_of_steel

I just like this image…seeing both Clark and Luthor doing The Shirt Rip, revealing each man’s Super-outfit. While there doesn’t seem to have been all that much with them clashing yet (a feeling I’m thankful for!), this re-ignites my interest on the matter. Having this Luthor interacting with this Superman is fantastic for conflict and character interaction, and I look forward to witnessing more of it for myself.

After having a story "restoring" Clark Kent to things, albeit with a twist; then another story "re-installing" Lois at The Daily Planet, it seems likely that this will re-catalyze the Superman/Luthor relationship in context of the current situation, giving both men reason to clash with the other, rather than either man’s "assumption" of who/what the other is.


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TMNT Revisited: Teenage Mutant Ninja Turtles Adventures #4

tmnt_adventures_revisited

tmntadventures004The Incredible Shrinking Turtles Part 2

Script: Beth & Ken Mitchroney
Pencils: Ken Mitchroney
Inks: Dave Garcia
Letters: Gary Fields
Coloring: Barry Grossman
Cover: Ryan Brown
Editor: Victor Gorelick
Published by: Archie
Cover Date: July 1989
Cover Price: $1.00

This issue resumes from the previous, with Shredder holding a shrunken Empire State Building. Now having shrunk a number of buildings, he presents these to Krang as proof he is worthy of having his Foot-bots returned to him…Krang disagrees. Baxter chimes in with a turtle-tracking device, and Shredder sends him after the turtles. The turtles, meanwhile, have been dealing with things being much bigger than they’re used to, and the trials that come along with that. Escaping sewer dangers they wind up in open water, where Baxter nabs them. Placed in a specimen jar, they’re presented to Krang, and Shredder prepares to smash the miniaturized turtles. Meanwhile, Splinter and April have been stuck in traffic, but conveniently burst onto the scene (Splinter having “sensed” his students nearby and directed April to this place). While Splinter and Shredder fight, the turtles point the crystal fragment out to April, who retrieves it and holds it near them. None know how to “turn it on” but it does its thing on its own, and the turtles are restored to normal size, bursting free from their jar. As it shatters, Donnie’s bo is flung at a machine, saving Splinter. Shredder and Baxter escape with the fragment, and the turtles return home. Reflecting on their adventure, the turtles are presented with miniature pizzas, and the news that everything is back to normal.

Once more, plot-holes abound. I particularly have problems with the turtles’ escape–I can only assume they would’ve been killed WHILE growing in the jar. And the convenience of the bo flying away just right at the exact moment to shut down the machine about to kill Splinter…highly implausible. Perhaps even moreso, though: what the heck happened with the shrunken buildings? The turtles failed to stop Shredder from getting away, failed to retrieve the crystal fragment…and I hardly think Shredder and Baxter would feel generous enough to re-place and re-grow the buildings without the turtles providing intimidating incentive. Part of my problem with this is knowing that this functionally concludes this short ‘run’ on the title, and that the plot point of the shrunken/stolen buildings is (as I recall) never touched on again.

This issue adapts the 2nd half of the Incredible Shrinking Turtles episode, and while not horrible, is a little less “fun” than the previous issue. I blame that on the plot-holes glaring at me far, far more here than in reading #3. This seems a faithful adaptation of the episode, to the point that I have to wonder if everything would have come across without having seen the episode and only reading this issue.

The art is consistent with the previous issue, which obviously makes sense given the creative team carries over from the previous issue. I like the art as it is different from the cartoon and doesn’t have the feel of “trying to be” the cartoon. The characters look uniquely comic-booky while being perfectly recognizable and fitting the story and all that.

We have a change in cover art, moving from the usual Eastman/Laird/Lavigne group to Ryan Brown…a credit I had to look up as it’s not provided in the issue and I couldn’t find it on the cover. The image is a lot more cartoon-ish and doesn’t quite fit the interior, though it dos better than the previous covers with a similar visual style. It’s nothing I particularly like, though I don’t not like it. It just…is.

Despite not disliking this issue, I’m glad to be through it, and ready to dive into the rest of the series. In its own way, this is like the conclusion of a 7-issue mini-series, with next issue–#5–serving (to me) as the TRUE beginning of Teenage Mutant Ninja Turtles Adventures, with a creative team that leaves the cartoon behind and tells all-new original stories of the turtles, introducing new mutants and building out a great cast and “universe.”

Re-reading these past few issues–the original 3-issue mini and these 4–I do have a bit of nostalgia for the cartoon, and found myself “hearing” some of the voices in my head as I read. Not a bad thing. Still…other than being artifacts of the time, of being a non-video/VHS way to “experience” the story for kids who love the cartoon, I have very little interest in this issue or its predecessors, and one is truly NOT missing out to skip over them altogether.

