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AvX: Consequences #1 [Review]


Full review posted to cxPulp.com
.

Story: 3.5/5
Art: 3/5
Overall: 2.5/5

Fanboys vs. Zombies #7 [Advance Review]


Full review posted to cxPulp.com
.

Story: 3.5/5
Art: 3.5/5
Overall: 3.5/5

Avengers vs. X-Men #12 [Review]


Full review posted to cxPulp.com
.

Story: 3/5
Art: 4/5
Overall: 3.5/5

Hypernaturals #4 [Review]


Full review posted to cxPulp.com
.

Story: 3.5/5
Art: 4/5
Overall: 3.5/5

Teenage Mutant Ninja Turtles #14 [Review]


Full review posted to cxPulp.com
.

Story: 4/5
Art: 3/5
Overall: 4.5/5

Higher Earth #5 [Review]


Full review posted to cxPulp.com
.

Story: 4/5
Art: 3.5/5
Overall: 4/5

Bloodshot (1990s) #0 [Review]

Family Blood

Writer/Penciller: Kevin Vanhook
Inker: Dick Giordano
Colorist: Jade Moede
Cover: Joe Quesada, Dick Giordano, John Cebollero
Letterer: Jade Moede
Editor: Jorge Gonzalez
Published by: Valiant
Cover Date: March 1994
Cover Price: $3.50

We open on a flashback to the 1860s, on the man who would be known as the Eternal Warrior as he laments his inability to prevent the Mafia from gaining a foothold in the United States. The story then shifts to 1991, as we meet Angelo Mortalli–the man who has been tasked by the Mob to take down the Eternal Warrior. The two come together, and Mortalli believes he’s killed his target–not realizing the man’s nature. Not long after he’s framed for several murders that turn his family against him, and realizing he wouldn’t last on his own, turns himself in. Unfortunately for Mortalli, he becomes the subject of an experiment, as microscopic robots–nanites–are injected into him. When he’s released by a Geomancer, he has no memory of who he once was, but he’s become an ultimate survivor, proficient in all sorts of weaponry.

As I first read this issue, I wasn’t sure who the narrating character was; but I was pretty sure this was not the Shadow Man, nor Ninjak. As I sat down to write this review, it actually occurred to me this might be the Eternal Warrior–a character I know virtually nothing about, but by that name he sounds immortal and thus it would be reasonable to assume that his longevity lends to narrating this story. Having made that connection, I did a quick bit of research and confirmed it: I assumed correctly.

The story is pretty straightforward, introducing us to the various characters pretty quickly, setting up the situation, and moving us through the main points. We get a little bit of backstory as well as the ongoing insight of the Eternal Warrior’s narrative/knowledge of what happened, and we get to see bits of Mortalli’s life as a part of the mob and what he’s like as a person…which seems a stark contrast to the vigilante he would become as Bloodshot.

The art is pretty good–nothing negative, really, to say about it; it fits the story quite well and conveys what’s going on, making things easy to follow, and the issue as a whole flows quite nicely. I’m unfamiliar with Vanhook‘s art offhand, and it reminds me a bit of Barry Windsor-Smith, and the visual style of the entire art team has a look that–for me–screams “1990s!” This is not a bad thing, just an observation…and something that I think helped my enjoyment of the issue, as it looks and feels like the early/mid-1990s comic that it is.

I’m pretty sure this is the first-ever issue of “classic” Bloodshot that I’ve read–though I bought #1 when it came out, that was the dumb collector in me in the early-1990s, bought for the fancy cover and on the chance it’d be come THE “hot, new book.” I don’t recall buying this issue when it came out, though I’ve acquired several copies through the years out of bargain bins, specifically for the shiny cover and my having a thing for these chromium covers.

As something I don’t believe I’ve ever paid more than fifty cents for (so even with multiple copies, I’ve yet to pay a total of the 1994 cover price), this was an excellent issue. It’s given me the origin of Bloodshot (as expected, assuming going in that this was like the X-O Manowar #0 issue that did the same for that character), which–while it takes the mystery away–will likely inform my reading of the early issues of the series.

