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The ’80s Revisited: DC Retroactive – The ’80s – Superman #1

Posted on March 6, 2017 by Walt

dc_retroactive_1980s_superman_0001New Day, Final Destiny

Writer: Marv Wolfman
Artist: Sergio Cariello
Letterer: Pat Brosseau
Colorist: Andrew Elder
Editor: Ben Abernathy
Cover: Dan Jurgens
Published by: DC Comics
Cover Date: October 2011
Cover Price: $4.99

I remember when these DC Retroactive specials hit, back in 2011–as a sort of bridge between the pre-Flashpoint wrapup of titles and dawn of the New 52. I got the Superman 1990s one, but don’t recall if I had actually picked up this 1980s one at the time–though I can’t imagine that I would not have, given the cover! Still, this particular copy coming from a 25-cent bin recently, and including a reprint of a 1980s story along with a new story OF the 1980s pre-Crisis on Infinite Earths Superman places it well within my personal definition of a 1980s Revisited issue!

As said, the cover stood out to me most, showing an anguished Superman surrounded by imagery from the ’90s and forward…particularly Superboy Prime and an OMAC from Infinite Crisis; an Amazon from Amazons Attack, Bane breaking Batman from Knightfall, and a prominent Hal Jordan as Parallax from Emerald Twilight, Zero Hour, etc. In fact, this cover would make for an excellent art print and/or poster. The imagery is nice, and the Superman logo is nice and big, the "classic" yellow letters with red 3D coming off..the "classic" DC Bullet logo I grew up with, etc. While part of my motivation grabbing it from the quarter bin was that it was originally a $4.99 issue and here I was snagging it for a mere 25 cents…the cover had grabbed my attention and was worth 25 cents to me to get just to have handy, regardless of owning a copy "somewhere" in my too-vast accumulation.

The issue opens on an exhausted Superman who’s just trying to get some sleep…but if there’s no rest for the wicked, then he’s apparently been very naughty (to paraphrase the character’s thoughts). Superman quickly finds himself in the midst of a major crisis as an alien creature called The Dread destroys the Daily Planet building, killing thousands. When he tries to at least rescue one girl, time freezes…and he encounters the entity known as Destiny (one of the Endless) who pauses time, and confronts Superman with a choice: Superman can give in to The Dread’s option of aiding their conquering of worlds, or he can live to see horrible things happen to the people and its heroes. Destiny shows Superman glimpses of what’s to come: Amazons Attack Washington, killing thousands. A huge brute called Bane breaks Batman’s back. An earthquake levels Gotham City, and the Arkham Asylum inmates take over what remains of the city. Firestorm and Blue Beetle are killed. With encouragement/sanction of the Justice League, Zatanna mindwipes villains. Sue Dibny–the WIFE of one of the JLA–is killed. Wonder Woman kills Maxwell Lord outright. Hal Jordan dismantles the Green Lantern Corps and becomes Parallax. Barry Allen (Flash) is killed during a Crisis. Superman himself is killed by a Doomsday creature. Even his beloved cousin Kara is killed. Many other heroes and villains are killed, and eventually resurrected during a Blackest Night to kill countless others. All Superman has to do to prevent these things is to become the assassin/"herald" of The Dread and let all of Earthly humanity to be made into mindless slaves to The Dread. Yet, Superman refuses to give in, refuses to accept these as the only two options…he holds onto hope in the face of it all. The destruction of the Planet building, everything Superman’s seen right here is shown to be visions granted from Destiny…who himself isn’t actually the Destiny Superman had met before. He knows only that this is someone different…but as readers, we learn that this is a disguised Lyla–Harbinger–"testing" Superman, and finding him to be truly the hero they need to recruit if any of the multiverse is to be saved from the Anti-Monitor.

Story-wise, on the surface, this is a rather cheesy, pandering, gratuitous thing. As a DC Retroactive issue, this is designed to play on nostalgia, from the cover-inward. For me it gets that on numerous levels–from the ’80s writer in Wolfman to the’80s version of Superman, to the visions of major events from the ’90s and 2000s that were all "current events" for me as a reader as they came about.

But beyond RECOGNIZING that, in a clinical sorta way…I honestly HIGHLY enjoyed this story! It’s exactly the sort of thing I’d want in something like this…give me the older version of the character, with a story that in no way detracts from prior continuity, show that even "old" continuity is part of "new continuity"–one big flow–as well as letting me as a reader see events that I know were indeed coming, that Superman and his world would face and endure. This is both a revisitation of the ’80s and a revisitation of the ’90s. Much as Superman is shown, though, a number of things are left out of being explicitly shown on-page (such as the death of Jason Todd) though the narrative allows for this in acknowledging that so many other events are glimpsed in Superman’s mind.

While I recognize Wolfman‘s contribution to comics history, I cannot honestly say that I specifically recognize his writing…I have not read enough of his work specifically to do so. That said, this was a story I really enjoyed, that captured the "tone" of the 1980s Superman that I do know, from what I have read from immediately prior and shortly after the Crisis itself, before Byrne‘s reboot. That the character is recognizable as such is a strong point to me…as well as the way the glimpses of the actual future of the DC Universe is worked in.

Visually, it’d be easy to mistake this for what it is–a much more contemporary take on Superman. Unfortunately, the issue doesn’t LOOK like ’80s Superman…it looks like early 2010s Superman, a more generic Superman as depicted by whoever the current artist is. However, for this story, the art still works well and in and of itself is quite solid, conveying the action, this artist’s takes on the key turning points that Superman is shown, and the characters involved.

