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X-O Manowar #37 [Review]

xomanowar037Dead Hand Part 4: Red Earth

Writer: Robert Venditti
Pencils: Diego Bernard
Inks: Ryan Winn w/Mark Pennington & Bit
Colors: Brian Reber
Letters: Dave Sharpe
Cover: Stephen Segovia & Brian Reber
Editor: Tom Brennan
Editor in Chief: Warren Simons
Published by: Valiant
Cover Date: June 2015
Cover Price: $3.99

While my feelings toward Valiant have taken a definite beating in the last few months, this issue reminded me why I’ll certainly be sticking with this SERIES even if I don’t stick with the entirety of Valiant‘s output.

We come to the conclusion of this Dead Hand arc, and we find things at a bit of a standoff. Authorities on Earth are quite alarmed at what might be coming, and seek to find out what they can of it. Meanwhile, as readers we see that Dead Hand has paused to consider how to proceed, taken aback by the sudden presence of a number of armors (that Aric has called to his side from throughout the galaxy) and then by their defense of life (Dead Hand having been programmed to eradicate the armors, all of whom were to be selfish things causing harm and destruction to life, not defending it). Of course, we get the predictable battle, with somewhat predictable results, then a bit of wrap up and an “out” to allow for future situations.

This issue truly felt like the end of an event series…yet it’s actually “only” the end of a single 4-issue story within the main X-O Manowar title, and there were no tie-ins, cross-overs, one-shots, etc. This was an organic follow-up to last year’s Armor Hunters, taking stuff set forth by that and exploring it further, adding to the X-O/Aric mythos, and serving as another off-earth “cosmic adventure” for our hero that makes SENSE. It also as an arc gave us some more characterization of and motivation to the Vine that will have long-lasting consequences in-continuity (say, like Marvel‘s Avengers‘ initial Kree-Skrull War).

A lot of my feelings come from the arc in general, and this issue lacks some of the core characterization and “moments.” We do have what I would consider a satisfactory conclusion to the arc, while leaving things open for later stuff to develop.

As the end of an arc, this is definitely for the continuing readers, and certainly not geared to be a jump-on point or a special singular issue (see the X-O Manowar 25th Anniversary Special for that or next month’s issue). If you’ve been following the title, it’s well worth getting this issue; any negative feelings I have come from external/”meta” stuff.

Venditti‘s writing continues to be strong, and with no less than 38 (37 plus the #0) issues CONSISTENTLY thus far to his name, has become the iconic writer of the character and book: with his name attached, it’s simple that the story works within its continuity and internal feel. The art is good as well, and I have no particular complaints with it.

In short, I enjoyed this issue far more than I expected to–both in and of itself as a single issue as well as the conclusion to a huge (but short) storyline.

Secret Wars – Week of June 10, 2015

Several weeks in and finally getting to some of the #2s for the Secret Wars tie-ins. I enjoyed the week’s reading overall, though none of the #2s particularly stood out or overly impressed me. As always, I’m not thrilled with the $3.99 price point, but these could have been worse for the price. We also had the Marvel Zombies #1, which I covered by itself.

Inferno #2

secretwars_inferno002I definitely picked this up because of the first issue, and was curious at where things would go. This issue manages to lose the “shiny newness” factor of the first and settles (for me) into a middle ground of “good” but “not terribly memorable in itself.” Even though I did read the issue, its content and the specific details of the issue mostly faded from conscious memory…outside of what happens to Nightcrawler. I’m quite sure I’d have enjoyed it more if I was familiar with the original Inferno story; but here, I’m simply experiencing the details of this iteration with a general knowledge of continuity after the original. While I’m not overly engaged at this point, the only real negative for me (story or art or overall) is a passive lack of engaged interest. Nothing actively puts me off or kills my willingness to continue with the series.

Secret Wars 2099 #2

secretwars_2099002I’m still not entirely sure what to think of this book, but as a Peter David one I really find myself wanting to like it. This issue gives us more background (and questions) on the Avengers 2099…particularly Captain America and her alter ego. We also re-meet the Hulk of 2099 and see him face off with the Avengers. I only loosely remember the existence of the Hulk 2099 title and character, with a lot more “awareness OF” than actual reading experience on the character. While we have Miguel heading Alchemax, this is sort of the first (familiar) 2099 character for me, grounding the new characters (Hercules simply seems to be “my” Hercules but traumatized). Taken alone as itself I don’t think I’d care nearly as much for this title; but as a 2099 combined with David‘s writing, I want to see where this goes, and look forward to the next issue.

