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Age of Apocalypse Revisited: Weapon X #2

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weaponx002Fire in the Sky!

Script: Larry Hama
Pencils: Adam Kubert
Inks: Dan Green
Colors: Joe Rosas
Separations: Digital Chameleon
Letters: Pat Brosseau
Cover: Adam Kubert
Editor: Bob Harras
Published by: Marvel Comics
Cover Date: April 1995
Cover Price: $1.95

On reading the first page of this issue, I felt lost, and actually re-checked the cover. Yep–this IS #2. Not #3 or 4…I didn’t miss an issue. I don’t actually remember the ending to the first issue, but opening on Weapon X wading to shore amidst refugee/survivors, screaming for Jean definitely threw me a bit.

That’s where the issue opens–Logan’s just located Jean, who left to help with the evacuation of the humans from North America. The two reunite, a definite distance/rift between them that neither seems to want to acknowledge. There’s an attack, and the two leap in to help, though it brings things to a head between them and they part ways. Returning to the Human High Council, Logan is stopped by Mariko, and while the two converse another attack commences, and Logan again leaps into action in a way only he can. By the time the attack is over, Jean has left…though Logan is once more able to follow thanks to their psi-link, and the years of partnership between the two reach a tipping point.

This issue definitely feels like a “middle chapter” of a story. We’re thrown in the deep end at the issue’s beginning, and left with an unresolved situation at its end. At its end, we’re halfway through, having been introduced to Logan (Weapon X) and Jean in their status quo, we’ve witnessed their initial mission to completion and then further development of their situation, and things rapidly shifting into place for what I loosely recall of their placement for the far end of the Age of Apocalypse story.

I do like Hama‘s writing, and it’s still interesting to me to look back and realize what he’d done with the Wolverine character (and here, Weapon X) long before I ever recognized his GI Joe work. I touched on the notion covering the previous issue, but saw hints of it again in this issue: while this Weapon X is this reality’s version of Wolverine, there IS a darkness that I suppose I could “accept”–given what I recall of the ending of this Age of Apocalypse epic–morphing into what I considered a ridiculous and stupid thing in more recent years, NEARLY 20 years after the fact.

There’s an authenticity here that I appreciate, and while the story doesn’t leave me chomping at the bit for the next issue, I’m not disappointed to have read this one.

The art is quite good, and I continue to really enjoy Kubert‘s take on things, particularly Weapon X’s hair. That, combined with the burnt-critter version and then seeing the hair growing back over the span of a number of pages was cool–a sort of detail that worked well and conveyed how “tough” the character is physically.

Weapon X may not be my favorite of the Age of Apocalypse titles, but it’s not one I’ve dreaded reading…it falls somewhere in the middle or a neutral place if I were to rank ’em. This was a good issue, and ties in with stuff unfolding in Amazing X-Men, and while this stands alone overall, it’s great to see reference to other chunks of the whole, as this series is not unfolding in a vacuum.

TMNT Revisited: TMNT Adventures #8

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Full Post at TMNT Revisited
Teenage Mutant Ninja Turtles Adventures #8

The Mighty Mutanimals Promo Ads from 1991

Twenty-four years ago, after a number of characters were introduced in the pages of the Mirage-created/Archie-published Teenage Mutant Ninja Turtles Adventures, a group of mutant animal characters were put together as a group…

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We had several ads leading up to the group, as the group was to be given its own mini-series, a spin-off from the main TMNT Adventures title…

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The series was the “payoff” of a bunch of “mutant of the month” stories as well as following up on a plot element from earlier in the series…

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Krang had made a deal with Maligna, an alien bug queen from his own Dimension X to give her the Earth. When he was defeated, she still wanted the planet, and it fell to a group of mutant animals to stop the invasion.

While I know there is a new Mutanimals mini-series about to start from IDW, it has more than two decades of expectation to live up to. While I’ve been used to the turtles themselves being reinterpreted numerous ways, for the most part there’s only been one single incarnation of the Mutanimals, so the new stuff (for me) will be heavily compared to the “classic” stuff.

Age of Apocalypse Revisited: Generation Next #2

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generationnext002Hither Comes the Sugar Man!