I approached this as a one-shot; just a lone single-issue I could read, to “sample” Bloodshot after all these years…but I found myself quickly drawn into the story, and by the end of the issue, I am very interested to get into the series proper and experience this original version of Bloodshot.

This is my first-read issue of Bloodshot (1992) but it’s my fourth Bloodshot comic overall–having already read the first three issues of the 2012 series. I can’t help but wonder how much the two inform each other–how much detail in the new series is actually drawn from the original, and how now reading the originals will affect my enjoyment of the new material.

As back-issue bargain bin comics go, if you can find this in a quarter, fifty-cent, or dollar bin, it’s a solid read and well worth picking up. Just beware it igniting an interest in the character and this series that might lead you to hunting a bunch of other issues to read more.

Story: 7/10
Art: 7/10
Overall: 9/10

The Massive #s 1-3 [Review]

A couple months ago, give or take a week or so, I was at a semi-local comic shop that I get to every now and then, but no great regularity. I don’t recall now what I was looking for at the time, but I wound up buying two issues apiece of The Massive and Mind the Gap, figuring I’d “try” a couple new series. But the way my luck goes–spend full price on something, and got distracted by other stuff.

So I only just a week or so back finally read The Massive. And, being labeled on the front cover as parts 1 and 2 of 3, I went ahead and bought the third issue this past weekend to finish out the first arc.

Written by: Brian Wood  /  Art by: Kristian Donaldson  /  Colors by: Dave Stewart  /  Letters by: Jared K. Fletcher  /  Covers by: Brian Wood, Kristian Donaldson, Rafael Grampa, Dave Stewart, J. P. Leon  /  Designer: Justin Couch  /  Assistant Editor: Jim Gibbons  /  Editor: Sierra Hahn  /  Published by: Dark Horse Comics  /  Cover Price: $3.50

The basic premise of the series as a whole seems to be that a series of huge environmental disasters happened that have screwed up most of the world’s governments and such, leaving the world in an everyone-for-themselves-or-their-power-base kind of state. Central to the story are several characters on the ship Kapital–one ship of a 2-ship fleet, as they seek out their sister ship (the larger of the two)–The Massive.

Mixed in with the ongoing events–evading pirates, restocking material resources for survival, etc.–we get flashbacks to see where the characters have come from, the stuff that makes up their relationships now.

The art isn’t bad–it’s got a nice style to it, conveying these “normal” humans going about their lives in this world. I use “normal” as opposed to the depiction of super-heroes and the flashier sort of thing you’d expect for that sort of comic. While the world they live in has changed drastically, these are just normal people getting by in somewhat extraordinary situations.

The story itself is a solid premise, and the characters seem like real people, with real lives, histories, and all that. Giving backstory as well as present story allows the exploration of two periods in characters’ lives, with plenty of depth for both periods and a lot of room to juxtapose things.

Unfortunately, for whatever reason, I just don’t find myself terribly engaged with anything in this first arc.

I find myself comparing this to the likes of a new tv show. If the Buffy season 8 & 9 comics can use each small arc as an “episode,” then this 3-parter is definitely a pilot episode. Yet, because it’s a comic series, it’s also already 3 issues in. I’m interested, yes, even though not really engaged…but like most tv shows these days, I’ll wait for word of mouth and reruns or the dvd (or in this case, collected volumes).

There’s something in general about The Massive that puts me in mind of stuff like Y: The Last Man or DMZ, where I have this feeling this is going to go somewhere, and have some strong character development, world-building, and generally be a great overall work. It’s just not working for me in the single-issue format; I’m not interested in (even though it’s less than my hated $3.99 point) paying $3.50/month to get tiny chapters of one greater whole. Assuming this goes on to be one of these longform finite stories, I’ll probably come back to it someday.

While it’s no $9.99 “bargain priced premiere volume” a la Vertigo or some of the Image stuff, I gave this just over $10, and while it’s not the greatest $10 I’ve ever spent, it’s a far cry from the worst.

X-O Manowar #5 [Review]


Full review posted to cxPulp.com
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Story: 3.5/5
Art: 4/5
Overall: 3.5/5

Harbinger #4 [Review]


Full review posted to cxPulp.com
.

Story: 4/5
Art: 4/5
Overall: 4/5