The ’90s Revisited: Lord Pumpkin #0

ultraverse_lord_pumpkin_0000The Return of the Great Pumpkin

Storyteller: Dan Danko
Illustrator: Aaron Lopresti
Finishers: Gary Martin, Aaron Lopresti
Letters: Gail Beckett
Color Design: Micky Rose
Interior colors: Foodhammer! with Sharleen Gaertner
Editor: Roland Mann
Published by: Malibu Comics
Cover Date: October, 1994
Cover Price: $2.50

Happy Halloween! For this day, I figured I’d post about one of my favorite "Halloween-themed" characters… Lord Pumpkin! (Even though this totally jumps the gun on an "eventual" Ultraverse reading project).

And why not just cover an entire issue devoted to the character as my means of doing so?

Much as I enjoy the character/concept (if only for the sheer visual ridiculousness), I still have a huge blind spot in terms of concrete comic knowledge of the character and events involving him, outside of a slight memory of the character being featured on the Ultraforce cartoon series, and sharing a "flipbook" for three issues of NecroMantra before the two characters’ stories collided in NecroMantra #4.

But that gets ahead of things a bit.

This issue opens with a pumpkin-headed (or rather, Jack O’Lantern-headed) character arriving on Earth, seemingly with no memory of who or what he is. We then flash back to the GodWheel where we witness a band of fighters seeking to take down the Pumpkin King. On Earth, we see the character essentially "enslaved" by a traveling carnival, and befriended by a young boy. Another player enters the scene, looking to stir up some mischief, providing the boy with a special candle for his pumpkin-headed friend…which leads to a sort of awakening. Ultimately, we see the fate of the fighters and their simultaneously doomed attempt on the evil king’s life as well as said attempt’s impact on Earth, and we see our abused character exact a certain key revenge for his imprisonment…while getting some foreshadowing for the sinister, recurring nature and visual iconography of Lord Pumpkin.

To the best of my un-confirmed, un-researched knowledge, this issue was a one-shot, providing us with a Lord Pumpkin-centric story giving some background on the character–where he came from, who/what he is, and all of that…an "origin story" of sorts. (Yet with the aforementioned NecroMantra flip-book, and a Limited Special Edition variant, one can functionally have Lord Pumpkin #s 1-4 in addition to this #0).

I enjoyed this well enough as a standalone special. We’re introduced to the character, given some background, witness some developments that’ll likely factor into the character’s position as a villain of the Ultraverse, and get a conclusion (while stuff’s left open for later stories). While the character concept is rather ridiculous–a villainous Jack O’Lantern with a human body?–it works, and I am more than willing to suspend disbelief regarding the character. Of course, certain factors that one might question with the character–particularly the pumpkin-for-a-head–is actually dealt with in context of the character/story, and makes for an interesting element for the "villain is seemingly killed but we still know he might be back" trope.

Story-wise in itself, I’m not overly impressed…but then, for a single-issue self-contained thing with a character I recognize more than I "know," and lacking other immediate/conscious context, I don’t supposed I should be. Still, it’s a solid issue and a complete story in itself…serving both as a one-off tale and situating the character within the then-current Ultraverse line.

Visually, I really dug this. The art seems at once simplistic in a way, yet rather complex…and looking at it, it just feels like an Ultraverse comic. It does not look out of place for what memories I have of the line. I was rather interested at realizing Lopresti did the art here, recognizing his name from later Marvel and DC stuff, and not remembering that he was involved in at least this issue of the Ultraverse.

ultraverse_lord_pumpkin_0000bAlong with the "main" cover, there’s a cool variant (I can’t believe I just said that, but I’ll get into the subject of Ultraverse variants in another post) that is also quite fitting for Halloween, and I’m glad to have BOTH.

While not AS "special" as, say, a mail-away special (Ultraverse Premiere #0, Rune #0, The Solution #0) this is still a worthwhile issue to get if you come across it in a 25-cent or 50-cent bin. It stands alone as a self-contained story, but should provide additional complex if you’ve come across the character in other issues…and sets the character up for appearances in later Ultraverse comics (there’s an ad in this issue for the GodWheel mini-series that Lord Pumpkin gets a role in).

I found it rather fortuitous the timing of going through my Ultraverse comics and realizing I had just the time to get to this issue for Halloween.

Sad thing (to me)? I wasn’t yet 13 when this issue was new…yet with an October 1994 cover date, this issue is now 22 years old!