Ultimate End #2

secretwars_ultimateend002Things start to make a lot more sense to me here and explain stuff I was unclear on with the first issue. For one thing, I assumed the first issue had some bit of flashback going on, or something preceding the start of Secret Wars itself; I get clarification here that what I’m actually seeing is heroes from two different worlds put together and trying to figure their situation out, but AS a part of Battleworld. We get some nice character interactions between the two Tony Starks, and other Spider-Man/Peter Parker and Ultimate Gwen and Aunt May. We also get a Green Hulk vs. Gray Hulk fight to cap off the issue. I’m also seeing that unlike my initial assessment, this is much like any of the other tie-ins to Secret Wars in that we have characters from the given setting(s) and get a story involving them, in the context of Battleworld.

Overall Thoughts on the week

I’ve definitely found myself significantly more interested in the #1s to “try” them than with the continuations of the series. I’ve already passed on Secret Wars Journal #2, and suspect that in the coming weeks/months I’ll “drop” other titles and possibly pass on even more. No matter how interested I may be or how “fun” the thing might look…I have a limited budget, and $3.99 upon $3.99 stack up REALLY fast, and whatever of these tie-ins I buy are ON TOP OF stuff I’m already getting, and are not going to supplant any of those. The “sticker shock” of Marvel‘s $3.99 books continues to be THE #1 detriment for me. I look forward to the next couple weeks, with less tie-ins that I’m after, and hope that what I *am* getting with balance out more across the weeks as the event goes on.

Marvel Zombies (2015) #1 [Review]

secretwars_marvelzombies001Journey Into Misery: Episode 1

Writer: Simon Spurrier
Artist: Kev Walker
Colorist: Frank D’Armata
Letterer & Production: VC’s Clayton Cowles
Cover Artists: Ken Lashley & Paul Mounts
Asst. Editor: Alanna Smith
Editor: Daniel Ketchum
Published By: Marvel Comics
Cover Date: August 2015
Cover Price: $3.99

The original Marvel Zombies series roughly a decade ago ultimately led me to The Walking Dead and a years-long Zombies kick with movies and such. I remember using that original series as a personal ‘reward’ for studying toward the end of a semester in grad school: read X amount for school, take a break and read a comic.

So it was no small bit of nostalgia prompting me to pick this up, and it’s on the title rather than the cover…while it’s not bad or anything, it doesn’t work overly well for me. It definitely draws from the concept of taking a bunch of established Marvel characters and zombi-fying them, but it’s hardly new fare. While the standard-ish Marvel Zombies logo is there…I think I would have really enjoyed a nice homage cover here…perhaps a play off a classic 1980s Secret Wars cover, if not a zombi-fied version of a current Secret Wars (2015) cover.

Still, the issue’s art is good and I really had no problem with it, especially within the general theme of a decaying world with rotting, walking corpses and all that.

The story picks up with Elsa Bloodstone showing off how hard willed and steadfast she can be, fighting back the zombie hordes trying to get past the Shield. When The Red Terror (Azazel?) shows up, she manages to defeat him…but not before he’s teleported her hundreds of miles beyond the Shield. On waking after her victory she meets a young stranger, and the two grudgingly set off on a quest for survival.

Where I recall the classic Marvel Zombies series being more fun and generic, this feels like it has a lot more plot, with Elsa as the star and the zombies being relatively incidental. And honestly, I like that. Spurrier gives us the start of a good story here, and as a Game of Thrones and The Walking Dead fan this evokes a sense of those, but with superheroes and super-powered characters.

While there’s a bit of context to be gleaned having already been familiar with past Marvel Zombies stuff, on the whole this can definitely be taken quite well without having read any of that previous MZ stuff…you get what you “need” from this issue itself. The Elsa Bloodstone name seems familiar to me, but I know more OF the name/term “Bloodstone” in terms of Marvel comics than I know through “experience.”

I was actually surprised by how solid this issue seemed to me, how much I enjoyed it and am genuinely interested in seeing where stuff goes. And while I come to the book lacking any significant Bloodstone knowledge, I could see this making me a fan of the character/artifact. This is definitely a worthwhile addition to the slew of Secret Wars tie-ins, and one I’m glad to have given a shot.