Created by: Scott Lobdell & Chris Bachalo
Inks: Mark Buckingham
Colors: Steve Buccellato and Electric Crayon
Lettering: Starkings and Comicraft
Editor: Bob Harras
Cover: Chris Bachalo
Published by: Marvel Comics
Cover Date: April 1995
Cover Price: $1.95

Now that we know Illyana Rasputin is alive, we pick up on her, showing a newcomer the way of things in the realm of the Sugar Man. We then cut to her brother, initiating plans to get into the heavily-fortified facility with his team of young mutants. The bulk of the issue follows these young mutants as things get moved into place, despite their skepticism at the worth of one young girl simply on the word of a single individual only recently discovered. Part of this plan involves taking out Quietus, the foreman of the operation, to get in and figure out which mutant IS Illyana and where she can be located.

I’m still not much of a fan of Bachalo‘s art here…but despite that, it definitely sets a certain tone here–a bit dark, and fairly disturbing (and at some points, almost surreal). This certainly "works" for the issue, keeping this series visually distinct from the rest of the Age of Apocalypse stuff. I really can’t fault it too much there.

The story is interesting enough. Even in the "main" or "regular" X-Men/Marvel universe, I’m not nearly as familiar with these characters as I am many others…Generation X is a rather dim spot in my X-experience from the ’90s. So my emotional investment here, my interest in the characters is thus fairly limited. Things are easy enough to follow, but I find myself questioning more about Colossus and Kitty and how they met and so on, given the nature of this reality compared to the original.

It’s good to see the various characters and that they’re not just blindly on-board with stuff. There’s a certain authenticity there. It also seems quite reasonable to me for people to question stuff. As a reader, I know this isn’t the "true" reality and that OF COURSE things have to be "put right" but from the characters’ point of view, reality simply IS and anything else is what-if or "alternate reality."

This title continues to be a sort of "surprise" to me; that I’m actually enjoying it as much as I am. Despite the faults and such I point out above, and that I don’t actually enjoy seeing anyone suffer…this title in itself has been a much more enjoyable read than I’d anticipated. Even after realizing that with the first issue, I again found that I had to talk myself into NOT skipping the reading of this issue in favor of several of the other #2s.

As with a lot of the other issues so far and presumably to come, I recall the broad strokes and basic end results or strong key moments from these minis (perhaps blended/crossed with X-Men: Omega) but not much in the way of the nuanced details…which makes re-reading these similar to getting to read them for the first time.

Though it interrupts the "flow" of just flying through for the reading experience as a whole, there’s something to pausing between each issue to write up these thoughts on them, taking the time TO reflect before moving on to the next.

I’m sure the reading experience would also be different if I were to read these as individual series, but I’m also enjoying seeing the world unfold as it did originally, learning stuff in the "order of publication" and all that.

The Weekly Haul – Week of February 11th, 2015

Another large week with clustering: THREE Valiants. Again…

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As well as the first issue of Darth Vader, and the final issue of the entire Fire and Stone “crossover” mega-story with the Prometheus, Aliens, AVP, and Predator properties.

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I actually passed on the DC Weeklies for now in favor of this image firsts compendium. It’s a fairly hefty paperback with NINE #1 issues (that’d be at least $27 cover price offhand) for a mere $5.99. For only $1 more than the Darth Vader issue, I have 9 #1s to sample in a single paperback.

I’ll probably catch up on the weeklies next week…nearing the end so just finishing those out and hope that when I finally catch up on the reading it proves worthwhile.

Age of Apocalypse Revisited: Factor X #2

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factorx002Abandoned Children

Writer: John Francis Moore
Penciler: Steve Epting
Inker: Al Milgrom
Letters: Richard Starkings and Comicraft
Colors: Glynis Oliver
Cover: Steve Epting
Editors: Kelly Corvese, Bob Harras
Published by: Marvel Comics
Cover Date: March 1995
Cover Price: $1.95

Maybe it’s just the immediacy, but this issue–to me–is one of the better-looking interiors in awhile. I’m sure a large part of that is the faded, ghostly image of Magneto at the start of the issue…as well as the detail to Cyclops in the face and hair that somehow just works really well for me.

