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Outsiders #24 [Review]

Matter of Trust

Story and Words: Peter J. Tomasi
Penciller: Fernando Pasarin
Inkers: Scott Hanna, Prentis Rollins & Fernando Pasarin
Colorist: Brian Reber
Letterer: Travis Lanham
Cover: Tom Mandrake
Asst. Editor: Harvey Richards
Editor: Michael Siglain
Publisher: DC Comics

We begin this issue much like the other Blackest Night tie-in issues: a flashback showing us the memories a black ring is downloading to use with an animated/rebuilt corpse, concluding the scene with the command to the body to RISE. In this case, it’s Tara Markov again, and fresh off menacing the Titans, now she goes to her brother and the others of the Outsiders. As the Outsiders seek to find the truth about what’s going on, the readers know it’s not quite what they think–or want to think. Meanwhile: Tatsu, Violet, and Creeper are transporting Killer Croc, and bump into Black Lanterns of their own to deal with…Tatsu’s dead family.

This is one of those issues that is far easier to read than it is to describe. Visually, I recognize everyone; the names I’m a little less confident with and have to search through the issue to find references (I’m pretty sure Tatsu and Violet are “civilian” names and not the characters’ codenames).

With the Blackest Night: Titans mini and its flashbacks, and other series lately dealing with the Titans’ history and characters related to them, I have that thin understanding that works fine while reading, but isn’t strong enough for me to really “get” fully. In a way, that’s something on the writing; but at the same time, the fact that I can read the story even not knowing much about the characters nor their status quo prior to this point is more positive than negative.

The art’s quite good; no real complaints from me. Everyone looks as I’d expect–if there’s any expectation–and at the very least, I recognize pretty much everyone. Even the Black Lantern has expressiveness…there’s a panel where one would almost feel bad for her, if one doesn’t keep in mind what’s been learned so far about these Black Lanterns.

Probably the largest factor that makes this work so well for me is that it is written by Tomasi, who has been doing plenty of other writing within the Blackest Night event, and presumably he is incorporating enough that even without non-Blackest Night knowledge, there’s some building continuity just within the event’s story.

All in all, a very solid tie-in, and certainly worth getting if you’re following either Blackest Night or the title itself. Then, of course, there’s also that little ring that ought to come with the issue, as well.

Story: 8/10
Art: 8/10
Whole: 8/10

Dr. Horrible #1 [Review]

Full review posted to comixtreme.com.

Story: 4.5/5
Art: 4/5
Overall: 4/5

The Weekly Shipping list @ Comixtreme

cxweeklyshippinglistlogo2009Every week, I post the weekly shipping list over at Comixtreme.com. The list is provided by Diamond, and includes items expected to be in comic shops this week. Check with your local retailer to confirm what items are out.

And if you’re checking the list, feel free to make a post in the comments thread with the issues YOU are planning on picking up. That’s one of the fun things about posting this list: seeing what it is that others are interested in on a given week. And sometimes, learning of something that wouldn’t otherwise have grabbed my attention.

Change is in the air

“It’s part of growing up, I suppose…you always have to leave something behind you.” ~ Edwin (Neil Gaiman, The Sandman: Season of Mists)

For several months, I’ve been noticing my trips to the comic store have been getting more and more expensive, with my per-week cost climbing significantly. A lot of that is due to jumping on new Batman titles with the post-Battle for the Cowl launch; the Blackest Night event with its core mini and ancillary minis; and a friend recently turning me on to the Deadpool books.

The last several weeks I’ve had times where I’ve had to leave a comic on the shelf because what I can budget for that week for comics hits its upper limit. On the plus side (better or worse), I haven’t really missed several of these. Others I’m going to miss, but it comes down to what I’m most enjoying reading, and what I find myself most looking forward to in a given month or week. I can’t afford to buy comics that slip to the bottom of the weekly pile or even go unread entirely for weeks on end because I’m not actually excited to read that issue.