I also quite appreciated the editorial note that Superman had previously met Destiny in Superman #352…I actually made a note for myself with the intention of tracking that issue down in the near future, curious about that original story. I had not even connected that with the knowledge that this issue also contained a reprint story from the ’80s after the new "lead" story.

superman_vol1_0352Superman (vol. 1) #352: Day of Destiny!

Writer: Marv Wolfman
Penciller: Curt Swan
Inker: Frank Chiaramonte
Letterer: Shelly Leferman
Colorist: Adrienne Roy
Editor: Julius Schwartz

It was a very welcome treat to find that the reprinted 1980s story included in this issue was the aforementioned Superman #352! Rather than having to remember to look for the issue and maybe find it easily, maybe not, I was able to simply turn a page and dive right into the story!

This story was also written by Wolfman, with accompanying art by classic Superman artist Curt Swan…whose visuals I definitely recognize and made for a real treat of a thing. Given that it IS from then, it looked and read as an ’80s piece, with the familiarity I’d expect, and also enhanced what I had read in the lead, contextualizing things a bit and giving a post-read feel of merely reading two issues out of order…bringing back memories of reading Grandpa’s old comics. Like I had been grabbed by the cover and read an issue, and then being referred to a previous issue, found it and got to read it.

Despite my praise that definitely comes from the nostalgia of it all…this story’s looking/feeling like its time period isn’t all good…strip away the nostalgia and it felt a bit boring and ham-fisted and a bit borderline preachy.

Superman encounters Destiny, who is determined to PREVENT Superman from helping people, despite Superman’s every instinct being to leap into action and help people as he always does. Superman is forced to stand by helplessly as he sees people that he WOULD save ultimately save themselves. And thus Destiny’s lesson is imparted to the Man of Steel that the world and its people cannot be solely reliant on one person–him–for everything; that they are actually capable of taking care of themselves (Superman and the people are made to realize this).

I couldn’t help but think of the years-earlier story Must There Be a Superman? from Superman #247 (in which the Guardians of the Universe put Superman on trial for interfering with Humanity and impart to him the same lesson, essentially, that Destiny does here). The two are 106-some issues apart (nearly a decade) so it’s not like they were back to back…but as someone who has read SOME stuff from throughout Superman’s history it jumps out at me where it may not to others.

Though I recognize Swan‘s art and like it in the nostalgic sense…there’s a certain "generic" nature to the art that I personally tend to compare to (in particular) Dan Jurgens‘ art, particularly from around The Death of Superman as well as other Superman art from the late 1980s/early 1990s, a good 9+ years removed from this, as this was from Superman 247.

The cover price is rather steep for a 26-page "main" story and 16-page REPRINT. Still, that’s 42 pages of content for $4.99, from a time where many books were $2.99 to $3.99 for only 20 pages. Additionally, the reprint is specifically germane to the main story, which would certainly be a $2.99 value, and it’s pretty unlikely I’d be able to acquire the single issue as its own unit for under $2, so the extra price is still a definite savings and added convenience to have the issue’s story right here.

All in all, this is actually a solid value and enjoyable issue for a $4.99 special, whether at that price over 5 years ago or by present-day 2017 standards. As something that might be come across in a bargain bin, this is certainly worth 25 cents, and would be a strong buy for $1, and I dare say I’d be relatively willing (for the nostalgia factor at least) to pay full cover price on this (or rather, some of the other DC Retroactive specials).

Highly recommended for the lead story if you’re a fan of Wolfman or the era; and certainly worthwhile for a glimpse back to that period combining the lead with the reprinted story (and pre-Gaiman appearance of Destiny). The cover is a definite treat as well!

dcretroactivesuperman1980s

Filed under: 2017 Posts, 2017 Reviews, The '90s Revisited | Tagged: , , , , , , , , , , , , , , , , , , , , , , , , , , | 2 Comments »

Superman (2016) #18 [Review]

Posted on March 3, 2017 by Walt

superman_0018Superman: Reborn Part 1

Story: Peter J. Tomasi and Patrick Gleason
Pencils: Patrick Gleason
Inks: Mick Gray
Colors: John Kalisz
Letters: Rob Leigh
Cover: Patrick Gleason and John Kalisz
Assistant Editor: Andrew Marino
Editor: Eddie Berganza
Special Thanks To: Dan Jurgens
Published by: DC Comics
Cover Date: Early May 2017
Cover Price: $2.99

[ Please note that I will spoil the issue a bit, so stop reading now and come back AFTER you’ve read the issue yourself, if you do not want to encounter spoilers! ]

I buy each new week’s Superman book pretty much as an extremely welcome again (after some 6 or so years away) "habit"–and have since about this time last year. That said, the covers rarely "grab" me–I recognize them, the issue gets paid for and taken home, and read. THIS issue, though, really jumped out at me for its coloring/color-scheme, the visual design, and somehow being rather unexpected to me. It also seems like it’s a small piece of a singular image that I can imagine being spread out across at least 3 more chapters of this story (though I’ll be highly annoyed–to say the least–if such a thing would merely be VARIANTS for this single issue. I’ll hold to my notion until at least next week, though, and give the publisher the benefit of the doubt for now).