The ’90s Revisited: Wildstorm Chamber of Horrors #1

wildstorm_chamber_of_horrors_0001Warblade
Story: Ron Marz
Layouts: Bernie Wrightson
Finished Art: Alex Bialy
Colors: Lee Ann Clark
Computer Color: Ominous Color

Lord Emp
Story: Steven Grant
Art: Trevor Scott
Color: Gina Going
Computer Color: Quantum Color

Tapestry
Story: Merv
Pencils: Jason Johnson
Inks: Chris Carlson
Color: Monica Bennett
Computer Color: Ominous Color

Savant
Story:
Jeff Mariotte
Pencils: Tom Raney
Inks: Al Vey
Color: Gina Going
Computer Color: Ominous Color

Framing Pages
Pencils:
Aron Wiesenfeld
Inks: John Beatty, Alex Garner, Al Vey
Color: Monica Bennett
Computer Color: WildStorm Effects, Ominous Color
Production: WildStorm Effects

Letters: Chris Eliopoulos
Cover: Simon Bisley
Pinup: Jeff Rebner & Richard Friend
Editor: Jonathan Peterson
Editorial Coordinator: Amy Zimand
Cover Date: October, 1995
Cover Price: $3.50

Well, that’s an extremely long list of creator credits for this issue! For purposes of this post, I suppose that’s my fault, as I’m not breaking them up for individual-segment thoughts on writing/art/etc. Because while I read the issue, I quickly realized it’s a collaborative one-off piece…essentially a bunch of characters coming together, hanging out, exchanging stories while doing so…and different creators handling the different parts that are then stitched together into this single comic book.

I found this issue in a quarter-bin, and the main reason it even caught my attention was the "generic" Wildstorm in the title…then drew me in with the Chamber of Horrors bit. Hey, Halloween is almost here, and I haven’t acknowledged October. So I’d thought ok, I’ll get this issue, and maybe read it in time to do a post before Halloween. So here we are.

I know the "high points," or the "bullet points" of Image in the ’90s…and largely consider (personally) that most of what gives "The ’90s" a bad rap in comics IS the Image stuff. And while there’s some nostalgia for me, I’ve yet to really dive in and erase the blind spot so much of ’90s Image still has for me. That said, or as such…I’m not all that familiar with characters in this issue…very few by name, just looking at them. I recognize a few, and a couple others sort of look familiar…but this is a jam piece I fail to appropriately "appreciate," I’m sure.

This issue is–as said–a "jam piece," with 5-6 "creative teams" involved in multiple segments that collectively make up the issue. At its core, characters come together and wind up in their own space at a party, but outside of "authorized space" at the museum that’s hosting them, and are free to tell stories amongst themselves that would not work for a general public. So the characters swap stories about horror situations they’ve found themselves in–from dating/making moves on a body possessed by spiders, to experience with the Salem Witch Trials, to a mirror that led to horrible versions of what should have been one’s best dream.

As a whole, this issue was entertaining enough. Reading it, I simply breezed through–I noticed the visual changes, but the story overall seemed relatively seamless…or at least, nothing jarring that didn’t mesh with the other parts. As said, I’m not familiar enough with any of these characters or individual series to come to the table with any real expectations, so stuff really just "is."

The art’s not bad in and of itself…though I really "see" a lot of ’90s Image in the stuff (considering this IS "’90s Image," that’s to be expected!). For a 25-cent purchase that I had zero real "expectation" for going in…I honestly enjoyed the issue, and it was worth the purchase and reading. Despite the title, and the cover, other than it incidentally being the characters gathering around a Halloween party, this could be "any time," just messed-up situations or "out there" stuff.

I never knew this issue existed, nor sought it out. I wouldn’t say it’s really anything to go to great lengths to acquire…but it’s worth a 25-cent purchase/read-through, and can serve (at least visually) as a sort of "sampler" of stuff being put out at the time.

There’s an ad in the back of the issue for a $30 "chromium" poster version of the cover…which makes me wonder if there might be a "chromium" version of this issue out there somewhere. If there is, I obviously haven’t seen it. The cover image gives me a bit of deja-vu…so perhaps I’ve seen it before without consciously taking it in; maybe I’ve seen the poster; maybe just the ad. (Or perhaps there’s some promotional trading card from Wizard with this image on it that I’ve seen).

Though titled Chamber of Horrors…you could definitely find worse horrors than this issue.

The Weekly Haul – Week of October 26, 2016

This week was a rather large week…though, granted, it was also a make-up week, picking up stuff from the usual shop, which I’ve had to drop back to less-frequent visits.

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New Action Comics from this week; TMNT #63 from last week or the week before, with TMNT Universe from this week. The Aliens: Life and Death issue is from some time back, while Aliens: Defiance is from this week. I’m not certain if Letter 44 and the IDW Greatest Hits: Godzilla are from this week or not.

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I also stopped by a Half-Price Books intending to check for Dragonlance and Magic: The Gathering novels, see if they had anything new. I did find a new MTG novel. I probably should have walked out then, but I just had to check out comics stuff, didn’t I?