Earth 2: Society #1 [Review]

earth2society001Planetfall

Writer: Daniel H. Wilson
Artist: Jorge Jimenez
Colorist: John Rauch
Letterer: Travis Lanham
Cover: Jimenez & Rauch
Associate Editor: Paul Kaminski
Editor: Mike Cotton
Group Editor: Eddie Berganza
Published By: DC Comics
Cover Date: August 2015
Cover Price: $2.99

For a guy who was intending to ignore DC output in June and consider Convergence an endcap to stuff for awhile, I’ve still managed to find myself picking up 3 books in 2 weeks. Though of those three, I think this was the most disappointing, and that’s almost surely due to this being only an opening chapter of a larger story. I expected something “more,” though…but then again, a series fulfilling its “premise” in the first issue is hardly a series, right?

I picked this up specifically because of the notion of it continuing from Convergence, and the premise of our seeing the development of a new world a new Earth 2. I suppose I expected to see a fully developed yet “young” world, and from the cover I definitely expected to see a number of the various characters…not basically “just” Batman.

The issue starts “one year from planetfall,” or one year in the future showing us a new city, the first new city on the planet, and a Batman in action with communication to an unseen individual. Then we flash back to said planetfall, as the survivors of the previous Earth 2 begin to arrive, having followed Green Lantern’s beacon. Something goes wrong and the ships begin to crash, and it seems this is something intentional by the person who designed them. Meanwhile, we see a man lamenting the loss of the use of his legs, as well as his family. I believe this is the Earth 2 Dick Grayson, but I’m not 100%. Jumping back to the one-year-later, Batman captures the man responsible for the thousands of deaths in the planetfall event…

Where I’d felt that Batman Beyond #1 and Constantine: The Hellblazer #1 gave me well-rounded issues (giving us an establishing situation, introduced us to the main character and some part of a supporting cast, and set something up for future issues) and generally felt relatively self-contained while setting up an ongoing series…Earth 2: Society feels to me like just another opening chapter of something larger. We don’t really get the full cast, the cover is misleading about characters’ involvement/prominence in the issue), and the time-jumping cuts in half the amount of information we get about “then” and “one year after.” This will probably read quite well in a collected-volume/graphic novel format where one can read the entirety of the arc in one go…but I’m left rather disappointed in this based solely on this one issue as a single issue.

The art is good…pleasantly “invisible” in the sense that it gets things across and isn’t jarring or weird, and I didn’t noticeably find myself stopping to wonder just what the heck was going on in a panel. I’ve found the “controversial” candy bar ad annoying, consciously forcing myself to ignore it and not focus on it, while trying to keep my eyes strictly to the actual content that *I* paid for, and my annoyance over that translated into my mind wandering slightly as I tried to think about the same double-page ad layout influencing my enjoyment of the other DC books the last couple weeks.

While I imagine it would not be terribly difficult to use this as a jumping-on point for the series, I’m pretty sure this book is more for continuing readers, with threads of the original Earth 2 title and the weekly Earth 2: World’s End having gone into Convergence and this is the result of what came out from that. One can start here, but there’s plenty I’m sure I’m not picking up on that I’d be better able to appreciate having READ what came before. That this does not feel like a quasi-standalone issue but merely the first chapter of a six-chapter collected volume leaves me thinking that unless you’re particularly invested and eager to get a monthly dose of the Earth 2 characters (and primarily Batman, in this issue), you’d be better off waiting for a full story in collected volume format.

As for me…I gave this a shot, interested in the start of things post-Convergence for these characters, and while I definitely support the $2.99 price point, I’m pretty sure I won’t be back for #2.

Constantine: The Hellblazer #1 [Review]

constantinethehellblazer001Going Down

Writers: Ming Doyle, James Tynion IV
Artist: Riley Rossmo
Colorist: Ivan Plascensia
Cover: Riley Rossmo
Letterer: Tom Napolitano
Group Editor: Brian Cunningham
Assistant Editor: Amedeo Turturro
Editor: Andy Khouri
Published by: DC Comics
Cover Date: August 2015
Cover Price: $2.99

I was planning on skipping this. I don’t much care for a watered-down version of the Vertigo/Mature Readers take on the title character, gave up on Justice League Dark early-on for not “starring” Constantine, and generally figured there’s more “history” for the New 52 Constantine than I really care to spend money playing catch-up on. But…this is a #1. New creative team (far as I’m aware), and it’s “only” $2.99. So I figured I’d check it out, give it an issue or so to show me what it’ll be…might as well for the price.