This is the opening issue of a fairly "hyped" storyline that I’ve been looking forward to despite some disappointment at how the Clark Kent story seemed to "end" over in Action Comics last week. (Though I’ll give it credit for playing into continuity and this feeling largely like "just" the next issue in sequence OF an ongoing thing).

We open on a brief scene of someone–presumably this Mr. Oz–musing on time/space blah blah blah, and then seeing multiple individuals in his "collection" acting out–reacting to the fact that SOMEONE (we aren’t told who) got out. Looking to the empty cell, we see graffiti indicating an extreme hope in Superman…before shifting to Hamilton County and the main part of the issue.

[ Spoilers to follow ]

Clark, Lois, and Jon are celebrating the couple’s anniversary when there’s a knock at the door. The "other" Clark Kent seems to have left something for the family (and majorly spooks Krypto!).  They find that it’s a scrapbook with photos that no one on this Earth–let alone reality–"should" have. Its images shouldn’t even exist, they were wiped out with Clark and Lois’ Earth. Before they can dig all that deeply, they notice their house is on fire…but quickly realize it’s not so much on fire as being ERASED. Then to make it WORSE…Jon’s being erased. Superman leaps into action to save his son, as any father would. And we see the maddening, helpless desperation of our hero and his wife as they see everything they know and love…erased.

Talk about a setup and leaving one hanging! I’ve loved only having to wait two weeks between issues for Superman and Action Comics since last spring…but this would be flat-out frustrating to have to wait an entire two weeks…I’m anxious for the next chapter, in next week’s Action Comics…by the time of this post, a "mere" 5 days, and that seems too long!

There’s plenty to be found within this issue and its story. We have stuff pointing to the larger DC Universe as it now stands. We have stuff rooted firmly within the Superman books, and specifically this title. We have reference to earlier issues, and we have references to pre-Flashpoint elements. So it seems that we’re getting some major payoff about to really kick into gear after most of a year of building. Still more, we have a story that seems like it’s pretty self-contained to the Super-titles, not some line-wide must-buy-them-all crossover or such. I believe some of the events of this book might trickle out and be reflected in other titles, but in this issue we’re only directed to Action Comics, next.

This may not be the BEST issue for a new reader to start with…but it’s not horrible, and I also think a lapsed reader could probably do pretty well here, just knowing that this is pre-Flashpoint Lois and Clark; that they have a son, and there’s been some other Clark Kent around.

Visually, I have very mixed feelings on this issue. On one hand, I like the cover, and most of the interiors are ok. There are a couple panels–one with Tim Drake (Robin/Red Robin) and one of Jon–that just look really off to me. While Tim’s appearance can be chalked up to his imprisonment, the first large panel of Jon just looks too cartoony to me, overly manga-styled for what is NOT a manga volume. I suppose comparison could be drawn as well to Ed McGuinness‘ art (I’m thinking around 2000 or so), but in the moment, it just threw me off and had me feeling a lot more nitpicky about the issue. The cover, though, is pretty darned good, and would make an excellent print for hanging…and if this indeed is part of a multi-part image, I dare say it’ll likely make a fantastic poster.

All in all, even if you’re not "up" on the various Superman titles, if you’ve a passing familiarity, I’d definitely recommend this issue. It’s well worth its $2.99 cover price, and does a nice job of setting stuff up for what ever is to come, while providing its own major chunk of story and key event for things. I’m eagerly anticipating the next chapter, and to see where things go in general with this story, and the Super-books in general!

Filed under: 2017 Posts, 2017 Reviews, DC, DC Rebirth, Superman (2016) | Tagged: , , , , , , , , , , , , , , , , , , | 3 Comments »

Curse Words…for Curse Words: Dropped Due to Variants

Posted on February 24, 2017 by Walt

If you’ve been reading this blog for ANY length of time, you know that I–as a general rule–loathe variant covers. Primarily "ratioed" variants, but with very FEW exceptions, variants in general, their very existence.

And this week just REALLY reminded me WHY.

And though I COULD blame the comic shop, I personally place the blame squarely on the publisher, FOR doing a variant. Or allowing a variant. Or WHATEVER the case is.

curse_words_variants

After actually rather enjoying the first issue, and looking forward to the second issue, the day finally came: Curse Words #2 was on "the list" as out on February 22nd.

Having been "burned" by a "surprise" variant on Moonshine #2 (which, by the way, immediately prompted me to NOT pick it up ,and thus lost me on singles on that series), I was "re-aware" of even Image doing variants on stuff (something I’d be more inclined to attribute to DC, Marvel, IDW, Boom, and Dynamite!).

So, when I saw two different covers, neither of which was visually "familiar" to me, and I was already expecting there to be a "new" or "unfamiliar" (because I ONLY bought one cover of #1!) issue, I figured fine, they did a second issue with variants, I had not really seen any "marketing" or such for the issue so was not (for once) pre-disposed to preferring one specific cover…so I grabbed the more appealing (to me) cover of the two or so I saw.

Got it home, even included the thing in my photos for my "Weekly Haul" post, none the wiser of anything.

But then I went to READ the thing.

And I saw that the word "Second" was NOT followed by "Issue" after all, on the cover.

Nope…it was followed by "Printing."

I managed to grab a second printing of #1, the issue that I already owned, that I bought and read weeks ago.

And of course, much as with most publishers, comics are not some "returnable" thing, so it’s not even like I can take the thing back to the shop for a refund or such. I’m stuck with a second copy of the first issue now, and no copies of the second.

Frankly, to say that I’m "annoyed" is an understatement.