I’ve also noticed that I’ve been keeping up with several series specifically to be able to review them. I can’t afford to keep that up right now.

Unfortunately, that means that what’s left does give me a certain bias in reviews: I can ONLY review the books that I’m actually buying (until/unless anyone provides me with review copies of anything), and I can only buy what I can justify…and said justification comes with a pre-conceived expectation of actually enjoying a book.

Still…expectation does not necessarily mean actuality. And of course, for those of you actually reading these reviews…you’ll still be getting my honest thoughts regarding a given issue–that will definitely not change.  As far as this blog, I plan to continue reviewing what I can; sharing my thoughts/opinions on the occasions I choose to post the random thoughts, and of course, sharing other content as I come up with it–like my series of photos last month.

Ultimately, there’s something to the old saying…”the more things change, the more they stay the same.”

“Packaging” is important, too!

It’s certainly not a new topic by any means. But it re-occurred to me today as I was leaving Borders just how much the “packaging” of a product (specifically book or comic/collected-volume) matters.

I went in planning to purchase The Zombie Survival Guide: Recorded Attacks with my 40%-off coupon of the weekend. The volume, however, seemed both too skinny for its retail price, and too small in dimensions overall–larger than, say, the Zombie Survival guide itself, but smaller than a standard (Marvel or DC) graphic novel. For $17 and flipping through and seeing it more flash than substance (more art than words) I actually decided I’ll hold off on it for now. Sure, it’s still on my want-list, but it can definitely wait.

I also noticed a couple of Marvel books in particular where the “Premiere Hardcover” was next to the TPB. With Captain America: The Man With No Face, the paperback is $15.99 while the hardback is $19.99. Now, I know as well as ANYone that $4 can be quite a bit. But these days, for the price of an average Marvel comic, I’ll pay the “upgrade fee” and get the hardcover when there’s so little difference in price! (when available/able, of course). But there’s something discouraging (for lack of better word) about seeing a nice hardcover with a paperback next to it…and realizing they’re practically the same price despite the price differences. (For that…I’d like to see the paperbacks go to a standard digest-size and be about half the price of the hardcovers.)

I happened across a Zombies anthology (different from the Living Dead anthology)…massive paperback. Granted, it’s all prose…but $20. And for page count, it DWARFS the average Marvel/IDW (and even DC) $20 paperbacks. For sheer size, it would certainly beat out a number of other books for the price.

I listened to a Comic Geek Speak podcast today where they talked about the TMNT Collected Volume One; the content’s good, obviously…but the packaging is very minimal…no text/pictures/description on the back, the spine is just text on a background, and the cover is simply a closeup of one of the Turtles’ faces…no logos, even on the cover.

Now, granted, in bookstores or even at home, the spine is probably what’s gonna be seen most…but still…it’s always nice when a book’s entirety just looks good as well as containing good quality content.

As a book person, I also prefer when things look good TOGETHER on the shelf…and for a series to look like a series…that is, a common trade dress and size. I have actually opted AGAINST buying books because they don’t fit with others or otherwise waited til I could get a different edition that WOULD fit. (I also specifically AVOID the extra-tall mass-market paperbacks…I mean, what’s the POINT of these? I suppose that’ll be a topic for another post).

Deadpool #16 [Review]

Want You to Want Me Part Two: No Man is an Island

Writer: Daniel Way
Penciller: Paco Medina
Inker: Juan Vlasco
Colorist: Marte Gracia
Letterer: VC’s Joe Sabino
Assistant Editor: Jody Leheup
Editor: Axel Alonso
Cover: Jason Pearson
Publisher: Marvel Comics

After the cliffhanger emphasis put on Deadpool’s decision last issue, this issue was rather abrubt to start out. Deadpool is flatly turned down and away. Upon further consideration, Cyclops sends Domino after him to bring Deadpool in to the team. This results in some misunderstanding between Deadpool and Domino, before Deadpool spills the beans on his plan to show the X-Men what “moves” he’s got to bring to the team.