We open on a naked Constantine in a store, using his abilities to “con” a fresh set of clothes out of the employee. When John’s ghost-friends cause a stir, he ultimately finds himself in the company of a female demon who he finds is arranging to have a “soul farm,” so he winds up working the situation to a fairly predictable conclusion through his usual means.

Of course, that “usual” is based on my knowledge of the character from the past, from the original Hellblazer title (that was part of the initial Vertigo line and long anchored the imprint until a couple years ago) moreso than I know of the “mainstream” New 52/DC version.

The art for this issue was a bit off-putting for me when I opened the issue…particularly as I wasn’t even sure the character on the first page was actually John Constantine or not. Granted, I’m not used to seeing the character in the Birthday Suit, and some of the blame probably could be placed on the writing as well, the issue opening as it did. Once things move along a few pages, the art grew on me a bit, to where I’ll accept it much as any other Constantine or Hellblazer artist. Though, with only this single issue, I cannot say I’m likely to count Rossmo among my favorite who’ve worked on the character. However, I can definitely say that I enjoyed a 10-panel double-page spread with a sideways layout…it was different, engaging, effective in conveying so much in that part of the story, and really stood out to me for not just being more of the same.

The story was pretty good overall, and other than the obfuscated colorful language, this really felt like it could be a Vertigo issue. Though we do get left with a cliffhanger, and join the story “in progress” in and of itself the issue does give a “complete” story: We’re introduced to Constantine, his ghost entourage, and see a bit of his personality and nature by his actions, obvious intent, narration, and characters’ commentary. We’re introduced to a particular threat/situation, see his reaction to it, and get a resolution. Then we’re given a question that (ideally) hooks us into coming back for the next issue. Or in short: this is an effective first issue, doing what I would expect of a first issue.

While a first issue is not much to go on, the fact that this issue is devoid of superheroes/superheroics (only a passing mention that they even exist) is a welcome thing. My hope with this title is that it’ll be DC‘s way to have their cake and eat it, too: a solo title featuring John Constantine, BEING John Constantine, without the superheroes’ interaction…just Constantine doing his thing in his own world of sorts. But he’s part of the “main universe,” too, and thus remains available for stories that would call for his brand of involvement. I enjoy seeing him dealing with the superhero crowd…but when I pick up a book starring him, I’m not doing so for superhero stuff.

This title’s “subtitle” of The Hellblazer seems tacked-on and like some afterthought given its size and rather obviously being “just” a font rather than a focused part of the title logo. That strikes me as being a sort of appeasement, like saying “Ok, ok, we get it, y’all want a monthly comic with Hellblazer in the title!” (Granted, I understand the title Hellblazer was only ever initially used because Hellraiser was not available).

As a first issue and not knowing how dark the title may go, how long it’ll last, whether it will cross over directly with and mingle with the superhero stuff…taken by itself I think this is as close as we’re gonna get to a return to the classic Hellblazer book. As a fan of that series, I do recommend giving this a shot. I suspect readers of the recently-ended Constantine will appreciate this as well. And overall–in this day and age of seemingly EVERYTHING being $3.99+, this is a $2.99 book for the moment, so I’d recommend getting this even just to “support” the price point if you’re a single-issue buyer.

I’ll probably be back for the second issue and go from there. For my $2.99 this time, the issue was definitely worth the purchase and read, and my buying any more issues at all will be due to this fact, as I’d had every intention of outright ignoring anything DC put out for the foreseeable future.

Batman Beyond (2015) #1 [Review]

batmanbeyond(2015)001Brave New Worlds, part 1

Writer: Dan Jurgens
Artist: Bernard Chang
Colors: Marcelo Maiolo
Letters: Dave Sharpe
Cover: Chang with Maiolo
Editors: Dan Didio & David Pina
Published by: DC Comics
Cover Date: August 2015
Cover Price: $2.99

I truly had no intention of buying any DC stuff in June, let alone trying any of the nearly-half-as-many-as-the-New-52-launch-not-even-four-years-ago new titles. Yet, despite not yet reading most of New 52 Futures End, I had stuff spoiled for me, namely the death of Terry McGinnis and that Tim Drake was the new Batman Beyond…and given it’s Tim Drake, from the present shunted out of his time into the future (not the Tim Drake seen in Batman Beyond: Return of the Joker that progressed to the time in a linear fashion), I was interested.