On principle, I’m done with this book as single issues. I might snag the collected volume(s), but I will NOT support it any further as single issues.

Should I have noticed that it was not actually the second issue? Maybe. BUT when I know the second issue’s due out, with a cover that’s not mimicking the first, and I’m grabbing my comics in a hurry and just want to get stuff and get out after a long day at work, I’m not gonna examine every stupid facet of a cover. I buy comics because I want to read the story, not for stupid covers!

Maybe the shop should have put something with the issue to indicate 2nd printing. Maybe they should’ve shelved it with last month’s books instead of right next to the brand-new 2nd issue (but probably more sales having them together, so someone can immediately see and pick up BOTH issues if they’re looking for them/curious!).

So, I hold Image responsible…with no idea if the "idea" or "push" came from a creator or not. Just use the same darned cover, and mark it as a second printing! IF I wanted more "art" from something, I’d buy a darned print or something!

And on top of this…folks wonder why I tend to gravitate toward collected volumes for new issues. At least THERE, I’m FAR LESS LIKELY to wind up getting some 2nd print of something I already have, with just a cover in quick passing to go on.

Filed under: 2017 Non-Review Posts, 2017 Posts | Tagged: , , , , , , , , , | 2 Comments »

TMNT Revisited: Teenage Mutant Ninja Turtles Adventures #25

Posted on February 20, 2017 by Walt

tmnt_adventures_revisited

tmntadventures025Raw Power

Script: Dean Clarrain
Pencils: Chris Allan
Inks: Rod Ollerenshaw
Letters: Gary Fields
Colors: Barry Grossman
Edits: Victor Gorelick
Published by: Archie Comics
Cover Date: October 1991
Cover Price: $1.25

This is another very special issue in my personal history with the turtles: this was THE first issue I ever got of TMNT Adventures at Waldenbooks as a then-new issue “off the rack,” still some months before I ever discovered such a thing as a comic shop. Along with that, the way I’ve mentally divided the series into “seasons” over the course of this re-reading project, I do see this as a “second season” finale.

The issue starts with a shot of the outside of a couple stores, as we’re left to imagine the naked Bebop and Rocksteady doing their shopping for clothes and guns. As they gather supplies, we return to the main thrust of the action–the TMNT vs. Slash, Bellybomb, and Krang as Shredder’s head. The bulk of the story is the details of the fights–Krang/Shredder vs. Leonardo, Donatello and Mikey vs. Bellybomb, and Raph vs. Slash. While they all fight, we find Bebop and Rocksteady freeing zoo animals, while bantering and generally enjoying themselves. Slash gets distracted remembering that he’s looking for his palm tree and leaves the fight; Bellybomb is knocked out by his own “mega-halitosis” and Raph gets Krang of Shredder, leaving the villain in the turtles’ debt. When Bebop and Rocksteady show up leading an army of dangerous animals, the turtles are out-gunned and out-numbered and consider cashing in that debt…but turns out the mutant duo is quite satisfied simply with the turtles admitting defeat. They just want to go home, and agree to take Bellybomb and Krang with them.

So the “season” ends with Shredder leaving to ponder the turtles’ having saved his life and “owing” them; Krang and Bellybomb are left back on Morbus (but not on a sinking barrel this time). Slash finds his palm tree and seems happy. The turtles return home…and Bebop/Rocksteady, too, return home. We have to continue on to the backup for April’s whereabouts, but that ends on a bit of a cliffhanger such that I could live with it within the “season” analogy.

Dragon Rage

Script: Dean Clarrain
Pencils: Chris Allan
Inks: Mark Pacella
Letters: Gary Fields
Colors: Barry Grossman
Edits: Victor Gorelick

Chu Hsi has brought forth the Warrior Dragon, and attempts to rescue Fu Sheng from the ninjas that’ve kidnapped him. Though the Dragon has little physical trouble with the ninjas, one of them throws a strange powder in his face…causing him to revert back to human form, and the naked fireman is dragged off with April unable to do anything but watch.

When I first read this issue more than two decades ago I had no idea who Bellybomb or Chu Hsi were, where they’d come from, etc. They were just simply “there.” I’d recognized Slash from the action figure; the turtles and Shredder/Krang as well as Bebop and Rocksteady were givens, of course. However, the Shredder/Krang relationship obviously was not what it was in the cartoon, and Bebop and Rocksteady are portrayed quite differently here than in the cartoon but everyone was still obvious as to who they were and all that, otherwise.

This time through I obviously have the “full” context of the series to date so (among other things) actually know that Krang attached himself to Shredders head and it only just happened at the end of the previous issue, as opposed to a multi-issue development or some such. Bellybomb’s not some long-time foe in this series any more than he is any other TMNT book; Slash is the generic mean/evil-turtle longing for his palm tree, and the story just “is.”

From the dialogue between them, we get a lot of exposition on Rocksteady and Bebop as well as the clarification that they actually DID start out human, but have the MEMORIES and such of the animals they were mutated from (apparently a slightly different mutagen than what transformed the turtles and Splinter). I’m not entirely sure if I’m disappointed at that or not, having come to kinda like the notion of them being mutated animals rather than mutated humans.

I’m not entirely sure how I feel about the two leaving the turtles…on one hand it’s a letdown and inconsistent with their brash talk in other issues of dealing with them. Yet, given their time on the Eden planet and such, I can accept it. All the more as I believe this is the last we see of them until the TMNT 30th Anniversary Special from IDW last year.