This issue opens with Lorna Dane seeing Magneto taking imprisoned mutants out, but leaving her behind…something she doesn’t understand (how her father could return but leave her seems beyond her comprehension). Alex Summers (Havok) investigates the escape and while the leader of the escape is not visible on surveillance video, the team realizes that the green-haired mutant saw everything, and so they approach her for interrogation. Her lack of cooperation gets her handed over to Dark Beast…though the beast’s functional torture is cut short by Cyclops, who orders the girl taken back to the pens without harm. Meanwhile we see Havok in compromising position as well as clues that things are getting ready to go seriously wrong for BOTH Summers brothers.

As said above, the art on this issue really stood out as top notch to me, which is definitely significant given my not being one with as much interest in the visuals as the story. I suppose I shouldn’t be surprised given Epting‘s the penciler. Suffice it to say that the details work well and I quite enjoyed the visual styling and layouts and such to the issue.

Another contributing factor to my enjoyment of the issue is surely the fact that Cyclops and Beast are a couple of my favorite characters in the X-Men books, particularly Cyclops. Seeing that despite the obvious differences there’s plenty of similarity is encouraging, and retrospectively may have been part of why the character came to be one of my favorites so early on for this time period.

I’d noted with the previous issue that this title is our glimpse into the "other side," seeing into Apocalypse’s side of things, and I definitely like that since we have characters who "changed sides" between the "real" reality and this, we get to explore their dynamics as well as that of "the good guys."

While Factor X would not have been top of my list before, I’m realizing that this title is definitely up there for me, on a similar level with Amazing X-Men and Astonishing X-Men for me on the upper side of the books involved with Age of Apocalypse. As with many of these books, I do remember some key moments in broad strokes but not all the details; while I look forward to seeing those play out with Scott and Alex, I’m also simply looking forward to the next couple issues given my enjoyment of this one.

TMNT Revisited: TMNT Adventures #7

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Full Post at TMNT Revisited
Teenage Mutant Ninja Turtles Adventures #7

The Weekly Haul – Week of February 4th, 2015

This seemed like the smallest week in quite awhile. “only” the three DC weeklies, two Valiants, and Star Wars from Marvel.

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And I don’t quite get why we have two issues of X-O Manowar in a row…that’s even more clustering than the usual for Valiant.

Next week is gonna be huge, and with DC‘s news today about the changes to the line in general, I’m rather discouraged toward continuing with any of their output.

Age of Apocalypse Revisited: X-Man #2

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xman002Choosing Sides

Writer: Jeph Loeb
Pencils: Steve Skroce
Inkers: Mike Sellers, LaRosa, Conrad, Hanna
Colors: Mike Thomas, Digital Chameleon
Letters: Richard Starkings and Comicraft
Cover: Steve Skroce
Edits: Lisa Patrick, Bob Harras
Published by: Marvel Comics
Cover Date: April 1995
Cover Price: $1.95

We pick up a bit after the last issue–Forge’s group has continued their usual, but there’s a growing rift where Nate is gravitating toward the newcomer–Essex. Essex is pushing Nate to use his powers to their fullest, while Forge wants him to keep restrained and not draw attention. Theresa with her newfound powers has adopted the name Sonique and is closer to Nate than the others. Essex leads the group to a factory–if they take it out, they’ll be hitting Apocalypse where it hurts. On seeing the facility, Nate leaps into action, seeing too much of his own past here and refusing to allow it to happen to anyone else. Though the group emerges intact, things seem to be getting out of hand. Meanwhile, Nate takes Sonique with him on a psychic journey to investigate the mansion he’d seen, and she recognizes the figure as Magneto…just before their presence is detected and she breaks their psi-link. Brute pieces things together and finally recognizes Essex, and things kick into gear for the back half of this 4-part arc.

Story-wise, this is a fairly "compressed" issue without being dense. I like that there’s been some passage of time since the first issue–that’s allowed for more development and we get to skip nuanced details and such (like Nate actually meeting Essex and whatever awkwardness may have been there). It allows us to get further into the story and what’s going on, bypassing that and seeing contextually that much has transpired. Yet we still get reference back to the previous issue, tying things together and keeping this from being adrift in a limbo of continuity.