Add to that that this is "only" $2.99 cover price (and I feel like I haven’t seen a $2.99 comic in AGES!), I figured I’d check it out….AND show SUPPORT for the price-point!

We open on some Jokerz, and a fight with Batman…excuse to show off the time period a bit, the Bat-suit’s abilities, the Alfred AI (think Iron Man’s Jarvis in the Marvel Cinematic Universe), and that the character now is a man out of time. The Jokerz were stealing a device that would reveal Gotham to Brother Eye, which would allow the city to be targeted and destroyed. Batman goes to the closest thing he now has to "home" and interacts with a new supporting cast–Nora and Matt. Matt is Terry’s younger brother, who appears likely to have some definite "issues" with Tim, and Nora took Matt in after the Brother Eye attacks. Tim then heads out to see if there’s more left of the world than Gotham, and winds up fighting a Brother Eye cyborg Superman, and then meets an old ally who is in the present through linear progression.

The story works…and definitely does well for me AS a first issue. We’re given a good structure for an introductory issue: shown a dangerous, criminal act in progress (one that actually threatens the entire city), we see the hero in-costume enter the situation and defeat them, saving the city. We see the man behind the mask, we’re introduced to a couple of major supporting-cast characters, and exposition gives us some background on recent goings-on and status quo details. We’re given a larger, more dangerous situation for the hero with some story threads tying back to the big story that led to this title existing, and then we’re introduced to another likely supporting character with a cliffhanger to leave us wondering how this character will factor into things. We see the title character, we see him in action as well as downtime, meet supporting characters and touch on the general status quo, elements to play into the larger arc (if not series in general) are seeded, and we’re given cause to come back for the next issue.

I applaud Jurgens‘ work here, and would like to say that I’ll definitely be back for the next issue…but I’m honestly not sure about that, and I’ll detail why below.

The art is very good–the issue’s a treat to look at; character designs are good, the flow of action is easy to follow, and it does what the art should without calling attention to itself AS art.

Probably my biggest problem was the double-half-page candy bar ad breaking this up…it was annoying and distracting, and very unwelcome in an age where I’m not mentally trained to "expect" such ads. I pointedly ignored it as best I could but it was a case of "the more you try to ignore it, the more you notice it."

I should want to come back for the next issue on price point combined with Jurgens‘ writing combined with the nostalgia factor for the classic Batman Beyond cartoon combined with this being actual DC Universe combined with THIS Batman Beyond being Tim Drake, a key character I have grown up with in comics since his very introduction. If any of those reasons are of interest to you, I certainly recommend this.

But on a personal level I’m not really interested in contemporary New 52 DC stuff (which this is, even if the branding/label has been dropped), and I’m reading between the lines on things that shunting Tim Drake into the future is a means to remove him from "present-day" continuity where his presence has been quite problematic for the established timeline and would run counter to the use of Damian as Robin (Dick is presumed dead and now works as a spy, Jason is off doing his own thing as Red Hood, and now there’s no longer a Robin/Red-Robin running around to muddy up Damian’s claim to the title).

If Batman Beyond remains a self-contained title and all, I may try keeping up with it for a bit just for the Dan Jurgens and Tim Drake factor. That will be an issue by issue basis and be heavily influenced by its ship-week and however many other issues I’m picking up and how interested I am "in the moment."

Secret Wars – Week of June 3, 2015

I actually enjoyed reading the Secret Wars comics I bought this week…so much so that I spent more time reading and less time even considering reviewing. And given general “life gets in the way” time-constraints (and lack of patience, if I’m totally honest) I decided instead of writing up single-issue reviews, I’d just touch base on the issues I bought this week and thoughts I had. Not exactly reviews, not exactly something else. Just my rundown of my trip into Battleworld.

Secret Wars #3

secretwars(2015)003I continue to be surprised (pleasantly) at this series. I’m less and less appreciative of the full-page text/chapter breaks (seems like a waste of pagespace to me), but I’m finding the core story here to be a lot more accessible than I expected, given the writer. Given we basically already know the outcome, and have for months before this even started, it’s still a good ride going through. As this third issue in the series, there is a shift and I sort of feel like we’ve had 3 distinct “situations” presented with the first issue giving us the end of the 616 and 1610 Earths, the second immersing us in this current Battleworld Earth, and now we begin to see some cracks and the drawn-back curtain on how this world was came to be and its background. I definitely look forward to the next issue, and whatever tie-ins I do or don’t get, I’m pretty sure I’m “all in” for this core book.