This is my first new, bought-day-of-release issue of Deadpool in years. I vaguely recall picking up the final issue of Cable/Deadpool a few years back; prior to that, I don’t recall if I picked up the first issue of whatever the long-running solo Deadpool title became with that “reboot” back in 2001/2002ish. And before that, I’d picked up the first issue of the first 1990s mini-series (that came out the same summer as the first Sabretooth miniseries…guess which character’s ultimately had “legs”?).

The “previously” page lets one in on the bare essentials you need-to-know for this issue…I don’t even need to remember what happened in the previous issue (though I’ve enjoyed issues 15 and 12-14 [in that order]). This is one thing I definitely applaud Marvel on that I’ve long felt DC needs to do–especially the WAY Marvel does it, it’s something that adds to the single issue format, and is easily removed for the collected volume with zero loss of story or story pages. But it adds a lot to the issue itself…not to mention providing a consistent place to see which creator did what on a given issue.

Though there’s some dark, violent stuff to this series…there’s a warped sense of fun about it, too, that makes it simply an enjoyable book to read, with some amusing gags and pokes through the “fourth wall.” The art just plays right into this, as the visual style is very solid…and really quite good in and of itself. Cyclops, Domino, and of course, Deadpool all look quite good in this issue, and for that alone the art gets props from me. The visuals bring in contemporary looks for the various characters…and really makes ’em look about the best I’ve seen them in awhile–particularly Cyclops and Deadpool himself.

This issue and its story are grounded in the “Dark Reign” status quo the overall Marvel Universe is mired in…and yet thankfully keeps somewhat above it, in a way. There’s also the fact that the issue is a mere $2.99…which is QUITE a steal on a book from this publisher of late.

There’s plenty of backstory to be had in Deadpool as a character, even just from this current series. That context will add an extra layer of enjoyment to the reading of this issue. At the same time, short of another reboot or an issue specifically labeled on its cover or in solicitations as a jump-on point…this is about as good a jump-on point as one’s gonna get.

If you like the character and aren’t reading this book, I’d recommend giving it a shot. ALso, if you’re avoiding Marvel for all the $3.99 books and yet want a peek into the Marvel Universe of late…this seems an excellent title for peeking in on things at the already-high-enough $2.99 price point.

Story: 7/10
Art: 8.5/10
Whole: 8/10

Archie #601 [Review]

Archie Marries Veronica, part 2: The Wedding

Script: Michael Uslan
Pencils: Stan Goldberg
Inks: Bob Smith
Letters: Jack Morelli
Colors: Glenn Whitmore
Managing Editor: Mike Pellerito
Editor/Editor-in-Chief: Victor Gorelick
Cover: Goldberg and Smith
Publisher:Archie Comic Publications

Second issue in, and the story’s even better (perhaps because we’re into the thick of things, with no silly walk-UP-memory-lane as the vehicle to facilitate an “easy out” of this major story).

This issue sees the wedding itself of Archie and Veronica, with a lot of great moments, cliche though some may be. We see Archie and his groomsmen dealing with the woes of tux-fitting, while Veronica and her bridesmaids have a fitting of their own. The couple-to-be shares some concern over what their future is to be. Then we get the “core scene” of the issue in the wedding–with a double-page splash of the big moment, a couple of full-page shots, and then a montage (including the classic Archies’ song “Sugar, Sugar”) that perfectly captures “a wedding.” The tail end of the issue moves the story ahead a year as we find the newlyweds facing another new step in their lives as Veronica shares some significant news with her husband.