The art’s not bad, though doesn’t really do much for me positive or negative here: it just "is," and keeps the look/feel I associate with the characters here FOR this title. It may not be my favorite, but it definitely does its job, and a good one at that, overall. And though there are multiple inkers…I only notice that specifically from looking at the credits; I don’t think I even picked up on that otherwise.

I find myself considering that this title carried over beyond the Age of Apocalypse, which in a "meta" sense affects my (re)reading of this chapter of what is essentially just an opening arc for the character, introducing him and setting up motivation/context that would be fleshed out later.

While this is paced well for a 4-issue arc, it’s still "interesting" to consider that "only" two chapters in, this series is already HALF done…given the contemporary state of things where a 6-issue arc is the norm/expectation.

Despite the cliffhanger, I don’t feel all that "eager" to get to the next issue…though I’m not dissuaded, either. As a second issue, this lacks the newness of a first issue, the anticipation brought by a third/penultimate issue, as well as being far from a finale. That’s sort of a tough spot for all second issues of four-issue arcs/series.

But for all it may not be structurally, it’s a strong issue in and of itself and an enjoyable read within the ongoing whole of the Age of Apocalypse.

Star Wars (2015) #2 [Review]

starwars(2015)002Skywalker Strikes (part II)

Writer: Jason Aaron
Artist: John Cassaday
Colorist: Laura Martin
Letterer: Chris Eliopoulos
Cover Artists: Cassaday & Martin
Assistant Editor: Charles Beacham
Editor: Jordan D. White
Executive Editors: C.B. Cebulski & Mike Marts
Published by: Marvel Comics
Cover Date: April 2015
Cover Price: $3.99

On the surface, I’m not at all impressed with this issue. This is a #2, so it’s not the first issue, it’s not MY first issue, nor my first-issue-since-I’m-not-sure-when, and it reminds me that it’s just one chapter in an inevitable graphic novel/collected edition (I’m 99% certain it’ll get a shiny hardcover edition–possibly oversized if not a “premiere” edition).

On the surface, there’s not really a lot covered in this issue: Luke fights Vader; Han and Leia stomp around in a Walker; C-3PO is captured by the scavengers dismantling the Falcon; Though Han and Luke proved to be more of a threat than expected, Vader rallies and vows to personally deal with Luke.

The issue is mostly action, with a lot of little details to the fighting and such, to where if I tried to do a more detailed recap, I might as well write a “novelization” of the issue. The story itself is solid, with enough to the interactions to recognize the characters and get a feeling of authenticity that I definitely appreciate, feeling like this is truly stuff that (could have) happened between the films. Along with that authenticity, there’s an element of knowledge of stuff that comes later, sort of wink-and-a-nod toward stuff we as readers are assumed to know (but if one doesn’t “know” nothing is actually lost).

Visually, this is a strong issue…I definitely like Cassaday‘s work, though I can’t imagine getting more than one arc with it, for now (see above about the graphic novel). Still, taken in and of itself I like the art and have no real complaint…I flew through the issue without trouble being able to tell what was going on, and simply enjoyed the experience without anything in the art tripping me up.

But this isn’t the first issue, a first issue–it’s very much a second issue. While the opening page recap is good and reminds me of key stuff from the first issue, and I like the style, it’s also of necessity a bit briefer than I’d prefer. Having read the first issue, it works well; but trying to consider the recap and then this issue’s contents by themselves, the brief recap doesn’t quite work for me.

My lack of being impressed comes primarily from this not being a standalone issue as well as being able to “see” how it’ll fit quite well into a collected volume as part of a longer, continuous reading experience. Additionally, I can’t imagine many in this day and age actively seeking this issue and reading it without the context of the first issue.

That aside, the quality feels consistent from the first, though I don’t have that issue handy for comparison. If you enjoyed the first issue, and don’t mind (functionally) getting the graphic novel in 6 or so chunks, this is well worth getting. If  you missed the first issue and don’t already have an interest in seeking that out, I’d suggest waiting for the collected volume or such. With this being a $3.99 comic, I definitely do not recommend seeking out #2 as a one-shot/standalone thing.