X-Tinction Agenda #1

secretwars_xtinctionagenda001The cover alone for this issue would have sold it for me. Having a classic cover-dress absolutely punched my nostalgia button–corner box with the character headshots; the bold, blocky title logo, the overly dramatic image, and even the “ACTION-PACKED FIRST ISSUE” blurb…totally something out of the early 1990s. Topping that off, the simple fact that this is an X-book. I’ve yet to read the original X-Tinction Agenda story, but I know OF it. And this issue provides some interesting (to me) character sets as well as the situation casting certain characters into a “villains” type of role…while keeping them sympathetic to me as a reader. Despite that, I’m not overly invested in these versions of the characters, and the cliffhanger doesn’t mean much to me except as “generic” potential foreshadowing. Given my enjoyment of classic ’90s X-Men stuff, chances are good that I’ll stick with this series for its duration.

Amazing Spider-Man: Renew Your Vows #1

secretwars_amazingspiderman001Given the better part of the last decade has had me with near-zero interest in the One More Day/postOne More Day take on Spider-Man, getting a fresh take on a MARRIED Peter Parker (who HAS A KID, to boot!) is something I really could not NOT support. And thankfully, despite some wariness on my part at Slott writing the book (what I’ve read of his work on Spider-Man over the past view years has had mixed reactions on my part)…I quite enjoyed the issue. Some page layouts were a bit weird and distracting as I tried to determine the exact flow of panels, but the art itself was great. The story gives a nice mix of Peter in action and interacting with his family, as well as setting up the world he and MJ live in, and providing an interesting spin on the character as things are set up for the rest of this series. I definitely look forward to the next issue (for better or worse, this is a double-ship month so I only have a couple weeks) and will see how things are shaping up from there as to whether I keep up with the series to its conclusion.

Future Imperfect #1

secretwars_futureimperfect001This is another Secret Wars tie-in based on a story I’m quite AWARE OF but have yet to actually read. I didn’t REALLY have any particular interest in it…but then I saw that it IS a Peter David book, so on his name alone, I decided to check this out. And overall, I’m glad that I did. I had no particular pre-conceived notions getting into this, so it just unfolded, and even gave an interesting twist where I thought I saw something developing but then got something else that felt like it should have been equally obvious. I also enjoyed the art overall in itself, if not all the character designs. Despite that, this is one that as a story doesn’t hit any real nostalgia buttons for me, and given the large quantity of books each week may fall off for me as I simply don’t have the “budget” to get every last tie-in title that’s on my radar. Still…having the original creator (David) getting to revisit something like this with a fresh series is something I welcome, and am glad to see out there. It also leaves me much more interested in actually reading the original, just to “experience” that for myself after all these years.

Years of Future Past #1

secretwars_yearsoffuturepast001The original Days of Future Past story in X-Men was probably the first major story that I spent awhile trying to track down just to read. I was aware of its existence, knew what issues it had been in…but did not have actual, physical access to it to read the thing. I was introduced via the ’90s cartoon, then eventually found a paperback children’s novelization, and finally at some point found the two-issue “mini tpb” to read it (years ahead of collected volumes and digital or even eBay negating such troubles). This is an oversized issue at $4.99 instead of $3.99, and that almost put me off from getting it, but since it even FELT oversized, I decided to suck it up and buy the thing…I’m giving as many of the #1s a shot as I can, figuring shops will have a better handle on ordering for the second issues, and at least I won’t miss out on a surprise #1 taking off in popularity. This had some interesting enough bits, but overall this didn’t exactly grab me…I appreciate it being drawn from the Days of Future Past-era stuff but doesn’t actually hold the tight significance of that original story for me.

Overall Thoughts on the week

Considering I’ve been largely away from Marvel for most of the past couple years, with most weeks not even buying anything they put out, it’s been quite an anomaly the last several weeks actually having Marvel in my purchase stack. This week brought out the sticker shock…with a cluster of THREE Star Wars books, and buying FIVE Secret Wars tie-ins, as well as a couple random issues AND my usual pull-list issues. Even so, while I may be “iffy” on tie-ins on a case-by-case basis, five or so weeks in and I’m still enjoying Secret Wars and still looking forward to more!