The backup story is another short snippet that goes by rather quickly and simply. I appreciate its placement as a separate thing from the main story as that allows it to breathe while not being shoehorned into the main story. Knowing what it leads to certainly colors my perspective and lends “meaning” to it, as the story otherwise seems rather generic, getting such a little piece of it here.

Having Allan back on pencils for the entirety of the issue is a welcome thing, main story as well as backup. Liking his work, I don’t have much to say on it except it’s good and this being roughly where I joined the series it makes sense that he was a definitive artist on the characters for me.

If this were a tv show, I suppose the backup stuff would have been worked into the main body of the “episodes,” leaving us on Chu Hsi’s capture as the cliffhanger to keep us hooked for the next season.

Filed under: 2016 posts, 2016 Reviews, The '90s Revisited, TMNT Adventures Revisited | Tagged: , , , , , , , , , , , , , , , , , , , , , , | 2 Comments »

Super Sons #1 [Review]

Posted on February 17, 2017 by Walt

super_sons_0001When I Grow Up… part one

Story and Words: Peter J. Tomasi
Artist: Jorge Jimenez
Colorist: Alejandro Sanchez
Letterer: Rob Leigh
Cover: Jimenez and Sanchez
Associate Editor: Paul Kaminski
Group Editor: Eddie Berganza
Published by: DC Comics
Cover Date: April 2017
Cover Price: $2.99

I’ve been looking forward to this title for quite some time…for a number of reasons. One being the fondness with which I recall reading some of the "classic" "Super Sons" stories in Grandpa’s old comics. Another being the inspired nature of putting Damian and new Superboy Jon Kent together and seeing the two playing off each other–my having come to "accept" Damian, and being quite open to the possibilities of a Superboy who is not "just" Superman as a boy or an adopted "clone" or such…but the biological, actual SON of Superman. Then there’s the simple fun of "Son of Batman" with "Son of Superman" and their being kids, and far less "need" for decorum, professionalism, etc. As kids…there’s bound to be a certain lack of a "filter" and hijinks can ensue.

We open with a creepy-ish scene with a family that reminds me a bit of that episode of The Twilight Zone—It’s a Good Life–with a kid having a family/town in thrall. Then we jump into some action with Robin and Superboy racing away from a crowd of creepy doppelgangers of themselves. And then…we jump to the recent past to see how they got there. We follow Jon on an otherwise normal day, seeing him dealing with being a kid, going to school, and trying to stand up for someone who can’t otherwise stand up for themself, while he HAS the power to do something. We also see Damian dealt with parentally by Batman, forced to face academics rather than action. Of course, he winds up sneaking out anyway, and enlists Jon’s assistance, as Superboy and Robin are on the case. Little realizing what an appropriate adult figure they’d bump into…the boys are in trouble, one way or the other, and we’re but one issue in.

I don’t know what I expected, exactly, from this series, outside of the hype and promise of its potential (see my opening paragraph). I’m at once drawn to, yet put off by, the art. It has a clear, energetic quality to it, a bit cartoony without being ridiculous. And I suppose it reminds me a bit of the look of the Young Justice series from the ’90s somehow, though that may just be a track of thought with no fruit…the mind can be a funny thing sometimes.

The art certainly fits the title, but I guess visually I was just expecting something more along the lines of Jim Lee, Ed Benes, or some other familiar/iconic Superman and/or Batman artist.

So while not my first choice, the art IS good, fits the story, and one can follow the action and such just fine. I’m sure it will grow on me, and become iconic in its own way, if there’s not a rotating art team or such on this title.

Story-wise, this fit in quite well with the "backdoor pilot" story we had a couple months ago in the Superman title, as well as fitting with what I’ve read of both Jon and Damian over the years in general.

We seem to be getting a new "villain" for the story, some new threat that is NOT just the kids facing some cheesy or cast-off villain from their dads’ rogues gallery(ies). And though the dads are part of the story, the story is not about them–they’re rather typically incidental.

But we’re also given plenty of first-issue material here (which is good since this IS a first issue!) in being introduced to the title characters, their supporting cast/relevant family, see them in their own elements, together, and then they’re brought together TO "team up," and encounter a threat that may be beyond either of them individually…and then a direct encounter with someone neither one of them would WANT to encounter.

This is a rich issue for me, having read plenty of (older) Batman and Robin stuff, and plenty of stuff throughout Damian’s 12-ish year existence, as well as the past 8-9 months of Rebirth-era Superman stuff, and the earlier Lois and Clark mini that came out of the events of Convergence (itself nearly 2 years ago). But just knowing tangentially that these are the biological, actual SONS of Superman and Batman, you can jump in and pick up from this issue alone, with its own context and  such.

The primary drawback here is that this is but one issue, and compared to the biweekly main Superman/Action and Batman/Detective books I believe this is monthly…so it’s going to seem drawn out. And though elements I’d expect of a first issue are here, it’s "just" part one of the story, and I’d be quite shocked if this is any less than 6 chapters…this feels like a solid opening chapter of a serialized graphic novel.

All in all, if you have enjoyed these characters in the past–individually or their "team-up" in Superman a couple months back–or are at all intrigued at the notion of the sons of Superman and Batman interacting/having their own adventures…this is a good start. I’ll certainly be giving it another issue or so myself before deciding if it fully seems more worthy of a graphic novel than being strung out as single issues.