All told, there’s not too much to be said on the art on the surface. It’s got that classic Archie style to it, and all the characters seem perfectly recognizeable to me–even if I couldn’t tell you their names offhand, they’re visually familiar from one thing or another of Archie I’ve read in the past. The declaration of the newly married couple and the full-page panels that followed reminded me of the Superman Wedding Album issue and took me out of the story a bit, as I noticed these as being those (newly) “iconic” images that would seem more appropriate for marketing than within the pages of this story. Still, one does not really get to have those double-page splashes, even for huge/important moments in real life…so getting them in a comic isn’t that bad a thing–especially as double-page splashes or even a full-page image seem such a rarity for an Archie book (in fact, I can’t think of any Archie story in the past that has had such pages).

The story itself isn’t terribly complex…but it definitely rings true to life. I’ve been to a number of weddings the last few years as a number of friends have gotten married, and the montage found in this issue made it easy to connect to the characters and the experience. There’s still some drama and conflict…even questions…as the story goes along, but they seem to be the usual sort of human drama…wondering how relationships will be affected, or seeing the various relationships play out in the shadow of an event as important to two lives as a wedding is.

What struck me as particularly interesting with this issue is the Betty/Veronica relationship. The two have always been rivals–one might argue that the rivalry is built into the fabric of the characters themselves in the Archie-verse– but I’m not used to seeing them portrayed as having such meaning to one another…that this is played up a bit does great credit toward making the characters more well-rounded and believable.

All the good of the issue not to say it’s without cliche…there’s nothing particularly shocking–even the issue’s end (while done as a cliffhanger) is only natural in a story like this. The nature of the story at hand allows for such huge things since we’re invariably going to be returned to the status quo after this arc is complete. But while I’m confident I see what the ending will be since the beginning of the arc, the ride is still very enjoyable–so much so that I’m honestly probably going to be disappointed to see the status quo return.

Perhaps Archie comics are aimed at kids…but these are not “just” for kids by ANY means. I’m a 28-year-old male…and I’m enjoying this arc as much or more than most other comics I’m reading these days. If you can find the first isue of this arc, I highly recommend giving the story a chance…whether you’ve ever read an Archie book before or not, if you know anything of the characters, you should have no trouble following right along.

While the story and art taken alone don’t rank quite as highly…this issue’s rating is based on the whole, which is greater than the parts.

Story: 8/10
Art: 8/10
Whole: 9/10

THE REST OF THE STACK #2

Due to personal finances, this was a small week for comics for me…but the pricing for these “Halloween Ashcan Comics” was just right for snagging them. And as stuff I read after the regular comics I picked up, they very much fit the criteria as “the rest of the stack.” They’re also something I’d want to touch on anyway…they don’t quite warrant full-review treatment, but the fact they exist seems to call for something. These are smaller than normal comics–both in length (about 12 pages inside the covers) and physical size (fold an 8 1/2″ by 11″ piece of paper in half and that’s your size). I call these “ashcan comics” because that’s the term I recall for comics like this from the mid-1990s. Perhaps I’ll touch on the topic of such comics another time.

For me, this is a mixed bunch. My favorite of these five specials is the Betty Cooper Confidential–probably because it seems best suited to the format. It read very much like a short story from one of the Archie digests I’d buy in the checkout lane at Walmart or some such. Even this is largely a preview for another book, though. The story–which has Betty’s diary blown away on the wind and then recovered in pieces by her friends–is one of those that plays all the characters as being friends, with far less competition or other conflict between them than in other stories. Given this is a light-hearted piece, that works fine. I’ve never been a great judge of a good age group for Archie books…but I’d say this one’s quite mild and safe for any age that’d be interested.

The Popeye comic features a reprint of what seems to be a classic serial in which Popeye & friends encounter a “ghosk” on their ship. There’s not much to it, but it’s definitely got the feel of the old Popeye cartoons I’ve recently exposed myself to. I can mostly hear Popeye and Olive’s voices in my head as I read this, but there’s something distinct to these pages–they are not simply an adaptation nor exact source material for any of the cartoons I can recall. The Ghost theme seems chosen for Halloween (where these specials are intended to be available for giving out)…but the few pages we get does not give a complete story, and just seems to end after giving up several clues and a likely reveal, though no real details or context. Still, it’s a good sampler for what Seeger’s classic strip is like, and for seeing Popeye in comic panels rather than in motion on a tv screen.