Inferno (2015) #1 [Review]

secretwars_inferno001Writer: Dennis Hopeless
Art: Javier Garron
Colors: Chris Sotomayor
Letters: VC’s Joe Sabino
Cover: Javier Garro and Romulo Fajardo, Jr.
Assistant Editor: Xander Jarowey
Editor: Katie Kubert
Published by: Marvel Comics
Cover Date: July 2015
Cover Price: $3.99

I have yet to read the original Inferno saga. I remember and recognize its logo from comics I first saw in a friend’s collection, though now know it more personally through comics in my own collection, issues I’ve seen in passing in back issue and bargain bins, and know of it historically through prior revisitations and references as well as the “after-effects” it left on the X-Men-universe. But as a sucker for classic X-stories (with added appeal of late for lack of great X-stuff to get into), I was quite interested in this, if only to “check it out.” I wouldn’t necessarily choose Inferno–it’s hardly at the top of my list of favorite X-stories–but this issue was yet a mostly enjoyable read for me.

Several years after the demons took over the city, we find the Colossus willingly submits to doing Cyclops’ bidding in exchange for being allowed to–one day per year–take a squad of X-Men into the Inferno to attempt to free his sister from the demons’ grasp. After a particularly costly such encounter, the losses are driven home all the more, and Colossus finds himself nearly cut off, faced with one final rescue attempt that does not go nearly as he had hoped.

The story itself is good, taking the core concept of the classic story and giving it a different ending, pulling a “present” timeline out of that change. I’m not consciously familiar with the art team, but there’s a definite air of familiarity to me with the visuals, reminding me (I think) of Chris Bachalo‘s work…though that’s not entirely a positive. The art is not horrible or anything but it’s not exactly to my liking. Stylistically, it fits the story pretty well, and much of its simplicity works for getting across what’s going on. It could certainly be a lot worse, a lot more jarring, so I’m good with it as-is.

Where The Infinity Gauntlet had originally been its own title, and the 2099 line was basically a bunch of books with the 2099 tacked onto something (Spider-Man, Punisher, X-Men, etc) and so works with the current Secret Wars as Secret Wars 2099, Inferno works a little less so as a standalone to me. The logo is familiar and simple but on the cover seems to just be floating. Perhaps it’s the lack of a Secret Wars or Battleworld logo stretched across the top, but this mostly looks like a Bachalo-esque image with the logo elements pasted onto it.

In and of itself, this was a good issue and I’m definitely interested to see what happens in the next issue. I liked the stand-alone nature of this book: consciously I know it’s part of Secret Wars, one of the realms in that world, but on the whole this could just be an introductory issue of some parallel reality with the X-Men characters…and that works in a good way.

Perhaps not entirely worth $3.99, but getting an older, more classic-ish X-story back in the forefront is good enough for me. And given the seemingly arbitrary pricing model of Marvel‘s collected editions, I’m definitely ok with buying this as singles. Recommended particularly to fans of the original story, or early-’90s/pre-’90s X-stuff.

Secret Wars Journal #1 [Review]

secretwars_journal001The Arrowhead; We Worship What We Don’t Understand

Writers: Pru Shen; Matthew Rosenberg
Artists: Ramo Bachs; Luca Pizzari
Color Artists: Jean-Francois Beaulieu; Rain Beredo
Letterer: VC’s Cory Petit
Cover Artist: Kevin Wada
Editor: Jake Thomas
Published by: Marvel Comics
Cover Date: July 2015
Cover Price: $3.99

I think I thought and "assumed" that this was to be some broad, "down-to-earth" sort of title, like the "man on the street" view of Battleworld, since I’m pretty sure not every last inhabitant is a version of one of the previous multiverse’s "named" super-powered characters. What I got was two short stories (much like Battlworld #1), one of which trailed off into a "follow this character into a full title" note.

The stories are short and basic; Kate Bishop sneaks into Doom’s castle to steal an orb, and winds up having to take the "noble" road to see her thieving partners have a chance to escape. The second story follows some mutants as they seek to end Khonsu as their god, that they might know freedom.