For now? It’s only $2.99, and well worth at least giving it this single issue to get your interest up, with what it shows AND what it "promises."

Filed under: 2017 Posts, 2017 Reviews, DC, DC Rebirth, Super Sons | Tagged: , , , , , , , , , , , , , , , , , , | Leave a comment »

The Weekly Haul: Weeks of February 8th & 15th, 2017

Posted on February 16, 2017 by Walt

This week was not a tiny week, nor a huge week…but did have one issue in particular I’ve been looking forward to for awhile, another I was curious about and bought grudgingly despite variant covers. Plus some extras, and an Image vol. 1.

weeklyhaul_02152017a

I’ve been anticipating Super Sons for several months now, and though somewhat initially disappointed at it not being out last fall, was glad for time to be given to letting the characters/situation develop a bit more before rushing the title out. And I’m curious about The Wildstorm, but nearly passed on the first issue entirely due to no less than three apparently "equal ratio" variant covers, none of which seemed necessarily "iconic" or recognizeable. Then there’s the regular Superman issue; the fun Batman/TMNT Adventures, giving the second issue of God Country a chance, and not about to pass up a 25-cent issue (Invincible).

weeklyhaul_02152017b

On Tuesday, taking Carol & John’s up on their Feb. 14th promotion, I stopped in, and wound up purchasing the most recent Hellblazer volume. For my "prize," I got to choose five Marvel single issues. Figured I’d give the first couple a shot; the Star Wars Annual seemed an especially good "value" for being "free," and though I"d let the series go, I’m not opposed to "completing" a run of the short-lived X-Men ’92 series (now only missing 4 issues or so).

weeklyhaul_02152017c

And though I’d somewhat intended to buy the first paperback of the current Action Comics run, Superman: Path of Doom…flipping through the volume, I just couldn’t bring myself to buy it. $17 for 6 issues I already have, the first issue in print and digital, and handy. Plus, no bonus content, no "introduction" or "afterward" or such…just another 6-issue "graphic novel."

So I opted to snag Seven to Eternity vol. 1…same or larger thickness, and $7 cheaper.

Since I didn’t get around to posting it last week with rushing my All New Fathom #1 review, and the original got bumped for timing this week, below is my Weekly Haul post of stuff from from last week.

Continue reading →

Filed under: 2017 Non-Review Posts, 2017 Posts, NON-REVIEW CONTENT, The Weekly Haul | Tagged: , , , , , , , , , , , , | Leave a comment »

Comics and Valentines

Posted on February 14, 2017 by Walt

Being sick over the past weekend significantly drained time that I’d intended to spend reading and writing, and getting a bit ahead with this blog. I’d had several thoughts for stuff to post for February 14th, but along with the aforementioned being sick, I face the day as I have every year–Han style.

han_style_solo

So, I’ll let that negativity out a bit. There’s a quote that a friend shared with me many years ago that just epitomized my feelings on the matter of love at the time…and actually inspired me to pull the trigger on finally seeking out Gaiman‘s The Sandman series.

gaiman_quote_love

Then there’s John Constantine, the Hellblazer. When I first "met" the character–the first time I’d read any full story of the character–he was coming off losing a major love of his life. And his dealing with that was something I could identify with at the time (or at least so I thought, but that’s a different story).

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Then there are two comic marriages that probably have meant the most to me over the years: Clark Kent (Superman) and Lois…and Peter Parker (Spider-Man) and MJ.

superman_lois_marriage

In Superman, there was a hero figure, as well as the ease of identifying with someone (Clark Kent) who was from some town somewhere, not comfortable with a world’s attention, just trying to be the best he could be, as his parents raised him. And by just being himself, NOT some flashy super-figure, Clark Kent "got the girl" despite the "shadow of Superman." (Though he could not in good conscience hold the secret, so Lois knew long before the wedding…but again, more stuff for other times).

spidermanmarriage

And then in Peter Parker, there was that notion that hey…if he can get the girl, get that happy STEP in life (NOT necessarily ENDING)…perhaps something like that’d be a reality, right? People grow and change, mature, stuff happens that they never expect, yadda yadda yadda… I actually grew up on a married Peter & MJ. And to this day, I hold that I have no interest in reading an adult single Peter/Spider-Man story. Yet again, though…more for another post.

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Then, of course, there’s Cyclops and Phoenix…Scott Summers and Jean Grey. Though they’ve been split up longer than not in my conscious awareness of the characters…theirs is a relationship I still prefer (and miss).

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Finally, perhaps semi-forgotten by more contemporary creators and stories…Rogue and Gambit. As with the above…I could do an entire post just on them, but I’ll leave it that they’re–to me–a "classic comics couple," that I’d long rooted for eventually getting a happy/good ending.

I’m not even truly sure where I was going with this post. I guess just showcasing some examples of my favorite comics couples; that comics have touched on a number of different facets of my feelings on love, couples, and all that.

Call this a token cheesey post. Whatever.

Lately, I’m back to largely feeling Gaiman‘s quote quite close to home.

And other than composing this post the night before…I’ve every conscious intention of going head-in-the-sand for "the day," after which will mean we’re finally past "the holidays" for awhile (and heck, into epic-movie-season or such again).

Filed under: 2017 Non-Review Posts, 2017 Posts, NON-REVIEW CONTENT | Tagged: , , , , , , , , , , , | Leave a comment »

TMNT Revisited: Teenage Mutant Ninja Turtles Adventures #24

Posted on February 13, 2017 by Walt

tmnt_adventures_revisited

tmntadventures024Gimme Danger!