Teen Titans: Earth One (vol. 2) was there…and given my hunt for the first one, knowing I’d want to get this, figured might as well get it now at the actual half-off, rather than waste time/money/gas hunting it later. I assume that at least part of this Batman: Anarky volume was/will be reprinted in the Norm Breyfogle hardcover(s) from DC…but with some stuff leaping from late-1980s to late-1990s, and this being old, out of print, AND ACTUALLY HALF OFF, figured I’d regret not getting it.

Before actually getting to the register, I browsed the single-issue comics section in a cursory fashion…comics were marked as being "price as marked." Found this Batman preview issue with "Free" marked (by the publisher) over the price section…figured I’d challenge the cashier. No other price marked on the item; comics are "price as marked" and it’s marked as "free," but they’re not gonna just give away something. I was quite satisfied when this was manually entered as "25 cents" and I didn’t complain.

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I made the "mistake" of browsing a cart of new stuff to the store, and spotted an unfamiliar Superman book. I almost ignored it, but on closer inspection realized what it was, and could not talk myself into passing it up. Superman: From the 30s to the 70s. While hardly in pristine condition…the book is from the (early?) 1970s, so is older than me, and not a book I "see all the time" or such. And it’s Superman. So…’nuff said.

At least it was cheaper than 4 Marvel comics!

Here’s hoping that next week is a small week for new comics…

TMNT Revisited: Teenage Mutant Ninja Turtles Adventures #3

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tmntadventures003The Incredible Shrinking Turtles Part 1

Adaptation: Beth & Ken Mitchroney
Pencilling: Ken Mitchroney
Inking: Dave Garcia
Lettering: Gary Fields
Coloring: Barry Grossman
Cover: Kevin Eastman, Peter Laird, Steve Lavigne
Editor: Victor Gorelick
Published by: Archie
Cover Date: July 1989
Cover Price: $1.00

Straight away, I think this is probably the most “fun” I’ve had re-reading any of these issues so far. The cover image is of course familiar to me–both from simply seeing it through the years as well as being an obvious “Mirage” piece, certainly a large influence of Eastman. The coloring–with all the green–is a little boring, but I am a fan of thick borders around an image…there’s just something about it that works for me, so overall I do like the cover.

I like the interior art quite a bit. Mitchroney keeps a certain “fun” feel to the visuals–and the characters recognizable–while bringing a slightly different style that hasn’t been seen in the Archie issues til this. I think it’s that the turtles look like comic characters here, MEANT FOR comics, rather than just being drawn to look like the tv show. The rest of the characters hold a consistent look to previous issues, but work well to me.

The story is a straight up adaptation of the first part of the cartoon episode, but I like it here. We find the turtles working out and see them interacting when a spaceship crashes in a lake right near where the turtles were hanging out (mighty convenient, that). The turtles leap in to see if there are any survivors, and pull an alien out. The alien references an “Eye of Sarnath” and gives them a device to track the Eye. Shredder (who EXTREMELY CONVENIENTLY has been watching from within a nearby bush) decides he must have the Eye. Later, the turtles are on the hunt, as is Shredder–now having brought Baxter Stockman along. The first piece of the Eye is found on a garbage barge, and while the turtles find it first, Shredder’s right there to take it from them. They fight–Shredder defeating the turtles–and then the piece activates, shrinking the turtles. They escape to the sewers and Splinter enlists April. Before those two can act, they hear a news bulletin about the Empire State Building being shrunk and race to the scene. Already at the scene, Baxter (in a fake Police uniform) takes the shrunken building. Shortly, at Shredder’s hideout we see the villain preparing to use the building as proof of the Eye’s power to convince Krang to send him his foot soldiers.

As usual, there’s a lot crammed into a single issue, though this is thankfully less compressed than the original mini-series. Though the end isn’t much of a cliffhanger, it’s an ok breaking point to me (at least for my not yet having re-read the next issue nor rewatched the actual episode this is based on). There are some monstrous plotholes throughout the issue–something I blame on the simplicity of the cartoon this is adapted from. Despite those, as said above, this issue was a lot more fun to read than the previous five, and I look forward to getting to the second half, and maybe even re-watching the cartoon episode for good measure.

These first few issues had the look of being two-part adaptations of episodes…which could have carried this into the mid-20s on issues if the formula was kept of splitting each episode across two issues. As the first of two parts and the nature of the issues, one doesn’t really need to have read the last couple episodes to “get” this…just know the basics of the turtles and enjoy a “random” story in the (for obvious reasons) style of the ’80s cartoon.

Skipping YEARS ahead (comics-wise) I recall that this story comes back into play, which I think lends to my enjoyment of this issue…particularly with my eagerness to get back into the Clarrain/Allan run.

On the whole…nothing overly special to this issue in and of itself. No particular memories associated with this story beyond where it plays into things that story around #47. But I think it’s safe to say that of these early issues, this one’s my favorite yet!