In and of themselves, the stories aren’t bad…they just did not come off as very interesting to me. The first one really felt like some sort of prologue or such, particularly for having a blurb to follow the main character into the pages of another Secret Wars tie-in series. The second has an ending, but was tainted from the start by the end of the first, and ultimately feels like just some random one-off. As "moments" within Battleworld’s existince, sure, that’s fine, it’s nice to have stuff that isn’t necessarily part of the driving force behind a singular "core event series story" and all that.

But…?

But I wasn’t expecting half-issue-length stuff, I either hadn’t read at all or didn’t particularly mentally "register" what this title was…I saw THAT it was coming out, so planned on picking it up, as a tie-in to an event whose start really worked for me, more than I’d even figured at the time.

I’m not all that familiar with the visual team. I’m not all that thrilled with it on the whole–it’s ok, it fits the stories, but nothing about it is consciously memorable for me (this goes for the cover as well). You could certainly do a lot worse, but this is also a good bit of distance away from my favorite comic art. It works for the issue, but–especially for one such as me–the art is by no means a "selling point."

All in all, I suppose it’s not the worst $3.99 I’ve spent. But especially in comparison to more specific stuff–Inferno, Infinity Gauntlet, and other stuff coming up like X-Men ’92, Years of Future Past, and so on–this is a fairly disappointing issue, and if I had to choose right now for certain one way or the other if I’d get the remainder of the series, I’d err on the side of caution and give it a pass. As-is, we’ll see what kind of week it is when #2 arrives, whether or not I continue with the series.

Secret Wars 2099 #1 [Review]

secretwars_2099001Writer: Peter David
Artist: Will Sliney
Colorists: Antonio Fabela & Andres Mossa
Letterer: VC’s Joe Caramagna
Cover Artist: Dave Rapoza
Editor: Devin Lewis
Senior Editor: Nick Lowe
Published by: Marvel Comics
Cover Date: July 2015
Cover Price: $3.99

I haven’t read a 2099 book in years. Sadly, it may have been well over a decade, and closer to two. But I’ve been on a major Spider-Man 2099 kick lately with toys and really loving the classic Spidey 2099 costume, having avoided the recent series primarily for the $3.99 cover price (though there were other ‘standard’ Marvel factors for me). But throwing in with a bunch of the Secret Wars stuff, this seemed well worth checking out, so I grabbed it.

The story of the issue gets around a bit, as we begin with getting to see the 2099 Black Widow in civilian guise get called away from flirtation to action, then we meet the other current ‘Avengers’ (a female Captain America, a new Hawkeye, a new Iron Man, and Hercules, as well as Black Widow). They face off against some teched-up thugs, while interpersonal stuff comes out about the characters, and after the fight with the villais we’re given more insight into who the new characters are as well as what’s exacerbated stuff with Hercules. We meet the team’s advocate in Alchemax, as well as the current Vision, and learn of a pending threat to the team.

Even as this story is relatively simple and generic, if not a bit blatant in showing us various personality bits with the various characters and how this tea has come to be, it still works well. There’s a definite feeling for me of an "older" comic with these elements, and knowing this is Peter David back on 2099 stuff is a definite treat, perhaps contributing to my enjoying this…to my wanting to enjoy this.

I’m less familiar with the art team, but I do like the visuals on the whole. I don’t care for the cover art overall…except for Iron Man, whose armor looks fantastic to me on the cover. I actually like it throughout the issue, but particularly on the cover.

As this is new stuff, pushing the 2099 universe forward a bit or in a different direction (but no mention or reference to Doom having taken over, etc), it’s not exactly a beginning…yet it doesn’t entirely feel like just some continuation, either.

I was curious about this…curious enough to check it out. This was not a bad issue, and I’m interested on the whole in learning more of these characters…but with all the many Secret Wars tie-ins, some of these will ultimately competed with each other. I’m more willing to check out *A* first issue than to stick with an entire (mini) series. I’m not choosing from this issue to not continue, but this isn’t quite enough for me to say I absolutely will get the next issue.

If you’re a 2099 fan, you’ll definitely want to get this; ditto (I imagine) if you’d followed the recent Spidey 2099 series…or if you’re just a fan of Peter David‘s work. And of course, if you’re an Avengers fan this could almost be titled Avengers 2099, except its timing is such that it gets the Secret Wars branding foremost, and may prove to take on the entirety of the 2099 stuff, with just this first issue so focused on the Avengers team.

Recommended, definitely one of the more interesting of the tie-ins so far.