Script: Dean Clarrain
Pencils: Garret Ho, Jim Lawson
Inks: Brian Thomas, Rod Ollerenshaw
Letters: Gary Fields
Colors: Barry Grossman
Edits: Scott Fulop, Victor Gorelick
Published by: Archie Comics
Cover Date: September 1991
Cover Price: $1.25

Well, there goes my thoughts of a consistency moving forward with Allan on art…or at least, that was my first thought with a different style to the art from the first page. Turns out this is a split issue with a lead story and a backup!

The lead story finds Krang and new allies Bellybomb and Slash arriving on an “Eden planet” (planets set aside by elder races of Dimension X as nature preserves/places of peace). Conveniently they arrive not only at the PLANET Cherubae sent Bebop and Rocksteady, but in the very field the two are hanging out. The ship having let its live cargo off, the group is free to return to their Earthbound journey, no longer captive to the ship’s auto-programming. On Earth, Shredder prunes a bonzai tree while lamenting his recent defeat…even as the turtles draw close, having found this latest base. While they fight, Krang has piloted his gang to the HQ and crashes in, leaving the turtles to fight Slash, Bellybomb, Bebop, and Rocksteady while he hides and waits for Shredder. Krang’s plan for revenge and acquisition of a new body prove a “two birds/one stone” situation as he takes control of Shredder’s body, somehow attaching himself to Shredder’s head/face.

The art’s a bit “off,” with both Ho and Lawson splitting the story. After so enjoying the previous issue, the art on this one is quite a letdown. It’s not bad, but definitely different and not what I was expecting. Ho‘s work has come to be somewhat familiar, though I found Lawson‘s part seemed to be a lot different than his last time around with this title. Compared to Mitchroney and Allan, though, this is not a preference for me.

It Started in Chinatown

Script: Dean Clarrain
Pencils: Chris Allan
Inks: Mark Pacella
Letters: Gary Fields
Colors: Barry Grossman
Edits: Scott Fulop, Victor Gorelick

Though we got a full 20-page story, we also get a “backup story,” starring April as she meets up with new friends Chu Hsi and Fu Sheng. When Fu Sheng is kidnapped, and Chu and April are unable to take on a small army of ninjas, Chu calls forth the warrior dragon spirit to aid the situation.

I had completely forgotten about this backup…I was thinking it’d be a few more issues before we’d hear from Chu and the Dragon again. I’d also forgotten that the “solo April stories” started this early in the run.

Though the story is a rather short, fast-paced segment, it’s cool to see April on her own, competently handling a katana, and having a life away from the turtles. Granted, we only really see her with a couple people the turtles just recently had involvement with, but the point stands. She’s not just simply hanging out with the turtles or fulfilling some stupid damsel-in-distress role.

I don’t recall how many chapters there were to this backup series, but it might throw a small wrench into my “season” analogy if it carries beyond two chapters.

I’d have to research Allan‘s work to see if this was his first series, and if there’s anything on why he was on the backup and not the main feature. Still, seeing more of his depiction of April is a welcome treat, and I look forward to the next issue.

Filed under: 2016 posts, 2016 Reviews, The '90s Revisited, TMNT Adventures Revisited | Tagged: , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , | 1 Comment »

TMNT Revisited: Teenage Mutant Ninja Turtles Adventures #23

Posted on February 10, 2017 by Walt

tmnt_adventures_revisited

tmntadventures023Search and Destroy

Script: Dean Clarrain
Pencils: Chris Allan
Inks: Brian Thomas
Letters: Gary Fields
Colors: Barry Grossman
Edits: Scott Fulop, Victor Gorelick
Published by: Archie Comics
Cover Date: August 1991
Cover Price: $1.25

Well…THAT is more like it! Other than vaguely recalling that Krang was in this issue at some point (mostly from the cover), I couldn’t have told you what the story was about off the top of my head. But reading the issue? It was just an enjoyable experience!

We have YET ANOTHER new artist on the book in Chris Allan. From what I recall, though, this change STICKS. While I quite enjoyed Mitchroney‘s work, I’m pretty sure Allan stayed on for quite some time and it’s his work that I most associate with the book, through most of the rest of its run.

The visual style is similar to what’s come before, but a bit different from Mitchroney‘s; a sort of pleasant consistency with a hint of difference that settles in as the run goes on. For this issue in particular, I just like the look and feel of the various characters.

We don’t really get an explicit recap of recent events in this issue as we get to see the turtles having some down-time in a heated hot-tub Donatello’s rigged up. Their conversation serves as exposition to refresh [my] mind on recent events as well as explain stuff that happened off-panel: namely how Raph returned to Earth, the whereabouts of Mondo Gecko, and the resolution of the Maligna/invasion stuff. April, meanwhile, declines to join the turtles…having no interest in the heated SEWER WATER. In Dimension X, the barrel that Krang was banished to on Morbus (back in #13’s Final Conflict) is sinking, and he laments the defeat as well as his imminent fate. However, he’s about to have an encounter with a very DIFFERENT humanoid turtle. Back on Earth, Splinter finds the group and declares it time to go on the offensive–seek out Shredder proactively rather than just sit around with him “out there.”