The Star Wars issue is a brief story that sees Han and Chewie wind up on a planet in need of fuel, and discovering undead inhabitants doomed to relive the accident that claimed their lives. In a way, this story feels rather out of place for what I’m used to with the Star Wars universe. At the same time, it’s also plausible given the suspension of disbelief one needs in order to believe in aliens, space ships, and The Force. We do get a “complete adventure” in these pages, which is nice–it’s just a quick slice-of-life sorta piece detailing this one particular incident the characters faced. I couldn’t say how it holds up to Star Wars canon, but it’s certainly worth the couple minutes it takes to read!

I’d expected the Casper/Little Lulu to be my least-favorite of all of these, but it has some slight charm to it. I don’t particularly LIKE it, but I can appreciate the strips for both characters for what they are–classic strips that were well-known in their time (I at least know OF the characters, even if I can’t tell you much of anything else other than what you see in this issue). Like the Popeye issue, this is interesting as a classic of comic strips, but if you’re not interested in the characters going in, this probably isn’t going to do anything to change your mind.

Finally, the Domo issue–which was sitting next to the just-released full-sized volume of the same title (Domo: The Manga) feels very much like a previw and nothing else. I’m not even sure what to make OF Domo or whatever the character may otherwise be called. I’ve seen the image of the character represented in various elements of pop culture, but know even less about it than I do Casper. The stories contained in this issue don’t really make sense to me, and I’m relatively certain as such that I am not at all the target audience. If you like Domo, this might be worth your time. If you don’t…then don’t bother with this.

I’ve always forgotten about these until they’ve been on the shelf at my local comic store, so buying any in bulk hasn’t seemed an option, though these would be great to have to give away–whether to kids out trick-or-treating for Halloween, or just to have to hand friends who otherwise wouldn’t give a darn about comics. It’s kind of a shame DC and Marvel didn’t have any in this bunch.

If you’re interested in any of these, check with your local comics retailer–mine had these on the shelf for $.25 each or a set of all 5 for $1 (which is why I wound up with the Casper/Little Lulu and Domo issues). Taken as a whole, for the time spent just reading these, they were well worth that $1. I’d almost be willing to buy stuff like this on a regular basis, especially from DC–give me a couple 6ish-page previews of a couple titles (make it a flip book and preview two titles in one issue, showcasing a cover for each) instead of the in-issue previews that get so annoying, and I’d likely read them.

Archie #600 [Review]

Archie Marries Veronica, part 1: The Proposal

Script: Michael Uslan
Pencils: Stan Goldberg
Inks: Bob Smith
Letters: Jack Morelli
Colors: Glenn Whitmore
Managing Editor: Mike Pellerito
Editor/Editor-in-Chief: Victor Gorelick
Cover: Goldberg and Smith

I missed out on the LAST “event” in the Archie title–Freshman Year. Though I ultimately snagged the collected volume, and generally prefer collected volumes…this was a story I decided I’d go ahead and try the single issue(s).

We begin at the end of the kids’ high school career–graduation day is upon them–and see them reacting to the impending changes to their lives. We get what seems to me an incredibly stupid/cliched plot device to hop a few years into the future to the gang all just about to graduate from college. With all the changes about to happen, Archie proposes to Veronica (who accepts) and the wedding-planning goes into full-swing while Mr. Lodge begins planning Archie’s job/career (having hired Archie to ensure the kid can afford to take care of his daughter).

The story is really pretty simple…but there’s a surprising amount of depth hinted at…stuff that probably won’t jump off the page at anyone, but for someone who has been through a high school graduation/friend-dispersal and two college graduations and all the changes that come with ’em…it’s easy to identify with the mood if not specific characters. I actually expected this story to be half an issue, tops…with some sort of backup shorts to fill the issue out…that this six-issue-arc would maybe be what I’d normally consider 2-3 issues’ worth of content as to the Archie-Marries-Veronica, anyway. Instead, this is the entire contents of the issue–from first page to last, it’s an ongoing narrative…something I’m not used to with Archie books.

THe art is really not distinctive…it’s in the classic “Archie style” (as opposed to the “New Look” that gives the characters a more real-world appearance). If you’ve seen any Archie comic, you probably know the “Archie style.” It’s what you picture when you think of the character or the supporting cast. Simplistic, sure, but the characters have their individual appearances that make them recognizeable if not downright iconic (such as Jughead with that crown of his). Given the classic style, that this doesn’t seem to break from that, I have no qualms whatever with the art…it simply is what it is, providing the look/feel I’m used to with Archie books.

On the whole, this was quite the enjoyable book. It’s been years since I’ve read any longform Archie stories (the shorts/one-pagers being what I’m used to from the occasional digest picked randomly in more recent years), and this issue has me chomping at the bit to see what comes next. That stupid/cliched plot device–while being what it is–is quickly forgotten as the real story kicks off (yet I’m pretty sure that plot device is going to be important to the resolution at the end of this arc–to restore the status quo I’m sure the publisher will not permantently deviate from.)

This would seem to be a great jumping-on point for new or lapsed readers as well as the ongoing readers. There’s also the fact that this is quite the anniversary issue–#600 to be exact–and said anniversary is celebrated by beginning this story, rather than by extra pages, variant covers, higher prices, or other what-have-yous. It’s a standard-size issue for the standard price ($2.50) which makes it quite a deal in the current comics market.

Highly recommended!

Story: 8.5/10
Art: 8.5/10
Whole: 9/10

Randomish thoughts

– I’ve passed on buying the Cry for Justice JLA mini-series partially for the cover price…but mostly because I am So. Freaking. Frustrated. with the FREQUENT use of splitting singular images across multiple covers…of the same stupid ISSUE. Make issues 1-2 go together for a single image. Spread an image across issues 1-3.  Spread an image across chapters 1-2, or chapters 1-3, or however many “panels” the image is made of. But darnit, DC…quit doing it across multiple single-panel/front-covers of the same issue!

– I’ve lost track of all the Marvel comics that I have passed on due to the $3.99 price.  Marvel, I assume you’re making plenty of money to cover for what I’m NOT buying. But I’ve been tempted a lot of times by random Marvel issues–whether Dark Wolverine #75 for a couple reviews I read, issues of Old Man Logan where I’ve contemplated picking up all the issues available so far, or any of a number of one-shots when I just want to add an extra comic to my stack or whatever. But I always put the issue(s) back or neglect to touch them when I realize/recall that hey…they’re $3.99, and that’s TOO MUCH in my mind for a standard (Marvel) comic.

– I’ve passed on the single issues of Astro City: Dark Age this time around…though I was sorely tempted to snag issues 2-3 this week just because they were there.  But they’re $3.99 and I see no point to the cardstock covers…just give me a paper cover and newsprint interior so I can read the darned story…save the high-quality cover stock and paper for the collected volumes!

– I’m debating whether or not to “pre-order” a “subscription” to the upcoming “Archie gets married” arc kicking off with Archie #600.  Saw an ad on facebook–one that was PROPERLY targeted (I’ve clicked on more comic-related and new-books-related ads than I have anything else–wish they’d get the hint and stick to those instead of the assinine personals/etc. ads!). Probably going to opt for the singles, provided I can find ’em. Missed on the Freshman Year arc because no one ever had the 1st issue of the arc, or a middle issue was missing (i’m NOT going to buy parts 2 and 4-5 without 1 and 3 at the same time, for example). If it was chapters 1-4 or 2-5, I might go for it and hunt the missing chapter as a single.