The turtles head to Chinatown while April stays behind to continue her training with Splinter. On Morbus, Krang meets Slash, who rescues him as the two ally themselves for the foreseeable future. They soon come across a just-arriving prison/transport ship and assist the prisoner in defeating the guards, and the group heads toward Earth. As this is going on, the turtles find some kids preparing to use a bazooka to hit an armored car on the street above from the secrecy of the sewer. Though the bazooka goes off, ultimately the kids are no match for the turtles who leave them for the authorities while taking their guns to destroy them…little knowing the threat headed toward Earth.

I like the narrative style of this issue, with dialogue serving to transition back and forth between the events on Earth and Morbus. While Shredder’s bursting back into things a few issues ago was outta nowhere, this issue gives us the “subplot” detailing Krang’s allying himself with new/alien characters to make his way toward Earth.

As said at the start of this post…I really enjoyed this issue as a whole. We have the turtles in both low-key and action sequences…we have April just hanging out with them as well as continuing her time with Splinter; we have Krang, we have new characters, and we have build up to a new conflict as we head toward what I’ve come to see as a “second-season finale” with the return of this villain that was defeated at the end of the first “season.” (Yet, unlike contemporary 2016 comics that are marketed somewhat as “seasons,” this series maintains its ongoing numbering with no reboots or variant covers or such).

Compared to the previous three issues, this is fantastic, and I think I’d recommend jumping from #19 and the Mutanimals mini-series to this and just ignore #s 20-22.

Filed under: 2016 posts, 2016 Reviews, The '90s Revisited, TMNT Adventures Revisited | Tagged: , , , , , , , , , , , , , , , , , , , , , , | 1 Comment »

All New Fathom #1 [Review]

Posted on February 9, 2017 by Walt

all_new_fathom_0001All New Fathom Part 1 of 8

Writer: Blake Northcott
Pencils: Marco Renna
Digital Inks: Mark Roslan
Colors: John Starr
Letters: Zen
Editors: Vince Hernandez, Gabe Carrasco
Design & Production: Mark Roslan, Peter Steigerwald, Gabe Carrasco
Cover: Marco Renna, John Starr
Cover Date: February 2017
Cover Price: $3.99

I don’t usually go for comics like this. I’m not a fan of these scantily-clad female leads, running around in bathing suits and–from the outside looking in–seeming to be more flash than substance. But, having followed the writer on social media for a number of years, I’d decided when it was announced that she’d be writing a new iteration of the series, I’d at least check it out…all the more as a female such character in this case being written BY a female, and not just another book to be lumped together, written by a guy about some visual/eye candy.

I then managed to forget the thing was due out this week, until–via social media–I saw her post about it being out, which brought it back to my attention…and I was ok with paying out $3.99 for the issue, as it’s at least NOT DC or Marvel and all that.

So what did I wind up with, for that $3.99?

For one thing, I felt like this was a lengthy read. I did not feel like I just turned a couple pages and was at some to-be-continued or like the issue was too short.

I had no idea what to expect, really…having never (That I can recall) read an entire issue of Fathom or Soulfire or such. The opening page puts us right into the heart of the action, as our heroine–Aspen–is mega-uppercut-punched out of the ocean into the coastal city and does battle with the guy doing the punching. While she fights him–and his mysterious weapon, trying to keep any civilians from being killed–we learn that the narration is from AFTER the battle (so she won), telling her friend about the fight. Finally, she reveals what she’s learned about the mysterious weapon that had been used against her, and how that plays into stuff going forward.

I wasn’t overly impressed with the cover, as I’m not really familiar with even the title character, let alone any supporting cast (new OR long-since-established). The main cover’s not bad, but seems rather generic to me (as opposed to indicating the battle that took place in the issue).

Visually, the issue felt like what I would expect from "an Aspen book" even if I can’t quite quantify what that is, exactly…except that I suppose this looks like it belongs with or fits right in with prior books from the publisher, and so does not look like an oddball or out of place piece that happens to be published by Aspen. The characters all look quite believable, and as much as is possible for a woman basically in a bathing suit, I felt like the issue avoided unnecessary or overly-gratuitous imagery…I didn’t feel "dirty" paging through the issue! I was also reminded a bit of Witchblade, and will be interested to see how coincidental (or not, or far off) that works out to be in coming issues.

Story-wise, I enjoyed how down-to-earth this felt. I figured as a #1 issue, new series and new story, this would feel like just some opening chapter, and just throw a bunch of introductory stuff at me and leave me not really knowing what the heck was going on. However, I found that I got a complete story, really, even as stuff is thrown wide open for subsequent issues! We’re introduced to the title character, her situation, others involved with her, a bit about her background/where she comes from, while seeing the character in action and interacting with her friend. There’s a healthy dose of real-world commentary…particularly in "seeing" how the character is reacted to across various media.

Ultimately, I just enjoyed this issue, and I’m quite glad that I bought it. I checked it out solely based on the writer, and I’m left with an honest interest in getting the next issue to see how things play out.

While it by no means gets into over a decade of "history" with the title character and such, this is still an excellent jumping on point, and one of the stronger, most complete and worthwhile first issues I’ve read in quite awhile.

If you’re a fan of Blake Northcott‘s writing, or Aspen (the character), or the publisher or such, I suspect this will be a fitting bit of enjoyment as well. I’m looking forward to the next issue, and seeing how stuff advances and continues to play out!

Filed under: 2017 Posts, 2017 Reviews, Fathom (Aspen Comics), INDEPENDENT/SMALL-PRESS PUBLISHERS | Tagged: , , , , , , , , , , , , , , , , | 2 Comments »

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